
Jeff Fenech breaks silence on his daughter's big baby announcement with NRL star Bradman Best - after saying he didn't want her to date a footy player
Aussie boxing legend Jeff Fenech has spoken of his pride after his daughter Kayla announced she and NRL star Bradman Best were expecting a baby.
The former IBF and WBC title holder had previously stated that he didn't want his daughter to date a rugby league player but has now changed his tune after meeting the Newcastle Knights star.
Kayla and Best announced that they were expecting a baby in 2026 on Instagram last week.
'Baby Best due in January 2026. We can't wait,' Kayla wrote on the social media platform.
But despite his earlier comments, Fenech has now spoken of his delight at the news.
'They are so happy,' he told The Daily Telegraph.
'And I'm so proud of both of them. Whether it's a boy or a girl, the baby is going to have some great genes.
'And they'll be great parents. You know how much I love Kayla and Bradman is a great fella who will make a great dad.'
Fenech said he went 'apes***' when he found out his daughter was dating a footy player.
'I'd always warned my girls about going out with league players,' he had previously said.
He added: 'So when she rang and told me, I went off the deep end. I gave her a roasting. She kept trying to say, "Dad, he's a lovely guy". Kayla was telling me every day how nice he was.'
But it his opinion has changed since meeting Best, with Fenech, one of the country's greatest fighters, now also having gone down to the gym to train with the footy star.
'Bradman knew I was angry, but he told Kayla, "I'll prove your dad wrong" - and he has,' Fenech added.
Kayla has over 200,000 followers on Instagram and works as a business development manager for Ray White.
He added that he was 'so proud' of the pair having also previously revealed that he and Best had gone down to the gym to train together
After announcing the big news on Instagram last week, the pair received a heartfelt reception from many of their close friends and family.
Her mother, Suzee, wrote in the comments: 'Omg I'm so proud of you both, can't wait to meet my gorgeous little bubba.
'Super excited to be on this next chapter/journey with you both. Luv u both.'
Jeff has also previously sung Best's praises and lifted the lid on how their training went.
'Maybe he was trying to impress his future father-in-law,' Fenech said.
He was very impressive when we trained.
'When we first met, you could tell he was a good young man. He's treating Kayla beautifully. Like a gentleman. They're very happy. And so is my wife Suzee and I.
'The only time I got dirty is when he scored two tries against my Parramatta side last weekend and beat us.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
23 minutes ago
- Daily Mail
National anthem singers make striking political gesture at Jake Paul fight
The national anthem singers ahead of Jake Paul's win over Julio Cesar Chavez Jr made a striking political gesture on Saturday, Both the Mexican national anthems were performed ahead of the match, with Mexican entertainer Ana Barbara first performing the former before singer Moriah sang the latter. And at the end of the 'Star-Spangled Banner,' both singers held hands in a touching moment. The scene came amid President Donald Trump placing a keen focus on the issue of illegal immigration, with ICE raids occurring in Los Angeles and elsewhere around the country. Those raids have also led to mass protests in LA. Chavez Jr. took pride in his Mexican heritage ahead of the match as a Mariachi band was seen performing in his locker room. Footage from the DAZN broadcast showed a five-piece Mariachi band beginning to perform as the 39-year-old was put through his warm up. Moriah sang the Star-Spangled Banner, and joined hands with Barbara at the end Paul would go on to defeat Julio Cesar Chavez Jr. by unanimous decision The band then accompanied Chavez Jr. on his walk to the ring, where he seemed calm before ultimately losing to the YouTuber-turned boxer. 'I'm here, it's what I want in my life and that's why I'm super happy. And I think it's better to stay relaxed than feel pressure,' he said. 'This is exactly what I've worked very hard for. I'm more prepared, my dad has been here before, my mom has been here before. So this is nothing new. Paul has been an ardent supporter of Trump's as he endorsed him ahead of last year's election - despite not being able to vote himself due to his residency in Puerto Rico. In an 18-minute clip, Paul brought up the economy, border control and even transgenderism as issues that had swayed his thinking towards Trump. He also told his fans that 'God has sent me here to tell you this message,' while encouraging them to do their own research. 'Look at the facts. Think for yourself. Don't be a sheep in this world full of sheep,' he said. 'I'm putting my business, my career on the line during my peak going into fight Mike Tyson... because I don't give a f*** what the consequences are.' Paul earned his 12th win as a boxer by defeating Chavez Jr., and even called out former heavyweight champion Anthony Joshua.


