
Gloucestershire Wildlife Trust 'disappointed' by 4x4 damage
A wildlife trust has said it is "really disappointed" after what appears to be tyre tracks were left across one of its nature reserves.A video posted by Gloucestershire Wildlife Trust showed churned up mud across its Sapperton Valley nature reserve, which it claims was left by "a few irresponsible 4x4 users".The site near Cirencester is a feeding area for the marsh tit, which is on the red list of birds of conservation concern, meaning it is at danger of extinction.The trust said it reported the incident to Gloucestershire Police.
'Very upsetting'
A video of the damage was taken on Friday morning by a visitor and Gloucestershire Wildlife Trust believes it happened the previous night."We are really disappointed to see this damage caused to our land," a trust spokesperson said."We are in a biodiversity crisis, with limited space set aside for nature. Spaces like Sapperton Valley are crucial to our cause."Staff and volunteers have worked hard over a number of years to create this important habitat for wildlife, seeing it undone by a few irresponsible 4x4 users is very upsetting."
The trust said in addition to providing feeding areas for bats and birds, Sapperton Valley hosts rare plants and invertebrates.Molluscs, including the protected species of the mountain bulin and Roman snail, and the silky snail, which is hairy, also call the valley home, as does the grass snake."These wet grasslands provide an important role in slowing the flow of the river Frome in high flows, thereby reducing flood risk downstream," the trust said."This damage undoes a lot of the hard work of staff and volunteers to create this habitat which helps both wildlife and humans."The BBC has contacted Gloucestershire Police for comment.

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North Wales Chronicle
3 days ago
- North Wales Chronicle
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.

Rhyl Journal
3 days ago
- Rhyl Journal
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.


Glasgow Times
3 days ago
- Glasgow Times
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. Archaeologists uncovering the wall plaster during excavations at The Liberty Site in Southwark (Museum of London Archaeology/PA) The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Specialist Han Li examining a piece of the wall plaster from one of the largest collections of painted Roman wall plaster (Museum of London Archaeology/PA) Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Han Li reconstructing the wall plaster (Museum of London Archaeology) Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.