‘J.M.W. Turner: Romance and Reality' Review: The Measure of a Master
New Haven, Conn.
Conventional wisdom has it that Joseph Mallord William Turner (1775-1851) was the first modern artist, his impressionistic landscapes and seascapes preceding French Impressionism by at least half a century. Not only that, but in over nearly six decades of leading the British art world, he transformed the genres of landscape and seascape. Or so the organizers of 'J.M.W. Turner: Romance and Reality' at the Yale Center for British Art (through July 27) remind us. The show, containing more than 75 works—oil paintings, watercolors and prints—from the Center's own collection, the largest Turner holdings outside Britain, comes as close as an exhibition of its concision can in backing up that claim.
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