‘Baby Reindeer,' ‘Shogun' win at the 2025 Peabody Awards: See the full winners list
The Peabody Awards Board of Jurors selected the prestigious honorees in the categories of arts, children's/youth, documentary, entertainment, interactive and immersive, news, public service, and radio/podcast. Baby Reindeer and Shōgun are among the seven entertainment winners, with the others being Fantasmas, Mr Bates vs the Post Office, Ripley, Say Nothing, and We Are Lady Parts.
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The winners were chosen by a unanimous vote of 27 jurors from more than 1,000 total entries. Together, they "encompass a wide range of contemporary and historical issues, including the war in Gaza, rural healthcare, a focus on disabilities, authoritarianism, and sexual violence,' said Jeffrey Jones, executive director of Peabody. The eligibility period was the 2024 calendar year.
Here is the full winners list for the 85th annual Peabody Awards:
Photographer (National Geographic)
The first season of National Geographic's Photographer showcases renowned photographers like Paul Nicklen, Cristina Mittermeier, and Anand Varma, who use their art to highlight issues such as environmental threats, the wonders of nature, and the representation of the African diaspora. Through beautiful and probing documentaries directed by notable cilmmakers, the series explores the deeper implications of photography, emphasizing how images are crafted to advocate for visibility and awareness.
Out of My Mind (Disney+)
Director Amber Sealey's film Out of My Mind follows sixth-grader Melody Brooks, a nonverbal teen with cerebral palsy, as she asserts her independence, showing how adults often overlook her efforts to communicate. The cilm's heartfelt storytelling and sensitivity emphasize the importance of treating individuals with special needs with respect and empathy.
Any Other Way: The Jackie Shane Story (Crave)
Any Other Way: The Jackie Shane Story creatively chronicles the life of pioneering trans soul and R&B singer Jackie Shane, who has largely been forgotten due to the scarcity of video footage from her performances. Through inventive rotoscoped animations, audio of her conversations with co-director Michael Mabbott, and interviews with her relatives, the documentary explores Shane's complex identity and her reasons for stepping away from the spotlight.
Black Box Diaries (MTV Documentary Films/Showtime)
Shiori Itō , a young journalist in Japan, tells her own harrowing story of bravely confronting the powerful male journalist Noriyuki Yamaguchi after he rapes her, despite facing disbelief from the police and media. Her relentless pursuit of justice, using her smartphone to document conversations and gather evidence, imbues the documentary with an intense intimacy and determination.
Bread & Roses (Apple TV+)
The Taliban's takeover of Afghanistan in 2021 severely restricted the rights of more than 20 million women, preventing them from accessing education and employment while facing harsh public limitations. Sahra Mani's documentary Bread & Roses highlights the resilience of Afghan women in these circumstances, showing their organized resistance as well as the joy they insist on cinding in their everyday lives.
Daughters (Netflix)
Daughters, directed by Natalie Rae and Angela Patton, explores the Date With Dad program, which hosts dances for girls and their incarcerated fathers, creating a temporary sense of home in a prison setting. The cilm poignantly highlights the emotional struggles of these girls and their families, emphasizing that while the event fosters connection, it cannot replace the presence of a father throughout their childhoods.
Mountain Queen: The Summits of Lhakpa Sherpa (Netflix)
This film tells the inspiring story of Lhakpa Sherpa, who balances an ordinary life working at Whole Foods in the United States while nurturing her extraordinary passion for climbing Mount Everest, where she has made multiple record-breaking summits. The documentary not only highlights her remarkable achievements against the backdrop of personal struggles, but also vividly showcases her resilience and spirit, her tenacity and connection to the mountains.
Night Is Not Eternal (HBO Max)
In Night Is Not Eternal, filmmaker Nanfu Wang explores the complexities of dissent and solidarity through her procile of Cuban activist Rosa Marı́a Payá Acevedo, highlighting their shared experiences in authoritarian regimes. As Wang documents Payá Acevedo's journey during the Trump administration and the 2020 election, they confront growing ideological divides, ultimately revealing the challenges and compromises individuals make in the pursuit of "freedom" and "democracy."
