Made for Rs 2 crore, this film is huge flop, left behind movies like Housefull 5, Adipurush, and Sikander, is being trolled for…, movie is…, lead actors are…
Recently, the trailer of a film is making people laugh a lot on the internet. Netizens are making fun of it and saying, 'This is worse than Adipurush.' However, it is a Pakistani film which was released at a time when there is tension between India and Pakistan. The tension between the two countries has not reduced yet, due to which the ban on Pakistani artists continues in India. At such a time, it seems that this film itself is inviting trolling. Parwaaz Hai Junoon
Here we are talking about 2018 film, 'Parwaaz Hai Junoon', It was produced by Momina Duraid and directed by Haseeb Hassan. But recently it is being criticized after it went viral again. Starring Hamza Ali Abbasi, Ahad Raza Mir and Hania Aamir in lead roles, the film depicted the Pakistan Air Force. Some people romanticized life, love stories and sacrifices in a war-like setting. It failed to instill patriotism and was subjected to brutal trolling. Worst Quality Of VFX
The grand scenes in this film showing Pakistani soldiers as heroes and victorious in war have angered the audience. Many netizens are reacting that this is actually a far-fetched idea. One wrote, 'Pakistan has not won a single war till now, so why all these grand things?' they are protesting. One wrote, 'There should be a disclaimer that this film has nothing to do with reality.' One quipped, 'The VFX budget of this film is less than even a typical Indian web series.' Some people are laughing that the fighter planes look like they have been taken from a 90s video game and called it Tom Cruise' Top Gun ki cheap copy. The Budget Of This Aerial Action Thriller
As per reports, the film was made for Rs 12 crore and it collected Rs 28 crore. It had a strong opening, earning Rs. 2.13 crore worldwide on day one. It collected Rs. 5.45 crore in two days, Rs. 8.74 crore in three days, and Rs. 12.68 crore in four days. By the end of its first week, it reached Rs. 18.18 crore globally. In its second week, it broke records with Rs. 28.12 crore.
The film features several of Pakistan's most beloved actors, such as Hamza Abbasi, Ahad Raza Mir, and Hania Aamir, who has recently found herself at the center of a controversy. The young actress was poised to make her Bollywood debut alongside Diljit Dosanjh in the already postponed film. Sardaar Ji 3, for which the trailer was unveiled on Sunday. However, due to the tensions following the Pahalgam attacks and Operation Sindoor, the casting has encountered significant backlash, resulting in this third installment of the Sardaar Ji series being released only in theaters abroad.
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'The true beauty of the Kolhapuri lies in its versatility, it moves fluidly across eras, aesthetics and wardrobes, yet never loses its essence.' It is a sentiment echoed by wearers as the chappal works as daywear, nightwear and even occasionwear. Fashion commentator Prasad Bidapa says, 'The craft of Kolhapuris stands at a crossroads today. A craft must adapt to stay relevant, but this should be done thoughtfully, respecting its heritage and the artisans who have preserved it.' He says only when brands strike a balance between innovation and preservation can Kolhapuris thrive and evolve while maintaining their cultural significance. Agrees Toor, who says that, for her, it was never about reinvention but respectful reinterpretation. She adds, 'What makes it timeless is its rootedness. The Kolhapuri is more than a mere footwear, it's a living legacy. We have consistently experimented with it and, in many ways, pioneered new silhouettes and design languages, but never at the cost of the story that grounds it.' She has worked with refined textures, intricate embroideries and structural elements like heels. Cariappa calls the Kolhapuri the quintessential Indian shoe. She says she keeps the base intact and uses it as a canvas to showcase various crafts in a manner that is fresh—like adding colour and accents like palm weave or handwoven cane wicker craft. Craft and design historian Tanishka Kachru, senior faculty, exhibition design, National Institute of Design, Ahmedabad, says artisans should have full ownership of the design of Kolhapuri chappals as it is their innovation over centuries that has shaped the cultural identity of the footwear. However, she says the fashion industry can provide a huge boost: 'This visibility [thanks to Prada] could drive demand and in turn open up space for artisanal innovation and bring economic benefits to the community.' Toor says the chappals will remain iconic, thanks to its ability to adapt. She says, 'That fluidity is what gives it cultural weight.' The Prada Kolhapuri is probably the push the chappal needs to walk the talk.
