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Indonesian roof tilers flex muscles to keep local industry alive

Indonesian roof tilers flex muscles to keep local industry alive

Yahoo21 hours ago
A young Indonesian man turns his back to a crowd, flexing his oiled-up muscles before picking up a stack of roof tiles, holding as many as he can in a pose reminiscent of Mr. Olympia.
This is a bodybuilding battle of a different kind -- one where competitors are roof tile factory workers who pump clay instead of iron to bring attention to their dwindling trade.
In Java's Jatiwangi city, an Indonesian hub for clay roof tile production nearly 200 kilometres from the capital, Jakarta, dozens of men have been lathering on oil to pose for crowds since 2015 to show they are not going anywhere.
The clay industry in Jatiwangi is more than a century old, when terracotta tiles drawing on local heritage were first made by hand to replace thatched house roofs.
They are now mostly used for housing, and in the 1930s inspired Indonesia's former Dutch colonial rulers to tile their own government buildings and employee homes.
"But over time, it started to fade away," said Illa Syukrillah Syarief, a 48-year-old worker at the Jatiwangi Art Factory who helps to organise the competition.
"So we feel that we're not just here to tell stories about roof tiles, but also to be saviours, to preserve the culture of Jatiwangi roof tiles."
The workers use clay or local soil to make their tiles, but the younger generation is taking on fewer manual labour jobs and big industry is hitting the revenues of local trade.
It has caused fear that their industry could become a forgotten art in the future.
"We're pushing through in a situation that's not going so well," said Illa.
"We've lost workers, and the demand isn't what it used to be."
- 'Distinctive style' -
The shirtless men, young and old, posed for a crowd that included women clad in hijabs and judges who pick the winners of cash prizes up to 1.5 million rupiah ($92) for the number one spot.
Attendee Ika, who like many Indonesians goes by one name, called the show "something unique" that displayed "bodybuilding with a distinctive style" rooted in Indonesian culture.
The winnings are donated by rival factories whose workers battle it out against one another in the competition, with no sponsors yet stumping up cash for the event.
"It was incredible to see the competitors and their style, and all the many things they can do using their hands, using their mouth even, carrying tiles," said foreign judge Alessa Cargnell.
The red, earthy tiles have a curved shape that lock in together, making it easier to clasp a stack and pose from the front or the side.
One man displayed incredible power to hold a tile between each finger and one from his mouth while standing on one leg, as remixed traditional music typically heard in Indonesian TikTok videos blared in the background.
But the strength of the roof tile workforce is not only reserved for the weight room.
"We're still determined. The hope is that roof tiles, or processing the soil in Jatiwangi, won't just be a commodity," said Illa.
"But truly become an identity: as roof tile makers, as people who work with the earth."
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‘Nobody 2's' Inside Man: Why Indonesian Action Auteur Timo Tjahjanto Made the Leap to Hollywood
‘Nobody 2's' Inside Man: Why Indonesian Action Auteur Timo Tjahjanto Made the Leap to Hollywood

Yahoo

time2 hours ago

  • Yahoo

‘Nobody 2's' Inside Man: Why Indonesian Action Auteur Timo Tjahjanto Made the Leap to Hollywood