Times
27 minutes ago
- Times
Henry Pollock's tackling needs work but this artist with attitude is the real deal
A croissant, a cup of tea and a cold, clear-headed analysis of the game the day before. Please let there be some resemblance to the match you watched live on Saturday and to your column in The Sunday Times. In the main my prayers are answered . . . in the main. This Sunday morning I hazarded to mention Henry Pollock to the sports desk before setting off for the office. The columns offered included a tactical feature on a dog-legged Lions defence, one on restarts (Alex Lowe is handling that particular fiasco) and . . . 'OK, I'll go through Pollock's performance, start to finish'. Online, in print, it's impossible to escape his name. The British & Irish Lions are the stuff of myth, legends who are determined to remain relevant in an age where professionalism — theoretically — should have killed them off. In reality, they are a brand, a marketing monster. They sell satellite packages for Sky and, yes, they sell newspapers. The hottest commodity finds its way into the headlines and, right now, Pollock is scorching. The first two Sunday papers in front of me to catch a stray croissant flake were proclaiming him to be a potential Test starter, the star act in the Australian tour opener against Western Force. It doesn't matter whether he is good or bad, everyone — certainly in English rugby circles — is talking about him. The old-timers can't stand his showboating, the new age of fan is in thrall. Like Bob Dylan (not Vylan) sang 60 years ago, 'Everybody's shouting, which side are you on?' Desolation Row, if you are wondering. In terms of Pollock's readiness for Test rugby, my review over a croissant would be revealing. When you know how the play ends it is easier to focus on the actors and their performance. And then there's the rewind button, too. The numbers tumble into the Barnes notebook. Tackles, carries, offloads and so on. There are plenty of rugby sites online to confirm the statistics, the bald facts. For example, Josh van der Flier was the top tackler with 21 to his name. Pollock wasn't far behind on 17. God knows, these sorts of statistics are quoted without a second, let alone a first, look. The Northampton Saints back-row forward ticked the tackle box but attackers were half-tackled and able to carry beyond the gainline. They were hung on to, they were grabbed by one leg, hopping their Western Australian way on to the front foot. In stark contrast, Van der Flier, the Ireland open-side flanker, was much more definitive. So too Joe McCarthy. In the main, when they made tackles, the opposition's attack came to a juddering halt. In the Test arena there's a world of difference between crossing the gainline in the tackle and being knocked backwards. Pollock was unconvincing in the tackle. That could cost him a stunning starting berth. On the carry he was again incredible. The marketing man's dream, the Lions brand brought to life as he produced a pair of Pollock specials to set up Tomos Williams for a try in the first half and McCarthy in the second. How many viewings online of Pollock the try-creating marauder? He went viral; he's showbusiness. But he does the hard yards, too. Garry Ringrose's second-half try was a thing of beauty, as Finn Russell and friends manipulated the blind side. Lots of replaying well-timed and overhead inside passes but, for once, Pollock's role is ignored. In the immediate lead-up to the sweet passing, he is hit hard by a defender. There is a momentary pause. If the ball-carrier goes backwards, only one metre, the defence takes the initiative. If the carrier breaks the gainline by the same distance, the phase ball is fast and the attackers have the front foot. These odd metres win and lose you Test matches. Pollock didn't — and rarely does — reverse as a carrier. It's one of those microscopic elements of his game that gives way to the Fancy Dan open-field action. When he is anonymous in an area of strength, the detractors love to magnify his youthful flaws — or 'flaws', as far as some are concerned. He has a habit of strutting his stuff when he or a team-mate scores. It winds up the opposition, which is no bad thing. In Perth he was at the heart of a small rumpus as Elliot Daly dived in for the third Lions try. But the croissant watch completely vindicates Pollock. In the build-up to the brilliant Russell quick tap, Pollock is cleverly/cynically tripped from behind by Force's Tom Robertson. If that isn't irritating enough, as the back-row forward sprints into a position from where Russell could pop him a scoring pass, Hamish Stewart, the Force centre, subtly shoves him in front of Russell. Beyond the ball, on the floor, unable to score. Tripped and pushed, why wouldn't he jump to his feet and give the nearest opponent a piece of his mind and the merest of gesticulations? Nick Champion de Crespigny, the home side's flanker, then reacted to Pollock's legitimate reaction. The speed with which McCarthy sprinted to the mêlée in defence of his team-mate most definitely suggested the players have a soft spot for 'the kid'. If the spat was erroneously perceived as proof of immaturity, so too the yellow card brandished his way at the end of the first half. I'll confess, in The Sunday Times, I took the detractors' position. Warned by the referee, Ben O'Keeffe, he was the man who went offside 23 minutes later. 