Masato Sakai to return for "Vivant 2"
13 Jun - Masato Sakai recently confirmed that he will be returning as Yusuke Nogi in the sequel to the hit Japanese TV series, "Vivant".
Sharing the news on TBS morning programme, "The Time", the actor said that the sequel will be aired next year and will be a big production that deserves all of his effort.
"When I was reading the script, I could already feel how the director racked his brains, so I will perform without reservation," he said.
The sequel reportedly will be a continuation of the story, starting immediately after the last scene of the first series, and there will be no changes to the setting of the main character, Nogi Yusuke.
Other cast members besides Masato will be announced in the near future. Katsuo Fukuzawa, who co-directed the first series, will be in charge of the original story, direction and production, once again teaming up with Masato in their powerful collaboration.
The first series was shot on a grand scale in Mongolia, which drew much attention, and according to Fukuzawa, the second series will also be filmed in a country which will be unique to viewers.
While he mums on the location, earlier rumours stated that it will be filmed in Azerbaijan.
In addition to filming the sequel to the Japanese drama, it is reported that a movie version will be produced simultaneously, which is tentatively scheduled to be released in December next year.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Engadget
6 hours ago
- Engadget
The Internet Archive modernizes its GeoCities GIF search engine
The Internet Archive made it easier to search for '90s-era GIFs. GifCities contains millions of animations from the decade of flannel shirts and Soup Nazis. The GIFs were pulled from old GeoCities webpages, which (mostly) bit the dust in 2009. The new version of GifCities is much easier to search. You can now search semantically, based on the animation's content. In other words, it's much more likely to bring up the topic or scene you're looking for by describing it. In GifCities' old version, you could only search by file name. (If you're feeling masochistic, you can still access that version under a "Special search" tab.) The updated GifCities also now uses pagination. That's a good thing, as the old version's infinite scrolling could make for slow browsing. You can also create and share "GifGrams." As the name suggests, these are custom e-greetings made from those ancient GIFs. The Internet Archive launched GifCities in 2016 to celebrate its 20th anniversary. If you're too young to know, GeoCities was the quintessential early internet web-hosting service. A precursor to social media, it was full of embarrassing fan pages, personal photo albums and "Under construction" GIFs. (You'll find plenty of the latter in this search engine.) Yahoo pulled the plug on most of GeoCities in 2009. (Disclosure: That's Engadget's parent company.) However, the Japanese version survived for another decade. If you're of a certain age, you'll likely enjoy browsing the archive. (Or, learn what passed for internet humor before you were born!) Just note that many results are NSFW. I made the mistake of searching for "Mr. T," and I will now leave you to douse my eyes with bleach.

Hypebeast
6 hours ago
- Hypebeast
New York to Welcome CANYON, a New Hub for Video, Sound and Performance Art
New York is getting another addition to its esteemed roll of arts institutions. Slated to open in 2026, CANYON marks a first for the city, transforming a long-vacant 40,000-square-foot commercial space into a hub for video, sound performances and durational art. Equal parts museum, performance venue and social space, CANYON promises to bring depth to new forms of art. The venue will feature evening-focused hours and cutting-edge technology tailored to immersive, screen-based storytelling — works 'resists the quick glance,' co-founder Joe Thompson described. Created by philanthropist Robert Rosenkranz and Thompson, who also serves as the founding director ofMASS MoCA, the institution, at its core, is a commitment to artists specializing in time-based mediums, wrestling with ideas of surveillance, artificial intelligence and climate anxiety. 'In a world where most people engage with information, memory and identity through screens, video has become the natural language of rising generations, and artists are using that language in profoundly inventive ways,' added Rosenkranz. The upcoming institution will call Lower East Side's Essex Crossing Affiliates Architecturehas been tapped to lead the building's transformation, which will feature 18,000 sq. feet of gallery space, a 60-foot-tall gathering space and a 300-seat performance hall for concerts, lectures and screenings.' The goal, according to Thompson, is a welcoming environment that 'feels more like a living room than a white cube,' with a focus on hospitality and atmosphere. Key cultural partners, such as Electronic Arts Intermix,Rhizomeand the ARChive of Contemporary Music, will also maintain a permanent presence within CANYON. While programming development is still underway, tentative plans include a retrospective of Japanese sound and media artistRyoji Ikeda, andWorldbuilding,the acclaimed video game-focused group show curated byHans Ulrich Obrist. As New York continues to push the boundaries of contemporary culture, CANYON positions itself as a future-facing space for the evolving language of contemporary art.
