
Check out all the stars who showed up to this Miami real estate mogul's birthday party
Forget the Oscars parties over on the West Coast.
The place to see and be seen last weekend? Gil Dezer's 50th in Sunny Isles Beach on Saturday night.
The real estate developer threw a blowout birthday party for the ages at the Bentley Residences Miami's multimillion-dollar sales gallery.
Roughly 500 people showed up to the barefoot-on-the-sand soirée hosted by Dezer and his girlfriend Natalie Younan. Dress code: All white.
On the list were a bevy of VIPs, 305 influencers and celebs from all walks of fame. Think rapper Future, baller Hassan Whiteside, 'Real Housewives' star Lenny Hochstein (with on-again gf Katharina Mazepa), 'Shark Tank' regular Daymond John and actor Cuba Gooding Jr.
The way Instagrammable evening featured palm readers, aerial acrobats, a magician and performances from hip-hopper Fat Joe, DJ Element, producer Scott Storch and the so-called King of Dembow, El Alfa.
At one point, Sunny Isles Beach Mayor Larisa Svechin presented the birthday boy with an official proclamation. She declared March 1 Gil Dezer Day to honor the mogul for his groundbreaking partnerships with Bentley, Porsche, Armani — and one other familiar name, Trump. The local developer led the Trump Organization's first foray into the South Florida real estate market. In the Dezer portfolio are six Trump branded towers such as the massive, $600M Trump Grande Ocean Resort and Residences.
As per a release, Svechin hailed Dezer for reshaping the skyline with some of the most iconic oceanfront skyscrapers in the world, and transforming SIB into 'a beachfront luxury real estate hub.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
3 hours ago
- New York Times
Cruise Will Receive an Honorary Oscar at Governors Awards
Despite his death-defying stunts as the spy Ethan Hunt, Tom Cruise has yet to land an Oscar for any of the eight installments of the 'Mission: Impossible' franchise. His portrayal of the sports agent Jerry Maguire in 1996 earned him a nod from the film academy for best actor, and as a producer he was up for best motion picture in 2023 with 'Top Gun: Maverick.' But his career has not included a golden Oscars statuette. Until now. In November, Cruise will receive an honorary Oscar at the Governors Awards, alongside the production designer Wynn Thomas, and the choreographer and actress Debbie Allen, the Academy of Motion Picture Arts and Sciences announced on Tuesday. Dolly Parton, the singer and actress, will be presented with the annual Jean Hersholt Humanitarian Award for her charitable works. The honorary awards, in their 16th year, are given out by the academy's board of governors to recognize 'extraordinary distinction in lifetime achievement' in the film industry or 'outstanding contributions' to the state of filmmaking. They will be presented months before the main Oscars ceremony in March and will not be televised. This time the awards celebrate four 'individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact,' the academy president, Janet Yang, said in a statement. Cruise, 62, was first nominated for an Academy Award in 1990 for his portrayal of Ron Kovic, a Vietnam War veteran, in the biographical film 'Born on the Fourth of July.' He has received three other nominations since then, for 'Jerry Maguire,' 'Magnolia,' and 'Top Gun: Maverick.' Want all of The Times? Subscribe.

5 hours ago
Dolly Parton, Tom Cruise among stars to receive honorary Oscars
Dolly Parton and Tom Cruise can now add honorary Oscars to their long lists of accolades. The Academy of Motion Picture Arts and Sciences announced Tuesday in a press release that the "9 to 5" singer and "Mission Impossible" star will receive honorary Oscars at the 16th annual Governors Awards, which will take place later this year. Cruise, choreographer Debbie Allen and production designer Wynn Thomas will receive Academy Honorary Awards at the ceremony. Honorary Awards are given "to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences in any discipline, or for outstanding service to the Academy," according to the press release. Parton is set to receive the Jean Hersholt Humanitarian Award, which is given "to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry by promoting human welfare and contributing to rectifying inequities," according to the academy. "This year's Governors Awards will celebrate four legendary individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact," AMPAS President Janet Yang said in a statement Tuesday. "The Academy's Board of Governors is honored to recognize these brilliant artists." As for what led to Cruise's recognition, Yang cited his "incredible commitment to our filmmaking community, to the theatrical experience, and to the stunts community [that] has inspired us all." Yang said Parton "exemplifies the spirit of the Jean Hersholt Humanitarian Award through her unwavering dedication to charitable efforts." Allen is being recognized for her long career as "a trailblazing choreographer and actor, whose work has captivated generations and crossed genres," Yang said. Thomas, she added, "has brought some of the most enduring films to life through a visionary eye and mastery of his craft." Cruise has been previously nominated for three acting Oscars and also earned a best picture nod as a producer on 2022's "Top Gun: Maverick." Allen has choreographed the Academy Awards ceremony seven times, according to Tuesday's press release. Thomas is known for his work on several acclaimed Spike Lee films, including "Do The Right Thing" and "Malcolm X." Parton has a long history of humanitarian work. She founded the Dollywood Foundation in 1988 "to inspire the children in her home county to achieve educational success," according to the organization's website, and launched the book gifting program Dolly Parton's Imagination Library in 1995. The 16th annual Governors Awards will be held Sunday, Nov. 16, at the Ray Dolby Ballroom at Ovation Hollywood.