One With the Whale (Independent Lens, PBS)
One With the Whale follows 16-year-old Yupik tribal member Chris Apassingok as he celebrates his cirst harpooned whale, a significant coming-of-age milestone and means of provision for his village, only to face a wave of hateful online backlash from an environmental group when photos of his accomplishment are posted on social media. Directed by Jim Wickens and Peter Chelkowski, the cilm powerfully illustrates the challenges faced by indigenous communities in preserving their traditions amidst climate change and external judgement from an increasingly connected world.
Queendom (Galdanova)
Queendom follows Jenna, a gifted performance artist whose bold self-expression becomes an act of resistance against oppression and violence in Putin's Russia. Through Agniia Galdanova's powerful storytelling, the documentary captures both Jenna's painful struggles and her triumphant perseverance.
Stax: Soulsville U.S.A. (HBO Max)
This powerful four-part HBO documentary chronicles the rise, fall, and cultural impact of the iconic Memphis soul label, showcasing legendary artists such as Otis Redding and Isaac Hayes. By weaving together music, history, and the era's racial and political forces, the series delivers a poignant, soulful, and deeply American story.
The Remarkable Life of Ibelin (Netflix)
Benjamin Ree's The Remarkable Life of Ibelin explores the enriching impact of video games through the life of Mats Steen, a Norwegian man with Duchenne muscular dystrophy who cinds community and meaning in World of Warcraft. By juxtaposing Steen's virtual and real- life experiences, the cilm serves as a poignant tribute to his journey and highlights the profound connections that can be formed in digital spaces.
The Truth vs. Alex Jones (HBO Max)
Director Dan Reed provides an exclusive look at the trial of radio host Alex Jones as he faces a lawsuit from the parents of Sandy Hook victims for promoting false claims about the shooting. The cilm not only highlights Jones's manipulative tactics for fame and procit but also critiques a society where trust in shared truths is deteriorating, resulting in a compelling examination of truth versus conspiracy.
Will & Harper (Netflix)
In Will & Harper, comedy writer Harper Steele navigates her gender transition while reconnecting with longtime friend and collaborator Will Ferrell, who offers unwavering support despite the challenges posed by societal bigotry and transphobia. Their cross- country trip becomes a humorous and heartfelt exploration of friendship, trans allyship, and the complexities of identity.
Baby Reindeer (Netflix)
Starring Richard Gadd as flailing stand-up comedian Donny Dunn, Baby Reindeer explores his tumultuous relationship with Martha, a fan whose clattery quickly escalates into stalking. Based on Gadd's own experiences, the series offers a darkly comedic yet poignant examination of abuse, trauma, and the complexities of autociction, showing the potential for storytelling as a means of healing.
Fantasmas (HBO Max)
Julio Torres's HBO show Fantasmas blends absurdity and humor in a surreal world where the protagonist, Julio, grapples with the need for a "proof of existence" to validate his talent and identity amidst bizarre societal norms. Featuring a talented cast and a satirical take on conformity through its sketch-like structure, the series cleverly critiques everything from bureaucracy to reality TV.
Mr Bates vs the Post Office (Masterpiece/PBS)
In Mr Bates vs the Post Office, Toby Jones portrays Alan Bates, a seemingly ordinary subpostmaster unjustly accused by the British government of theft due to faulty software, showcasing his resilience and determination to cight for justice. The miniseries expands from Bates' individual struggle to expose a broader conspiracy, revealing the government's prioritization of corporate interests over citizen welfare.
Ripley (Netflix)
Ripley creator Steven Zaillian employs a stark black-and-white aesthetic to explore the moral complexities and deceptions inherent in human nature, focusing on the sociopathy of the titular character, masterfully portrayed by Andrew Scott. This adaptation stands out among previous versions of Patricia Highsmith's novel by integrating an unexpected connection to 16th-century painter Caravaggio, capturing the mid-century sensibility of Highsmith's work and offering a visual portrayal of grifting as a consequence of the American dream.
Say Nothing (FX/Hulu)
Say Nothing is a nine-episode limited series that chronicles the Northern Ireland conclict known as "The Troubles," focusing on the abduction and murder of Jean McConville by the Provisional Irish Republican Army in 1972. The series weaves together multiple narratives, including the stories of the Price sisters and Gerry Adams, exploring the deep social impacts of political radicalism, secrecy, and the emotional aftermath of violence.
