Media personalities pay tribute to Australian radio star Paris Pompor after death aged 58
Pompor is remembered as a talented radio personality and DJ, celebrated for his contributions to Sydney's music and arts scene.
He was especially known for his role on Sydney's non for profit station 2SER, hosting music program Jumping The Gap for 15 years until departing in 2022.
He also co-founded Groovescooter, an independent record label, production house, and film music licensing service based in Sydney.
News broke of Pompor's death earlier this week, with no official cause revealed.
2SER took to social media to share the news, sparking an outpouring of tributes.
The station wrote: "Paris was a brilliant DJ, producer and radio presenter whose incredible taste was only outshone by his obvious love of music, deep knowledge, incisive wit and infectious sense of humour.'
'Beyond the radio studio Paris, along with lifelong best friend Georgie (Zuzak) ran the Groovescooter label, releasing records, distributing films, hosting in-conversations and so much more, and being an essential part of the cultural fabric of this city over the last 30 years.'
The station played a four-hour tribute to the radio star on Friday, featuring highlights of his career.
Australian music journalist Stuart Coupe said he was 'totally stunned' to hear about the news of Pompor's death.
'A complete and total music fan, a beautiful human and always a joy to run into around the traps or at 2SER over the years,' he said.
'Watching him dancing around the studio whilst presenting a radio show always made my day just that little happier.'
Former newsreader Geoff Mark Field expressed his 'sincere condolences' to Pompor's loved ones.
'I remember the way he would always have something positive to say to my journalism students when I was at 2SERFM,' he said.
Eastside Radio 89.7FM said Pompor had 'shaped so much of Sydney music' and 'influenced the city's arts and culture like no other'.
'His love of music documentaries started a movement of film screenings at the Golden Age Cinema that can best be described as all sold out!', the station wrote.
Cyclone Wehner, a Melbourne music journalist, described his shock and sorrow at the news as he praised Pompor's achievements.
'He was not only a DJ, promoter, cultivator + co-founder of Groovescooter in Eora/Syd, but also a dedicated music journalist,' Wehner wrote.
'I hope that his legacy as an underground catalyst is remembered + cherished,' he added.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

News.com.au
an hour ago
- News.com.au
Gender row boxer Imane Khelif shows off dramatic new look one year since Paris Games
Imane Khelif has shown off a dramatic new look, more than a year since her last boxing match, The Sun reports. The Algerian, 26, won her nation's first ever gold medal in women's boxing in the welterweight category at the Paris Olympics in August 2024. However, she was at the centre of a huge gender eligibility storm. Never miss the latest sports news from Australia and around the world — download the app direct to your phone. It emerged that Khelif had been banned from fighting in competitions by the International Boxing Association in 2023 after tests allegedly showed her to have DNA of a male. But the International Olympic Committee allowed her to compete in Paris because of her female passport status after replacing the Russian-led IBA, who were stripped of recognition by the IOC in a row over ethics and financial management. The controversy sparked a huge debate, with Khelif being subjected to a barrage of abuse and accusations, including from the likes of Elon Musk and JK Rowling. Changes have come into play since then, with the new governing body, World Boxing, confirming fighters will be required to undergo mandatory sex screening to compete in their events. Khelif has not stepped into the ring since her Paris victory over Lui Yang on August 9. However, earlier this week Khelif was seen sporting a remarkable new look. On Wednesday (AEDT) she took a selfie alongside television host podcaster Nassima Djaffar Bey. Khelif was seen beaming in the photo, appearing with makeup and flowing hair. Djaffar Bey shared the photo to her Instagram story and captioning the post: 'Always a pleasure.' On the one-year anniversary of winning her Olympic gold, Khelif shared a cryptic Instagram post as she reflected on the 'difficult phase' she was going through. Khelif said: 'It was an unforgettable moment a moment where my tears mixed with the awe of pride, a moment where my country's flag soared high, and I held my head up with the strength of a boxer and the heart of a human. 'Today, on the anniversary of that triumph, I'm going through a difficult phase filled with challenges, silence, and waiting… 'But despite everything, the spirit that fought for gold still beats within me. I still believe that every fall is a prelude to a stronger rise, and that every delay carries within it a test of faith and willpower. 'True strength lies not only in victory, but in perseverance against all odds. I am Imane Khelif a champion yesterday, resilient today, and determined to return tomorrow. 'Thank you to everyone who still believes in me… And to myself, thank you for never giving up.'

