logo
Once Homeless, This Man Saved Amitabh Bachchan's Career With Bollywood's Biggest Film

Once Homeless, This Man Saved Amitabh Bachchan's Career With Bollywood's Biggest Film

News18a day ago
Last Updated:
With a sprawling cast including Dharmendra, Sanjeev Kumar, Amitabh Bachchan, Hema Malini, Jaya Bachchan and Amjad Khan, 'Sholay' was a risk few producers would dare take
The story of Hindi cinema is rich with legendary actors, iconic songs, and unforgettable dialogues. But behind the glittering screen, there are some names whose contributions often go unnoticed. One such name is Gopaldas Parmanand Sippy, better known as GP Sippy, the man who produced Sholay, the film that redefined filmmaking and revived Amitabh Bachchan's faltering career.
More than just a blockbuster producer, Sippy's journey is a tale of resilience, reinvention, and a stroke of cinematic genius that came in the form of a dusty, dacoit-filled village called Ramgarh.
Born into a wealthy business family in pre-Partition Karachi, GP Sippy's early life was defined by luxury. His family owned expansive properties, including a lavish bungalow and thriving enterprises. But the 1947 Partition would snatch all of it away overnight. Forced to leave everything behind, the Sippys fled to Bombay (now Mumbai), where they arrived not as aristocrats, but as refugees, stripped of their wealth, status, and security.
With survival now the only goal, Sippy tried his hand at several trades. According to a New York Times report, he sold carpets and even opened a small restaurant in Mumbai. Nothing stuck. It wasn't until he stumbled upon an unfinished building in Colaba that fortune began to turn. He purchased it, sold it for a profit, and found a new calling in real estate.
Having made some money in property, GP Sippy turned his eyes to cinema, a world that fascinated many in the newly independent nation. In 1953, he produced his first film, Saza. The film didn't catapult him to fame, but it marked the beginning of a long and persistent filmography. For years, Sippy was known largely as a B-grade producer who occasionally dabbled in direction and acting, but never found lasting success.
That would begin to change when he called his son, Ramesh Sippy, back to India from the London School of Economics. Under his father's banner, Ramesh made films like Andaz and Seeta Aur Geeta – successful, yes, but still not historic.
Sholay: The Game-Changer
Then came 1975. With a sprawling cast including Dharmendra, Sanjeev Kumar, Amitabh Bachchan, Hema Malini, Jaya Bachchan, and the unforgettable debut of Amjad Khan as Gabbar Singh, Sholay was a risk few producers would dare take. With a budget of Rs 3 crore, it was the most expensive Hindi film ever at that time.
Directed by Ramesh Sippy and written by the celebrated duo Salim-Javed, Sholay smashed records. It ran in theatres for five straight years and rewrote the rules of Indian cinema. From its cinematography to its character arcs, Sholay brought together Western influences, traditional storytelling, and larger-than-life action like never before. When the film finally ended its legendary run at Mumbai's Minerva theatre, it was replaced by none other than GP Sippy's next venture, Shaan.
GP Sippy's Legacy
GP Sippy continued to produce films throughout the 80s and 90s, backing titles like Saagar, Patthar Ke Phool, and Raju Ban Gaya Gentleman. Though none matched the cultural earthquake of Sholay, they were all reminders of a producer who dared to dream big.
He passed away in 2007 at the age of 93, but his legacy lives on, not just in the form of a film, but in a moment of cinematic history that has never been duplicated.
First Published:
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Mahavtar Narsimha' box office collection day 14: The film inches towards Rs 120 crore, while ‘Saiyaara' sees a major drop on Thursday
‘Mahavtar Narsimha' box office collection day 14: The film inches towards Rs 120 crore, while ‘Saiyaara' sees a major drop on Thursday

Time of India

time3 hours ago

  • Time of India

‘Mahavtar Narsimha' box office collection day 14: The film inches towards Rs 120 crore, while ‘Saiyaara' sees a major drop on Thursday

