
Former Los Angeles deputy mayor pleads guilty to fake bomb threat
Sentencing is scheduled to take place on Oct. 6 and he faces up to 10 years in federal prison.
In a May 22 plea agreement, the 61-year-old admitted to allegations that he fabricated a bomb threat while serving as the city's Deputy Mayor of Public Safety, and while he was at work.
According to the U.S. Department of Justice, Williams was participating in a virtual meeting in an official capacity when he used Google Voice to call his city-issued phone on Oct. 3, 2024.
He then called the Los Angeles Police Department, claiming that a man threatened to bomb City Hall.
Williams lied to city officials, including Mayor Karen Bass, telling them that the man who called in the threat said he was "tired of the city support of Israel," leading to a bomb being placed in City Hall's rotunda, prosecutors said. This led to an LAPD bomb investigation, where nothing was found.
Prosecutors said he then showed officers his phone records, which displayed a recent call from a blocked number. It was later revealed that the call came from his personal phone to his city-issued phone, via Google Voice.
"Mr. Williams, the former deputy mayor of public safety for Los Angeles, not only betrayed the residents of Los Angeles, but responding officers, and the integrity of the office itself, by fabricating a bomb threat," Akil Davis, the assistant director in charge of the FBI's Los Angeles Field Office, said in a statement.
At no time did Williams intend to carry out the threat, his plea agreement filed in Los Angeles federal court states.
Williams quietly retired from city government in April and before that, when the FBI began an investigation into the bomb threat, he was placed on administrative leave.
Williams was appointed as Deputy Mayor of Public Safety by Mayor Bass in February 2023. His job was to oversee the LAPD, the Los Angeles Fire Department, the Port of Los Angeles Police, the Los Angeles World Airport Police, and the Emergency Management Department.
"Williams will also work closely across the administration and city departments to increase public safety, advance prevention and intervention strategies, implement department reforms," Mayor of Karen Bass wrote on the official website of the City of Los Angeles at the time of his appointment.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
25 minutes ago
- Yahoo
Flight diverted after skateboard-waving drunk passenger yelled racial slurs, police say
A Los Angeles-bound flight was diverted to Colorado after a drunk passenger started yelling racist slurs while waving around a skateboard, police said. Breeze Airlines flight MX704 — flying from Norfolk, Virginia to Los Angeles — landed in Grand Junction Airport in Colorado around 11.15 a.m. Wednesday after an intoxicated male passenger 'became agitated, yelling racist slurs at airline staff while waving a skateboard,' Grand Junction Police said. Airline staff put the passenger in restraints twice but he was able to break free both times. He didn't physically assault anyone and no injuries were reported, police said. When the flight touched down, police were called to assist with an 'unruly passenger,' authorities said. The man was then taken into custody at the direction of the FBI and transported to the Mesa County Detention Facility. David Leroy Carter Jr., 46, of Los Angeles, was arrested, the FBI told The Independent. It's not immediately clear what charges he may face. The U.S. Attorney's Office for Colorado would announce the charges at an appropriate time, the agency said. The investigation into the incident is ongoing, according to police. The Independent has asked the FBI and the U.S. Attorney's Office for more information. 'The plane was met promptly by local law enforcement officers, who restrained and removed the passenger from the aircraft,' Breeze Airways said in a statement. The flight was delayed in Grand Junction while a new crew was brought in to fly the remaining passengers to LAX, the airline said. The passengers arrived at their final destination around 7.15 p.m. local time. This year, there have been reports of more than 1,000 unruly passengers, according to data from the Federal Aviation Administration. That figure marks a dramatic drop from 2021, when the FAA received a whopping 5,973 reports of unruly passengers.


CBS News
27 minutes ago
- CBS News
Former Denver Nuggets mascot sues ownership group for disability discrimination
A former Denver Nuggets mascot is speaking out after filing a lawsuit against the team's ownership group, Kroenke Sports & Entertainment (KSE), alleging disability discrimination and an unlawful severance offer. Drake Solomon, who portrayed the Nuggets' mascot Rocky from 2021 until this past season, claims he was wrongfully terminated after undergoing double hip replacement surgery. His father had performed as Rocky for more than 30 years before Solomon took over the role. Solomon says the lawsuit is not only for himself, but also on behalf of other KSE employees who, since the 2023 passage of Colorado's POWR Act (Protecting Opportunities and Workers' Rights), have allegedly been offered similar unlawful agreements. "I was on the court at 2-weeks-old," Solomon told CBS Colorado. During the NBA team's 2023 championship run, Solomon says he was diagnosed with a painful bone condition that impacted his ability to perform. After notifying supervisors that he would need surgery, Solomon alleges the organization began tryouts for his replacement, citing a lack of confidence in his health. "It came to a point where I was on the court shooting a half-court shot with tears dripping down my face," Solomon recalled. "It's hard thinking about those times. I really wanted to bring the same energy." After surgery, Solomon says he felt ready to return but never got the chance. "For it to end this way, it feels like betrayal," Solomon said. "We were so loyal to them." Solomon says he was offered $20,000 and a non-disclosure agreement as part of his severance agreement. He refused. "It seemed sketchy to me," Solomon explained. "I wasn't going to sign that." Attorneys say the agreement violated nearly every provision of the POWR Act. Solomon believes other employees were offered similar deals. Despite everything, Solomon says he still loves the Nuggets and its fans. He's now seeking a trial in hopes of holding KSE accountable and protecting future employees. "Never wanted things to go down this way," Solomon said. "But there are things they could've handled better -- not just with me -- but with others as well." KSE has not responded to a request for comment.