Shōgun (FX/Hulu)
FX's reimagining of Shōgun, which adapts James Clavell's novel, shifts the focus from the English navigator John Blackthorne to the rich narratives of its Japanese characters, particularly Lord Toranaga and Lady Mariko, thereby challenging the original's white-savior narrative. This innovative approach results in a captivating and complex epic primarily in Japanese, a remarkable example of global collaboration and storytelling prowess.
We Are Lady Parts (Peacock)
We Are Lady Parts returns just as brilliantly in its second season, using the story of an all- female, all-Muslim British punk band to explore the nuanced challenges of maintaining authenticity while navigating success. With sharp wit, bold music, and intimate character portrayals, the show breaks stereotypes and offers a rare, multifaceted depiction of Muslim women unlike most representations in Western media.
1000xRESIST
1000xResist is a narrative adventure game set a thousand years in the future, focusing on themes of time, memory, and intergenerational trauma as it explores the aftermath of the 2019 Hong Kong demonstrations. Players, taking on the role of Watcher, delve into the memories of Iris the ALLMOTHER and her clones to confront the unsettling truths of their society, ultimately prompting reclection on the past and the future.
Inside the Deadly Maui Inferno, Hour by Hour
After the devastating wildcires in Lahaina, Hawaii, in August 2023, which resulted in at least 99 fatalities, The New York Times produced this in-depth report, showcasing innovative storytelling and investigative journalism. The comprehensive account combines more than 400 resident and tourist videos, interviews, and thorough analysis to reveal the failures that led to the disaster.
One Day in Gaza: Close Up
Al Jazeera English's One Day in Gaza: Close Up is a powerful social video capturing life in a besieged city through the phone cameras of Palestinian citizens, showing both daily resilience and the devastating impact of conflict. By empowering locals to tell their own stories when traditional journalism was restricted, the cilm offers an intimate, essential perspective.
What Does Racial Bias in Medicine Look Like?
Social media is clouded with health misinformation, particularly affecting people of color, as highlighted by "medical mythbuster" Dr. Joel Bervell. Through concise videos on platforms like Instagram and TikTok, he exposes racial bias in medical practices and algorithms, aiming to educate both healthcare professionals and patients.
Confronting Hate (WTVF-TV)
Phil Williams of WTVF-NewsChannel 5 conducted extensive investigations into the rise of right-wing extremism in Tennessee, uncovering the influence of neo-Nazis and white Christian nationalists, all while facing targeted harassment online. His impactful reporting not only highlighted a pressing issue in American politics but also led to a state investigation into a local police ofcicial promoting conspiracy theories.
Policing Phoenix (ABC15 Arizona [KNXV-TV])
ABC 15 Arizona conducted a groundbreaking investigation into the Phoenix Police Department's brutal treatment of Black Lives Matter protestors, resulting in the dismissal of 39 felony cases and triggering a three-year U.S. Department of Justice investigation. Following up with a detailed 32-part series on the DOJ's final report, the journalists provided critical context and additional evidence of police misconduct.
Surviving Nova (Vice TV)
On Oct. 7, 2023, Hamas militants launched a deadly attack on the all-night Nova music festival in Israel, resulting in 1,200 deaths and the taking of more than 200 hostages, which sparked a brutal siege of Gaza. The documentary Surviving Nova by Vice News captures the chilling events through smartphone footage and survivor testimonies, exploring the deep emotions and varied reactions of those affected.
The Night Won't End (Fault Lines/Al Jazeera English)
Al Jazeera's The Night Won't End highlights the harrowing experiences of Palestinians in the Gaza Strip, documenting the relentless attacks on civilians by the Israeli military using U.S.-provided weaponry. By following three families and collaborating with organizations such as Airwars and Forensic Architecture, the broadcast provides comprehensive evidence that underscores the absence of "safe zones" in Gaza while holding America accountable for its complicity.
The Only Doctor (Reel South/PBS)
The Only Doctor prociles Dr. Karen Kinsell, who runs the sole medical clinic in impoverished Clay County, Ga., highlighting the stark health care disparities in one of the wealthiest countries. Documentarian Matthew Hashiguchi captures her commitment to treating uninsured patients, while also critiquing the procit-driven health care system that threatens her clinic's existence.