'Mahavtar Narsimha' continues to roar at the box office even after crossing Rs 100 crore. The film released on July 25 which was one week after 'Saiyaara'. At this point in time, this Mohit Suri directorial was creating euphoria at the box office. Yet, the mythological animated action drama, directed by Ashwin Kumar made its way and saw immense growth at the box office due to word of mouth. Infact, the second weekend collections of the movie were much higher than the first weekend numbers. During the second weekend, on Saturday, it made Rs 15.4 crore, on Sunday, the film saw a huge growth and made Rs 23.4 crore of which 17.8 crore came from the Hindi language. Thus, it made more than Rs 34 crore on the second weekend which is huge. Meawhile, after the weekend, it has continued its momentum even in the week days. The film has released in Hindi, Telugu, Tamil, Malayalam and Kannada but is doing the best in Hindi. On second Monday, the movie made Rs 7.35 crore while on Tuesday, it saw growth and minted Rs 8.5 crore. On Wednesday, it collected Rs 6 while now on Thursday, which is day 14, the film had made Rs 5.25 crore. Thus, the total collection of 'Mahavtar Narsimha' now stands at Rs 118.05 crore. On the other hand, 'Saiyaara' has now begun to fizzle out as it made Rs 1.85 crore on Thursday which is lesser than 'Mahavtar Narsimha' for the day. Even the newer releases 'Son Of Sardaar 2' and 'Dhadak 2' have not been able to make a mark. 'Mahavtar Narsimha' still has time till next week to make the most. On August 14, two big movies are clashing at the box office – 'War 2' and Rajinikanth's 'Coolie'. Both these films will take over the box office hopefully. Till then, 'Mahavtar Narsimha' may be able to maintain its pace. Day wise collection of the film: Day 1 [1st Friday]₹ 1.75 Cr [Ka: 0.05 Cr ; Te: 0.3; Hi: 1.35; Ta: 0.03; Mal: 0.02]- Day 2 [1st Saturday]₹ 4.6 Cr [Ka: 0.11 Cr ; Te: 1.15; Hi: 3.25; Ta: 0.07; Mal: 0.02] Day 3 [1st Sunday]₹ 9.5 Cr [Ka: 0.2 Cr ; Te: 2.37; Hi: 6.8; Ta: 0.1; Mal: 0.03] Day 4 [1st Monday]₹ 6 Cr [Ka: 0.13 Cr ; Te: 1.8; Hi: 4; Ta: 0.05; Mal: 0.02] Day 5 [1st Tuesday]₹ 7.7 Cr [Ka: 0.14 Cr ; Te: 2; Hi: 5.5; Ta: 0.05; Mal: 0.01] Day 6 [1st Wednesday] ₹ 7.7 Cr [Ka: 0.15 Cr ; Te: 1.7; Hi: 5.75; Ta: 0.08; Mal: 0.02] Day 7 [1st Thursday]₹ 7.5 Cr [Ka: 0.13 Cr ; Te: 1.5; Hi: 5.8; Ta: 0.05; Mal: 0.02] Week 1 Collection₹ 44.75 Cr [Ka: 0.91 Cr ; Te: 10.82; Hi: 32.45; Ta: 0.43; Mal: 0.14]- Day 8 [2nd Friday]₹ 7.7 Cr [Ka: 0.25 Cr ; Te: 1.85; Hi: 5.5; Ta: 0.08; Mal: 0.02] Day 9 [2nd Saturday]₹ 15.4 Cr [Ka: 0.47 Cr ; Te: 3.2; Hi: 11.5; Ta: 0.2; Mal: 0.03] Day 10 [2nd Sunday]₹ 23.1 Cr [Ka: 0.7 Cr ; Te: 4.5; Hi: 17.5; Ta: 0.35; Mal: 0.05] Day 11 [2nd Monday]₹ 7.35 Cr [Ka: 0.23 Cr ; Te: 1.75; Hi: 5.25; Ta: 0.1; Mal: 0.02] Day 12 [2nd Tuesday]₹ 8.5 Cr [Ka: 0.23 Cr ; Te: 1.6; Hi: 6.6; Ta: 0.06; Mal: 0.01] Day 13 [2nd Wednesday]₹ 6 Cr [Ka: 0.2 Cr ; Te: 1.2; Hi: 4.5; Ta: 0.08; Mal: 0.02] Day 14 [2nd Thursday]₹ 5.25 Cr * early estimates- Total₹ 118.05 Cr

New animation wave is turning heads & screens
New animation wave is turning heads & screens