Yahoo
7 hours ago
- Yahoo
Despite Big Wins at Festivals, Female Crew Members Are Still Underrepresented in French Film Industry, Study Says
Despite significant wins at major film festivals and policies enforced by the National Film Board (CNC) aimed at boosting female representation behind the camera, male crew members still dominate the French film industry. A study conducted by the org Collectif 50/50 teams on 220 titles released in 2024 shows that the proportion of women in key below-the-line positions has remained mostly stagnant compared with 2023, and only rarely rose. More from Variety 'Brand New Landscape' Review: An Architect Has No Design for Family Life in a Quietly Affecting Japanese Drama 'A Magnificent Life' Review: A Treat for Marcel Pagnol Fans, Sylvain Chomet's Animated Biopic Seems Unlikely to Win Over the Uninitiated 1-2 Special Acquires North American Rights for Simón Mesa Soto's Cannes Award-Winner 'A Poet' (EXCLUSIVE) The only two fields where women lead in terms of representation are costume designers and casting directors with 90% and 80%, respectively. The org 50/50 says these 'jobs are historically perceived as feminine' and are therefore 'still overwhelmingly occupied by women. These are followed by editors with 50% of women, set designers with 47% (compared with 41% in 2023), music composers with 12% (compared with 8% in 2023), cinematographers with 13% (compared with 18% in 2023), music composers with 12% and sound engineers with 11%. While modest, the biggest year-on spike was seen in special effects where the number of female heads of department rose from 11% to 17% between 2023 and 2024. In above-the-line roles, women made up 26% of filmmakers (down two percent on 2023), 27% of producers and 34% of screenwriters (on par with 2023). The study also reveals that larger budgets are systematically allocated to men, even in fields that are mainly occupied by women. For instance, projects on which men are tapped as costume designers have 27% more budget, and projects on which women work as cinematographers and music composers have budgets 38% and 27% lower, respectively. The National Film Board has put in place, since 2019, a scheme to incite producers to hire female filmmakers, cinematographers and/or heads of production by giving them a bonus, on top of the regular subsidy that they receive from the CNC. But while the scheme sparked an uptick in female jobs in the first years after it launched, the proportion has since stagnated. Another recent study, presented by Annenberg's Dr. Stacy L. Smith and Katherine Pieper, for the 10-year anniversary of Kering's Women in Motion program showed that the number of women behind the camera had in fact skyrocketed from 8.3% in 2015 to 32.3% in 2024. In the U.S. it went from 8% to 16.2%, and in France it grew from 14.4% to 25.9%. Aside from these numbers, French female directors have highly visible at prominent film festivals in the last few years, with Julia Ducournau and Justine Triet winning the Palme d'Or, Coralie Fargeat winning best screenplay 'The Substance.' This year's Cannes festival was another strong showcase of female talent. The 78th edition kicked off with Amelie Bonnin's 'Leave One Day,' while Ducournau was back in competition this year with 'Alpha,' alongside with Hafsia Herzi's 'La Petite dernière' which saw rising actor Nadia Melliti receive the best actress award from Juliette Binoche's jury at Cannes. The festival also played films by Rebecca Zlotowski, 'Vie Privée,' playing out of competition, and Josephine Japy's 'The Wonderers' playing in Special Screening. The Collectif 50/50 has had a crucial role in getting international film festivals to sign a gender parity and diversity pledge starting with Cannes in 2018. As many as 156 festivals have now signed the of Variety All the Godzilla Movies Ranked Final Oscar Predictions: International Feature – United Kingdom to Win Its First Statuette With 'The Zone of Interest' 'Game of Thrones' Filming Locations in Northern Ireland to Open as Tourist Attractions