logo
Vincent Namatjira's King Dingo exhibition reaches new heights in Vivid projection

Vincent Namatjira's King Dingo exhibition reaches new heights in Vivid projection

Acclaimed artist Vincent Namatjira steps into the bright light, and for the first time he sees his paintings come to life on the façade of Sydney's six-storey art deco Museum of Contemporary Art.
"It's massive … I'm speechless," the Western Aranda man says with a big grin.
"I have the whole building to myself. It is pretty cool. It gives me chills."
Namatjira is speaking to the ABC's Indigenous Affairs Team and News Breakfast exclusively ahead of Vivid Sydney's launch on Friday evening.
The museum on Gadigal land in Circular Quay is a centrepiece for the annual festival that illuminates the city's major buildings.
Namitjira's 2D painting exhibition from last year, King Dingo, has been transformed for the festival into animated caricatures of dingoes wearing royal regalia and riding horseback.
A dingo dressed in Captain Cook's attire, holding the Aboriginal flag, stands tall on the ochre landscape synonymous with the artist's homeland in the remote South Australian APY lands.
The dingo "symbolises the colonial captain James Cook and the first invasion of Australia," Namatjira explains.
The museum is located where the First Fleet landed in 1788, and that fact is not lost on the artist.
Over the speakers in the heart of Circular Quay, Vincent Namatjira's words reverberate: "King Dingo represents strength, pride, and resilience."
As part of this year's Vivid theme 'Dream', the award-winning artist has imagined his totem dingo ruling over the land.
"This is my dream. The dream of me having King Dingo for all Indigenous and Torres Strait people of this country," Namatjira says.
"It is a totem for all of us Aboriginal people."
He says he hopes respect and recognition for Aboriginal Country, culture and leadership will "not just be a dream".
The artist explains the artwork is aimed to "level" the stage.
"King Dingo to me represents protector of the land. And the King, it's a reversal … where I put my perspective of Indigenous to the colonial perspective."
The museum's statement elaborates that "the work highlights how collective memory is a shared process, reshaping how we perceive history and reminding us that remembrance is dynamic and inclusive."
Since the paintings were first exhibited in Sydney last year, former prince Charles has been crowned King.
In this projection, the monarch can be seen waving from the balcony of Buckingham Palace.
At times, dingoes appear playing electric guitars to adoring fans, as Vincent's voice — "King Dingo: long live the King" — booms from the speakers.
The score has been composed by Namitjira's nephew Jeremy Whiskey, who also travelled from Indulkana in APY Lands to get his first look at the project.
"I was just listening to their emotions," the Pitjantjatjara musician explains about the creative process.
"It just comes with an idea and music just comes into my idea, like the drum, the base, keyboard, the sound, how it is going to go, which sound is going to change," he says.
"That's what I do, just by listening and observing.
"The genre that Vincent wanted to play was a bit heavy, so I came up with a combination and it just came from the music I learnt when I was young."
Namitjira's style of landscapes painting that adorn the building also draws on the works of his great-grandfather, the revered artist Albert Namatjira.
His legacy is something that remains front-of-mind for this modern artist.
"I always wanted to be like my great grandfather Albert Namatjira, to receive the coronation medal."
Now taking his artwork to the next level, the Iwantja artist hopes the younger generation will see that they can achieve their dreams.
"My artwork is powerful, and it is an influence for the young generation to see my work shine up on this kind of scale — it's impressive.
"Anything is possible when you pick up the brush."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Australian celebrity chef Peter Russell-Clarke dies aged 89
Australian celebrity chef Peter Russell-Clarke dies aged 89