Blindspot: The Plague in the Shadows
This powerful podcast reframes the AIDS crisis as a widespread, deeply interconnected struggle too often ignored by mainstream society. Through six episodes cilled with cirsthand accounts, it highlights the resilience and solidarity that emerged in the absence of national leadership.
In the Dark: The Killings in Haditha
In the Dark: The Killings in Haditha delves into the tragic 2005 massacre in which U.S. marines killed numerous Iraqi civilians in Haditha, revealing the profound anguish of the victims' families and the lack of accountability from the American government. Through nine meticulously researched episodes, reporter Madeleine Baran and her team uncover the dismissive and revealing responses from military ofcicials, highlighting the damaging impact of the U.S. wars on terror.
Pulse: The Untold Story
The 2016 Pulse nightclub shooting, initially portrayed in the media as a hate crime driven by shooter Omar Mateen's struggles with his sexuality, is revealed by reporter Trevor Aaronson to be instead a crime that stemmed from his opposition to U.S. military actions in Iraq and Syria. Through extensive investigation, Aaronson uncovers how the FBI's narrative shaped public perception and obscured its own failures, leading to critical questions about institutional accountability and the politicization of memory.
Yousef, Youmna, Banias, and Majd: Four Lives in Gaza
Chana Joffe-Walt's collection of stories for This American Life emphasizes the individual human experiences often overshadowed by the statistics surrounding the Gaza conflict, focusing on the personal struggles of people like aid worker Yousef Hammash and reporter Youmna El Sayed. Through intimate phone conversations, Joffe-Walt captures their raw vulnerability and resilience, witnessing and conveying the realities of life in a war-torn region.
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San Francisco Chronicle
2 hours ago
- San Francisco Chronicle
Bob Odenkirk isn't an action newbie anymore
NEW YORK (AP) — Bob Odenkirk ducks into a West Village coffee shop wearing sunglasses and a Chicago Cubs cap. Some degree of subterfuge might have been necessary for Odenkirk years ago. Surely fans of 'Mr. Show' or 'The Larry Sanders Show' might have recognized him. But with time, Odenkirk has traveled from the fringes of pop culture to the mainstream. He's well-known now, but for what is a moving target. At 62, Odenkirk is not only a comic icon, he's a six-time Emmy-nominated actor, for 'Better Call Saul,' a Tony-nominated Broadway star, for 'Glengarry Glen Ross,' and, most surprisingly, an action star. He's not even a newbie, either. With 'Nobody 2,' the sequel to the 2021 pandemic hit original, Odenkirk's butt-kicking bona fides are more or less established. In the sequel, which opened in theaters Thursday, he returns as Hutch Mansell, the suburban dad with latent powers of destruction. This time, he and his family go on vacation to Wisconsin Dells, where they run into trouble. 'My goal is Jackie Chan's 'Police Story,'' Odenkirk says, sipping an iced tea before a day of promotion obligations. 'It exists to be funny. The disconnect is the lack of irony. Hutch has to mean it.' Odenkirk's unlikely but sincere turn into Keanu Reeves territory has, in a way, only illuminated the rage that bubbled throughout his comedy. Chatting casually but intensely, Odenkirk explained how all of these iterations of him make sense — and how 'Nobody' might have even saved his life. AP: Your friends in comedy, have they been funny about you as an action hero? ODENKIRK: The whole time I was training I was thinking: They're not going to make this movie, and I'm getting free exercise training. The second thing I was thinking: If they make this movie, David Cross, Conan O'Brien, Adam Sandler, David Spade, these people are going to see me do this thing and go, 'Really?' It's just so fundamentally discordant. I could have asked for more comedy in the first one. And I didn't want that. I wanted to either make a real action movie — which would blow my friends' minds — or don't do it at all. If you're just going to ridicule the form, don't do it. Or just do 'Naked Gun,' which is super fun, too. I thought the funnier thing — what I did — was to do it. That's a joke on a cosmic scale. I'm literally pranking the universe. I am, right? That's the big joke. Now, what do I do with it? That's the question. AP: With the 'Nobody' movies and your recent Broadway experience, you've set a high bar for surprising people with what you're capable of. ODENKIRK: I thought about the character of Saul. He never quits. He gets pushed around. He's clever. He's in a spot and he has to think of a way out. That's an action character. While it's true that it feels like, 'Oh, boy, you went so far away.' I didn't really go that far away. It's one step. It's a big step. Everything else is in Saul. I did think that for people who know my comedy, this is going to be a hard sell. But that's not that many people. That's a cult group. AP: And it might not be that hard of a sell to your comedy fans, either. The lie detector 'Mr. Show' sketch, in which you calmly confess to outlandish things, has a similar what's-under-the-surface quality like the 'Nobody' movies. ODENKIRK: (Laughs) Yeah, yes. AP: Maybe the most relevant sketch, though, is the one where you and David Cross play tough guys who bump into each other in a bar and then remained locked in mutual animosity through their lives, even through marriage. 