The director also shares his thoughts on a "Beekeeper" sequel and what franchise would make him stay in the U.S. Like the main character of 'Nobody 2,' a nebbish guy named Hutch Mansell (Bob Odenkirk) who has a secret identity as a nearly unstoppable killer, its director Timo Tjahjanto has a history. But instead of countless dead goons, Tjahjanto's past involves directing, in Indonesia, some of the most awesomely bone-crunching, blood-splattered action movies ever. And now, with 'Nobody 2,' he's finally come to Hollywood. In Indonesia, Tjahjanto started off by working with Kimo Stamboel as a filmmaking duo (they called themselves the Mo Brothers), on movies like 'Macabre' and 'Headshot' – films that gleefully combined elements of horror, film noir and action. His first film as a solo filmmaker, 2018's 'May the Devil Take You,' was a straight-up horror movie, while 'The Night Comes for Us,' also released in 2018, is a truly insane action movie that reunited two of the stars of 'The Raid' (Iko Uwais and Joe Taslim) and put them through the ringer. Tjahjanto also worked with 'The Raid' director Gareth Evans on a standout segment for horror anthology 'V/H/S 2.' More from TheWrap 'Nobody 2's' Inside Man: Why Indonesian Action Auteur Timo Tjahjanto Made the Leap to Hollywood Sophie Turner Describes 'Vile' Kissing Scenes With On-Screen Brother Kit Harington: 'Really Bad Moment in My Career' | Video What to Watch After 'Weapons': 7 More Movies That Are Actually Scary and Funny 'East of Wall' Review: Kate Beecroft's Sundance Sensation Isn't Horsing Around He subsequently released films in 2020 ('May the Devil Take You Too'), 2022 ('The Big 4') and 2024 ('The Shadow Strays'), which had its world premiere at last year's Toronto International Film Festival. These films further cemented him as one of the most exciting filmmakers working today and, thanks to his distribution agreement with Netflix, Tjahjanto's unique sensibilities gained purchase with a decidedly global audience. But 'Nobody 2' marks a test of whether his homegrown style translates to a theatrical mainstream Hollywood blockbuster distributed by a legacy studio in Universal and stocked with established A-list talent. Tjahjanto talked to TheWrap about what drew him to the project, cultural differences in filmmaking and what he has coming next. Getting 'Nobody 2' When Tjahjanto's agent sent him the screenplay for 'Nobody 2,' which follows the events of 2021's sleeper hit, which grossed more than $57 million on a $10 million budget, the filmmaker was intrigued. In the sequel, Hutch and his family, attempting to enjoy a vacation, are drawn into a small town's connections to a ruthless gangster (played, with aplomb, by Sharon Stone). Tjahjanto was struck by the tone, noticeably brighter than the films he's made in Indonesia. 'There's a family-friendliness to it,' he said. 'And that's not a bad thing, because the film is about a man discovering that he's not a lone wolf. That he also needs his family to exist, to be a whole person.' The theme of a family was one that he was particularly drawn to, especially since he to leave his own family to make the movie. 'I went to shoot 'Nobody' and by the time I went back to Jakarta, my eight-year-old is suddenly nine-years-old, and she's a different person,' Tjahjanto said. He discussed this constantly with Odenkirk, who is also a producer on the film and whose childhood trips to a Wisconsin water park as a kid inspired the story for 'Nobody 2.' 'I felt like I could make a dark, violent film or I could make this film that is somehow warm,' Tjahjanto said. 'I want to make something where people come out and are feeling good about it.' To Tjahjanto, 'Nobody 2' felt like challenge. 'Making this, which is out of my comfort zone, is actually a good starting point,' he said about his initial foray into Hollywood. He's already got his next project lined up – a sequel to the Jason Statham action movie 'The Beekeeper,' for Amazon MGM Studios. Tjahjanto admits that 'Beekeeper 2' will be a 'darker' film but one that he probably wouldn't have been able to tackle without his experience on 'Nobody 2.' One of the ways that 'Nobody 2' will prepare Tjahjanto for his next job is the experience gained by working with a bona-fide movie star. In the case of 'Nobody 2,' that's Stone. Tjahjanto was a huge fan of Stone's western 'The Quick and the Dead,' which she made with Sam Raimi. 'Just to hear that Sharon Stone is willing to do this role and tapping back into what makes her a great genre queen, that was a great experience,' Tjahjanto said. 'Sharon is a very smart woman. She always knows a lot about what makes a character great. She always said, 'Hey, Timo, like, if I do this thing with this knife, then it'll feel much more dangerous.' And she's right. Her instinct is always, usually right. I'm getting the fast lessons from her.' He'll take those lessons onto 'Beekeeper 2,' undoubtedly, and beyond. Action Adjustment Partnering with Tjahjanto on 'Nobody 2' was another action movie heavyweight – David Leitch. Leitch started in stunt work before transitioning to second unit photography and finally feature filmmaking. He co-directed the first 'John Wick' with his longtime partner Chad Stahelski before helming projects like 'Atomic Blonde,' 'Bullet Train' and 'The Fall Guy.' Leitch and his production company 87North produced both 'Nobody' films and have their own unique take on action filmmaking, favoring clear geography, defined spatial relationships and smoother camerawork. Tjahjanto described Leitch as 'one of the greatest action directors,' and said that their own takes on action filmmaking meshed well. 