'No clear release,' O'Keeffe shouted. But his was an individual yellow card for a collective warning. Being 20 is a boon for Pollock. There is nothing he feels he cannot do. He may never be this liberated again. His freedom is a bonus but, in the gnarled world of the breakdown, it takes weary back-row warriors to convince the referee they would never go off their feet, come in at the side or — as on Saturday — offer no clear release. It takes a lifetime to become Richie McCaw. TV commentators like to talk of flankers 'painting pictures'. Andy Farrell has to be sure that the picture Pollock ends up painting won't be similar to those of his namesake, Jackson. But Jackson Pollock, for all the seeming randomness of the finished work, was an artist in command of his craft. Trusting to facts alone, Pollock is an unlikelier contender for the Test series. The worries about his dominance in the tackle may mean his role is that of impact replacement. But make no mistake, this is an artist with attitude. Pollocks to the branding and the marketing, he is the real deal.


The Guardian
2 hours ago
- The Guardian
At 21, Madison Griffiths dated her university tutor. It was legal, consensual – and a messy grey area
At the tail end of 2023, the author Madison Griffiths posed a question on her Instagram: 'Has anyone here ever been in a relationship with a professor or a tutor?' Hundreds of responses flooded in. There were those who revealed that their parents had met in the lecture hall. Younger women reported they'd been involved with a university superior. Their experiences were diverse but what united those who messaged her was gender: no men came forward to say they had been in relationships with a professor or tutor. In Griffiths's inbox, at least, it was all women. For Griffiths, the question had been a personally motivated one. When she was 21, about 18 months after she'd been in his class, she asked a university tutor she had a crush on out for a drink, attracted by his intelligence and charm. They started dating and spent the next five years in an on-and-off relationship, Griffiths changing her university major to avoid winding up in his class again. They were only separated by a handful of years in age but, in the time since their breakup, Griffiths found the afterlife of that romance 'convoluted and complex in a way that I hadn't encountered in other relationships'. 'From 19 years old, my dynamic with him was one where I put him on a pedestal and I wanted him to really 'see me'… and I think that had everything to do with the implicit power imbalance that operated right from the get-go,' Griffiths says. 'It wasn't until the relationship's fallout that I started reflecting on these things.' The conversations she had as a result of that Instagram post snowballed into something bigger. Griffiths's experience and that of four of the women who reached out after her Instagram call-out would form the basis of a new book, Sweet Nothings, which explores the ethics and mechanics of 'pedagogical relationships': those between student and teacher, and a phenomenon Griffiths regards as highly gendered. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning Griffiths spent a year speaking to her four case studies, women now in their 30s and 40s who had 'lived lives well and truly outside of these relationships' and were now able to reflect on what had been. She readily admits that she was probably subconsciously 'looking for women that reminded me somewhat of myself, or could help me make sense of my own [experience]'. In her quest to understand these dynamics, Griffiths also spoke to male professors and tutors who had slept with a student – but not the ones who'd had relationships with her four subjects, to protect their anonymity. (Her subjects are also given pseudonyms and minor elements of their stories, like placenames, were fictionalised to obscure them.) Sweet Nothings is being published into a cultural moment that feels perhaps ready to begin reckoning with professor-student relationships. It arrives just ahead of A24's Sundance winner Sorry, Baby, about one woman's residual trauma from such a relationship, and not long after both New Yorker fiction and Diana Reid's bestselling novel Love & Virtue on the same topic. Perhaps most importantly, it comes in the long shadow of the #MeToo movement, as the conversation has expanded, sometimes uncertainly, to consensual relationships that feel not-quite-right – and what, exactly, in the arena of sex deserves our condemnation. Griffiths focused specifically on relationships that happened at university, where both parties were adults, and no abuse involving minors or high school students. What makes these relationships interesting to Griffiths is the grey area they operate in. Sex between a student and a professor is not against the law and, in many cases, not even expressly against university policy – yet these relationships can leave a lifelong mark on the women who enter them. 'I was particularly interested in sex that was 'problematic' but not necessarily 'bad',' Griffiths says. 