logo
Lorraine Bracco says embracing her gray hair at 70 has given her ‘a lot of hours' back

Lorraine Bracco says embracing her gray hair at 70 has given her ‘a lot of hours' back

Yahoo15-05-2025

At 70, Lorraine Bracco is happy to talk about embracing her gray hair and playing a grandma in Netflix's hit movie Nonnas. She'll also drop her unfiltered thoughts on the importance of 'a good lover.'
Bracco is best known for playing psychiatrist-to-the-don Dr. Jennifer Melfi in TV's The Sopranos, for which she received four Emmy nominations, and long-suffering mob wife Karen Hill in Goodfellas, which scored her an Oscar nod. Her role in Nonnas marks her first comedy outing, which took her out of her comfort zone. The film — starring Vince Vaughn as a restaurateur — also centers on a comfort-food-cooking quartet of Italian grandmas, putting her in esteemed company with Susan Sarandon, Talia Shire and Brenda Vaccaro.
'It was empowering,' Bracco tells me of being part of the powerhouse group of actresses who are all over 70. 'I love and adore all these women. I've known Susan and Brenda for a long time. I had just met Talia, who I fell in love with. That was a great part of it.'
Bracco, mom to daughters Margaux Guerard and Stella Keitel, is a grandma in real life too; technically, she goes by 'Flower,' not nana or nonna. Romantically unattached, the twice-divorced, born and bred New Yorker is in what she calls a 'transient' stage in life. When she's not working, she's visiting her grandkids or her newly renovated 1 euro home in Sicily, documented on HGTV's My Big Italian Adventure.
What Bracco's not doing off the clock is spending hours in a salon chair. After dyeing her hair every three weeks to maintain her brunette locks for years, she's gone gray. In an interview for Yahoo Life's Unapologetically series, she tells me that it's given her 'a lot of hours' back. Here's what else living her best life looks like.
I liked that I was vulnerable to Vince Vaughn and to [director] Stephen Chbosky. I came in very humble — like, I'm not sure what I'm doing here. I think you've made a mistake — and they believed in me.
I have been so incredibly lucky. I really have. When I think about it — and I look at myself in Goodfellas or in Sopranos and now Nonnas — I'm like, OK, you're on a good track. And, yes, [I was in my 40s when I started Sopranos, which I remember] because I was always aggravated that Jimmy Gandolfini and Edie Falco were 10 years younger than me. It annoyed me [laughs].
I'll tell you: I know what I don't want, so that's a good place [to start]. I think that you have to know what you want to get it — no matter what it is. Whether it's work or love or friendship or children, you have to know what you want to attain it.
Kinda. I always had a big personality, let's put it that way [laughs]. My kindergarten teacher said to my mom, 'Oh, don't worry about her.' I have vulnerable moments. Like I said, working with Stephen and Vince in the beginning of Nonnas, I was scared. I often said to them, 'I'm not sure you picked the right person here.' Stephen was always like: 'Lorraine, there's nobody else I wanted. I believe in you.' I said, 'I wish I believed in myself as much as you believe in me.' It was nerve-racking for me. I was nervous, especially the first day with Vince. He's a master [of comedy]. I would look at him with these big eyes, going, Oh my God, what am I doing?
Yes and no. Talk about two very different careers, but I was pretty lucky. I worked as a model, and I did a lot of commercials, which I think was very handy later on in making movies. Yes, I've had disappointments. There are roles that I really, really wanted that I didn't get, or modeling jobs or covers that never happened. I think everybody who goes through life and has reached 70 has had plenty of disappointments, but when I look back, I say, 'Look what I've achieved.' I'm happy with that.
Not really [laughs]. I have grandchildren and they're so much more fun to celebrate than me. We have puppy parties. When [my granddaughter] turned 6 years old, she wanted to have a dinosaur party. I looked at my daughter like, OK, Mom. [My daughter] told her dinosaurs were too big for her yard, so we had adoptable puppies instead. [My grandson] had a fabulous cowboy theme party when he turned 1 with all kinds of animals, horseback riding and pony rides. They have much more fun than me [with birthdays].
I do — I love it. I go and spend like three weeks in L.A. with my daughter Margaux and her children, and then I'll go for a couple of weeks to Florida with Stella. I feel very transient at this age. I'm very lucky.
Well, I told them to look at me. I mean, I come from Brooklyn. My father worked at the Fulton Fish Market. My mother was a homemaker. There was no reason for me to become an actress and work and make money and be successful and have two fantastic kids. I always feel like a lot of times we stop ourselves or we limit ourselves in our dreams. I always told them: Dream big.
Yeah, I'm loving it. Listen — I feel good. I wake up every morning. I'm grateful to wake up. I'm happy. I'm healthy. I think that's a really big part of it. Being healthy is really my No. 1 goal to attain every day. I try to walk every day. I try to get those steps in. It's not always easy. I try to sleep. I try to eat [healthy]. I take care of myself.
Well, I always like a good lover [laughs]. I'm not one to ignore that. I feel good about myself, and if someone walks into my life and is accepting and loving, I'm OK with that.
Honestly, I stopped coloring it during COVID, and I had no idea what it was going to look like. So coming out of COVID — and the half dark, half gray, half whatever it was — I think I was pretty lucky. People stop me in the street and ask me who colors it, and I say, 'The guy upstairs.'
So far, no. I always tell my agent to remind these people I have gray hair. I am no longer a brunette and people have been very accepting to it. And it worked for Nonnas. I feel like I have a lot of hours [back]. There's two things I did since COVID that really made a difference for me: One, I don't have to go to the salon every three weeks. Two, I have an electric car, so I don't have to go to the gas station.
I try to go at least two to three times a year. This year, I've not been and usually I like to do a May-June visit. I've been so busy that I don't know if I'm going to make it. But definitely September, October, November. November is olive-picking season and I love that.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Review: ‘FUBAR' Season 2 wastes Arnold Schwarzenegger's star power
Review: ‘FUBAR' Season 2 wastes Arnold Schwarzenegger's star power

