logo
How they stack up: The vanilla cakes at centre of wild plagiarism claims

How they stack up: The vanilla cakes at centre of wild plagiarism claims

Perth Now30-04-2025
Plagiarism claims against a popular cooking queen over several sweet treats including a vanilla cake have sparked debate about how much ownership chefs and cooks have over recipes.
Two authors — RecipeTin Eats' Nagi Maehashi, from Australia, and American Sally McKenney, author and blogger behind Sally's Baking Addiction — have accused Brooke Bellamy of stealing recipes for her bestseller Bake With Brooki, which was published by Penguin in October.
WATCH THE VIDEO ABOVE: Bitter battle breaks out between two of Australia's most famous bakers.
The allegations relate to Maehashi's caramel slice and baklava, and McKenney's best vanilla cake recipe.
Bellamy, who owns the popular Brooki Bakehouse in Brisbane, and Penguin have denied the claims.
Maehashi argued McKenney's cake recipe had ingredients such as buttermilk, which made it identifiable as belonging to the American.
In her YouTube video, Bellamy refers to her cake as 'the best ever vanilla cake'.
The ingredients are minimally different. There is a 3g difference in the amount of flour used and 5g in butter measurements.
McKenney's also calls for three large eggs and two extra egg whites, while Bellamy's instead asks for four eggs.
McKenney's recipe also calls for 400g of granulated sugar, where as Bellamy's asks for a finer caster sugar, although the sugars can be substituted.
The ingredients are listed in a similar order and both recipes contain the same three-word note — 'Yes, a tablespoon!' — next to the measurement for vanilla extract. Sally McKenney's Best Vanilla Cake recipe on the left, compared with Brooke Bellamy's Best Fluffy Vanilla Cake Recipe on the right. Credit: Sally's Baking / Brooki Sally McKenney, the baker behind Sally's Baking Addiction, has joined Nagi Maehashi from RecipeTin Eats in accusing Brooke Bellamy of plagiarising recipes. Credit: Sally's Baking Addiction
'Nagi ... I'm so grateful you let me know months ago that one of my recipes — the best vanilla cake I've ever had, published by me in 2019 — was also plagiarised in this book and also appears on the author's YouTube channel,' McKenney said in an Instagram story.
'Original recipe creators who put in the work to develop and test recipes deserve credit — especially in a best-selling cookbook.'
Bellamy has publicly denied the claims she lifted recipes for her book, and shared a 2016 photo of the caramel slice she says predates Maehashi's.
'I have great respect for Nagi and what she has done in recent years for cooks, content creators and cookbooks in Australia — especially as a fellow female entrepreneur,' Bellamy said on social media.
'Recipe development in today's world is enveloped in inspiration from other cooks, cookbook authors, food bloggers and content creators.
'This willingness to share recipes and build on what has come before is what I love so much about baking and sharing recipes — the community that surrounds it.'
The Brisbane baker said she has offered to remove both recipes flagged by Maehashi from future reprints to prevent further aggravation. RecipeTin Eats founder Nagi Maehashi and Brooke Bellamy, who founded Brooki Bakehouse. Credit: RecipeTin Eats/Brooki Bakehouse
In a second statement on Wednesday, Bellamy said she does 'not copy other's people's recipes'.
'Like many bakers, I draw inspiration from the classics, but the creations you see at Brooki Bakehouse reflect my own experience, taste, and passion for baking, born of countless hours of my childhood spent in my home kitchen with Mum,' she said.
'While baking has leeway for creativity, much of it is a precise science and is necessarily formulaic.
'Many recipes are bound to share common steps and measures: if they don't, they simply don't work.'
Legal experts say recipes are unlikely to be protected by copyright laws.
'There's quite a high hurdle to jump to show that a recipe has enough originality to allege copyright infringement,' Queensland University of Technology intellectual property expert Kylie Pappalardo told 7NEWS.
'Copyright is an area where these things come up all the time. There's always singers or somebody alleging someone has copied something from somebody else.
'There is copyright in creative expression, but not in facts, data, etc.'
The situation is complicated because the allegedly stolen recipes — caramel slice, baklava, and vanilla cake — are fairly common baked goods where there is little room for creativity, Pappalardo said.
'At the end of the day, there's probably only so many variations you could have that would still work and taste good,' she said.
'That is why I say that copyright is very thin, if it exists at all in these recipes.'
- With AAP
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Taron Egerton scared of 'jinxing' dream project
Taron Egerton scared of 'jinxing' dream project

