暌違 16 年！ Clipse 最新專輯《Let God Sort Em Out》正式登陸各大串流平台
專輯中匯集了眾多客串藝人，包括開場曲〈The Birds Don't Sing〉有 John Legend 和 Voices Of Fire 的獻聲；Kendrick Lamar 助陣〈Chains & Whips〉；Tyler, the Creator 參與〈P.O.V.〉；Stove God Cooks 獻聲〈F.I.C.O.〉；Ab-Liva 則現身於〈Inglorious Bastards〉和〈Let God Sort Em Out/Chandeliers〉。此外，全程擔任專輯製作人的 Pharrell，也與 The-Dream 共同演繹了〈All Things Considered〉，並參與了〈E.B.I.T.D.A.〉、〈So Far Ahead〉以及〈By The Grace Of God〉等歌曲。
儘管這對來自維吉尼亞海灘的搭檔，睽違已久，但 Clipse 的回歸氣勢磅礴，幾乎讓人感覺他們從未離開。《Let God Sort Em Out》不僅回顧了過去 16 年間的種種事件，從親人離世的悲傷到偶像殞落，以及饒舌樂壇的全新格局，同時也絲毫不顯過時、矯情或陳腐。Pharrell 令人著迷的製作（這也是 Clipse 首張沒有 The Neptunes 參與的專輯），更為 Malice 和 Push 的成功奠定了基礎，他所帶來的卓越且充滿靈感的節拍，與兩人的風格完美融合。這張專輯顯得精煉且目標明確，再次證明 Push 和 Malice 無需「尋找」他們在現代嘻哈中的位置，因為他們始終都在，只是在等待最佳的時機出擊。
相關報導
>Justin Bieber 全新專輯《SWAG》正式登陸各大串流平台
>美國天普大學宣佈開辦 Kendrick Lamar 深度課程：全面拆解傳奇饒舌巨擘的生命脈絡
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New York Times
5 hours ago
- New York Times
Chris Paul returns to Clippers to make history, not relive past glory
This is a basketball story. But I have to start with hip-hop. You see, a new album can serve a lot of areas, even if it's from an older performer. New work will have you recalling past brilliance while proving they can still get it done. Clipse, a hip-hop duo from Virginia formed by brothers Pusha T and Malice, reunited and put out its first album in 16 years with the release of 'Let God Sort Em Out' this month. It was produced by Pharrell Williams, who, along with The Neptunes, helped produce Clipse's first three albums, starting with 'Lord Willin'' back in 2002. Advertisement Old conflicts had to be resolved for this album to happen. Old love for the game had to be replenished. Themes of appreciation, having no regrets, and giving flowers while they can still smell them were explored. Also, the brothers can rap. And they in turn keep the art of rap accountable. So be it, so be it. Let me transition from Clipse to Clips. As in the LA Clippers, a team that added future Hall of Fame point guard Chris Paul to a group that already had seven players over 30. Paul turned 40 in May and is about to play his 21st NBA season. And as Clippers president of basketball operations Lawrence Frank put it, Paul will slot in as a high quality 'reserve point guard' with a clear understanding of his role. This is a full circle moment for Paul and the Clippers. LA first acquired him in 2011, at the end of a fourth straight season of at least 50 losses. When LA traded former lottery picks Chris Kaman (2003), Eric Gordon (2008) and Al-Farouq Aminu (2010) along with a future first-round pick that became Austin Rivers to the New Orleans Hornets for Paul, the Clippers had a total of six winning seasons in 41 years as an NBA franchise. They had never won 60 percent of their games before 2011. The Clippers won at least 60 percent of their games in all of Paul's six seasons with the franchise. He had an infamous run, but when it was over in 2017, he could have opted out of the final year of his contract and entered unrestricted free agency. Instead, he opted in, initiating a trade to join James Harden and the Houston Rockets. That 2017 trade netted the Clippers Lou Williams, Patrick Beverley and Montrezl Harrell. And as Frank noted, the Clippers are still benefitting from that trade when you consider subsequent trades, right down to the acquisition of John Collins this summer. LA has the league's longest active streak of winning seasons at 14, and that is largely possible because of Paul. 📰 @TheAthletic Chris Paul reunites with the LA Clippers, years after the original CP3 trade that set the franchise on a maiden course towards winning and another CP3 trade that still benefits the Clippers to this very day — Law Murray 🎡 (@LawMurrayTheNU) July 21, 2025 'When Chris exited, we worked together,' Frank said. 'When he decided to go to Houston, Chris helped us in the sense of turning it into a sign-and-trade, and it really helped us transition. I mean obviously, Chris had great history, great six years with us. Being an All-Star each year, All-NBA five of those six years, making the playoffs each of those years. And yet the ability to get the return we got from Houston helped us get to where we're at now.' Advertisement So why do the Clippers need Chris Paul? It begins with the basketball. No, really, the actual basketball. I wrote three weeks ago about how Paul makes sense as a player who has always valued taking care of the basketball. The Clippers were 23rd in the NBA