'He's strangely very generous when it comes to knowing what I am comfortable with, in terms of how I want to show my action,' Tjahjanto said. 'And he's usually acting more as a guiding voice if I'm stuck, rather than telling me what to do.' The filmmaker described Leitch, who produced the film with his wife and business partner Kelly McCormick, as always there and always watching – taking everything in and watching how Tjahjanto is progressing with things. 'He's always a giving producer,' Tjahjanto said. When he found himself saying, 'I guess I'm happy with this,' it was Leitch who would say, 'Why don't we push it a bit more?' There's a moment in the movie where bad guys swarm the waterpark where Hutch is hiding out. It was Leitch who suggested a moment where Hutch sets up spikes in a water slide in order to off some baddies. Tjahjanto remembers Leitch saying, 'We already have a water slide here. Why not make a meal out of it?' 'All we need is a bunch of spikes and we can relive, like, people's most, the biggest fear, which is, like, getting a freaking nail stuck in your leg as you are sliding down the water. But this is the extreme version of it,' Tjahjanto said. Leitch, Tjahjanto said, is 'the kind of person who get excited when you do the explosion and then you see him like a kid, he's so excited for it. I love that in him.' Learning Curves The transition from the way that Tjahjanto was used to making movies in Indonesia to how things are done with a western production, wasn't totally frictionless. He said that 'Nobody 2' was a movie where he learned a lot – chiefly 'the difference between how we run things over in Asia and how Hollywood do things.' Tjahjanto added, 'I think the fine line is always to be able to marry what's the best from the two.' While he appreciates the discipline of Hollywood, he prefers the cohesive mindset of Indonesia. 'Okay, once we are settled with this idea, let's all move together,' he said. According to Tjahjanto, Hollywood is more splintered, sometimes literally, in its approach, as he found out with his second unit team. Instead of chaffing against it, he found the process of second unit — with a smaller film team shooting things like inserts or parts of whole action sequences – 'the most interesting thing.' 'I'll be shooting Bob Odenkirk doing the water slide, while our talented second unit guy will be shooting John Ortiz [as the owner of the water park who gets wrapped up in Stone's criminal empire] killing a bunch of guys in the ball pit,' Tjahjanto said. In Indonesia, he'd shoot everything. Tjahjanto joked that he would shoot a tire rolling down asphalt, so he would ask the second unit team how they were accomplishing similar shots. 'I'd just do that myself. It's a totally different system here,' Tjahjanto said. Sometimes it's good to have somebody else shoot the tire rolling down the street. What's Next Tjahjanto said that, since he is directing 'Beekeeper 2' next, he's worried about being known as 'the sequel guy.' But what really drew him to the project was Statham. 'This one stems from me being a huge fan of the 'Crank' movies,' Tjahjanto said. 'Statham is one of those actors who are secretly underrated in a weird way, because he has so much presence with his physicality but he's also a very funny.' Statham's character in the films, to Tjahjanto's reasoning, 'is a version of the Punisher,' the Marvel Studios character known for doling out violent justice (In the Marvel Cinematic Universe, he's played by Jon Berenthal). 'What draws me with this one is, especially, is you're going to see some really cool villains this time around. I'm trying to kind of push the boundaries a bit more where the villains can feel manga-inspired in certain points. And some of the choreography that we have in mind is going to be very, very cool,' Tjahjanto explained. When we joked that Statham killed 80 people in the first 'Beekeeper,' Tjahjanto, without missing a beat, said, 'This time he's going to kill 82 people.' Tjahjanto is adamant that he won't be sticking around Hollywood, making sequels to popular western movies forever. Recently on social media, he stated his desire to return to Indonesia and focus on original movies that he developed from the ground up, including making some more horror movies. 'I'm trying to balance things out, just because I do miss shooting in with my friends over there in Indonesia,' Tjahjanto said. 'Plus I could use some time to be around my kids. That'll help.' But there is one franchise that could get Tjahjanto to stay put. 'If suddenly somebody says to me, 'Timo, they're offering you to make a 'Terminator' movie, then I'll say goodbye, Indonesia,' Tjahjanto said. 'I'll do 'Terminator' any day, any second.' One of the reasons that he wanted to be in the film business was because he grew up watching Arnold Schwarzenegger films (He dropped a reference to Schwarzenegger's Mars-set 'Total Recall' earlier in the conversation.). Tjahjanto will even defend more controversial entries in the franchise, like 'Terminator: Dark Fate' and 'Terminator: Genisys.' 'With 'Dark Fate,' I think it's a great film. I love them and I do think in some way or another, Arnold could still have a part in 'The Terminator' universe,' Tjahjanto said. 'Fingers crossed.' In other words: he'll be back. The post 'Nobody 2's' Inside Man: Why Indonesian Action Auteur Timo Tjahjanto Made the Leap to Hollywood appeared first on TheWrap.