CNN
27 minutes ago
- CNN
Analysis: How Sly Stallone and Gloria Gaynor explain Trump and his presidency
President Donald Trump would love cultural elites to sniff at his Kennedy Center honorees. He relished unveiling the stars he'll fete at the iconic arts center's annual gala later this year, after motorcading to the complex Wednesday through streets now patrolled, on his orders, by federal agents and army reservists. The line-up explains a lot about him, his power and why he's president. 'Rocky' star Sylvester Stallone, Broadway legend Michael Crawford, disco icon Gloria Gaynor, country crooner George Strait and glam rock band KISS are more populist than 'high' culture. That's not to say that they are unworthy. Who could argue that Stallone didn't leave an 'indelible' mark on his art form? That's one of the criteria for selecting nominees. And Kennedy Center honorees have been trending toward the popular arts for decades, under presidents of both parties. As always, Trump was setting a trap for his political foes. Any criticism of his choices as too lowbrow or undeserving will only bolster his claims to be a scourge of the establishment and endear him more to supporters who lionize him as the ultimate outsider. Trump's critics see his takeover of the Kennedy Center and his efforts to destroy progressive values in the arts, the universities and elsewhere as cultural warfare. He pretty much agrees, proclaiming that he'd scrubbed his list for 'wokesters.' He admitted he'd even considered using his newly seized power over the citadel of American cultural life to honor himself. No wonder critics — including, no doubt, many liberal Kennedy Center subscribers, given the capital region's progressive lean — perceive a would-be authoritarian who wants to dominate and dictate every aspect of American life. Presidents don't generally select honorees. You'd think the world's most powerful man would have bigger fish to fry. Most commanders in chief just throw a White House reception and turn up for the show. But Trump is a ravenous consumer of pop culture and is unusually skilled at leveraging it for political gain. He's the executive producer of his own life and political career. So there was no chance he'd pass up a chance to stage-manage this show — and even plans to host the televised gala himself. He professed to have been press-ganged into it by White House Chief of Staff Susie Wiles. She probably didn't have to twist his arm for too long. More seriously, Trump's Kennedy Center Honors will also represent another important victory for his 'Make America Great Again' movement and his hostile takeover of Washington institutions. 'I would say I was about 98 percent involved,' Trump said, of the selection process. 'No, they all went through me … I turned down plenty. They were too woke. I turned them — I had a couple of wokesters.' There's an important political dimension to this. Trump's base voters, and many other conservatives, believe that liberal elites spent decades cementing an ideological takeover of multiple areas of US life — in the arts, the media, academia, and even in sports — and dragged them to the left. The anger of millions of Americans about this pulsated from Trump's rallies in three consecutive campaigns. Voters gravitated toward a candidate who was mocked for his brassy ways by sophisticated Manhattanites. This is why Hillary Clinton's ill-judged insult of Trump supporters in 2016 as 'deplorables' became a badge of honor and a source of power for the president. When Trump's critics bemoan what they see as a takeover of top political and cultural institutions, his fans think he's taking those entities back. On conservative media, hosts lash out at movie stars for demeaning Hollywood with progressive views, or socially conscious NFL or NBA stars for 'ruining sports.' Previously, Kennedy Center honorees were chosen by a nominally bipartisan panel of arts and entertainment industry luminaries. But try convincing a conservative that these judges were free of bias, since they were drawn from the liberal arts milieu that Trump is seeking to destroy by taking over the Kennedy Center. Trump celebrated his dominance of yet another liberal bastion by admitting he was politicizing it — in another show of his unchecked power. 'I shouldn't make this political because they made the Academy Awards political, and they went down the tubes,' he said. The president went on, 'So they'll say, 'Trump made it political,' but I think if we make it our kind of political, we'll go up, OK?' But while Trump aimed for levity, his actions are threatening. On its own, his takeover of the Kennedy Center would be unusual, even a little bizarre. Taken against the backdrop of everything else he's doing, it's more worrying. He's weaponized the Justice Department against his political enemies, including members of the Obama administration. Trump's federalizing of the Washington, DC, police and deployment of the National Guard on the capital's streets and endless offensives against judges mirror the tactics of authoritarian rulers. The administration plans to scrub exhibits at the Smithsonian so they don't conflict with Trump's hardline views ahead of America's 250th birthday next year. His attempts to control the curricula of elite universities and his attacks on the media along with his dominance of the Kennedy Center make it feel like he's trying to control what Americans see, learn and even do in their leisure time. It's easy to believe that Trump chose the honorees himself because they all reflect aspects of his own character and experience. Stallone plays rough guys like John J. Rambo and Rocky Balboa, who trampled political correctness. It's not hard to see that Trump sees himself in them. 'He's a little bit tough, a little bit different, I will tell you. He's a little, tough guy,' Trump said, noting that Stallone, too, has his star in cement in Hollywood. 'In fact, the only way that's a bigger name on the Hollywood Walk of Fame, they say, is a guy named Donald Trump.' Strait is a massive recording star known as the 'King of Country' and a titan of rural America whose traditional sound evokes the kind of down-home appeal that Trump seeks to emulate. Crawford, who starred in the original London and Broadway productions of 'Phantom of the Opera,' shows the president's affinity for musicals. Like Trump, the show was big in New York in the 1980s. And the score, composed by Andrew Lloyd Webber, was considered mass market by trendy elites, while being widely popular among the masses. Crawford is also famous for another role — PT Barnum, a 19th-century showman, impresario, businessman and ring master whose carnival-barker style foretold Trump's. 'Barnum's' most famous number is 'There's a sucker born ev'ry minute' and sums up the business philosophy of a hero remembered for publicity stunts and hoaxes that blurred truth and reality. Sound familiar? KISS, a band with a catalogue of platinum albums, is also known for over-the-top stagecraft. And there's no better anthem for Trump's life of personal, business and political scandals that almost but never quite destroy him than Gaynor's biggest hit: 'I Will Survive.'