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‘Modern Love' Podcast: You're Probably Thinking About Boundaries All Wrong

‘Modern Love' Podcast: You're Probably Thinking About Boundaries All Wrong

New York Times23-04-2025

'Asking your mom not to talk to you about weight in and of itself is not a boundary, it's just a request.'
KC Davis is a therapist and author known for her practical, empathetic advice on dealing with clutter, even when you are feeling like too much of a mess yourself to take care of the mess in your home. Her TikTok videos on the subject have been viewed millions of times. But lately, Davis has been talking and writing about our relationships not just to the objects in our lives, but to the people, too.
In her new book, 'Who Deserves Your Love: How to Create Boundaries to Start, Strengthen, or End Any Relationship,' Davis tries to disentangle the popular understanding of boundaries, saying the concept is widely misunderstood. She offers a guide to forming and keeping boundaries that help readers better navigate their conflicts with other people.
On this episode of 'Modern Love," Davis tells us what she thinks we get wrong about boundaries and how we should be thinking about them instead. She reads the Modern Love essay 'Is My Husband a Doormat?' about a sudden argument between a couple 20 years into their relationship and talks about how boundaries can help defuse such situations. Davis also tells us how boundaries helped heal her own relationship with her father.
The author of today's featured essay, Lidija Hilje, has a new novel coming out in July called 'Slanting Towards the Sea.'
For an upcoming episode about location sharing, the Modern Love team wants to hear your location-sharing story. Did something happen that made you regret sharing your location with someone? Was there a moment when you were thankful that you had? Where were you? What happened? How did your relationship change as a result? The deadline is May 1. Submission instructions are here.
Here's how to submit a Modern Love essay to The New York Times
Here's how to submit a Tiny Love Story

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‘Materialists' Review: Dakota Johnson, Chris Evans and Pedro Pascal Bring Affecting Soulfulness to Celine Song's Perceptive Romantic Drama
‘Materialists' Review: Dakota Johnson, Chris Evans and Pedro Pascal Bring Affecting Soulfulness to Celine Song's Perceptive Romantic Drama

Yahoo

time3 hours ago

  • Yahoo

‘Materialists' Review: Dakota Johnson, Chris Evans and Pedro Pascal Bring Affecting Soulfulness to Celine Song's Perceptive Romantic Drama

If you watched the trailer for Materialists with sinking expectations while thinking, 'Wait, the director of the exquisite Past Lives made this utterly generic rom-com?!' — come on, you know you did — you can breathe a sigh of relief. Deceptive marketing aside, playwright turned filmmaker Celine Song's assured second feature is a refreshingly complex look at modern love, self-worth and the challenges of finding a partner in an unaffordable city, which once again treats three points of a romantic triangle with equal integrity and compassion. There's much talk about unicorns in the dating field in Song's script, and her film could be called the same — a glossy, good-looking drama veined with humor, introspection and questioning intelligence, driven as much by insightful writing as star charisma. Not that those stars don't bring a lot to the table, especially Dakota Johnson, doing her best work since The Lost Daughter. More from The Hollywood Reporter Ariana Grande, Pedro Pascal, Sabrina Carpenter Sign Open Letter Supporting Federal Funding for LGBTQ Youth Suicide Prevention Kinky Romance 'Pillion' Starring Alexander Skarsgard, Harry Melling Sells to Multiple Territories 'The Last of Us' Creators on That Finale Death, Ending and Season 3 Changes Johnson stars as Lucy, a matchmaker with a strong track record at Adore, a high-end firm that specializes in finding partners for well-heeled New Yorkers, ameliorating the risks of playing the field unassisted. The profession instantly sparks thoughts of a cute Jane Austen throwback, but one of the distinguishing qualities of Materialists is the way that Song, who worked at a dating agency while getting her theater career off the ground, treats it as a real job. And a demanding one in such a famously competitive city. The writer-director finds a playful entry point by starting not in Manhattan but in a majestic rocky landscape where the only signs of life are a hot caveman returning from foraging and placing a makeshift ring on the finger of the woman waiting for him. Unless there's a Cro-Magnon stylist at work somewhere, his meticulously trimmed beard is a giveaway that this fanciful prologue is the product of someone's marriage-obsessed imagination. Romantic unions generally prove more complicated in present-day New York, where Lucy's consultation with a pair of clients she matched suggests the gulf in partner requirements that can yield two radically different responses to the same first date. 'I would never swipe right on a woman like her,' says the guy indignantly, pointing out the ways in which she didn't quite adhere to her profile. The woman, Sophie (Zoë Winters), thought the date went gangbusters. She's appalled to learn that she didn't measure up, despite being willing to overlook his shortcomings in terms of height, hairline and salary level. 'I'm just asking for the bare minimum,' she fumes. 'I'm trying to settle!' Similar amusing consults are intercut throughout, usually from Lucy's P.O.V. and showing only the client. There's the expected representation of middle-aged men whose chief requirement is fit (no one with a BMI over 20), attractive and with a cut-off age around 29. But Song refuses to stack the deck, including a comparable number of women whose rigid demands significantly narrow the market. One such woman is Lucy herself, who seems to have made peace with being single, given how hard it is to snag a dude who's smart, handsome, in shape and earning north of $500K a year. Those men, in her game, are known as unicorns. The beauty of Johnson's performance is the light touch she brings to that calculation, never letting Lucy be reduced to an off-putting gold-digger, even if her approach to marriage is that of a business deal in which the terms must be right. Despite the odds against making matches that stick, she has managed to notch up an impressive nine weddings of clients she connected. That makes her the star of the all-female firm and the MVP of her savvy boss Violet (Marin Ireland), who observes that working with the loneliness and rejection of their clients makes them better than therapists. Lucy also has a gift for talking brides with cold feet off ledges, as evidenced when her latest success story, Charlotte (Louisa Jacobson), balks on her wedding day. When Charlotte, in a very funny moment, reveals the true reason she wants to marry her fiancé, Lucy turns that unflattering confession into a soothing reassurance about the bride's right to feel valued. 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Harris Yulin, actor who perpetually played the bad guy, dies at 87
Harris Yulin, actor who perpetually played the bad guy, dies at 87