Time of India

time3 hours ago

  • Time of India

New animation wave is turning heads & screens

The extraordinary success of the multilingual Mahavatar Narsimha shows the increasing acceptance and appetite for animated films among the Indian audience, say producers and industry observers. Without much marketing, the animated film made on a budget of ₹15 crore has collected ₹114 crore in the past two weeks, competing at the box office with the Hindi blockbuster Saiyaara and formidable films from big Bollywood names such as Dharma Productions, Jio Studios and Ajay Devgn. Productivity Tool Zero to Hero in Microsoft Excel: Complete Excel guide By Metla Sudha Sekhar View Program Finance Introduction to Technical Analysis & Candlestick Theory By Dinesh Nagpal View Program Finance Financial Literacy i e Lets Crack the Billionaire Code By CA Rahul Gupta View Program Digital Marketing Digital Marketing Masterclass by Neil Patel By Neil Patel View Program Finance Technical Analysis Demystified- A Complete Guide to Trading By Kunal Patel View Program Productivity Tool Excel Essentials to Expert: Your Complete Guide By Study at home View Program Artificial Intelligence AI For Business Professionals Batch 2 By Ansh Mehra View Program This is the first Indian animated film to collect more than ₹100 crore. As much as 73% of the film's collections came from the Hindi language version, indicating its pan-India acceptance. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Relive the Bollywood 2025 moments that went viral Learn More Undo "We always have had a huge market for animated films in India. This is reflected in the phenomenal success of animated films of Disney and Sony's Spider-Man Universe in India," said Vijay Kiragandur, founder of Hombale Films , the company which produced Mahavatar Narsimha. "But we feel Mahavatar has resonated with the audience also because of its content." Hombale Films has now planned a Mahavatar Cinematic Universe in which it aims to produce several animated films between 2025 and 2037 based on the ten avatars of Lord Vishnu. Live Events "India has a huge appetite for high-quality animated storytelling rooted in mythology. Audiences exposed to global animation content through streaming platforms are now ready to embrace animated films in theatres," said Suniel Wadhwa, cofounder and director, Karmic Films. Wadhwa will be distributing an animated film, titled Chronicles of Devi - Chapter 1: Mahishasura. According to industry estimates, big streaming platforms invest 20-30% of their original content budget on animation. These estimates point out that India is the second-largest producer of animated content in the world. In fact, global anime (Japanese animation) brand Crunchyroll said recently that 60% of its estimated global growth would come from India.

‘There was no Basanti or Radha': Javed Akhtar recalls how Sholay was born as it turns 50
‘There was no Basanti or Radha': Javed Akhtar recalls how Sholay was born as it turns 50

Time of India

time3 hours ago

  • Time of India

‘There was no Basanti or Radha': Javed Akhtar recalls how Sholay was born as it turns 50

Before Jai and Veeru became legends, before Basanti danced with Dhanno and Gabbar Singh ruled the ravines, Sholay started with a much simpler setup, two former army men dismissed for indiscipline. That's how the seed of the iconic film was first sown in the minds of Salim Khan and Javed Akhtar . Looking back at 50 years of Sholay, Javed Akhtar recalled that the original concept was quite different from the final version that achieved cult status. 'It was Salim sahab's idea that we should make a film about a retired major and two recruits from the army who have been removed because of indiscipline... But then we had limitations from the army and we couldn't take liberty, hence we changed the characters to a cop and (two) hoodlums,' he told PTI. 'We just had a dacoit in mind' There was no plan for Basanti, Radha or even a grand ensemble. Akhtar admitted that when they began writing, they were only thinking about a dacoit. 'At that point, we didn't think of Basanti or Radha, we just had a dacoit in mind. But gradually when the story got developed, a lot of characters came into the picture and we felt it could be a great multi-starrer. We did not plan it as a multi-starrer or a grand spectacle,' he said. No idea they were making history Directed by Ramesh Sippy , Sholay released on August 15, 1975, and featured Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Hema Malini, Jaya Bachchan and Amjad Khan in unforgettable roles. Initially, the film struggled at the box office before gaining momentum and eventually becoming one of the most iconic films in Indian cinema. Yet, Salim-Javed had no clue they were creating something 'timeless.' 'I believe the canvas of the film was such that it just became timeless; it was not done intentionally. There was no deliberate attempt to do that,' Akhtar explained. He called Sholay a 'symphony of human emotions' that simply fell into place, from friendship and revenge to rural simplicity and urban wit. '1975 changed our lives' The year 1975 was a turning point for both Salim Khan and Javed Akhtar, with not just Sholay but also Deewar and Aandhi redefining Hindi cinema. 'With the release of Deewar and Sholay, we earned money, garnered recognition, and made a name for ourselves. So the year 1975 was an important year,' he added. Amitabh Bachchan Posts Preserved ₹20 Sholay Ticket; Fans Shower Love 'I would never rewrite Sholay' When asked if he would rewrite the story today, Akhtar was quick to refuse. 'I would not change anything in Sholay. I would never rewrite Sholay. We made it the way it is. I'm glad so many people appreciated the film, and still talk about it with fondness.' The original ending returns after 50 years In June this year, a restored version of Sholay was screened at an international film festival in Italy. The new cut included six minutes of extra footage, including the original ending where Thakur (Sanjeev Kumar) kills Gabbar (Amjad Khan)—a scene that was originally censored during the Emergency. 'At that time, I was unhappy and disappointed that the ending was being changed but we had no choice but to do it,' Akhtar revealed. If Jai and Veeru lived in 2025... And if the iconic duo were alive today, what would they be doing? Akhtar laughed and replied: 'They would be in the corporate world. They are so badmaash, where else would they go?'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store