last season in turnover percentage and assist-turnover ratio. Paul finished 8th in the NBA in assists per game with 7.4 and averaged only 1.6 turnovers. That's an assist-turnover ratio of 4.69, which trailed only Tyrese Haliburton (5.61) and Tyus Jones (4.71) among the 253 players who appeared in at least 20 games and played at least 20 minutes per game last season. Compare that with Harden, who had an assist-turnover ratio of 2.01, which ranked 106th. When Paul, who started all 82 games for the San Antonio Spurs last season, was on the floor, 13 percent of the Spurs' possessions ended in a turnover, which is the equivalent to a team ranking third in the NBA. When Paul was off the floor, the Spurs had a turnover percentage of 14.5, which is the equivalent to a team ranking 18th. 'We know that ballhandling was a little bit of an issue for us last year,' Frank said. 'Ballhandling and playmaking were areas we wanted to address this offseason. When we were at our best, we were taking care of the ball. And Chris takes care of the ball and runs an offense about as well as anyone who's ever done it.' Paul is the Point God. He provides discipline. He provides structure. When Paul gets point/assist double-doubles, he can do it without a turnover, something he's done 45 times (13 more than John Stockton, who is next on that list, per Stathead). As Damian Lillard was reintroduced by the Portland Trail Blazers this week, Portland head coach and former Paul Clippers teammate Chauncey Billups said that Lillard is 'going to be the highest paid assistant coach in league history.' Paul might as well be the second-highest paid assistant coach. Clippers head coach Tyronn Lue certainly could use someone else to yell at Harden instead of Harden averaging the third-most turnovers in the league again. And though Paul and Harden didn't end things well in Houston after two seasons, Harden played a role in Paul's return to LA, along with Leonard. Advertisement 'James has been a huge part of this offseason,' said Frank. 'When talking to James, talking to Kawhi, and we talked about the role … both guys said CP would be the best guy for this role. James is all about winning and obviously Chris and him played together in Houston. They got within a game of the NBA Finals in 2018. What James talked about with Chris was his ability to see the floor like few others, the leadership skills he brings, the competitiveness, and his everyday work ethic and approach.' Chris Paul needs the Clippers. He's been in five cities over these last eight years. The Clipper fan base, one that has been treated to arguably the most ahistorical franchise in the league, gets to celebrate Paul once again. And Paul's first tenure with the Clippers showed him what it means to have star players come to the Clippers near or at the end of their careers — Billups, Lamar Odom, Grant Hill, Antawn Jamison, Danny Granger and Hedo Turkoglu spent their final or penultimate season with the Clippers. Just like Malice has been both Mason Bethas, Chris Paul has been both Paul Pierces now: he was a superstar now in the twilight of his career with the Clippers. Paul replaces Patty Mills, who replaced the disgruntled PJ Tucker in February. The difference between Mills and Tucker was striking. Tucker didn't want to be on the team and, after he opted into $11 million last summer, LA leadership decided to keep him away from the team until he was traded. When Mills arrived, he was able to contribute positively to the Clippers locker room, even serving as the director of vibes. The Clippers aren't a whole lot older than last year's team. Bradley Beal is a month younger than Norman Powell, John Collins is three months younger than Amir Coffey and rookies Yanic Konan Niederhäuser and Kobe Sanders replace Drew Eubanks and Seth Lundy, respectively. Brook Lopez, 37, replaces Ben Simmons, 29. But Paul, Collins, and Lopez replace three players (Mills, Coffey, Simmons) who are still unsigned at this point of free agency, and they may be reserves on the Clippers after being starters for their teams last season. The Clippers getting older with Paul and Lopez belies the fact that the Clippers are now Pacific Ocean's Eleven: a group of established players who were productive last season and who can help keep each other's minutes and workload down in the rare instances where the team is fully healthy. Lue has a deeper, more versatile roster at his disposal. Paul and Lopez, in particular, represent players (a traditional backup point guard and center) the Clippers didn't have last season, especially in the playoffs against Denver. LA Clippers offseason, updated… Noah's ark, at least two of all they need — Law Murray 🎡 (@LawMurrayTheNU) July 21, 2025 'Everyone's entitled in terms of the judgments they want to make on the group,' Frank said. 