Wifredo Lam's surreal creatures haunt STPI
[SINGAPORE] At Singapore's first solo show of Wifredo Lam (1902–1982), the walls are alive with shape-shifting spirits. His hybrid creatures defy classification – they are part animal, part machine, part voodoo hallucination.
Lam, a Cuban-Chinese-African artist, spent his life dismantling Western modernism from the inside out. Drawing on Afro-Caribbean religions such as Santeria and Palo Monte, as well as the hallucinatory energy of Surrealism, he created a visual language that was both rebellious and deeply spiritual.
His prints are populated by beings with frog fingers, taloned feet and goat heads fused with torpedoes. In one striking work (Apostroph' Apocalypse Plate VIII, 1966), a skeletal winged horse appears locked in a cryptic embrace with a vampiric ox. Are they dancing? Mating? Fighting? Lam offers riddles, not answers.
Wifredo Lam's Apostroph' Apocalypse Plate VIII (1966) depicts strange creatures mating or fighting. PHOTO: WILFREDO LAM ESTATE, PARIS
Titled Outside In, this year's STPI Annual Special Exhibition may be its most unsettling yet. It challenges viewers to reconsider modernism – not as a clean narrative from Paris or New York, but as a tangled, many-headed force shaped by migration and myth.
Echoing the ethos of the National Gallery Singapore's recent exhibitions, which have reframed modernism as a global movement born of cultural exchange, Outside In places Lam not on the periphery, but at the very centre of this complex story.
The exhibition's more than 60 works on paper give a rare glimpse into the artist's late-career printmaking practice, developed in close collaboration with renowned Italian master printer Giorgio Upiglio between 1963 and 1982. Many were created alongside avant-garde poets such as Aime Cesaire and Gherasim Luca, reflecting Lam's belief that words – like images – could tap into the unconscious and conjure bizarre, new worlds.
Wifredo Lam's Untitled (1980) limited-edition print is on sale for 4,000 euros at STPI. PHOTO: WILFREDO LAM ESTATE, PARIS
Outside In opens ahead of Wifredo Lam: When I Don't Sleep, I Dream, the major retrospective at New York's Museum of Modern Art in November. There, the audiences will encounter the full sweep of Lam's spectral imagination. But here in Singapore, this quieter, more intimate exhibition offers a wonderful entry point into a lesser-known chapter of his practice.
Wilfredo Lam: Outside In runs from now till Jul 13 at STPI
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