
More Southeast Asians are debuting as K-pop idols. What's driving this trend?
K-pop's evolution has always been shaped by its audience. In the 2010s, Korean agencies turned to China and Japan for fresh talent. Now, the spotlight is on Southeast Asia.
Once dominated by Thai idols, the scene is further expanding as agencies tap Indonesia, Vietnam and the Philippines, responding to the region's overwhelming influence on the industry.
It's not just about talent — it is also the numbers.
With millions of engaged fans, a booming digital ecosystem and economies on the rise, Southeast Asia is fueling K-pop's next wave of expansion. The industry is not just welcoming Southeast Asian idols; it is realizing they could just be essential to K-pop's continued global growth.
Southeast Asia's social media power reshapes K-pop's reach
Southeast Asia, home to over 630 million people, is experiencing rapid economic growth, with a steady increase in combined gross domestic product of 4 to 5 percent per year. Along with the region's digital connectivity, this economic strength has positioned it as a major driver of K-pop's global expansion.
Engagement with K-pop on social media in Southeast Asia surpasses global averages, with platforms like TikTok, in particular, playing a crucial role in fueling trends.
'When something goes viral on TikTok in Southeast Asia, it often spreads beyond Asia. Over the past few years, entertainment companies have realized the growing importance of short-form viral marketing,' music critic Lim Hee-yun said Friday.
'For example, a Korean indie band called Wave to Earth was initially overlooked in Korea, but after going viral in Thailand, they are now on a world tour. They even have more Spotify followers than IU," Lim added. "K-pop agencies, which rely heavily on data analytics, are well aware of these trends."
The annual Year on TikTok report, analyzing the most beloved songs and artists on the platform, showed that in 2023, five of the 10 most popular global acts on TikTok were K-pop: Blackpink, BTS, Enhypen, Le Sserafim and NewJeans. The trend became even more pronounced last year, with K-pop grabbing seven of the top 10 spots.
Additionally, a joint study by TikTok and market research company Kantar in 2024 found that TikTok users in Indonesia, Thailand and Vietnam spend significantly more on Korean cultural products than non-TikTok users.
'In Indonesia, 3 out of 5 people pay to stream Korean music, and their listening hours are among the highest globally. Among TikTok users, 31 percent consume K-pop daily — 2.3 times more than non-TikTok users,' a TikTok Korea official said Friday. 'This shows that Southeast Asian TikTok users are not only engaged K-pop fans, but also active content creators, accelerating the genre's global reach.'
Thailand has produced some of the most successful K-pop idols, with Blackpink's Lisa leading the way.
Since debuting under YG Entertainment in 2016, Lisa has become one of the most influential figures in K-pop, even being recognized by the Guinness World Records as the most-followed K-pop artist on Instagram with over 105 million followers. She also made history as the first K-pop singer to perform at the Academy Awards on March 2, cementing her status as a global icon.
Lisa's success has inspired a wave of Thai trainees.
'Trainees always have role models, and in Thailand, there are already many successful cases — especially Lisa, a powerful example. A strong role model means a larger talent pool, which ultimately results in more prepared trainees,' said a YG Entertainment official said Friday.
Continuing this trend, YG Entertainment debuted two more Thai idols, Pharita and Chiquita, in Baby Monster.
Other prominent Thai K-pop idols include Natty of Kiss of Life under S2 Entertainment, Minnie of (G)I-dle under Cube Entertainment and Ten of NCT under SM Entertainment, the first Thai artist to debut under the company.
Indonesia: Rising force in K-pop
Last month, SM Entertainment debuted Carmen, an Indonesian member of Hearts2Hearts, the first trainee from the country to join one of the 'Big Four' agencies comprising SM Entertainment, JYP Entertainment, YG Entertainment and Hybe.
While some speculate that Carmen's inclusion was a strategic move to tap into the Indonesian market, SM Entertainment has denied the notion.
'It wasn't about targeting Indonesia. Carmen was selected as a vocal member because she fit the group's sound,' an SM official said Friday. "Her nationality was not a factor."
Still, Indonesia's potential as a K-pop market is undeniable. With some 270 million people, it is the world's fourth most populous country, with approximately one-third aged between 10 and 29, creating a strong demand for K-pop content.
Indonesian capital Jakarta has become a key stop for K-pop world tours, often alongside Bangkok, yet the country has produced relatively few K-pop idols compared to Thailand. Carmen's debut follows Indonesian idols including Dita of Secret Number, Kim of VVUP and Via of Beauty Box.