'We're super excited about the group, and I think part of the thing with age that typically people worry about (is) increased chance for injury. That's why we lean into the depth. … The nature of any NBA team, let alone an older one, is that you may have more injuries than others. Now some of our older guys have been very, very durable, so knock on wood. Hopefully that maintains. But if not, we do have great faith in the roster and having depth across the board. Lue will need to carefully manage his rotation's minutes, but Paul, Nicolas Batum and Lopez should play the least while LA hopes Leonard, Beal, Collins and Bogdan Bogdanović are healthier (none of them played 60 games in 2024-25). The player who needs the most management, and the one Paul was brought here for as insurance, is Harden. He played 2,789 minutes in the regular season at age 35 and he was an All-Star and an All-NBA selection. That's only the 34th season in NBA history by a player who played at least 2,700 minutes at age 35 or older. Advertisement The only players who followed up a season with that kind of workload at that age and made an All-Star appearance the following season are Hall of Famers Wilt Chamberlain (1973 Lakers), John Havlicek (1978 Celtics), Artis Gilmore (1986 Spurs), Robert Parish (1990 Celtics), Karl Malone (2001 and 2002 Jazz), Jason Kidd (2010 Mavericks) and future Hall of Famer Kevin Durant (2025 Suns). None of those players were guards responsible for both scoring and primary playmaking. With Paul, the Clippers have eight players who are older than 30. Can an old team win it all? Certainly. The 1998 Bulls were led by Michael Jordan, who began the Last Dance at the same age (34) that Leonard will be next season. Jordan was joined by two other starters older than 30 (Scottie Pippen, Ron Harper) and five reserves who were 30 or older by the end of June 1998 (Dennis Rodman, Steve Kerr, Bill Wennington, Randy Brown, Jud Buechler). The 2011 Mavericks were led by 32-year-old Dirk Nowitzki, who was joined in the starting lineup by four other 30-plus starters (Kidd, Shawn Marion and DeShawn Stevenson). That Dallas team had four reserves on the playoff roster older than 30 (Jason Terry, Peja Stojakovic, Brendan Haywood, Brian Cardinal), and that didn't include injured 31-year-old Caron Butler, who was the second-leading scorer in the starting lineup when his season ended in January due to a knee injury. The 2016 Cleveland Cavaliers, coached by Lue, were led by 31-year-old LeBron James, who was joined in the starting lineup by 30-year-old JR Smith. Cleveland's bench in the playoffs had seven players 30 or older (Richard Jefferson, Channing Frye, Timofey Mozgov, Mo Williams, James Jones, Dahntay Jones, Sasha Kaun). None of these teams are perfect correlations. Every team is trying to win a championship. They're all flawed, even the team that won it last year and will win it this year. If the Clippers signed recent first-round picks to fill out the roster (like they did last year with Kevin Porter Jr. and Mo Bamba) instead of older and better players like Paul and Lopez, then they would be criticized for not giving themselves the best opportunity to win. Frank put the roster together and he's going to let Lue sort them out. Paul is here to be a part of the puzzle, and it's a smaller part than he's used to. Paul has seen it all, and he's about to see The Wall. But the Clips aren't just here to collect veterans and have sweet moments. They're trying to put the best product out there and win. And so is Paul. 'There's the heartstrings part of it, of someone who was such a significant part of the Clippers' rise, to be able to bring it back,' said Frank. 'Whether this is his last year or not, that's obviously Chris's story in terms of what he feels and what he wants. But I think number one is his ability to help impact winning. And then the secondary was someone who's been so important to the franchise, to be able to bring him back in the fold.' (Photo of Chris Paul waving: Michael Gonzales / NBAE via Getty Images)
Yahoo
19 hours ago
- Yahoo
Does 2025 Even Have a Song of Summer?