Boston Globe

time4 hours ago

  • Boston Globe

Harris Yulin, actor who perpetually played the bad guy, dies at 87

'I'm not always the bad guy,' he told The New York Times in 2000. 'It just seems to be what I'm known for.' Advertisement He wasn't just any bad guy. One reviewer characterized him as 'an eloquent growler.' Another wrote that 'his whiskeyed voice sounds just like that of John Huston.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Honors followed. Mr. Yulin was nominated in 1996 for a prime time Emmy Award for playing a crime boss in the TV comedy series 'Frasier.' For his work in theater, he won the Lucille Lortel Award from the League of Off Broadway Theaters for his direction of Horton Foote's 'The Trip to Bountiful' in 2006. In the late 1990s he won Drama Desk nominations for acting on Broadway in 'The Diary of Anne Frank' and Arthur Miller's 'The Price.' 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At some point, through one of his father's patients, he was introduced to Jeff Corey, an actor and drama coach. Mr. Yulin married actress Gwen Welles in 1975; she died in 1993. In 2005, he married Lowman. His stepdaughter, actress Claire Lucido, died in 2021 at 30. His wife is his only immediate survivor. In addition to acting and directing, Mr. Yulin taught at the Juilliard School and the Graduate School of the Arts at Columbia University. He acknowledged his stature in the acting world in an interview with The Irish Times in 2010. 'I'm not that high-profile,' he said. 'I just do the next thing that comes along.' By most accounts, he did it well. Advertisement In the lead role in the American premiere of Athol Fugard's 'A Lesson From Aloes' in 1980, at the Yale Repertory Theater, playing an Afrikaner and comrade of a Black revolutionary (James Earl Jones), Mr. Yulin delivered 'a beautifully modulated, contemplative performance,' Mel Gussow wrote in the Times. And in reviewing 'The Price' in 1999, the Times' Ben Brantley said that Mr. Yulin 'seems to have been destined to play' Walter Franz, the son of a businessman who went bankrupt after the 1929 Stock Market crashed. 'The actor's natural self-important stateliness works beautifully,' he wrote, 'and you're always aware of the friction between the smooth surface and the roughness of angry confusion beneath.' Mr. Yulin never stopped working. At his death he was preparing for a role in the television series 'American Classic,' with Kevin Kline and Laura Linney. Its director, Michael Hoffman, said of him in a statement after his death, 'His marriage of immense technique with an always fresh sense of discovery gave his work an immediacy and vitality and purity I've experienced nowhere else.' This article originally appeared in

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31 Weird Products Aliens Would Have Questions About

Vacation's Classic Whip SPF 30, a wildly beloved "dessert for your skin" that feels so lightweight and decadent to apply that reviewers can't get enough of it. (No, REALLY. This is selling out all over 😭.) Not only does it feel ridiculously indulgent, but it's water-resistant and sensitive skin-friendly, so you'll be the sweetest AND safest treat. A light up solar frog figurine to put in your garden or on your porch so when you come home from that "just one drink" dinner past midnight, this croaky lil' fella can lovingly judge you for it. A set of DEET-free handy mosquito-repelling bracelets for the ultimate in genius summer investments — these use essential oils, including citronella, to help stop those teensy vampires in their tracks. Spooky Summer, another beloved stress relief coloring book from Southern Lotus, a brand that's made itself famous on TikTok for its cozy, relaxing, easy-to-draw themes. This one is full of happy little spooks enjoying their favorite summer ~haunts~. 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