Yahoo
5 hours ago
- Yahoo
Marc Maron's ‘Are We Good?': What happens when stars clash with their documentary filmmakers
In Steven Feinartz's documentary Are We Good? about comedian and podcast pioneer Marc Maron, the director and subject grapple over who is in control of the narrative. When Feinartz suggests animating still photographs to help chronicle both Maron's career and his life after the unexpected death of his partner, filmmaker Lynn Shelton, the comedian is against it. Yet Feinartz, who had full creative control over the project, used the animation anyway. More from GoldDerby Debbie Allen, Tom Cruise, Dolly Parton, and Wynn Thomas to receive honorary Oscars TV's double threats: 10 actors eyeing nominations for both comedy and drama at the 2025 Emmys Beyond Alexis Bledel: 7 other times actors withdrew themselves from Emmy consideration "The moment I mentioned animation, I could already hear [Marc] recoiling," says Feinartz. "If the film didn't have that back and forth, it wouldn't feel like a Maron doc. He's not someone who just sits back and lets you tell his story. There was trust, but also a kind of tension." Are We Good?, which debuted at the Tribeca Film Festival on June 14, is the latest celebrity documentary that incorporates a star subject visibly and verbally struggling with their decision to surrender creative authority to a director. Matt Wolf's HBO documentary series Pee-wee as Himself and Bess Kargman's Diane Warren: Relentless, about the Oscar-nominated songwriter, also feature on-camera, often uncomfortable, banter between the subject and the director about who should have control over a story that each wants to tell differently. (In both cases, the director had complete control over the project and its final cut.) In the opening sequence of Wolf's Pee-wee as Himself, the late artist and performer Paul Reubens tells the camera, "You are not supposed to control your own documentary. You are supposed to [make] people, many people, alright, everyone but me, feel that as the subject of a documentary that you really don't have a handle. Have a take. What's the word I'm looking for? What is everyone telling me that I don't have on myself?' "Perspective,' Wolf can be heard saying off-camera, to which Reubens responds, 'You and I are going to be arguing [about that] for a long, long time. Until this documentary is finished. You mark my words.' Wolf and Reubens' contentious verbal relationship is captured throughout the two-part series, which premiered on HBO in May. "Paul and I were involved in a power struggle," says Wolf. "He didn't like the answer 'no,' and as a director, I'm accustomed to getting my way. We had similar ideas about his story and how it should be told. I just needed Paul to let go, so that I could do what I needed to do to reappraise him as an artist. I think at the end of the day, Paul and I wanted the same thing. However, to achieve those goals, I needed to be tough about maintaining my editorial autonomy." SEE'Pee-wee as Himself': Director Matt Wolf on exploring the duality of Paul Reubens and earning his trust — 'It was a constant struggle' In Kargman's Relentless, which debuted at SXSW in 2024, Warren's prolific songwriting career is examined. So is Warren's innate desire not to discuss her creative process or show up for certain interviews. At one point in the documentary, Warren tells Kargman that a camera is placed at a bad angle before grabbing it and repositioning it. At several points in the film, Kargman confronts Warren about her production power plays. Kargman says that while she didn't want the audience to hear her voice in Relentless, she also wanted them to know what it was like to be in her shoes and "experience what I was experiencing." "As I say in the film Diane had a wall up, and I was trying to break through it," she says. "I wanted the audience to experience the occasional deep frustration I had, so you hear me challenge her. In a perfect world, I would not have put myself in the film." To hear Feinartz, Wolf, and Kargman verbally debate with their respective subjects about style, storytelling, or final cut gives each film tension and an air of authenticity. "If anything, the banter between me and Marc just made things more transparent," says Feinartz. "You see me trying to make a film, you see him pushing back. It's less about control and more about letting the mess be part of the film." The power struggle unfolding in all three documentaries is, at times, jarring but also entertaining. Arguably, the breaking of the fourth wall is more captivating than the profile being told, which could, in part, be due to the fact that most celebrity-driven documentaries are boring self-produced infomercials that offer little in the way of new, unusual, or engrossing information about the subject. Practically any doc featuring a musician — Halftime about Jennifer Lopez, Miss Americana about Taylor Swift, and Homecoming about Beyoncé — is a carefully constructed commercial produced by the star or their record label. While recent celebrity documentaries like Elton John: Never Too Late, Martha, Beckham, and The Last Dance were all insightful, there is the issue of subjects being paid to participate, which raises questions about creative control and merit. "I definitely wanted the audience to be clear that this is not a puff piece, or a vanity project," says Wolf. "However, more importantly, control was an important theme in the film. Paul separated himself from Pee-wee Herman as an artistic and professional choice, but also as a way to protect his anonymity. When that precise separation crumbled after Paul's arrest, it was devastating for him. Paul lost control of his personal narrative in the media, so it was very relevant that he struggled with issues of control in the documentary. I was less interested in making a meta-commentary on celebrity documentaries, and more interested in understanding Paul's experiences both in the past and in the present while making the documentary." The recent trend toward push-pull celeb-docs docs is a welcome diversion from the puff pieces that soft-pedal around their A-list subjects. But it's anyone's guess at this point if distributors will get behind raw docs about celebrities or stick with what works — fake docs about celebrities. Are We Good? is seeking distribution. Best of GoldDerby 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Stephen King movies: 14 greatest films ranked worst to best Click here to read the full article.