
Louis Vuitton: Fall Men's Capsule Collection Spring-Summer 2026 by Pharrell Williams
A palette rooted in the muted tones of the traditional gentleman's wardrobe is brightened by pop colours informed by classic university pennants. Capturing the lifestyle of the Ivy League dandy – from rowing sessions to studies and campus functions – the nuances render a transversal silhouette suspended between casual sportiness and preppy elegance. Crafted in materials suited to the changeable autumnal climate, the wardrobe invites versatile ways of layering while the meeting between casual and sartorial codes welcomes different levels of dressing up and down. The symbiosis is expressed in sophisticated preppy tailoring and refined collegiate leather and knitwear staples adorned with university insignia, versus garments from the sporty college wardrobe including mixed-material and tech pieces with varsity letters conceived through the House's exquisite savoir-faire. Credits: Louis Vuitton
The collection is animated in a wealth of patterns and graphics splicing the emblems of the Ivy League with the iconography of Louis Vuitton. A heritage-meets-college Monogram Tartan is interpreted in a tone-on-tone jacquard employed in beige and blue tones in flannel shirts, hooded blousons and denim sets. An athletic-inspired Monogram Heritage stripe emblazons a windbreaker, a workwear blouson and a reversible knitted travel set. A macro Monogram Seeds motif morphs the House's flower logo with the grain de riz texture native to its Damier chequers, and executes it through pigment print, laser or chainstitch embroidery across shirts, leather overshirt and denim sets. A charming LV Club Flags embroidery and print made up of university pennants adorn a denim jacket and casual outerwear. Finally, preppy LV Crests college insignia graces outerwear and tailoring, expressed in laurel, letter and emblem patches.
The trans-seasonal nature of the collection creates the premise for versatile outerwear: a navy workwear blouson in double-face wool, cashmere and silk reverses into the Monogram Heritage stripe; a padded Monogram blouson can be layered under coats or worn on its own; a navy single-breasted bouclette coat sets a formal tone while a camel coat in double-face jacquard with a detachable Monogram scarf cuts a more relaxed silhouette. A navy varsity blouson is crafted in midweight leather for a transitional feel. Seven-gauge knitwear is made for transitional city temperatures alongside jersey tops with Marque Louis Vuitton Déposée knit-effect embroideries. Cargo trousers and shorts add a workwear sensibility to preppy elegance alongside mixed-material track tops and refined trucker jackets. Credits: Louis Vuitton
The Ivy League mood is cemented in neckties adorned with LV Club motifs echoed in tennis socks and a cap, while Only LV Mini cable-knit scarves and beanies play to the seasonal shift in weather. Woven jacquard Monogram Heritage scarves reverse into solid colours, an effect echoed in canvas belts with heritage logo motifs on one side and tonal colour on the other. The collection expands the LV Slide sunglasses with new shapes expressed in speed-driven transitional designs created in round or round square lenses with four gold metal stripes on the temples. Jewellery draws on collegiate genetics in a versatile LV Club silver sterling necklace, bracelet, ring and single hoop earring with black patina finish and logo-engraved links. Charms include canvas card holders festooned to tiny preppy shirts with neckties.
Embodied by casual elegance, shoes traverse the codes of prep, workwear and sports in lightweight expressions. The LV Oxford loafer emerges in calf leather with metal flower details. The shoe is crafted with Blake construction wherein the sole is stitched directly to the upper and insole from the inside for a light, flexible and sleek form. The LV Remix takes shape in an ankle boot and boat shoe in mixed Monogram jacquard and plain calf leather, and as a Mary-Jane in plain calf leather; all set on ultra-light rubber soles. In a meeting between sports and sophistication, the timeless LV Classic sneaker is reanimated in nubuck, while the LV Trainer appears in perforated leather in sporty collegiate colourways, and in two-tone grained calf leather. Credits: Louis Vuitton
A new take on the Monogram Héritage established by Pharrell Williams at Louis Vuitton sees the green canvas bags adorned with preppy blue or red stripes. The line features saffron-coloured lining, gold-metal hardware, navy trimmings, striped straps and name tags, which can be hot-stamped with the client's initials in-store. The pattern appears across a Satchel Messenger, a Trio Messenger, a Keepall 25, a Keepall 55, a Rush Bumbag and a Horizon 55 trolley as well as small leather goods. An exceptional suede Speedy P9 is debossed with Monogram flowers and offered with two silk scarves designed to wrap around its handles. Created in the image of the collection mascot, turtle-shaped canvas and leather wearable wallets and charms animate the collection alongside a calf leather Monogram clutch and a Monogram pochette shaped like rugby balls, saluting an Ivy League sports institution.