San Francisco Chronicle​

timean hour ago

  • San Francisco Chronicle​

Review: ‘FUBAR' Season 2 wastes Arnold Schwarzenegger's star power

When 'FUBAR' premiered on Netflix in 2023, its biggest draw wasn't the plot or action — it was Arnold Schwarzenegger. And for a moment, the novelty of watching the Governator tackle scripted television — like a blockbuster giant squeezing into a Roku-sized streaming box — was enough. Throw in Oscar-nominated Monica Barbaro for some snappy father-daughter banter, and it sounded like the makings of a compelling show. It wasn't. Now we're back for round two, and instead of evolving, creator Nick Santora's series doubles down on action movie cliches and strained punch lines. The result is a new season that plays like a B-movie but thinks it belongs in a big-budget franchise. With about 90 minutes of story sloshing around in an eight-hour bag, the show again proves nostalgia alone isn't enough. Schwarzenegger's Luke Brunner is still a CIA agent with a messy personal life, now under the same roof as his recon team and ex-wife Tally (Fabiana Udenio), with whom he's trying to rekindle a romance. But the relative peace is short-lived. Another global catastrophe looms, courtesy of Carrie-Anne Moss as a shadowy former flame of Luke's with unresolved business. It's a setup layered with intrigue and stakes, but the execution wobbles between sitcom shenanigans and save-the-world spectacle, landing uncomfortably in the middle. This tonal inconsistency is the show's fatal flaw. The eye-rolling quips and mid-tier gunplay could be forgiven if the story leaned into its absurdity or, conversely, its potential as an espionage drama. Instead, major action beats are consistently undercut by jokes, ensuring the threat level remains perilously low regardless of how many countdown timers or high-stakes missions are thrown into the mix. Where the show does flicker to life is in the chemistry between its cast. Schwarzenegger, well past his box office prime but still commanding with his signature steely charm and self-aware muscle, brings surprising pathos to Luke. There's a weathered quality here — not just age, but the burden of legacy. It's one of the few times the project understands the value of its star. Barbaro, meanwhile, remains a standout. The Bay Area native is effective with the action, yes, but even more so in the quieter moments. As Emma Brunner, her scenes with Schwarzenegger give the series rare flashes of emotional clarity, including an especially amusing one late in the season involving an adorable 'Sesame Street'-esque puppet of dad (trust me, it makes sense in context). Some of the side players earn their keep as well. Jay Baruchel and Andy Buckley, cast as Emma's boyfriend and Tally's boyfriend, respectively, are both used to delightful effect as everyday guys hopelessly adrift in the world of cloak-and-dagger chaos. Still, it's hard to escape the sense that 'FUBAR' is all concept, no conviction. 'I'll be back,' says Luke at one point, a meta wink at Schwarzenegger's most iconic catchphrase. It's a fitting reflection of the show as a whole: built on callbacks, but with little to call back to. Arnold Schwarzenegger headlining a TV series should've been an event — a streaming-era reintroduction of a cinematic icon — but it never finds something meaningful to do with him. After two seasons, the question isn't whether 'FUBAR' will come back, but whether anyone would even notice if it didn't.