Hayley McNeff, bodybuilding champ, dies at 37: 'Bright light has left this world'
Hayley McNeff, bodybuilding champ, dies at 37: 'Bright light has left this world'

Yahoo

time14 hours ago

  • Yahoo

Hayley McNeff, bodybuilding champ, dies at 37: 'Bright light has left this world'

Hayley McNeff, a prominent bodybuilder during the mid-2000s, has died unexpectedly. She was 37. McNeff died last Friday, Aug. 8, and her funeral will be held Saturday, Aug. 16, according to her obituary. A Massachusetts native, McNeff won several bodybuilding titles throughout her career, including the 2009 East Coast Classic and 2009 NPC Delaware State, according to bodybuilding website RXMuscle. "Such a bright light has left this world too soon," her obituary states. It goes on to say, "Hayley was known for her quick wit and constant sense of humor, she had a gift for making those around her laugh and feel welcomed. Her energy and determination was a constant in her life and she always accomplished what she set out to achieve. She treasured her friendships and nurtured strong, lasting relationships with those who knew her best. Hayley will be deeply missed by her parents, siblings, extended family and friends." More news: Hiker dies after venomous snake bites him at Tennessee state park McNeff was a respected figure in the bodybuilding community In the early aughts, McNeff was featured in the "Raising the Bar" documentary series, in which a film crew provided an inside look into her gym routine as she prepared for the 2009 NPC Delaware State. After winning the 2009 NPC Delaware State and 2009 East Coast Classic, McNeff was cast on the reality television show "Iron Maidens," which was pitched to follow a group of prominent female bodybuilders. However, the series never aired. McNeff attended the University of Massachusetts Amherst, where she earned a Bachelor of Arts. In addition to bodybuilding, she was an accomplished equestrian, board diver, and skier as a child and young adult, her obituary states. Following her bodybuilding career, which peaked in 2009, McNeff pursued graduate studies in psychology to better understand and help others, her obituary states. Greta Cross is a national trending reporter at USA TODAY. Story idea? Email her at gcross@ This article originally appeared on USA TODAY: Bodybuilding champion Hayley McNeff dies at 37