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Every year the same debate enters the cultural conversation: what is the song of summer? Last year, there were almost too many contenders to count. Thanks to anthems courtesy of Sabrina Carpenter, Chappell Roan, and Kendrick Lamar, it seemed as if every genre had skin in the game when it came to what songs were soundtracking the season. This time around, the answer to what song is ruling the airwaves is a lot less clear—but that isn't necessarily a bad thing. Rather than feeling as if we have to succumb to what our musical algorithms are feeding us, this summer brings a refreshing sense of freedom. Whether you're exploring a new genre or discovering under-the-radar artists, this season's musical bounty is a promising one. Ahead, Harper's Bazaar editors share their personal picks for the ultimate song of summer 2025. 'Love Me Not' by Ravyn Lenae 2025 is the year the world finally woke up to the genius of Ravyn Lenae. I love how this song has such a timeless melody but you can still shimmy along to it while blasting it at home or shed a little tear when zoning in on the vulnerability of the lyrics. We love duality! TikTok virality aside, Lenae is a modern day musician that encompasses the soprano abilities of a Minnie Ripperton combined with the lyrical prowess of a young Mariah Carey; which to me means we undoubtedly have a number of anthems to come from the young diva in the making. — Bianca Betancourt, culture editor 'The Giver' by Chappell Roan My household never skips a Chappell Roan song. After a whirlwind year that landed her the Grammy for Best New Artist, Roan entered 2025 with a new mission: conquering country. 'The Giver' is cheeky and flirtatious, a wink to the women who know they can satisfy their lovers better than any 'country boy quitter.' (My personal favorite bit is the choir of baritone voices echoing her in the bridge: 'She gets the job done.') Complete with fiddles and a Shania Twain affect, this bop has been playing on repeat all summer long. — Chelsey Sanchez, editor 'NuevaYol' by Bad Bunny I knew from my first listen of this song back in January that it was going to be an anthem for the ages. You can't travel through any of New York City's five boroughs without passing by a car blasting this booming track from their speakers. 'NuevaYol' will surely go down in history as a song that encompasses the magnitude of cross-cultural Latino pride, but for now, it's a personal ode from Bad Bunny himself to his second-favorite city in the world and the immigrants who have contributed to American culture tenfold. — Bianca Betancourt, culture editor 'Headphones On' by Addison Rae There's something so addictive about this song that I want injected in my veins. The string instruments, the beat, Addison whispering seductively in your ear—this song is meant to be blasted in the car on a warm summer night with all of the windows down. It's a master class in its writing and production, by an all female team. I've had it on repeat all season long, and absolutely expect it to end up on my Spotify Wrapped at the end of the year. — Olivia Alchek, senior designer 'Relationships' by HAIM No one gets me in a summer mood quite like Haim. The rollicking drums on 'Forever,' the oozing guitar on 'Summer Girl'—their songs scream sunset drives down the Pacific Coast Highway or an afternoon spent drinking spritzes by the beach. When 'Relationships' came out, I instantly knew it would be my song of the summer. With an endless loop of addictive hooks, the track accurately captures that feeling of fleeting summer love and the on-again, off-again struggle that comes when neither can decide whether to fully commit. The Haim sisters are masters at capturing the intricacies of relationships, and let me just say this song has been soundtracking a summer full of feelings for me. Oh, and a music video featuring heartthrob-of-the-moment, Drew Starkey, was just the cherry on top. — Joel Calfee, assistant editor 'Mystical Magical' by Benson Boone Controversial opinion, but my song of the summer is Benson Boone's 'Mystical Magical.' You've probably heard this song before since its lyrics, 'Moonbeam Icecream, taking off your blue jeans,' have gone viral all over social media. I still don't know what Moonbeam Icecream is, but I don't care. This song is an absolute banger and I will continue to stand by that. —Kristina Ang, social video coordinator and writer 'Catch These Fists' by Wet Leg If you are, like me, an elder millennial who still listens to indie rock, then I highly recommend this song by two girls from the Island of Wight about beating up obnoxious men at the club. Apparently there's some discourse around the fact that they're hot and also sound like Pavement, but I care less about that than I do their arched-eyebrow musical delivery. Something about the way singer Rhian Teasdale says 'Man down' at the end of every chorus reminds me of the way Phoebe Waller-Bridge looks at the camera during Fleabag—totally deadpan yet totally goofy. — Izzy Grinspan, digital director 'Giddy Up, Gorgeous' by Tanner Adell I'm calling it now: Tanner Adell will soon be the newest country darling. When she teased this infectious track on TikTok a few weeks back, I impatiently waited until it hit streaming platforms so I could blast it from my home speakers. It's such a funny, witty—and hot!