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Glasgow Times
44 minutes ago
- Glasgow Times
The ‘exceptional' London pub created by Guy Ritchie
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The Herald Scotland
2 hours ago
- The Herald Scotland
I found Sarah Vine's book unexpectedly heart-wrenching
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And how a once happy union was chiselled out by Brexit and by the class structure that still exists at the top of the Tories on which they spend a lot of money and time to conceal from the rest of us. You begin investing in this story about how Westminster's political thresher (and maybe Holyrood's too) can steal your soul if you're foolish enough to believe you can surf it and remain upright. It's also about surviving as a woman amidst the casual sexism that still pervades my industry and the outright misogyny that runs through Big Politics. There are startling moments, not least an egregiously misogynistic insult aimed at her by the comedian, Stewart Lee, in his Observer column. 'As a student, David Cameron is rumoured to have put his penis into a dead pig. To outdo him, Michael Gove put his penis into a Daily Mail journalist.' On a family trip to New York, they're spotted by another British couple. Not even the presence of their two children – 10 and 12 – spares them. 'W****** like you shouldn't be allowed to have children,' shouted the woman. 'The point I was trying to make, is one about the one process of dehumanisation,' she tells me. 'They don't see you as a person. I write for the Daily Mail and I was married to a Tory. So the normal rules of decency are suspended.' Vine admires current Conservative leader Kemi Badenoch (Image: Stefan Rousseau) She admires the current Conservative leader, Kemi Badenoch. 'She's got the balls to do it; she's got the appetite and is feisty and she has a vision and isn't afraid to ram it home. We're told that one dog year equals seven human years. It's the same with politicians.' She's right, of course. Politicians seem to age before our eyes in the term of a single parliament. Ms Vine's story – even without the politics and the tiaras – is a compelling one. Of a girl living in Italy where her affluent parents had moved to embrace la dolce vita amidst their extra-marital affairs and the tantrums that followed them and who felt like an ugly duckling in a school full of young Mediterranean beauties. Of being psychologically abused by her dad, who seemed embarrassed at his daughter's physical appearance (she still frets about her weight and discusses her alopecia and her anti-depressants). One entry leaves you shredded. It's when, as a teenager, she returns to Italy for the summer from boarding school in England where she'd starved herself into something approaching svelte. Her dad now felt she was fit enough for him to be seen in public with her in Italian café society, at one point instructing her 'to wiggle for a table'. I found this heart-wrenching to the extent that I immediately resolved to call my own two daughters and just, you know, be closer to them. What things were said and unsaid; how many were the hugs not given? She tells me that the stuff about her dad needed to be in there 'to explain who I am and what I am and why I'm so flawed'. She'd sent the book to her brother. 'Is this okay? You were there too; you remember all that stuff.' He'd called and said: 'Sarah, honestly, you've been far too nice.' She had called her dad to tell him there was material in the book he may find uncomfortable. 'He said 'Oh alright then, and went back to watching the telly'.' Back to England then and university (languages) and falling into journalism after a fateful encounter with some of Fleet Street's finest in one of their taverns. And then meeting Michael Gove on a skiing trip with the nucleus of what would later be called 'the Notting Hill Set': There's a perception among Scottish journalists that the old English newspaper titles are populated by the scions of old families who weren't considered smart enough for high political office and thus favours had to be called in. Ms Vine though, is a proper old-school journalist who has held down most jobs in the gnarly business of producing newsprint. There's no question of her not having earned her position. I was once asked what had made the Mail so popular across all classes in England. The best I could come up with was that they represented the Margo Leadbetter character in The Good Life. In one episode, she's in a long Post Office queue being truculently fobbed off at the counter. 