Kensington Market's long-running Pedestrian Sundays paused amid 'vendor war'
People hoping to enjoy Kensington Market's first pedestrian-friendly street festival of the season were out of luck Sunday, after the local BIA put the event on ice.
The Kensington Market Business Improvement Area (BIA) paused its popular Pedestrian Sunday for the month of May, citing safety concerns over illegal vendors and a rising "commercial tone" that shifted the festival away from its purpose.
The vibrant street festival has been going on for two decades, monthly from May to October. With traffic not being allowed on most roads on the last Sunday of each month, business owners and pop-up vendors normally set up shop outside as pedestrians roam freely.
What started as a tradition to celebrate Kensington's artistic culture turned into a "vendor war," according to Rafi Ghanaghounian, who owns Cafe Marallo.
"Vendors [are] throwing each other's tables around, people sleeping over the night before to claim a spot, like it got really aggressive," he told CBC Toronto.
An influx of vendors without permits created crowding and complicated logistics while leading to "unregulated food sales and unauthorized substances," the BIA said in a release announcing this month's cancellation.
"These issues pose liability risks and create unfair competition for local levy-paying businesses that contribute year-round to the community and to [Pedestrian Sundays]," the release said.
Outside vendors have regularly taken up space in front of businesses, said Polo Miranda, who owns the silver jewelry store Silver With Attitude.
"It never stops," Miranda said. "They don't respect nothing, they don't respect boundaries, and they do whatever they want."
The BIA, which did not respond to requests for comment from CBC Toronto over the weekend, said in its release that it will assess plans for the festival in the future following community surveys.
The festival has become more gentrified as Kensington becomes a bigger tourist spot, festival co-co-ordinator Pouria Lofti previously told CBC Radio's Here and Now.
LISTEN | Pouria Lofti talks about safety concerns that led to the pause:
"It's lost a lot of its cultural and artistic aspects ... that sense of community involvement," he said.
"Hopefully we'll get a better sense of how people feel," he said, speaking about the BIA's community surveys. "But I do get the sense that the attitude towards the festival has become more negative in the neighbourhood compared to several years ago."
CBC Toronto reached out to some of the members listed on the BIA's website, but did not hear back before publication.
"While we understand that festivals naturally evolve, we believe it's time to realign with the spirit that made [Pedestrian Sundays] special in the first place," the BIA release says.
Joy Zubair, who owns the vintage store Boho Chachkies, says that while the cancellation caught her off-guard she hopes the BIA will get the community more involved in its reshaping.
She said she typically lost sales during the festival because of how the street closures were structured and unauthorized vendors bringing unfair competition.
"Even right now during the week, there are vendors just setting up and selling stuff on Temu on the side of the road, again, taking away from businesses that pay rent and pay taxes," she said, referencing the Chinese-owned shopping app where people often buy and resell cheap trinkets at a higher price.
"People come at like five in the morning. They set up in front of your store. So you can't even use the front of your store to sell your own products or advertise," she said.
Vanessa Fralich brought her toddler on his bike to the market on Sunday, not realizing the event had been scrapped.
"I was hoping to go out on the streets and not worry about squeezing ourselves onto the sidewalk with everyone else," she said.
Robert Quance, who also visited the market Sunday, said he hopes organizers figure out how to reshape the event, though he doubts they will figure it out in a month before the next festival date in June.
"I think it's a real shame cause it brings in lots of tourists and locals as well. I come to it all the time, so I've spoken to a lot of people in the community and people are upset," he said.