'Nobody 2' kicks off with a similar encounter. ODENKIRK: It's a tap on the shoulder that sets this whole thing off. He agrees to leave. Then this little tap happens. Then he leaves. He's outside. He can keep walking, which is what you would do. You'd get home and tell your wife, 'That guy tapped her on the back of the head.' It would just sit with you forever. The whole thing could have been avoided if it wasn't for who Hutch is, which is a person who allows himself to go crazy. AP: Allowing yourself to go crazy isn't a radically different impulse in comedy. Did you always feel like rage or anger was fueling some of the funniest things you did? ODENKIRK: For sure. I remember sitting with David Cross in the morning. We would start our time at 'Mr. Show' trying to generate ideas, sitting around with the paper. Oftentimes, it was: 'This really pisses me off,' or 'Look at this stupid thing.' So, yeah, frustration, anger, those are the very raw materials of comedy. AP: You're just funneling that rage into a different place. ODENKIRK: Life conjures up this rage in you, but there is no place that deserves it. In the first film, the first place he goes to exact revenge, he realizes all these people have nothing, they don't deserve it. In the second film, he goes after this guy and he's like, 'I'm under her thumb.' It's really not something you're supposed to do in an action movie, and I love that. You don't just get to find a bad guy around the corner. You've got to go looking. AP: You've said you'd like to do a third one that ends with Hutch having nothing. ODENKIRK: Yeah, the moral would be that everything he loves is gone. He burned everything he loved. We let him get away with it because the movie is an entertainment and it's meant to tell you: Yes, you can let go of your rage in this magical world. But in the end, I would think that it's an addiction. And he does want to do it. He does want to have a go, and so does every guy. That's why we have movies. And that's why we have boxing matches. AP: How much credit do you give these movies for saving your life? After you had a heart attack in 2021 on the set of 'Better Call Saul,' you attributed your narrow survival to your 'Nobody' training. ODENKIRK: When I had my EKG, where you can see the heart, the doctor explained that I had almost no scarring from that incident. And that's kind of weird because of how long that incident went on and how drastic it was. They were like: 'This should all be scar tissue, and there's none.' They said that's because these other veins are bigger than we're used to seeing, and that's from all the exercise you've been doing. And, dude, I did a lot. I went from a comedy writer who exercised just by riding a bike three or four times a week to the action I did in those movies. AP: You told Marc Maron you saw no white light and tongue-in-cheek advised him to 'go for the money.' ODENKIRK: Well, I got nothing. Nothing. I did talk to my family the next day. I woke up the next day around 1:30 and talked to my wife and kids. I was talking to people for the next week, and I don't remember any of it, or the day that it happened. AP: But did the experience change you? ODENKIRK: (Long pause) It's a big component of my thinking about who I am and what I want to do with myself and my time. The thing that's driven me the most in my life is a sense of responsibility. Not just like, 'Oh, I have kids. I have to make money and take care of them.' But, like, responsibility to the universe. 'Oh, they'll let you do this action movie.' Well, then you better do a f------ great job. 'They want you do 'Better Call Saul.'' Well, let's go. The universe is saying: You can do this. And you owe that opportunity that's so unjustified and magical. I just feel responsibility almost too readily. But the heart attack, however you want to feel about everybody's expectations of you, I mean, you're going to be gone. The world's going to go on without you, just fine. So I don't know, man. Yeah, you've got to come through for people. But you've also got a lot of freedom to invite who you want to be.