Perth Now

time2 hours ago

  • Perth Now

Taron Egerton scared of 'jinxing' dream project

Taron Egerton doesn't want to "jinx" his dream project. The 35-year-old actor dreams of turning one of his favourite musicals into a film - but Taron doesn't want to jinx the project before he gets a green light. The Hollywood star told People: "There's a musical I love. "I daren't tell you what it is, because I don't want to jinx it. There's a really classic American musical that I really love that I would love to turn into a film. It's never been turned into a film and I think it would be amazing." Despite this, Taron admits that he'll have to overcome a series of obstacles before he can get the project off the ground. He said: "I'm really, really, really hoping that I can achieve that. It's very, very hard and the estate is super protective about it and rightly so. "If I manage it, you'll know about it and I think it would be incredible. But I will not jinx it by telling you what it is because I've been trying for some time." Meanwhile, Taron has played down talk that he could replace Daniel Craig as James Bond, insisting he's too "messy" for the role. The movie star believes there are "so many cool, younger actors" who would be better suited to the coveted role. Asked about the possibility of playing Bond, he told Collider: "I don't think I'm a good choice for it. I think I'm too messy for that. "I think I'm not — I really love James Bond and particularly Daniel Craig's tenure. But I think I wouldn't be good at it, and I think there's so many cool, younger actors who would be great for it. I think it would be wasted on me, probably." Taron also observed that leading the Bond franchise is "quite an undertaking". He said: "That's not to say that I don't have aspirations and plans and also that I wouldn't be interested in doing something that's more commercial, because of course I would. I think I'm a period in my life where, as you say, I've been probably following the things that speak to me on a creative level a little bit more, but, you know, I'm sure I won't feel that way forever. "But James Bond is quite an undertaking and I think, one, as far as I'm aware, nobody's asking me to do it."

Why Hollywood's comedy king thinks Aussies appreciate him most
Why Hollywood's comedy king thinks Aussies appreciate him most

