
This exhibition of Japanese art at Haneda Airport features a traditional mobile tea room
Located on the 5th floor of Haneda Airport Terminal 1, Art Dash Gallery is an exhibition space and art shop that aims to not only promote Japanese art, but also give travellers the chance to bring a piece of it home. Its latest exhibition, titled ' The Japan Art + ', does exactly that.
Running now through November 9, the exhibition showcases a variety of Japanese art forms, from Edo-period (1603–1868) ukiyo-e woodblock prints to modern and contemporary nihonga (Japanese-style painting), as well as ceramics by emerging artists. Among them is Tokyo-born Yuta Omori, whose works are innovative yet remain deeply rooted in tradition.
Many of the artworks are available for purchase, and they make for a much more memorable souvenir than some mass-produced trinket from Harajuku's Takeshita Street.
But the real showstopper is the authentic mobile tea room, crafted by master temple carpenters using the traditional Japanese joinery technique known as kigumi. This elegant cubic structure is built entirely without a single nail. Even better, it's not just for show. Art Dash Gallery plans to host regular tea ceremonies inside. (Check the gallery website for the schedule.)
In addition to the tea ceremonies, the exhibition will also feature a line-up of cultural events including ikebana, the Japanese art of flower arranging. All in all, this art exhibition is one more reason to get to the airport a little early.
The Japan Art + is open Tuesday to Sunday, from 11am to 5pm, until November 9. Admission is free. For more details, visit the gallery website.
The Fuji Rock timetable for 2025 is here
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Belfast Telegraph
3 hours ago
- Belfast Telegraph
Belfast's EastSide Arts Festival is underway – here's what you need to know
Music, comedy, theatre, literature and visual arts events are all happening right now The annual EastSide Arts Festival is underway until August 2, featuring more than 60 events across 10 days of music, workshops, comedy, walks, theatre, literature and visual arts. East Belfast is home to many unique spaces and places which will host a range of festival events, so we're shining a spotlight on some of them and what festival-goers can look forward to. CS Lewis Square opened in 2016, giving life to inner East Belfast with this unique outdoor space. Surrounded by statues of the magical characters of Narnia, the square is a celebration of east Belfast-born writer and theologian CS Lewis.


The Guardian
5 hours ago
- The Guardian
‘I had to wait for some colour to arrive – the red man appeared at just the right moment': Zahyr Caan's best phone picture
Zahyr Caan was on a sightseeing trip to Tokyo when he took this photograph. He was in Ginza, on his way to visit the Gundam statue, having tried Japanese muffins for breakfast at an exclusive restaurant. It was an August morning, and the temperature had already hit 38C. 'The sun was very bright, meaning excellent conditions for my style of street photography,' says Caan, who was born in Pakistan and now lives in Nottingham. 'I like to create a mise en scène and then wait for a human element to enter the frame.' Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Caan says that he was 'drawn towards the strong shadow and light, creating a graphic scene', but he had to wait for some colour to arrive and tie the image together. 'This came in the form of a taxi,' he says. 'The red man appeared at just the right moment and became a bonus, as is the nature sometimes when you're shooting ad hoc within an urban environment.' He used an iPhone 13 Pro Max and applied minimal edits, aside from lightening and darkening adjustments. Street photography, he adds, is a mixture of 'art and skill'. 'It's easier than ever now, thanks to smartphone technology and the ability to be very discreet. If we really start to pay attention, we see much more than what is visible at first look. I hope people notice the colours here, and the overall tone, all tied together with the extended relationship between the yellow taxi and the red man.'


The Guardian
6 hours ago
- The Guardian
‘I had to wait for some colour to arrive – the red man appeared at just the right moment': Zahyr Caan's best phone picture
Zahyr Caan was on a sightseeing trip to Tokyo when he took this photograph. He was in Ginza, on his way to visit the Gundam statue, having tried Japanese muffins for breakfast at an exclusive restaurant. It was an August morning, and the temperature had already hit 38C. 'The sun was very bright, meaning excellent conditions for my style of street photography,' says Caan, who was born in Pakistan and now lives in Nottingham. 'I like to create a mise en scène and then wait for a human element to enter the frame.' Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Caan says that he was 'drawn towards the strong shadow and light, creating a graphic scene', but he had to wait for some colour to arrive and tie the image together. 'This came in the form of a taxi,' he says. 'The red man appeared at just the right moment and became a bonus, as is the nature sometimes when you're shooting ad hoc within an urban environment.' He used an iPhone 13 Pro Max and applied minimal edits, aside from lightening and darkening adjustments. Street photography, he adds, is a mixture of 'art and skill'. 'It's easier than ever now, thanks to smartphone technology and the ability to be very discreet. If we really start to pay attention, we see much more than what is visible at first look. I hope people notice the colours here, and the overall tone, all tied together with the extended relationship between the yellow taxi and the red man.'