—song that reminds me of when "traditional" country music felt a lot more light and free. — Bianca Betancourt, culture editor 'Afterlife' by Alex GProducer, singer, and songwriter Alex G released Headlights, his first album in three years, earlier this month, and I've had its lead single, 'Afterlife,' on repeat ever since. Warm and introspective, it bounces between nostalgia, transcendence, and new beginnings, revisiting some of Giannascoli's personal childhood memories through clipped lyrical vignettes along the way. The result is a track that shimmers with hope and tenderness; it's also a beautiful reminder to live in the moment because everything could soon change (and it is, in my opinion, best enjoyed on a walk in the sun). — Ariana Marsh, senior features editor 'IRL' by Lizzo (feat. SZA) As soon as I heard Lizzo tease a snippet of this song on TikTok, I was hooked. And after hearing all two minutes and 43 seconds of IRL, I kept it on repeat for at least three cycles back to back—it's simply infectious. Lizzo caught my attention instantly with her lyrics and a hook that just makes you want to dance, and SZA's vocal contribution adds that perfect je ne sais quoi to lock 'IRL' in as one of the songs of the summer. It's exactly what you want to have blasting at your next kickback. — Tiffany Dodson, beauty commerce editor 'Childlike Things' by FKA twigs These days, we should take as much joy as we can get, and nothing feels better than indulging your inner child. 'Childlike Things' is a quirky, summer bop that makes me want to immediately start jumping up and down as I mouth along in my room or in the car—something I'd do without a second thought in middle school, not so much as a 'serious' adult. The energy is infectious and pure fun. — Michella Ore, fashion commerce editor 'Chains and Whips' by Clipse (feat. Kendrick Lamar) I could easily say that every song on Let God Sort Em Out deserves to be nominated as the song of the summer, but the combination of Clipse, Pharrell, and Kendrick Lamar on 'Chains and Whips' is absolutely next-level. Not only did Pharrell once again mastermind a beat that directly hits my soul, but the pure lyricism of each verse makes it necessary to listen to the song at least twice in a row to make sure you've actually processed their words. Truly a masterclass in hit-making all around. — Tiffany Dodson, beauty commerce editor You Might Also Like 4 Investment-Worthy Skincare Finds From Sephora The 17 Best Retinol Creams Worth Adding to Your Skin Care Routine Solve the daily Crossword
Yahoo
a day ago
- Yahoo
Travis Scott's ‘JackBoys 2' Tops Chart, Ends Justin Bieber's Six-Album Streak of No. 1 Debuts
Travis Scott came out on top in a stacked week of new releases Sunday, as his latest album JackBoys 2 debuted atop Billboard's 200 Albums chart, beating out Justin Bieber's surprise release Swag, as well as Let God Sort 'Em Out, Clipse's first album in over 15 years. JackBoys 2, considered a compilation album with his Cactus Jack label, marks Scott's sixth album to top the Billboard chart (that's four solo records as well as the original JackBoys compilation album). It opens with 232,000 units and was buoyed by strong traditional sales, selling 160,000 copies, Billboard reported. More from The Hollywood Reporter Bruce Springsteen Joins Zach Bryan for Surprise Appearance at New Jersey Concert Chris Martin Jokes About Kiss-Cam Scandal at First Coldplay Concert Since Video Went Viral Billie Eilish Reveals 3D Collaboration With James Cameron Is in the Works Scott ends Morgan Wallen's I'm the Problem's two-month streak atop the albums chart since that record debuted in May. (Luminate reported last week that I'm the Problem is the biggest album in the U.S. through the first half of 2025.) The chart news marks the first time Bieber hasn't opened at No. 1 in his 15-year career, ending a six-album streak of No. 1 debuts that began with his first record, My World 2.0, back in 2010. Despite that streak ending, Swag had a more than respectable opening, debuting with 163,000 overall units on 198.77 million streams, per Billboard. Notably, Swag's debut was carried almost entirely by streams, with physical sales set to be included on a later chart after his physical units are shipped out. Swag appears to have netted Bieber another hit with 'Daisies,' which topped both Apple Music and Spotify's daily U.S. charts this past week. It's a potential contender for a No. 1 debut on the Hot 100 chart, in close competition with Alex Warren's 'Ordinary,' which has spent the past six weeks atop the chart. The New Hot 100 chart will release Monday. Other than Bieber, Clipse earned 118,000 equivalent units with Let God Sort 'Em Out, debuting at No. 4 on this week's chart. Best of The Hollywood Reporter From 'Party in the U.S.A.' to 'Born in the U.S.A.': 20 of America's Most Patriotic (and Un-Patriotic) Musical Offerings Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More Hollywood's Most Notable Deaths of 2025 Solve the daily Crossword