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It's more fun than being a Superhero because villains have this sort of like. You're not, you're not set into a box like I was with Kara, um, because there were certain expectations for that character, but with like Indigo, which was a made up character, I could just be very sneaky, and it was, it was a lot of fun. I know in terms of the shows that you've kind of been on and then laughter like been on for a period. period of time. I know Handmaid's Tale is one that you've kind of highlighted just like that was a particularly great experience for you to, I mean, you had a great arc when you were on that show. But, but also, I mean, the acting is so great and you know, the story is so great. Um, what was it like to step onto to that set? Being on a show that dealt with those topics that I was already a fan of. I mean, politically, I loved what they were doing. And Elizabeth Moss is just like, An idol for me. Um, so I was petrified to do, uh, my scenes with her and, uh, just kept quiet and watched her and watched how she handled the set and like, she was just a boss, and I was so impressed and it really inspired me to want to get more behind the camera. Um, And we did our scenes together and I, I was like, oh my God, I got through it and, you know, she was lovely and sent me a DM and how it was nice to work with me, like she reached out. You don't have to do that. So that, that made it a very special. Moment for me. I kept that message. Before I go back to your acting role, I just want to talk about, um, my soul to take a little bit because, um, you jumped into kind of the director's chair, you kind of ran that project. Um, it's so brilliant. I love watching it. So, um, it's such an interesting style, such an interesting story, but can you tell me a little bit about, you know, what made you want to go in that direction for the story? What kind of inspired you to start that? 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So yeah, we shot it in 3 days and it was terrifying. But like million dollar question always is like funding these things and being able to actually have the resources to execute. What was it like just trying to navigate that element of it. It was scary, but I was determined and so was my team and like the fans again showed up. Um, you know, they, they made it happen, and once I had the team together and um I had my DP Kim Durko kind of walk me through cause I didn't think I could direct. I've been around it. I've watched it, but She helped me through it the whole time, um, helped me with my shot lists and, you know, I, I maybe couldn't tell her the lens that I wanted, but I could tell her visually what I saw in my head, and she, so she was the technical side of it, you know. So it was, there was the whole team, but yeah, it was a challenge and it was stressful and it was during COVID and Um, I think like if you look at any of the stills from shooting that and you see me, my eyes are just, I'm just wide-eyed with a mask because I was like my brain felt like it was on fire cause I couldn't believe what I'd written was happening with these actors. And then we submitted to a bunch of film festivals and uh luckily it did did quite well. When you were um writing it, was there something in particular about just like how we kind of present ourselves to the world that you were particularly inspired by? Social media is like, it's a double-edged sword. I use it, I'm guilty of it, you know, I play the game. But at that time and even now I. Really didn't love what it was doing to. My self-esteem and the thoughts I had about myself and my career, you know, you'd see other actors posting their announcements. They've been cast in this and like. You know, I think like anyone, you, you want to take a break from feeling like a failure or like comparing yourself to someone else. And so I think at that time, I was just, I was 14 days in an apartment, I couldn't leave. I was on social media and it was just making me miserable. So I think it stemmed from that. I'd also met an actor who made a living from social media, and I found that frustrating and it's just like this whole other world, and that's where like the Alice in Wonderland aspect of My Soul to Take came in. Um, with this fake worlds where it seems like. Everyone's doing well and happy when in reality people just aren't posting when they're in the fetal position crying in the shower, you know, like, life isn't cultivated, it's lived and why are we watching people live a fake version of it or like a highlight reel. So there was a lot going on in my my head at the time. For sure. There's always gonna be things that people know you for, um, but is there anything in your career, um, it can be something we spoken about, but that you say like, oh this is actually like a really great experience. I did a short film called Age of Dysphoria. And it's a short film, like it, no budget, um, but it was one of the best experiences for many reasons, but the top one being Gordon Pinson, who's who was an iconic Canadian actor, and so he's a relative of mine and um I was a relative of mine, and he was my mentor since I was a kid. So he came to my first real set on goosebumps, came into my trailer, gave me the spiel about how to behave, how to be respectful. And like, we, he would just mentor me for years after that, we wrote to one another, but I got to a point where I was like, I, I haven't worked with him yet. And so I came up with the story for Age of Dysphoria. Um, my good friend Jessica Patel produced and directed it, and uh Zoe Robin, who's blowing up right now as a, as a writer, wrote Age of Dysphoria, and we got Gordon to say yes. So, um, I again was in awe the whole time we were filming that just watching him and like it was surreal cause it had been how many years and we'd never been on camera together. And it meant so much to me. I don't know if you realized how much it meant to me, but I had trouble like keeping, you know, the tears from falling, just doing scenes with him. Um, and, you know, the full circle part of it is Age of Dysphoria was his last project, and he was on my first project, so. For whatever reason, it felt very serendipitous. When you kind of look at where you stand in your career now, what are the things that you look for in a role that makes you say like, yeah, you know what I'm really excited about this when you're taking something on as an actor specifically. I've always been hungry to play roles that are nothing like myself. Um, and I think, you know, with typecasting and being put in a box, it can be very frustrating. So if I'm giving an opportunity to. Look and just completely change who I am, um, just not just visually, uh, but Mentally, like if I can delve into a character, I hate to say like a serial killer or like someone who has psychological problems. Um, I find that so juicy and exciting. And, you know, It's hard to find roles like that right now, um, and so, you know, you, you find you're either creating them or you're trying to collaborate with other artists to create a project that doesn't exist for all of you to do. And to just change people's, you want to always change people's opinions about who you are and what you're capable of and challenge yourself, so. You know, a a prime example would be like Elizabeth Moss's character in Handmaid's Tale. 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