Tokischa Is Finally Ready To Release An Album To ‘Let It All Out' — And It Won't Be What You Expect
The look itself is a callback to Tokischa's 2021 music video for the frenetic 'Tukuntazo,' one of her early breakout hits, where she wrapped her curls in aluminum foil to construct the jagged shapes. 'Now that I have access to wigs and a hairdresser, I can really use that hair concept and develop a character with that aesthetic, which is a rocker,' she says.
More from Billboard
Addison Rae & Her Producers on the 'Different Energy' of Their 'Magic' All-Women Studio Sessions
Meet the Producers Making Regional Mexican Music Explode
Here's What Mariah Carey Really Thinks About the Billboard Charts
Tokischa, the 29-year-old artist who helped turn dembow into a global sound — and has repeatedly fueled controversy with her sexually charged lyrics and provocative stage antics, including kneeling onstage to eat and drink from a dog dish — has built her career around bold, ever-evolving personas. From 2023's Popola Presidente (the 'president' of a fictional political party, PPL: Partido por la Libertad, with a platform of love, freedom and LGBTQ+ advocacy) to just Popola (Dominican slang for vagina), her work symbolizes empowerment through no-holds-barred femininity and subversion. Now in her Popola Super Saiyan era, she connects her spiked blond hairstyle to a futuristic, rebellious persona that matches her musical evolution.
'Miami' and 'Celos' were an introduction to her debut, due in mid-October, and offered a glimpse at how Tokischa is evolving within the genre. While both tracks stay rooted in her signature dembow sound, produced by longtime collaborator Leo RD, they push into new conceptual territory: 'Miami' captures euphoric liberation, while 'Celos' explores themes of jealousy and betrayal with sharp lyrical interplay and emotional rawness. Though the style remains familiar, the double release serves as a precursor to the alternative, rock and electro-pop influences woven into her full-length, whose title remains under wraps for now.
Growing up in Los Frailes, a working-class neighborhood in Santo Domingo, the artist born Tokischa Altagracia Peralta was surrounded by bachata, salsa and merengue. 'When I was a little girl, I listened to a lot of romantic music, Mexican ballads, because that was what the adults in the neighborhood listened to most,' she recalls. As reggaetón and Dominican dembow began to explode in the mid- to late 2010s, she gravitated toward the street music filling the city's corners.
Her mother, Tokischa's biggest inspiration, introduced her to international culture, style and the limitless possibilities of self-reinvention. When she relocated to the United States early in Tokischa's childhood to pursue a better life, she would send issues of Vogue and words of encouragement for her daughter to dream boldly. ' 'Life in the United States is very different,' ' Tokischa recalls her mother telling her. ' 'Learn English, learn to be yourself, be unique.' '
That advice shaped Tokischa's understanding that artistic expression was never about following rules. From her early beginnings dabbling in rock, trap and rap, she was always drawn to unexpected sonic hybrids while staying rooted in Dominican street sounds. 'Ever since I started making music, I started making trap because it was the closest thing to rock,' she says. 'Rock has always been one of my favorite genres.'
That versatility has helped Tokischa score major collaborations: In 2021, she teamed with Rosalía on the risqué reggaetón-flamenco 'Linda' (becoming her first appearance on Billboard's Hot Latin Songs chart); that same year, she sparked global controversy with J Balvin on the provocative 'Perra' (which means 'b–ch' or 'female dog'). The music video depicted the Colombian superstar walking two Afro Latina women on leashes, while Tokischa posed on all fours inside a doghouse. (The video, which was widely criticized for dehumanizing and objectifying Black women, was eventually removed following widespread backlash; Tokischa later said in an interview that she was 'truly sorry that people felt offended. But at the same time, art is expression.')
In 2022, the Dominican provocateur was heating up clubs with a remix of Madonna's 'Hung Up' titled 'Hung Up on Tokischa,' featuring the pop icon, which they performed in New York complete with an onstage kiss that sent the crowd into a frenzy. And in 2023, she paired with Sexyy Red for the raunchy house track 'Daddy.' Next, Tokischa will join A$AP Rocky on 'Flackito Jodye' — which he has been teasing online — from his upcoming album, Don't Be Dumb.
To date, she has released over 60 singles as a lead artist and a collaborator, including five entries on Hot Latin Songs — but never an album, or even an EP. Yet, she's now embracing the album format with a debut crafted around a contained narrative. 'This album really tells a very special story for me, a very difficult time in my life that shaped me and brought me to where I am now,' she reveals. 'It's like a diary where I recount certain experiences that I've never talked about before. I feel like this was the best concept for a debut album — where I can let it all out.'
Her album will arrive on Tokischa's own label, SOL, which she and her manager, Angelica Piche, co-founded in 2024 in partnership with Warner Music Latina with support from Atlantic Records. Designed as a platform for misunderstood artists, SOL reflects Tokischa's own journey. 'What drew me to Tokischa was her unapologetic authenticity and her ability to connect with global audiences through her music,' Warner Music Latina president Alejandro Duque says. 'Tokischa is in a phase of creative renewal, with expansive energy.'
With SOL, Tokischa is empowering the next wave of countercultural voices while aiming to cement herself at the forefront. 'Lately, I've been a workaholic, focused on making sure everything turns out perfect so that it reflects the vision I want to share,' she says of her debut. For an artist who has long been building a world entirely her own, come October, she'll finally invite others in.
This story appears in the Aug. 16, 2025, issue of Billboard.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Solve the daily Crossword