ABC News

timean hour ago

  • ABC News

Australian celebrity chef Peter Russell-Clarke dies aged 89

Television chef, author and artist Peter Russell-Clarke has died, aged 89. Family friend Belinda Pinder confirmed his death on Sunday afternoon. Reports suggested he died after complications from a stroke. Born in Ballarat in 1935, Russell-Clarke began his career at age 14, working a junior artist at an advertising agency, before moving into freelance cartooning and working as a food consultant for popular magazines, including New Idea and Woman's Day. He went on to produce his own cookbooks before shooting to wider fame through his catchy "g'days" which featured in the theme song of his 1980s ABC cooking show Come and Get it. The show ran from 1983 to 1992, with 900 episodes written and hosted by Russell-Clarke wearing his signature neckerchief. His appearances on Come and Get It made him one of Australia's pioneering TV celebrity chefs. "I realised that the bloke in front of the camera got more applause than the person who wrote it," he told the ABC in 2017. "So I wrote myself into the series and I became known as a cook rather than a painter or a writer." For more than two decades starting in the mid 70s, he was also a popular spokesperson and TV and radio presenter for the Australian Dairy Corporation, as well as for companies such as the Australian Egg Board and Kraft Cheese. Russell-Clarke was also the chef for the Prince of Wales's Silver Jubilee dinner in 1977. He was also invited to cook for Australian prime ministers, Victorian premiers, and the Duke of Edinburgh. He also wrote at least 35 cookbooks and was a United Nations food ambassador. As a child, displaced from his rural Victorian home after the separation of his parents, Russell-Clarke spent time in foster homes and, briefly, and on the streets of Melbourne, a period which he told SWILL magazine in 2023 led to his appreciation of fine food and different cuisines. But Russell-Clarke started painting long before his interest in the culinary arts grew. He worked as a commercial artist for about 65 years, including for 10 years as the political cartoonist for The Herald newspaper in Melbourne. In 2022, Russell-Clarke told the National Portrait Gallery about the similarities between his love for cooking and painting. "[While painting,] you're mucking around with colour, form, texture, shape. And with cooking, you're doing the same thing," he said. "Cooking is only supplying heat to food. The same as painting. Painting is supplying paint to a surface, whether it's a canvas or a piece of cardboard." His artworks have been featured in exhibitions in Australia and overseas, at private venues, auctioned at the Shepparton Art Museum and collected by the National Immigration Museum. Russell-Clarke was even commissioned to produce several pieces for the federal government. He is survived by his wife of 65 years, Jan, their two children Peter and Wendy, and three grandchildren. The ABC has contacted the family for comment.

Brisbane Lions optical illusion leaves footy fans baffled
Brisbane Lions optical illusion leaves footy fans baffled

News.com.au

time2 hours ago

  • News.com.au

Brisbane Lions optical illusion leaves footy fans baffled

The Brisbane Lions proved far too strong for Port Adelaide on Saturday night as they flexed their premiership credentials. In front of their home fans at the Gabba, the Lions showed they're a force to be reckoned with as they secured the 18.12 (120) to 14.8 (92) win. FOX FOOTY, available on Kayo Sports, is the only place to watch every match of every round in the 2025 Toyota AFL Premiership Season LIVE in 4K, with no ad-breaks during play. New to Kayo? Get your first month for just $1. Limited-time offer. Despite the ominous outing, the display was largely overshadowed by one tiny aspect of their indigenous guernsey. The Sir Doug Nicholls round guernsey was designed by Jordan Ah Chee in collaboration with the Ah Chee family to tell Callum's journey of family, football and The Brisbane Lions. But fans couldn't help but point out the tree design on the back made it appear on television like the players were running around with their shorts pulled down. Those watching on took to social media to post screenshots where they had done a double take after believing a player's behind was on display. The images quickly started doing the rounds with fans flooding Reddit and questioning the design of the guernsey. One fan wrote: 'When they first wore them earlier this year, it was the first thing I noticed and it's all I noticed.' A second posted: 'Looks like they're wearing black G-strings.' A third added: 'Been thinking it all game. Glad I'm not the only one.' A fourth pondered: 'I think it looks like a whale tail. Like we're wearing thongs.' Despite the attire raising the eyebrows of fans, the Lions stole the show after conceding the opening two goals of the contest. After the Power looked to burst out of the blocks, the Lions kicked seven unanswered goals to lead by 32 points at the first break — making a Power comeback very unlikely. Their hopes of a resurgence were made even harder by the fact Dante Visentini (ankle) and Esava Ratugolea (hamstring) both went down with injury before coach Ken Hinkley could even address his players. The night went from bad to worse for the Power when Sam Powell-Pepper left the field in the third quarter after suffering a serious knee injury. All-Australian contender Zac Bailey was the absolute star of the show for Brisbane all night, finishing with a game-high five goals. He was well supported up forward by Charlie Cameron for his three goals, with the Lions registering a dozen goalkickers. 'I haven't seen them play with such arrogance like this. We're going through the middle of the ground, and you can't go with us!' two-time North Melbourne premiership player David King said post-game on Fox Footy's Super Saturday Live. Star recruit Jack Lukosius returned well for his first game since Round 2 at his new club, kicking three goals up forward alongside partner-in-crime Mitch Georgiades — who moved up to equal-second in the Coleman Medal race with four more goals.

