
Hillsborough Castle and Gardens sprinkled in Disney stardust this summer with Winnie the Pooh trail
The air will 'hum' with 'hunny' at Hillsborough Castle and Gardens this summer as the grounds are transformed into a storybook wonderland for the Disney Winnie the Pooh Hunny Hunt trail.

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Evening Standard
12 hours ago
- Evening Standard
Ryan Reynolds wants to shake up Star Wars with sex, swearing and grit – is the franchise ready for R Rated?
Imagining this adult take, industry insiders have speculated what it might look like. One anonymous source familiar with Disney's strategy told Variety that 'a Tarantino-style Star Wars, with explicit violence and mature themes, would be a bold move - something to distinguish the franchise in a crowded streaming and cinema market.'


Daily Mail
12 hours ago
- Daily Mail
ADRIAN THRILLS reviews Miley Cyrus: Something Beautiful - She came in like a wrecking ball… is she now giving us what Spinal Tap might describe as her free-form jazz odyssey?
MILEY CYRYUS: Something Beautiful (Columbia) Verdict: There's nothing memorable Rating: [THREE STARS] The new Miley Cyrus album comes with a lofty billing. The former Disney child star says that Something Beautiful – accompanied by a promotional feature film due on June 6 – is a concept release exploring themes of healing, transformation and finding beauty in darkness. It's 'an attempt to medicate somewhat of a sick culture through music,' she tells us. She came in like a wrecking ball… is she now giving us what Spinal Tap might describe as her free-form jazz odyssey? The answer is: not quite. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's showbiz newsletter to stay in the loop. There are moments here where she tests the limits of what might be expected from a mainstream pop star. Something Beautiful, supposedly inspired by Pink Floyd's 1979 rock opera The Wall, begins with an overture in which she intones a few spoken words about trains and passing landscapes. Elsewhere, there are two instrumental interludes and a second spoken contribution, this time from Naomi Campbell. Despite those minor surprises, it's hard to discern much of an underlying concept here. Lyrically, there are songs – the funky Easy Lover and trip-hop ballad Pretend You're God – that appear to allude to an ongoing, if uncertain, romance. On Give Me Love, the 32-year-old singer addresses the perils of showbiz fame. 'Behind the curtains, terror awaits,' she sings. But, essentially, Something Beautiful is a pop album with a few additional whistles and bells. And, on that score, it's an uneven affair that skips haphazardly between genres. There are some strong moments – plus a fair amount of filler. Despite Miley's grandiose aspirations, there's nothing here as memorable as 2013's Wrecking Ball, 2020's Midnight Sky or 2023's Flowers – pop hits that admittedly set a very high bar – although you could never accuse her of lacking ambition (pictured in her music video Wrecking Ball) Many of the highlights appear early on. On heartache ballad More To Lose, Miley sings with an impressive, Stevie Nicks-like huskiness. End Of The World, with a piano riff that nods to Abba's Dancing Queen, is the big pop moment on a record not exactly packed with bangers. The title track starts as a mellow soul number before bombastic guitars come in to lend it an overwrought feel. The second half, which pivots towards electronic dance music, feels more generic. Every Girl You've Ever Loved and Walk Of Fame, the latter with an energetic cameo from Brittany Howard, of the Alabama Shakes, are 1980s dance pastiches. The idyllic love song Golden Burning Sun looks to the strain of 1970s soft-rock that turned Harry Styles into a superstar. Despite Miley's grandiose aspirations, there's nothing here as memorable as 2013's Wrecking Ball, 2020's Midnight Sky or 2023's Flowers – pop hits that admittedly set a very high bar – although you could never accuse her of lacking ambition.


South Wales Guardian
12 hours ago
- South Wales Guardian
First official Jaws documentary to examine film's impact 50 years on
Jaws At 50: The Definitive Inside Story will feature interviews with director Steven Spielberg, Ian Shaw, the son of Robert Shaw – who played professional shark hunter Quint, and Lorraine Gary who played Ellen Brody, along with other cast members, when it airs on National Geographic and Disney+. The 90-minute documentary will also feature home videos and rare outtakes from Spielberg and writer Peter Benchley's personal archives, and a behind the scenes look at the making of the movie, including its malfunctioning animatronic shark and Spielberg's fears the film would end his career. The feature will also look at the wave of shark fear from the public following the movie's release, and will look at the novel which started the story through interviews with Benchley's wife, ocean policy advocate Wendy Benchley and their children. Famous fans including JJ Abrams, Emily Blunt, James Cameron, Cameron Crowe, George Lucas, Steven Soderbergh, Guillermo del Toro and Robert Zemeckis will also speak about the film along with marine experts. Jaws At 50: The Definitive Inside Story will be directed by Laurent Bouzereau, and will be produced by Spielberg's Amblin Documentaries and Nedland Films. The documentary frames Jaws, released in 1975, as the 'first summer blockbuster', with the movie being the highest-grossing picture of all time until the release of Star Wars two years later. Jaws tells the story of a man-eating shark, named Bruce by the film's crew, that attacks beachgoers at a resort town on Amity Island, and the attempts of police chief Martin Brody (Roy Scheider), marine biologist Matt Hooper (Richard Dreyfuss) and professional shark hunter Quint (Shaw) to hunt it down. The film, based on the 1974 novel by Benchley, was followed by three sequels, and has inspired theme park rides at the Universal Studios theme parks as well as video games. The documentary will premiere on July 11 at 8pm on National Geographic and will stream the same day on Disney+.