Sydney Morning Herald

timea day ago

  • Sydney Morning Herald

Why Hollywood's comedy king thinks Aussies appreciate him most

Paul Feig, the American filmmaker behind Bridesmaids, The Heat, Freaks and Geeks, A Simple Favour and a whole lot more, makes no bones about what it means to be the inaugural recipient of a lifetime achievement award from South by Southwest Sydney. 'Gateway to death.' He laughs. 'No, I'm honoured, because I have spent my whole life working on this and hopefully I've got a few more years left. 'It'd be one thing if I wasn't working any more and couldn't get a job,' he continues. 'Then you'd be like, 'Oh boy, there's the booby prize'. But to me it's a great honour because I'm continuing to work and I'm doing stuff that I'm really proud of.' Feig (it rhymes with Smeeg) has just finished shooting a new feature, The Housemaid, which should be out by Christmas. Another Simple Favour – the sequel to his beloved crime-thriller comedy A Simple Favour (2018) – dropped on Prime Video in May, having debuted at the original SXSW in Austin, Texas, in March. And according to he now has about 20 projects – including a sequel to the 2015 Melissa McCarthy movie Spy – in various stages of development. At 62, the perennially dapper writer-director-producer has no intention of slowing down. 'I'm all about speed,' he says. 'My whole thing is I'm looking for runaway freight trains, because the things you develop for years are just caught in the muck and the mire, people overthink, it starts to sag, and people get tired of the stuff that was good, you know.' Getting a project up and running quickly is vital to maintain the momentum, especially in comedy. 'I think energy is the biggest thing that makes a movie or a project great,' he says. 'Everybody goes into it with a head of steam. I'm not saying good things don't come out of being cautious and taking time. It's just for me, that's not a pace I like. I like, 'blam, here it is'.' For the most part, that approach has served Feig well. Having started his career as a performer, he switched to the other side of the camera after his breakthrough role in Sabrina the Teenage Witch was cut after one season because, he was told, they didn't really know how to write for his character. 'It was this thing of, 'Wow, if you're an actor in this business, you're completely out of control'. They can fire you at any time. You are stuck in a contract for seven years unless they let you out of it. So it just cemented in my head that I want to do this.' His first attempt, a self-funded feature he wrote, directed and starred in (alongside illusionist Penn Jillette, of Penn and Teller fame), wiped out his and his wife Lauren's savings and was never picked up for distribution. 'I was like, 'it could potentially be over right now',' he says of the film, Life Sold Separately, which has not been released to this day. But rather than give up, he took inspiration from his friend Matt Reeves, who had just co-created the college drama Felicity with J.J. Abrams (Lost). 'I decided to write a pilot based on my high school.' The show was Freaks and Geeks, and after Judd Apatow, a friend from stand-up days, agreed to come on board as producer, he was off at the races. 'Suddenly we got sold to NBC, we're making a pilot, we got picked up. It was just redemption at the highest possible level.' The show only lasted a single season – and NBC initially screened only 12 of its 18 episodes before dumping the final six one Saturday night a year later – but it launched the careers of actors Linda Cardellini, James Franco, Seth Rogen and Jason Segel. And, obviously, of one Paul Feig. Those 18 episodes will screen at SXSW in October in a marathon 14-hour session. 'Sadly, I'm not going to be there when they're doing it, that would have been kind of fun,' he says. 'But I don't know if I could even survive that. I can't sit that long.' Also screening are Bridesmaids and The Heat. The first time I chatted with Feig was in 2011, when I met him, Kristen Wiig and Rose Byrne on a Melbourne rooftop to talk about Bridesmaids. At the time, the film was at the centre of a debate after some old hands (comedian Jerry Lewis, and journalist Christopher Hitchens among them) insisted women weren't funny. Looking back, can you even believe that was a thing? Loading 'Well, I'd like to say we've moved on, but our current political situation here [in the US] is just such a disaster. Always when things feel like they're accelerating forward, there's some nefarious force to put the brakes on and pull it back. 'I always thought the conversation about 'are women funny?' to be ridiculous,' he adds, 'because all I do is work with funny and talented women. The evidence doesn't bear out any of that, so it all just feels like misogyny to me when people say it.' Feig also found himself in the sights when his remake of Ghostbusters (2016), featuring an all-female team, was review-bombed on Rotten Tomatoes before anyone had even seen it. The attacks on African-American comedian Leslie Jones were especially vile. 'If you look at the timing, it was right during the rise of Trump,' he says. 'The manosphere, which I didn't realise existed, had an axe to grind, and we were the perfect moment for them.' His response, he admits, was one of shock. 'I was such a novice to criticism on the internet at that point because, from Freaks and Geeks to Bridesmaids, The Office [he directed 15 episodes of the US version], all these things I'd been involved with were really popular, it was just nothing but goodwill out there for what I was doing. And so, when suddenly it turns, you're like, 'Wait, who are these evil-feeling forces that are coming at me with such anger and venom?' It kind of knocks you sideways. 'Now I'm immune to it,' he adds. 'But at the time, it brings up all the old bullying and things you went through as a kid. And you just realise, 'OK, I can be in my 50s and still be completely pulled back into the schoolyard'.' Thankfully, that's all a long way behind him now. A lifetime, you might say. Feig admits he is looking forward to receiving the award in person and to visiting a country that has always embraced his work again. 'I think Australians have a great sense of humour, and they kind of get what I go for,' he says. 'All my movies are comedies, even when they're thrillers or whatever. I mean, some are very hidden dark comedies, but they're still meant to entertain you. 'It's OK to laugh when things get extreme,' he says. 'And I just feel like Aussie audiences have always kind of gotten that.'

Why Hollywood's comedy king thinks Aussies appreciate him most
Why Hollywood's comedy king thinks Aussies appreciate him most