San Francisco Chronicle
3 hours ago
- San Francisco Chronicle
Wrexham smashes its transfer record by signing Broadhead in a deal worth up to $13.5M
Wrexham's spending moved into a new stratosphere Thursday when the team owned by Hollywood celebrities signed winger Nathan Broadhead from Ipswich in a club-record deal that could reportedly reach 10 million pounds ($13.50 million). It took the Welsh club's outlay in the transfer market to more than 20 million pounds ($27 million) in this window as Wrexham reshapes its squad for life in the second-tier Championship following an unprecedented three straight promotions. The 27-year-old Wales international is a former Wrexham academy player and a versatile forward who was a fringe player at Ipswich in the Premier League last season. 'He's a local boy who had a real desire to come and play for his hometown club," Wrexham manager Phil Parkinson said in the team's announcement. Among Wrexham's other signings over the last couple of months is former England defender Conor Coady and New Zealand international Liberato Cacace. Lewis O'Brien also joined from Nottingham Forest for what was reportedly a club-record fee of around 3 million pounds ($4 million). Wrexham, which started its Championship campaign last weekend with a 2-1 loss at Southampton after conceding two late goals, is owned by actors Ryan Reynolds and Rob McElhenney and has gained outside investment via the New York-based Allyn family. It is also the subject of the Emmy-winning 'Welcome to Wrexham' documentary, which takes viewers behind the scenes at the club and has boosted the team's global appeal primarily because of the presence of Reynolds. ___
Yahoo
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Jennifer Aniston reveals she and Gwyneth Paltrow discuss Brad Pitt
Friends star Jennifer Aniston has said she and fellow actress Gwyneth Paltrow still discuss their mutual ex Brad Pitt, giving a rare glimpse into the Hollywood stars' relationships. Paltrow and Pitt were engaged for a few months during 1996 and 1997, and he was then married to Aniston from 2000 to 2005. She was asked by Vanity Fair if she and her close friend Paltrow ever discuss their ex, and responded: "Oh, of course. How can we not? We're girls." However, their actual conversations were left to the reader's imagination, with the interviewer saying the pair "trade wellness intel more than gossip". Both women are known for being health-conscious, and Aniston added: "We're always swapping advice - 'What are you doing for this?' 'What are you doing for that?' 'Do you have a new doctor for that?'" However, Aniston did refer to her hugely publicised split from Pitt 20 years ago as "such a vulnerable time", adding: "Ironically, I went to her [Paltrow] and Brad's engagement party." The actresses met when Paltrow and David Schwimmer, Aniston's Friends co-star, were filming 1996 film The Pallbearer. 'We'd already been mourning Matthew Perry' Aniston also touched on the 2023 death of Friends star Matthew Perry, whose addiction problems have been well-documented. A post-mortem examination found a high concentration of ketamine in his blood, and determined that "acute effects" of the drug had killed him. "We did everything we could when we could," she said, referencing the Friends stars' efforts to help him with his addictions. "But it almost felt like we'd been mourning Matthew for a long time because his battle with that disease was a really hard one for him to fight. "As hard as it was for all of us and for the fans, there's a part of me that thinks this is better. "I'm glad he's out of that pain." Aniston and Perry played two of the six young friends living in New York City in the globally popular series, which ran from 1994 until 2004. The Emmy and Bafta-winning show had a sustained resurgence in popularity after it debuted on Netflix in 2015. Michelle Obama friendship Aniston is most famous for playing Rachel Green in the show, but has also appeared in romantic comedy films with co-stars including Adam Sandler, Vince Vaughn and Owen Wilson. She also stars in US TV series The Morning Show with Reese Witherspoon, about a network news morning programme. During the Vanity Fair interview, she also touched on being the subject of tabloid rumours, such as one linking her romantically to President Barack Obama, which she scotched last year on the Jimmy Kimmel show. She said she knows Michelle Obama better than the former president, adding: "I was lucky enough to have dinner with Michelle a month ago," but said the rumour "wasn't even brought up" during their time together. "I don't think anyone really pays attention to reports like that if you're the subject of them," she added. BBC News used AI to help write the summary at the top of this article. It was edited by BBC journalists. Find out more. Aniston opens up about attempts to have children