Additionally, Indonesia ranked third in Korean music imports last year, following Japan and Taiwan, according to Luminate's 2024 Year-End Music Report published in January, further reflecting Indonesia's strong demand for K-pop.
Vietnamese and Filipino K-pop idols are also making inroads.
The most prominent Vietnamese K-pop idol is NewJeans' Hanni, though she was born in Australia and has dual nationality. Hanbin of Tempest and Kien of ARrC are among the first male Vietnamese idols in K-pop, having debuted in March 2022 and August 2024, respectively.
The Philippines has also gained representation, with rookie girl group UNIS debuting Elisia and Gehlee in March 2024. Their popularity led to sold-out concerts in Manila and Cebu in October 2024.
Elisia, who won TV competition 'My Teenage Girl,' became the first foreign winner of such a K-pop audition program, drawing significant attention in the Philippines.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
13 hours ago
- Korea Herald
Hybe bets big on global stage with new boy band Cortis and Latin pop projects
K-pop powerhouse unveils fresh acts while testing new markets with US and Latin American training and audition projects Hybe is doubling down on its global expansion strategy — not just through multinational K-pop groups, but also with new local projects aimed at replicating the success of BTS. With its first international girl group Katseye slowly gaining traction, the K-pop powerhouse is preparing to introduce three more global acts: two boy bands and another girl group. At the same time, Hybe is turning heads with the debut of Cortis, a new boy group under Big Hit Music, a Hybe subsidiary. Cortis aims for global debut impact Set to debut Monday, Cortis has already made a bold statement by shooting its concept photos and music video in Los Angeles. The group is also holding events in both Seoul and Los Angeles to commemorate the release of its lead single 'What You Want' from the upcoming EP 'Color Outside the Lines,' set for early September release. The events include giving out 1,000 ice creams a day to fans in Santa Monica, California, on Aug. 23, with the same event having taken place in Yongsan, Seoul, Saturday and Sunday. 'It is highly uncommon for a rookie group to hold offline debut events in two countries,' Big Hit Music said Friday in a statement, highlighting Cortis' early push for international exposure. Los Angeles holds special significance for the group, as the members spent three months there last year working on their album. Cortis consists of five members: leader Martin, a Korean Canadian; James from Hong Kong; and three Korean members — Juhoon, Seonghyeon and Keonho. According to Big Hit, this is the first Hybe-affiliated K-pop group with a foreign passport holder serving as leader. The debut comes as Big Hit Music's first new boy group launch in more than six years, underscoring the company's high expectations for Cortis to follow in BTS' global footsteps. Katseye proves global appeal Katseye — Hybe's flagship global girl group formed in partnership with Geffen Records — is proving skeptics wrong. Initially met with doubts when it debuted in June 2024, the multinational act has recorded notable achievements on the international stage. As of Aug. 13, Katseye's monthly active listeners on Spotify reached 25.17 million, ranking just behind BTS, Blackpink and Twice among K-pop groups. Their track 'Gabriela' from the second EP 'Beautiful Chaos' climbed 20 spots to No. 77 on the UK Official Singles Chart, marking six consecutive weeks on the chart. The EP also peaked at No. 4 on the Billboard 200 in July, while both tracks 'Gnarly' and 'Gabriela' entered the Billboard Hot 100. Building on Katseye's success as a 'next-generation pop icon,' Hybe and Geffen Records are now preparing a second multinational girl group. The two companies, on Aug. 7, announced the launch of 'World Scout: The Final Piece,' a large-scale audition program in Japan. Successful candidates will undergo Hybe and Geffen's US-style K-pop training program from October to December, before joining an American training camp. After a series of evaluations, the finalists will form a new group set to debut next year. Hybe is also expanding aggressively into Latin America. Hybe Latin America, on Friday, premiered Santos Bravos, a reality audition series on YouTube that will form a new boy band of the same name. The show brings together 16 contestants from across Mexico, Brazil, Argentina, Venezuela, Colombia, Spain and the US, combining Hybe's systematic training system with Latin America's distinct cultural identity. 'This project will showcase the challenges and growth of participants, collaborations with guest artists and the creation of cultural moments to global audiences,' Hybe Latin America said. 'We aim to connect music, culture and community beyond borders.' The company has already tested the waters with 'Pase a la Fama,' Latin America's first band-audition program co-produced with Mexico's Telemundo. The show, which launched in June, topped US Spanish-language TV ratings in its time slot and drew 688,000 viewers for its premiere, according to Nielsen. Isaac Lee, CEO of Hybe America, emphasized the importance of Hybe founder Bang Si-hyuk's vision in guiding these efforts. 'This project, rooted in local culture yet viewed through a global lens, has opened a new future for Latin music,' Lee said.