The Age

timea day ago

  • The Age

Why Hollywood's comedy king thinks Aussies appreciate him most

Paul Feig, the American filmmaker behind Bridesmaids, The Heat, Freaks and Geeks, A Simple Favour and a whole lot more, makes no bones about what it means to be the inaugural recipient of a lifetime achievement award from South by Southwest Sydney. 'Gateway to death.' He laughs. 'No, I'm honoured, because I have spent my whole life working on this and hopefully I've got a few more years left. 'It'd be one thing if I wasn't working any more and couldn't get a job,' he continues. 'Then you'd be like, 'Oh boy, there's the booby prize'. But to me it's a great honour because I'm continuing to work and I'm doing stuff that I'm really proud of.' Feig (it rhymes with Smeeg) has just finished shooting a new feature, The Housemaid, which should be out by Christmas. Another Simple Favour – the sequel to his beloved crime-thriller comedy A Simple Favour (2018) – dropped on Prime Video in May, having debuted at the original SXSW in Austin, Texas, in March. And according to he now has about 20 projects – including a sequel to the 2015 Melissa McCarthy movie Spy – in various stages of development. At 62, the perennially dapper writer-director-producer has no intention of slowing down. 'I'm all about speed,' he says. 'My whole thing is I'm looking for runaway freight trains, because the things you develop for years are just caught in the muck and the mire, people overthink, it starts to sag, and people get tired of the stuff that was good, you know.' Getting a project up and running quickly is vital to maintain the momentum, especially in comedy. 'I think energy is the biggest thing that makes a movie or a project great,' he says. 'Everybody goes into it with a head of steam. I'm not saying good things don't come out of being cautious and taking time. It's just for me, that's not a pace I like. I like, 'blam, here it is'.' For the most part, that approach has served Feig well. Having started his career as a performer, he switched to the other side of the camera after his breakthrough role in Sabrina the Teenage Witch was cut after one season because, he was told, they didn't really know how to write for his character. 'It was this thing of, 'Wow, if you're an actor in this business, you're completely out of control'. They can fire you at any time. You are stuck in a contract for seven years unless they let you out of it. So it just cemented in my head that I want to do this.' His first attempt, a self-funded feature he wrote, directed and starred in (alongside illusionist Penn Jillette, of Penn and Teller fame), wiped out his and his wife Lauren's savings and was never picked up for distribution. 'I was like, 'it could potentially be over right now',' he says of the film, Life Sold Separately, which has not been released to this day. But rather than give up, he took inspiration from his friend Matt Reeves, who had just co-created the college drama Felicity with J.J. Abrams (Lost). 'I decided to write a pilot based on my high school.' The show was Freaks and Geeks, and after Judd Apatow, a friend from stand-up days, agreed to come on board as producer, he was off at the races. 'Suddenly we got sold to NBC, we're making a pilot, we got picked up. It was just redemption at the highest possible level.' The show only lasted a single season – and NBC initially screened only 12 of its 18 episodes before dumping the final six one Saturday night a year later – but it launched the careers of actors Linda Cardellini, James Franco, Seth Rogen and Jason Segel. And, obviously, of one Paul Feig. Those 18 episodes will screen at SXSW in October in a marathon 14-hour session. 'Sadly, I'm not going to be there when they're doing it, that would have been kind of fun,' he says. 'But I don't know if I could even survive that. I can't sit that long.' Also screening are Bridesmaids and The Heat. The first time I chatted with Feig was in 2011, when I met him, Kristen Wiig and Rose Byrne on a Melbourne rooftop to talk about Bridesmaids. At the time, the film was at the centre of a debate after some old hands (comedian Jerry Lewis, and journalist Christopher Hitchens among them) insisted women weren't funny. Looking back, can you even believe that was a thing? Loading 'Well, I'd like to say we've moved on, but our current political situation here [in the US] is just such a disaster. Always when things feel like they're accelerating forward, there's some nefarious force to put the brakes on and pull it back. 'I always thought the conversation about 'are women funny?' to be ridiculous,' he adds, 'because all I do is work with funny and talented women. The evidence doesn't bear out any of that, so it all just feels like misogyny to me when people say it.' Feig also found himself in the sights when his remake of Ghostbusters (2016), featuring an all-female team, was review-bombed on Rotten Tomatoes before anyone had even seen it. The attacks on African-American comedian Leslie Jones were especially vile. 'If you look at the timing, it was right during the rise of Trump,' he says. 'The manosphere, which I didn't realise existed, had an axe to grind, and we were the perfect moment for them.' His response, he admits, was one of shock. 'I was such a novice to criticism on the internet at that point because, from Freaks and Geeks to Bridesmaids, The Office [he directed 15 episodes of the US version], all these things I'd been involved with were really popular, it was just nothing but goodwill out there for what I was doing. And so, when suddenly it turns, you're like, 'Wait, who are these evil-feeling forces that are coming at me with such anger and venom?' It kind of knocks you sideways. 'Now I'm immune to it,' he adds. 'But at the time, it brings up all the old bullying and things you went through as a kid. And you just realise, 'OK, I can be in my 50s and still be completely pulled back into the schoolyard'.' Thankfully, that's all a long way behind him now. A lifetime, you might say. Feig admits he is looking forward to receiving the award in person and to visiting a country that has always embraced his work again. 'I think Australians have a great sense of humour, and they kind of get what I go for,' he says. 'All my movies are comedies, even when they're thrillers or whatever. I mean, some are very hidden dark comedies, but they're still meant to entertain you. 'It's OK to laugh when things get extreme,' he says. 'And I just feel like Aussie audiences have always kind of gotten that.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store