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Round One of ‘Blade Runner 2049' Legal Battle Over AI Images Goes to Warner Bros. and Elon Musk

Round One of ‘Blade Runner 2049' Legal Battle Over AI Images Goes to Warner Bros. and Elon Musk

Yahoo08-04-2025

A federal judge has narrowed the scope of a lawsuit from a production company for Blade Runner 2049 accusing Tesla of feeding images from the movie into an artificial intelligence image generator to create unlicensed promotional materials and Warner Bros. Discovery of facilitating the partnership.
U.S. District Judge George Wu on Monday dismissed allegations that Alcon Entertainment's trademarks were violated while allowing some copyright claims to proceed.
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Tesla's partnership with WBD to promote its robotaxi at a glitzy unveiling, which was done from a studio lot, last year sparked the lawsuit. At the presentation, Elon Musk reached the stage in what he called a 'cybercab' before showing an image of a male figure wearing a trench coat who's surveying the abandoned ruins of a city bathed in a misty, orange light. Alcon alleged that the image was intended to be understood as an actual still from Blade Runner 2049's sequence of Ryan Gosling's character exploring a ruined Las Vegas.
Among the novel questions the case asks is whether the creation of a visual by an AI image generator by copying a portion of a copyrighted work without a license constitutes copyright infringement. Tesla argued that the claim shouldn't be advanced because Alcon's allegations are only based 'on information and belief.'
In Monday's order, the court said that it'd be premature to dismiss the claim. It pointed to Tesla's attempt to get permission to use Blade Runner 2049 for its event, which was denied just hours before the presentation was set to begin, as well as 'several similarities' between the promotional materials that Tesla used and stills from the movie that were allegedly infringed upon.
'Given the tight timeframe Musk and Tesla were working with in light of their last-minute request – and the resulting last-minute denial – to make use of BR2049, it is not at all implausible for Plaintiff to allege on information-and-belief that they made use of an AI image-generator to come up with the finished product,' Wu wrote.
While most copyright claims against Tesla were allowed to proceed, those against WBD were dismissed except one for contributory infringement, which accuses the studio of inducing the alleged misconduct. The court agreed with the company that wasn't responsible for overseeing Tesla's work in relation to the presentation. 'There is nothing indicating that Warner had such a supervisory/controlling position or role vis a vis Tesla and Musk,' stated the order.
And in a win for Tesla and WBD, the court dismissed a claim for an alleged violation of the Lanham Act, a federal trademark law that bars false association. Although Musk said 'Blade Runner' during his presentation, he didn't mislead viewers as to the source of the movie, according to the ruling. Wu also stressed that Tesla and Alcon aren't competitors.
'Tesla and Musk are looking to sell cars,' the judge wrote. 'Plaintiff is plainly not in that line of business.'
The court said it'd likely allow Alcon to fix its copyright claims but not those alleging violations of the Lanham Act, finding that such 'amendments would be futile.'
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Cathie Wood says Tesla is the stock she'd pick if she could only invest in one company
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timean hour ago

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Cathie Wood says Tesla is the stock she'd pick if she could only invest in one company

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timean hour ago

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timean hour ago

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‘Ran' turns 40: How a clerical error and bad blood cost Akira Kurosawa an Oscar

Forty years ago, a clerical error and bad blood cost Akira Kurosawa an Oscar. The legendary Japanese filmmaker's Ran proved the final samurai masterpiece of his distinguished career. His third Shakespeare adaptation, the film is epic in every sense of the word — massive in scale, shot in glorious color, with vicious betrayal and intense action and emotion. At the time of its release in 1985, Kurosawa was certainly well-regarded by the Motion Picture Academy, receiving an Honorary Award for Outstanding Foreign-Language Film for Rashomon, followed by Best Foreign-Language Film in 1976 for Dersu Uzala. The 58th Academy Awards found Ran competing for four awards, including Kurosawa's only Best Director nod — despite not being submitted for Best Foreign-Language Film, a snub that was the product of a messy history. 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International fame aside, Kurosawa's relationship with the Japanese film industry was significantly strained in the late-'60s through early '70s. He was hired to direct the Japanese section of the 1970's Toei-Fox. coproduction Tora! Tora! Tora!, but had difficulty dealing with Fox's communication, editors, and oversight, and spent considerable time in the thick of a mental crisis. He was prescribed two months of rest, so producer Darryl F. Zanuck's son, Richard, flew to Japan to personally fire Kurosawa. Japanese funding for his projects became scarce, and he relied on external financing support from friends for financing Dodes'ka-den. Between health problems and career turmoil, at a particularly low point, Kurosawa attempted to take his own life late in 1971, though he survived and recovered. The career that followed cemented his trajectory of international acclaim with minimal support from the Japanese film industry. In 1972, the Soviet studio Mosfilm approached the director for what became 1975's Academy Award-winning Dersu Uzala, but despite bringing numerous awards home to Japan, he again had difficulties funding his next epic, Kagemusha. Kurosawa met George Lucas and Frances Ford Coppola in 1978 while preparing for the project, and the pair were wowed by Kurosawa's vision. Coming off the success of Star Wars, Lucas convinced 20th Century Fox head Alan Ladd Jr. to provide a reported $6 million in 1979 to complete the film's funding. The film was a success, and Kurosawa ultimately referred to Kagemusha as a 'dress rehearsal' for his biggest project yet: Ran. Used to funding sources outside Japan, for Ran, Kurosawa secured the involvement of French producer Serge Silberman (The Discreet Charm of the Bourgeoisie), alongside Japan's Nippon Herald Ace, to make the film, which opened in U.S. theaters on June 1, 1985. The Academy's rules for Best Foreign Film allowed one submission film per country to be considered for nomination, with each country having a unique nomination process. Speaking with The New York Times, Silberman admitted he had attempted to submit Ran as an 'independent' collaboration between France and Japan, an unintentional violation of Academy rules. Silberman next considered entering Ran as a French entry, but French rules stipulated submissions to be in the French language. That would require extensive dubbing, because the film starred Japanese actors and was shot and filmed in Japan. Silberman thought a French dub simply wouldn't have worked, so French submission was off the table. The final option would be submission to Japan's Motion Picture Producers Association (now MPPAJ), and this is where it gets even messier. 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It may not be a coincidence that Japan submitted Hana Ichi Monme (conveniently a Toei production) in Ran's stead. With its path to the foreign-language film category stymied, Silberman submitted Ran to the Academy for consideration in other feature-length categories, and the rest is Academy Award history. It all makes for a long, twisty story about how Kurosawa's final samurai masterpiece landed him a Best Director nomination in a year where, for a number of odd reasons, it wasn't even up for Best Foreign Film. He received one final honor from the Academy at the 62nd Academy Awards, an Honorary Award celebrating his life in film, appropriately presented by Lucas and Steven Spielberg. 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