'I am the voice of the Silent Majority,' she'd said. Margo seemed to embody those English stereotypes we both love and hate: of enduring challenges with stalwart resilience because, well … being English obliges you to care without showing it; to be silent in adversity, confident perhaps that you'll have your moment and that it will be a terrible one indeed. I love them for it and loathe them in equal measure. Perhaps though, it's that early Italian influence on Ms Vine that enkindled her desire in this book to settle a few scores; to chivvy those who were inconstant or who disappeared when she was deemed no longer to possess a social cachet. It's not revenge, as such, more an abjuration that they should perhaps have known that this day would come when the smart, sassy columnist – the Wednesday Witch in Daily Mail parlance – would strap on her stilettoes and have her day in long form with one of Britain's top publishers. The inside story of Brexit and how it laid waste to relationships and brought families to the brink of breaking up is a dominant theme. Did it wreck her own – happy – marriage to Michael Gove who is now out of politics entirely? Or, would they still have split? Would he always have been drawn like a moth to the flame of politics; while she with her daily, acerbic registers refused to adopt the role of dutiful Tory wife bred to endure and to absorb and to be silent? In the end it wasn't a clash of personalities, or infidelity or excessive drinking; or abnormal behaviour which sealed the split, but the sight of her husband choosing to absent himself with a book in the upstairs bedroom of their new home while she and her elderly mum (who had flown from Italy to help with the flitting) did all the heavy lifting. Before then, a sense of isolation had begun to settle on them both. The gradual, wretched realisation that for all their brains and unprivileged endeavour; for their wit and charisma, they'd never quite been accepted within their set. And that, when the chips were down and the balloon was up and the lights had gone out, a process of social exclusion by stealth was well underway. They had committed the cardinal sin of failing to acknowledge their place in the grand scheme: deference to the upper classes of High Toryism. To the naked, unschooled eye, they were both at the very apex of England's social, political and cultural food chain. 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It's all rather glorious and we're treated to occasional forays into the inter-marital houghmagandie of the upper crust, because, we all know that the High Tories are all fond of their shagging and probably still claim a bit of your 'droit de seigneur' This is most memorably narrated when a bright and loyal Tory adviser, is hinted to be conducting an affair with Samantha Cameron's stepfather, William Astor. This unravelled in what seemed a most cut-glass, English manner. There were no names and no big red-top screamer … just an unmarked entry by the Mail's kenspeckle diarist, Richard Kay hinting at a tryst. And lo, she was gone and never heard of again, while the old goat emerged relatively unscathed. It's here that I must offer some words of advice to Ms Vine. If her book makes it into paperback and thence into a Netflix adaptation (virtually guaranteed) please be rid of the cover on this hardback edition. It's dreadful and exceedingly low-calibre, showing a woman lying fully prone and face down. It channels an energy that's entirely at odds with the dynamics of Ms Vine's rise, fall and recovery. How Not to be a Political Wife: HarperCollins £20


Daily Mirror
3 hours ago
- Daily Mirror
Strictly star addresses show 'curse' after huge change in marriage
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'Her story shows that a woman's career doesn't have to be over at 40 — in fact Tina's career took off in her mid-forties. There can be an ageist attitude in showbiz that it's all over at 40, but at 40 women are in their prime. If you'd told me a year ago that I'd be performing in the West End a year after giving birth I would have laughed. But Tina's a great example that you can still keep pushing and still make it happen." Former X Factor competitor Fleur, who shot to fame as a solo act on the ITV talent show in 2014, will continue playing Tina until September, after which she'll return to her role hosting Strictly Come Dancing spin-off show It Takes Two , alongside Janette Manrara. Having also competed on Strictly , finishing as a runner-up in 2022 partnered with Vito Coppola, Fleur, who has been married for six years to French fashion designer Marcel Badiane-Robin, knows only too well the rumours of the show's famous 'curse'. But the singer has some advice for upcoming contestants. 