Lelo's Sona 3 Cruise Vibrator Doesn't Offer Much New
Lelo's Sona 3 Cruise Vibrator Doesn't Offer Much New

WIRED

time19 hours ago

  • WIRED

Lelo's Sona 3 Cruise Vibrator Doesn't Offer Much New

One of my biggest gripes about the sex toy industry—and the tech industry for that matter—is that there's a lot of iteration. New versions of already great products arrive every few years, with very minor changes, and you're left wondering what the latest brings to the table outside of a higher price. Many sex toy brands are guilty of this, from Womanizer and We-Vibe to Dame. Lelo's new Sona 3 Cruise falls into this camp as well, even if its predecessor arrived five years ago. This vibrator doesn't bring much new to the table. For anyone who's a fan of the Sona line and feels their existing model is failing in some way—maybe the battery is conking out, or it doesn't charge properly—the Sona 3 Cruise is a natural upgrade. Or you could save cash and stick with the older tried-and-true Sona 2 Cruise. Minimal Changes Courtesy of Lelo Like its predecessors, the Sona 3 Cruise is made of body-safe silicone and ABS plastic. It's ultra-smooth to touch, and when paired with water-based lube, it glides over whatever area you're stimulating. Fun fact: The Sona line may have been designed with the clitoris in mind, but if you like nipple stimulation, it feels wonderful there too. When fully charged, which takes about two hours, the Sona 3 can deliver two hours of run time. That's in line with most Lelo products. Similarly, the device is 100 percent waterproof and features the company's Cruise Control function (it's in the name!), so when you press the vibrator down harder on your body as you get close to climax, the motors don't slow down but actually offer a bit of a boost. The only 'big' difference with the Sona 3 Cruise is in the vibration settings. The original Sona Cruise had eight, the Sona 2 Cruise had 12, and the Sona 3 Cruise bumps that up to 16. I'm no Nostradamus, but if Lelo releases a Sona 4 Cruise, I'm willing to bet it will have 20 vibration settings. If it ain't broke, don't fix it—I know, but it's OK to shake things up a bit. There doesn't seem to be much here to warrant a whole new product. Oh, and the Sona 3 is app-controlled, a standard feature on most Lelo products today, and it enables long-distance play. If you're using the app solo, not only do you have the intensities and patterns to choose from on your phone, but you can also adjust the intensity by rotating the phone. If you want to delve into advanced mode, you can let the Sona 3 take over by choosing one of the following options: Out of Control or Finish Me Off. For the record, Out of Control is exactly that. It bounces all around with intensities and patterns, and how anyone could find such mayhem enjoyable is beyond me. The Sona 3 debuts what Lelo calls SmoothRise Technology, meant to create a smooth transition between intensity levels. I've always felt like older Sona Cruise products moved fairly seamlessly from one intensity to the next, so I'm not exactly sure what the latest generation is doing differently. Annoyingly, the vibrator's charger is still proprietary. Is it so hard to add a USB-C port? Underwhelming Update Courtesy of Lelo I've always liked the Lelo Sona line quite a bit. I can't say I was disappointed with the Sona 3 Cruise, but it didn't leave me with a memorable experience. The sonic pulses feel good, the extra intensities are nice ot have, but I'm not running around town recommending this vibrator to everyone I meet. The Lelo Dot, on the other hand, is a whole other story. I can't stop talking about that clitoral vibrator; it's going to ruin me for everything else that comes my way. If you're a big fan of the Lelo Sona Cruise line and have been waiting for it to be app-controlled, then the Sona 3 is for you. If you've felt that the older models weren't intense enough, then that's another good reason to buy the Sona 3. But if you already have a Lelo Sona Cruise, whether it's the original or Sona 2, and you love it, there's no need to upgrade, especially if it gets the job done. Save your money or invest it in something new and exciting. You know, like the Lelo Dot.

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