Netflix just added a fast-paced action thriller — and it's my favorite Gerard Butler movie
Netflix just added a fast-paced action thriller — and it's my favorite Gerard Butler movie

Tom's Guide

time4 hours ago

  • Tom's Guide

Netflix just added a fast-paced action thriller — and it's my favorite Gerard Butler movie

"Plane" is my favorite movie new on Netflix this week. It might even be my favorite movie coming to Netflix this month. It's definitely my favorite Gerard Butler movie — well, at least for live action. Now, I'll fully admit I have a soft spot for the Scottish actor. I've written about how "Gamer" is my favorite "bad movie," and I'll gladly hit play on "Den of Thieves," "300" or even "The Ugly Truth." I could go on and on, but honestly, if I could recommend just one Gerard Butler movie — setting aside "How to Train Your Dragon" — it'd be "Plane." This movie delivers what it promises. It's not overly convoluted and the action sequences are great, even if they're not on par with something you'd get from a "John Wick" movie. So sit down, grab some popcorn, and set the phone aside for this fast-paced 107-minute-long action thriller. Here's why "Plane" is the movie you need to be streaming right now on Netflix. In "Plane," Butler stars as commercial airline pilot Brodie Torrance. He's looking to join his daughter for some quality time, and the only thing standing in his way is completing Trailblazer Airlines Flight 119. This looks set to be an uneventful flight, with just 14 passengers heading from Hawaii to Japan. Even the addition of a fugitive being extradited by the Royal Canadian Mounted Police seems unlikely to send things into chaos. But Torrance is forced to go through a storm, during which a lightning strike fries the plane's avionics. He manages to land the plane safely — only to discover he's in the pirate-controlled Jolo Islands. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Now, Brodie, a former RAF pilot, and the fugitive Louis (Mike Colter), a former French Foreign Legionnaire, have to use their military training to keep the surviving passengers and crew alive until they can finally be rescued — or find another way off the island. In retrospect, "Plane" came at just the right time for me. Too many movies, including more than a few disappointing Marvel movies, were convoluted, filled with bad CGI and just too often ... well, boring. Not "Plane" though. This movie harkens back to the era of 2000s action movies that were slick but not campy, with just the right level of production value and a simple premise. This movie also does get one little thing right, which many action movies struggle with. Butler is the star of this movie, and he gets in some great fights during it. But he's supposed to be an aging, perhaps even washed-up, former RAF pilot. The movie leans into this, letting Butler get beat up more than once, and it's clear as you watch it that Louis, who is a former French Legionnaire (it seems likely he was involved in some special or black ops while in the service) and still in peak shape, is the better killer of the two. Which he should be, based on what we know about the characters. Many action movies would force Butler to be the one to always get the glory and come away looking the best, but "Plane" allows Butler to perform the way we'd expect his character to perform. Most importantly, though, the action in this movie is fun. There's a scene where Colter's Louis takes out some bad guys with a sledgehammer, and that's never a bad time. Don't just take my word for it, though. If you head over to Rotten Tomatoes, you'll see this has a 79% rating from critics (not bad) but a 94% rating from audience viewers. After looking through the reviews, it's clear the audience got this one right, because they view a "standard" action thriller as a good thing, not a failure to be something greater. To be clear, "standard" is pretty apt for describing "Plane," but that's exactly why it works so well. It's all killer, no filler, giving you exactly what you want from a fast-paced extraction action movie. I promise you that there are better action movies out there. But, I also promise you that you'll have a great time watching "Plane." I know I did. Stream 'Plane' now on Netflix Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately:

Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest'
Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest'

USA Today

time6 hours ago

  • USA Today

Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest'

Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest' Harris Yulin, the Emmy-nominated actor known for his wide-ranging roles in films such as "Scarface," "Ghostbusters II" and "Clear and Present Danger," has died. He was 87. Yulin died of cardiac arrest on June 10 in New York City, according to a press release shared by the actor's representative Sue Leibman. A memorial service is scheduled to be held at a later date. In the weeks leading up to his death, Yulin was preparing to start production on the Michael Hoffman-directed series "American Classic," which was slated to star Yulin alongside Kevin Kline and Laura Linney. "Harris Yulin was very simply one of the greatest artists I have ever encountered," Hoffman said in a statement. "His marriage of immense technique with an always fresh sense of discovery, gave his work an immediacy and vitality and purity I've experienced nowhere else. "And what he was as an actor, he was as a man, the grace, the humility, the generosity. All of us at'American Classic'have been blessed by our experience with him. He will always remain the beating heart of our show." A native of Los Angeles, Yulin got his showbiz start in the theater community of New York City, appearing in a 1963 production of the James Saunders play "Next Time I'll Sing to You." He made his Broadway debut in the '80s with the Lillian Hellman play "Watch on the Rhine" and went on to perform in other shows such as "The Price," "The Visit" and "Hedda Gabler." In 2004, Yulin starred in a Chicago production of "Finishing the Picture," the final play by Pulitzer Prize-winning playwright Arthur Miller. The actor also directed a number of plays himself, including "The Glass Menagerie," "The Trip to Bountiful" and "This Lime Tree Bower." Yulin made his cinematic debut in 1970 with a starring role in the dark comedy "End of the Road." In the '80s, Yulin stretched his acting chops with roles in the gangster drama "Scarface" and adventure comedy "Ghostbusters II." The actor continued to switch things up in the '90s, appearing in the political thriller "Clear and Present Danger" and slapstick comedy "Bean." Brian Wilson dies: Beach Boys cofounder was 82 Yulin also lent his talents to the TV world with recurring roles in the series "Ozark," "Unbreakable Kimmy Schmidt" and "Billions." He received a Primetime Emmy nomination in 1996 for his guest role on the sitcom "Frasier." "Yulin was part of the vanguard of a generation who cared passionately about the craft of acting," a statement from Yulin's death announcement read. "This deep, lifelong dedication led to extraordinary, resonant performances that were a gift to audiences, the actors he worked with, and the art of acting itself." Additionally, Yulin gave back to his fellow actors through teaching stints at The Juilliard School and Columbia University. 10 bingeable memoirs to check out: Celebrities tell all about aging, marriage and Beyoncé Yulin is survived by his wife Kristen Lowman, son-in-law Ted Mineo, nephew Martin Crane, and godchildren Marco and Lara Greenberg.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store