'The way to avoid the Strictly curse is to stay attached to whatever your reality is,' she says. 'Because with all these shows — Strictly , the jungle and so on — it's really intense and it's like a bubble and it's easy to think, 'Oh this is my life.' But it's not real. When I was on Strictly my husband and sister came to every single live show for three months, they were the two in the audience, every single night.' In fact, for Fleur, the show helped spice up her marriage, and she says that far from falling victim to the curse, the chance to shine was a tonic for their relationship. 'For me and my husband,' she says, ' Strictly put the spark back into our relationship because you're feeling really fit and your partner's watching you perform at the weekend and because of the amazing wardrobe and make-up team you're looking amazing. It makes you fall in love with each other again because there's an element of when you're seeing your partner excelling at something they do, you go, 'Oh yeah, that's my partner,' and it makes you proud of them.' The Walthamstow-born star comes from a close-knit family and since the death of her father, she has grown even closer to her mother, Irene, and sister Keshia, with whom she has a haircare brand, Kurl Kitchen. Indeed, Fleur says that her family keep her grounded and she avoids the pitfalls of fame by involving them in all her career decisions. 'Whenever I have an offer I always sit my family down and tell them all about the opportunity. We discuss the pros and the cons and I listen to what they have to say. My husband is a fashion designer and I often wear his clothes on the red carpet. It's really important to involve my family in my journey.' Brought up in the 90s in a mixed-race family — her mother is from Ghana and her late father was English — Fleur says she was delighted to see Meghan Markle join the House of Windsor. 'When Meghan married Harry, that was such a big deal in our family, because my mum used to joke when I was growing up that she wanted me to marry Prince William. She'd say, 'One day you'll marry Prince William,' and I'd say, 'Mum, there's zero chance of that.' So when Meghan married Harry, we all thought, 'Wow, this is major.' I'll never forget the ceremony and seeing the Black priest in St George's Chapel and the gospel choir — for me it was a huge moment for the royal family.' Fleur, who described herself as 'very nervous' when she performed for the royal family at the VE Day celebrations earlier this year, hopes Meghan and Harry will come back to the royal fold and be back on the Buckingham Palace balcony one day. 'I don't really follow As Ever, but I still think it's great that Meghan is there as a brown princess. Hopefully they can patch things up with the King. There's so much we don't know, we don't know the relationships and what's going on behind the scenes.' Away from the bright lights of the showbiz circuit, Fleur is also fully immersed in motherhood, following the arrival of her daughter Nova last March. 'I had a home birth, it was hard because I had no other form of pain relief but gas and air — and the gas and air only arrived in the last few hours,' she recalls. 'It was very tough — I had to tap into a whole different area of my brain to find the strength to come through it. My husband was an amazing support. I was just rolling around naked on the floor until my daughter arrived. But I do feel so lucky that nothing went wrong.' Fleur says that, thanks to her upbringing, she didn't have body confidence issues growing up, and following in the footsteps of her own mother, she's happy to be naked at home. 'As it's been really hot recently, in the house I've just been walking around naked,' she says. 'My husband was laughing at me and saying, 'Look at you, just walking around naked!' 'And I say, 'I grew up in a household with a mum who did the same.' Mum was very confident and she just walked around naked and it was never spoken about. She was never shy or conscious of her body, it was very normal to see my mum's stomach covered in stretchmarks after having me and my sister. 'Now I have stretchmarks because I've just had a baby. In a way I am very grateful to my mum for that because I never had body confidence issues growing up and now I am doing the same for my child.'