Sydney Morning Herald
4 hours ago
- Sydney Morning Herald
Love triangles and secrets collide in this story of a sibling rivalry
KANGAROO ISLAND ★★★½ (M) 111 minutes Kangaroo Island is about sibling rivalry. It's the kind of story that pops up regularly on the streaming services but director Timothy David and screenwriter Sally Gifford have given it extra oomph by setting it against the seductively scenic backdrop of South Australia's Kangaroo Island. David, a South Australian, had spent more than a decade in New York, pursuing a highly successful and innovative career in advertising, when he and Gifford, his wife, decided to buy a holiday house on the island and both, it seems, have been in love with the place ever since. You could call the film a romance, but the love object is the island itself. When we first meet Lou (Rebecca Breeds) she has been trying to make it as an actress in Los Angeles but things are not going well mainly because of her propensity for getting drunk and missing auditions. She has an excuse – more of that later – but in these introductory scenes, she rattles around being irritating. Her agent dumps her and she has just tried to lie her way out of a speeding fine when a cluster of misadventures cause her to take advantage of the airline ticket to Australia bought for her by her father. He still lives on Kangaroo Island, where she grew up, but she hasn't been back in years. The scenario which unfolds serves up its revelations in a pacy style with a series of flashbacks to her teenage years. We learn that she was a precociously accomplished flirt who had no difficulty winning Ben Roberts (Joel Jackson), the best-looking boy in town, although her more introverted sister, Freya (Adelaide Clemens), also fancied him. After the affair struck trouble, Lou left for LA. And in her absence, Freya and Ben got married. As a result, the reunion between the sisters is decidedly uneasy, further complicated by the feelings that Lou and Ben still have for one another. It's a standard love triangle with a few surprises along the way, but there's an engaging air of spontaneity in the performances. Breeds is a graduate of Home and Away and the rest of the cast are also television veterans. It's another reminder of the effectiveness of long-running Australian TV series as actors' training grounds.

The Age
4 hours ago
- The Age
Love triangles and secrets collide in this story of a sibling rivalry
KANGAROO ISLAND ★★★½ (M) 111 minutes Kangaroo Island is about sibling rivalry. It's the kind of story that pops up regularly on the streaming services but director Timothy David and screenwriter Sally Gifford have given it extra oomph by setting it against the seductively scenic backdrop of South Australia's Kangaroo Island. David, a South Australian, had spent more than a decade in New York, pursuing a highly successful and innovative career in advertising, when he and Gifford, his wife, decided to buy a holiday house on the island and both, it seems, have been in love with the place ever since. You could call the film a romance, but the love object is the island itself. When we first meet Lou (Rebecca Breeds) she has been trying to make it as an actress in Los Angeles but things are not going well mainly because of her propensity for getting drunk and missing auditions. She has an excuse – more of that later – but in these introductory scenes, she rattles around being irritating. Her agent dumps her and she has just tried to lie her way out of a speeding fine when a cluster of misadventures cause her to take advantage of the airline ticket to Australia bought for her by her father. He still lives on Kangaroo Island, where she grew up, but she hasn't been back in years. The scenario which unfolds serves up its revelations in a pacy style with a series of flashbacks to her teenage years. We learn that she was a precociously accomplished flirt who had no difficulty winning Ben Roberts (Joel Jackson), the best-looking boy in town, although her more introverted sister, Freya (Adelaide Clemens), also fancied him. After the affair struck trouble, Lou left for LA. And in her absence, Freya and Ben got married. As a result, the reunion between the sisters is decidedly uneasy, further complicated by the feelings that Lou and Ben still have for one another. It's a standard love triangle with a few surprises along the way, but there's an engaging air of spontaneity in the performances. Breeds is a graduate of Home and Away and the rest of the cast are also television veterans. It's another reminder of the effectiveness of long-running Australian TV series as actors' training grounds.