Keen angler Nash Rawiller was happy to return to Rockhampton for a few rides over the northern carnival
Keen angler Nash Rawiller was happy to return to Rockhampton for a few rides over the northern carnival

News.com.au

time3 hours ago

  • News.com.au

Keen angler Nash Rawiller was happy to return to Rockhampton for a few rides over the northern carnival

Top Sydney jockey Nash Rawiller's eyes lit up when he watched a couple of fishermen haul in a huge barramundi within a stone's throw from a Rockhampton waterfront pub. Rawiller was sinking a few beers with his manager Liam Prior and local race-caller Russell 'Brolga' Leonard at the Criterion Hotel on the banks of the Fitzroy River on the day after The Archer in early May. Rawiller had ridden the Bjorn Baker -trained Sandpaper to fifth place in the $1 million slot race and was unwinding on the Monday before flying back to Sydney. 'Nash had never been to Rockhampton before and he just wanted a day out on the Monday before going home,' Leonard explained. 'We were just walking down to our local hotel and there was a couple of guys in a tinnie pulling in a barra. 'Nash is a mad fisherman and he said to me 'unbelievable, they catch barra just in here'. 'We got talking and as the afternoon wore on, he said 'do you go out fishing out wide here?' and I said 'yeah we can go out'.' The 50-year-old Rawiller then suggested coming up again to Australia's beef capital for the Rockhampton Cup Racing Carnival. 'I said to him 'it's all good but that's Caloundra Cup Day, you'll be in demand there'. He did say 'I've ridden plenty of winners at Caloundra, I don't need to go there',' Leonard recalled. 'We always try to get a guest rider up here. We even got Willie Pike three years ago and he rode here for the two days.' Rockhampton Jockey Club organised the trip for Rawiller, who was the guest speaker at the Calcutta dinner last Friday night. Rawiller ended up riding in four races at Callaghan Park on Friday, when he won on $1.40 favourite Lone Artist for Liam Birchley, and just once on Saturday (third on Nagamie). He was meant to ride the Chris Waller -trained Caboche in the $150,000 Rockhampton Cup, won by Logan Street Lion, but the gelding was scratched and will now likely head to the $80,000 South Grafton Cup (1600m) next Sunday. 'I love my fishing so I was keen to get back there,' 71-time Group 1 champion Rawiller said about Rockhampton. 'And the track is as good as any I've ridden on. It's got a lovely, sweeping turn and the 600m straight is one of the longest in Australia, I believe. 'It's nice to do these things to refresh the mind so it's a bit of a working holiday for me. Hear him roar! ðŸ¦� Logan Street Lion claims the TAB Rockhampton Cup! ðŸ�† @ParkCallaghan — SKY Racing (@SkyRacingAU) July 5, 2025 'I've been on a bit of a break already so I'm just giving the body a rest because I was getting a bit rundown. 'I'm already starting to feel better and it doesn't take me long to get the itch back.' Leonard said the two-day fishing expedition would take Rawiller to Port Clinton, Island Head Creek and Pearl Bay, where major joint military exercises are often staged between Australia and the US.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store