'Every woman I spoke to was of the age of consent – [but] well and truly nursing a unique harm. The women that I was in conversation with didn't necessarily feel as if something completely, egregiously untoward took place within the framework of consent. It was something else entirely.' Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion What unfurls in Sweet Nothings is an examination of the way men in positions of authority can appeal to women when they are younger, at a moment in their lives when they perhaps feel that youth and beauty afford them a power of its own. Instead of flat condemnations, Griffiths wanted to highlight the agency a lot of these women had in procuring these relationships and explore their own desires. But she found that some men appeared over time, as one character notes, 'vile, dull and obvious' for using their sway in the classroom to get with women, sometimes many years their junior, who wouldn't look twice at them in a pub. A complicated shame and anger often bloomed as women looked back on these relationships in the rear-view mirror, their memories of university forever soured. Two of her subjects had seen their former professor or tutor go on to date other students after their own breakup. The revelation that they may have been part of a kink, 'as opposed to necessarily someone who met the love of their life in the wrong outfit, in the wrong place, in the wrong time, did quite severe harm to these individuals' sense of self', Griffiths says. So too did realising that a man they once idolised, who has a mastery of the field they aspire to work in, had made their relationship about sex when perhaps what they were really craving was to be told they could 'be him one day'. It perhaps won't surprise you to hear that Lisa Taddeo's Three Women, the 2019 bestseller about the sex lives of three US women (including one who, at age 17, had a sexual relationship with her high school teacher), was an inspiration for Griffiths. But another book looms much larger: Helen Garner's The First Stone, mentioned directly in Sweet Nothings as a book Griffiths finds both compelling and aggravating. Garner's 1995 account of two University of Melbourne students who accused a residential college master of sexual assault has been critically re-evaluated for its often-scathing cynicism towards its female subjects. Garner herself had an affair with an older tutor while at university, she revealed in The First Stone – but didn't view it as an abuse of power, and regarded the young women's decision to lodge a complaint with police over being groped as a 'heartbreaking' overreaction and affront to feminist ideals. Griffiths read Garner's book twice while writing her manuscript, determined to do her own differently. Garner didn't interview the women involved in the case for The First Stone – they had declined her interview requests – and Griffiths found the absence of their voices distracting. She made her female subjects the centre of her story and is happy to be writing in an era when 'we can speak in less sweeping terms' about gender and consent. 'I think older generations have a very cartoonish view of an assailant and his prey,' she laughs. But even 30 years on from The First Stone, Griffiths found she and her subjects still brushed up against an attitude of, as she puts it, 'Well, what did she get out of it?' Despite typically being in only their late teens or early 20s, Griffiths found that uni students are seen as capable and headstrong, and therefore unable to be victimised like a high school student who is just a couple years younger than them. That disregard for uni students, paired with the innate respect professors enjoy, has muddied understandings of power and allowed men at universities to do what they like. 'There is certainly a class dimension to all of this,' Griffiths says. 'I think professors are held to high esteem and are able to operate in [this] way throughout a cultural understanding of them as quite esoteric, niche, unconventional genius. Genius men throughout history have gotten away with a lot.' Sure enough, while two of the four women featured in Sweet Nothings filed complaints against the men they had relationships with, there have been no repercussions for any of the men. There are rules around student-teacher relationships at most Australian universities, Griffiths says, but 'they are open to interpretation'. At many universities, guidelines only apply to relationships between teaching staff and their current students; for Griffiths and two of her subjects, the relationship began after they were in the same classroom. The order of events didn't change the power dynamic. 'One thing that I found was the origin story of all of these relationships, having once met in the classroom, pervaded the relationships at their core. It never went away,' Griffiths says. The women she spoke to remained eager to impress or prove themselves to their former teachers, forever affording them the upper hand. For Griffiths, now 31, that has proven true. 'I guess at the core of my almost childish want with him was to be taken seriously,' she says. 'I'd be lying if I said there wasn't a shadow of that in my relationship to my work more broadly.' She hopes that if her former tutor reads her book, he will see that she is able to look at their relationship academically now – 'with the fine-tooth comb that perhaps he didn't teach me'. Sweet Nothings is out now ($36.99)