Korea Herald
16 hours ago
- Korea Herald
'My Daughter is a Zombie' lurches past 4.3 million admissions in record run
Webtoon adaptation holds No. 1 spot for 18 straight days as discount coupons boost theater turnout The zombie comedy "My Daughter is a Zombie" has topped the Korean box office for 18 consecutive days since its July 30 release, drawing 4.31 million viewers and grossing 40.8 billion won ($ 29,400) through Sunday, according to data from the Korean Film Council. The film crossed the 4 million mark over the Liberation Day holiday weekend on Aug. 15, becoming the first title of 2025 to reach that milestone. It has overtaken "Mission: Impossible — The Final Reckoning" (3.36 million) and Korean crime thriller "Yadang: The Snitch" (3.38 million) to claim the top spot of the year. Based on the hit webtoon of the same name, the comedy-drama follows a single father trying to protect his zombified teenage daughter. The film stars Jo Jung-seok, Lee Jung-eun, Cho Yeo-jeong and newcomer Choi Yu-ri, with "The Hostage" director Pil Gam-sung at the helm. The film's box office run offers a rare bright spot in what has been a historically weak year for Korean theaters. Box office revenue plunged 33 percent in the first half of 2025, with no film breaking the 10 million admission mark that traditionally signals mega-hit status, according to the Korean Film Council's midyear report. Part of the film's momentum has been fueled by the government's 6,000 won ticket discount program, launched July 25. The coupons, capped at two per person and valid through Sept. 2, prompted a rush on theater websites and apps as soon as they went live. "F1," the Brad Pitt–led racing drama that opened June 25, also benefited from the program, mounting an unusual late surge to reach 4.1 million admissions on Saturday and move into second place for the year. "My Daughter is a Zombie" has also managed to satisfy fans of its source material, a feat other webtoon adaptations have struggled to achieve. Viewers praised the film's attention to the original webtoon's beloved details, from grandmother Bam-soon's yellow vest and topknot to the family's scene-stealing cat. Though the filmmakers chose a more hopeful ending than the webtoon's tragic conclusion, the central father-daughter bond remained intact. That stands in sharp contrast to "Omniscient Reader: The Prophecy," another webtoon adaptation that opened just a week earlier on July 23. Despite its 30 billion won price tag and star-studded cast, including Lee Min-ho and Jisoo, the fantasy epic drew just over 1 million viewers amid backlash from fans who felt the adaptation strayed too far from its source, with critics pointing to its overly compressed storyline and poorly altered characters as fundamental missteps.


Korea Herald
18 hours ago
- Korea Herald
Singer Insooni named 2025 Woman of Influence winner
Recognized for humanitarian work with multicultural youth, singer becomes first Korean recipient since 2000 of prize awarded by Pearl S. Buck International Korean singer Insooni was named the 2025 Woman of Influence Award recipient by Pearl S. Buck International on Friday, becoming the first Korean to receive the honor since former first lady Lee Hee-ho in 2000. The 68-year-old singer, born Kim In-soon to a Korean mother and African American father following the Korean War, was recognized for her humanitarian work supporting multiracial and multicultural youth in South Korea. She founded Haemil School in 2013, a tuition-free alternative school for multiethnic and biracial students in Hongcheon, Gangwon Province, where she continues to serve as president. The singer "overcame deep societal racial discrimination to become a success in the music industry and a household name in her home country," Pearl S. Buck International stated on its website Friday. As a child, Insooni received assistance from Pearl S. Buck International's child sponsorship program while being raised by her single mother, according to the organization's website. She now serves as a board member for Pearl S. Buck Foundation Korea, the organization's Korean affiliate. The Pennsylvania-based nonprofit, founded in 1964 by Nobel Prize-winning author Pearl S. Buck, works to advance humanitarian causes and foster cross-cultural understanding. Its Woman of Influence Award, established in 1978, honors women who have distinguished themselves through career achievements and humanitarian advocacy. Insooni will accept the award in person at a ceremony scheduled for Aug. 21 at the organization's estate in Perkasie, Pennsylvania.