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
6 hours ago
- USA Today
Lil Yachty apologizes to Stephen Jackson over 'demeaning' George Floyd lyric
Stephen Jackson and Lil Yachty are seemingly on good terms after the former NBA star called out the rapper for mentioning the late George Floyd in an unreleased track. Lil Yachty, whose real name is Miles McCollum, shared a snippet of a track during a recent Twitch livestream, according to Rolling Stone and Billboard. The song reportedly featured a lyric about Floyd, a 46-year-old black man who died in May 2020 after a white Minneapolis police officer Derek Chauvin knelt on his head and neck for nearly 10 minutes while arresting him. 'Put my knee up on her neck, I went George Floyd,' Yachty rapped on the song, per Billboard. Jackson condemned the 'One Night' rapper in a now-deleted Instagram post, calling the lyric 'demeaning' and writing, 'Don't ever say his name, bro. None of y'all knew G. Nothing about him.' The San Antonio Spurs alum has long been open about the loss of his friend Floyd, revealing in 2020 that the pair grew up in the same Houston, Texas neighborhood. USA TODAY has reached out to Lil Yachty's representatives for comment. Jackson says Yachty apologized for distasteful lyric In an Aug. 14 Instagram story, the 'All the Smoke' podcast host later revealed that he is no longer upset with Yachty after the musician reached out and apologized. 'I took my post down about Yachty because I'm emotional about George. I apologized to him. We spoke and he apologized as well,' Jackson said. 'I salute him. Not a lot of people like to own up to when they [expletive] up.' Jackson added that he agreed a public apology was unnecessary after the two worked things out, and as Yachty understands the frustration caused by the lyrics. He added that he never had an issue with Yachty directly, but rather the idea of it being okay for people to demean the dead. He later added in an Aug. 15 Instagram post that he won't be discussing the situation in interviews, adding that 'he's a smart young man' and 'We move on from it.'


CBS News
9 hours ago
- CBS News
Playboy is moving its headquarters from Los Angeles to Miami Beach, opening new club
Playboy plans to relocate its global headquarters from Los Angeles to Miami Beach and open a Playboy club there. The Miami Beach headquarters at the top of a luxury office building will include studios to support Playboy's "growing creator network" and the club will have a restaurant as well as a members-only section inspired by the Playboy Mansion in Los Angeles, the company said Thursday in a statement. "Miami Beach is among the most dynamic and culturally influential cities in the country, making it the ideal home for Playboy's next chapter," Ben Kohn, CEO of Playboy Inc., said in the statement. The first Playboy Magazine was published in 1953, featuring Marilyn Monroe on the cover and in a "Sweetheart of the Month" color nude photo inside. The first Playboy Club opened in 1960 in Chicago, which was the headquarters of the company at the time, and the company opened up clubs around the world. In 2020, Playboy ceased publishing its monthly print magazine, sticking instead with online content.


Los Angeles Times
10 hours ago
- Los Angeles Times
Snow Tha Product blasts Latino Trump voters in new video for ‘Sabado'
Latino Trump voters are put on notice in Snow Tha Product's new music video for 'Sabado.' In a riotous three-minute clip, the Mexican American MC shows up to her fictional family's carne asada with an envelope in hand, revealing which family member voted for President Trump. The suspense builds, and needless to say, things get a little heated. 'Before the party begins, I want it to be known that one of us voted for Trump,' Snow sings, ominously holding up a white envelope that indicates who it is. As the tempo picks up, Snow begins to point fingers. This prompts a chaotic scene amid the crowd of attendees, which include a handful of Latino influencers and media personalities — among them queer couple Trino Garcia and Adam Vasquez, Brown Bag podcast hosts Letty Peniche and Do Know, TikToker Jesus Acevedo and more. 'There's the aunt with corn-silk hair that raised spoiled kids,' she sings in Spanish, over a Jersey club beat. 'The cousin traumatized over being American, with a paisa face that voted for Trump ... There's the foo that says the N-word, f— no sabo idiot ... A crybaby old man who always makes fun of me for being a lesbian, [but] when he gets drunk he's gayer than me.' In the song, Snow admits she won't open the envelope, as opening someone else's mail is a federal crime. But she does have her suspicions set on one person: the cousin who got married to a white man in order to have white children to better the race, or 'mejorar la raza.' It's a controversial age-old term that has been used to justify colorism in the Latino community. The party ends in a boozy frenzy, with cake plastered across some faces and an ICE patrol piñata that is beaten to smithereens by the family. The ending also gives way to a teaser for Snow's upcoming song, titled 'Domingo,' which will premiere Aug. 27. This isn't the California-born rapper's first attempt at critiquing the fraught political dynamics of late. Last week she released a cover of Molotov's rockero classic 'Frijolero,' alongside Mexican singer Belinda. The original 2003 track condemns racism, including the use of the word 'beaner,' which is often deployed as a racial slur against Mexican immigrants. It also critiques U.S. involvement in drug trafficking and foreign wars. Both new releases come at a time when Latino communities have been targeted by ICE agents, particularly in Southern California.