logo
Death row survivor wrongfully imprisoned for 17 years dies in horror house fire

Death row survivor wrongfully imprisoned for 17 years dies in horror house fire

Daily Mirror04-06-2025
A survivor of Florida's death row has tragically died in a house fire - Sonia 'Sunny' Jacobs, who was wrongfully jailed for 17 years, died in a fire in Galway earlier this week
A death row survivor who spent 17 years behind bars for a crime she didn't commit has tragically died in a house fire.
Sonia 'Sunny' Jacobs was killed in Galway in the Republic of Ireland earlier this week, along with a man in his 30s understood to be her carer.

They were both pronounced dead at the scene of the fatal fire at a bungalow at Gleann Mac Muireann near Casla in Connemara on Tuesday morning. The two are understood to have been the only people in the house at the time of the blaze.

Police and Fire Services were alerted to the fire at around 6:20am on Tuesday and brought it under control. The bodies of Ms Jacobs and the man in his 30s were recovered from inside the property.
Sunny spent nearly two decades on Florida's death row after she and her then partner were wrongfully sentenced to death by the Florida courts for the murder of two police men. A mother of two, Sunny spent 17 years behind bars for a crime she did not commit.
Her passing was confirmed by the founder of Death Penalty Action in America Abraham J. Bonowitz. He told The Irish Mirror that he met Sunny a few months after she was freed following 17 years of wrongful incarceration in The Sunshine State.
"I first met Sunny in 1993, just months after she was freed from 17 years of wrongful incarceration in Florida, including five years as the only woman on Florida's death row, after evidence of her innocence vacated her conviction,' Mr Bonowitz said in the statement. 'In the wake of injustice, Sunny used the remainder of her life to work to keep others from enduring wrongful incarceration, to help those freed from wrongful incarceration to heal, and to work to abolish the death penalty in the United States and worldwide.'
He continued: "It was a great privilege to know Sunny, not only in the work that we shared, but as a true friend. One of my greatest honours was to be the person to drive her to visit the memorial to the victims of Flight 759, which crashed near the airport in New Orleans in 1982. We were together at the 2024 Annual Conference of The Innocence Network in New Orleans. It was the first time she was able to visit the site where her parents of blessed memory, Bella and Herbert Jacobs, died. Even in her old age, Sunny was constantly working to help others.'

Sunny's late husband was Irish death row survivor Peter Pringle. They set up 'The Sunny Centre' to support people who had been victims of wrongful incarceration.
The story of Sunny's plight was also told in books, plays and film, with her being played by Susan Sarandon in the TV film 'The Exonerated' in 2005. Director Micki Dickoff also put her career on hold for the 1996 film 'In the Blink of an Eye', with Mimi Rogers portraying Sunny.
The film also told the story of her husband Jesse Tafero. Tafero died in 1990 during a brutal botched execution by electric chair that saw flames shoot out of his head.
Mr Bonowitz added: 'Our last conversations were about how we can better assist such individuals in their latter years - particularly those who, like Sunny, received no compensation or even an official acknowledgement of their innocence.'
He continued: 'My heart and prayers go out to her daughter, Christina, her son, Eric, to all who knew her personally, all who had the chance to hear her speak or know her story, and all who have been inspired by the example she set in how she lived and used her life to help others.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The oppression of Sally Rooney
The oppression of Sally Rooney

Spectator

time3 hours ago

  • Spectator

The oppression of Sally Rooney

Almost a decade ago the Irish academic Liam Kennedy published a tremendous book with the title Unhappy the Land: the Most Oppressed People Ever, the Irish? It is a dissection of one of the most curious pathologies in the world: the desire to have been oppressed; a glorying in being repressed. Kennedy, like a few other brave writers (Ruth Dudley Edwards, Malachi O'Doherty, Kevin Myers) has the courage to point to an under-examined seam in Ireland's history. Specifically he takes aim at the mawkishness that exists in contemporary Irish affairs. The desire to be the first victim, perhaps the greatest victim, of all victims, anywhere in the world. You see similar strains of aspiring victimhood in other mini-nationalisms. Over recent years, Scots and Welsh Nats have all sought to join in the victimhood jamboree. Some years ago I heard a Welsh poetess speaking to a very international and diverse audience. She made her opening plea, or boast, by saying that everyone should remember that the Welsh were the 'first victims' of colonisation – a point which can only be responded to by some combination of a yelp and a yawn. But nobody ever beat the Irish in the victimhood Olympics. Whatever era in their history they want to look at, they can always find a narrative of suffering. Sometimes it has some justification, as with the famine of the 1800s. At other times, as with the Easter Rising and the IRA, the story is sugar-coated to turn people's attention away from the fact that Irish history has been dominated by an unusual percentage of vainglorious murderers and aspiring martyrs. As Kennedy writes: 'There is an almost palpable sense of victimhood and exceptionalism in the presentation of the Irish national past, particularly as reconstructed and displayed for political purpose.' Now that the Troubles are largely over, some Irish people seem almost bored by the peace dividend. And so they scour the Earth looking for other beleaguered people with whom they can claim brotherhood and whom they can, in a variety of ways, patronise. In recent years, no group has been a better candidate for adoption by the Irish than the Palestinian people. It can be seen in the proliferation of Palestinian politics in Irish politics and the singling out of the state of Israel for unusual vilification. It can be seen in the Irish government's planned anti-Israel legislation and in its other curious efforts to interpose themselves into the centre of a conflict in which they have absolutely no role. Given that the Irish government in the 1930s and 1940s looked at the Allies and the Nazis and found it impossible to decide which side to come down on, the current Irish decision to draw a simplistic and ill-informed position on the Israel-Palestine conflict is doubly odd, until you realise that it allows a certain type of Irish person the opportunity to be a sort of bigger sibling in suffering to the Palestinians, with the side-offering of a dose of good old Irish anti-Semitism. This week the newspapers led with a story about the Irish writer Sally Rooney. Her novels have gained some popular acclaim, have sold well and been adapted for television. Born in 1991 in County Mayo, she appears to have been well-marinaded in the prejudices of her native land. In 2021 she made headlines when she refused to have her latest book translated into Hebrew. After all, we can't allow those Hebrew-ites to enjoy middle-rate fiction, can we? She has also called for a boycott of all Israeli cultural institutions. I don't believe Rooney has called for a boycott of any other nation at war, but then why would she? In the Guardian and elsewhere she has expounded her low-resolution understanding of a foreign conflict into which she seeks to throw herself gleefully. Recently the group Palestine Action was proscribed by the British government as a terrorist group. Rooney was one of the 'celebrities' who chose to lobby against this decision. She said: 'Palestine Action is not an armed group. It has never been responsible for any fatalities and does not pose any risk to public safety.' Which isn't quite true. The group has claimed responsibility for hundreds of incidents across the UK, many of which have turned violent. Last summer, Palestine Action activists broke into the Bristol HQ of defence technology firm Elbit Systems. Two police officers were struck with a sledgehammer and an employee suffered head injuries. One of the officers was taken to hospital, while his colleagues seized sledgehammers, axes and other weapons. In June, Palestine Action broke into RAF Brize Norton and damaged aircraft. Estimates of the cost of the damage run from £7 million to more than £30 million. One of those allegedly involved, Muhammad Umer Khalid, 22, faces charges relating to criminal damage and the compromising of this country's security. One of the group's heads faces prosecution over a speech he made on 8 October 2023, in which he said that the massacre of Jews in Israel (named by Hamas 'the Al-Aqsa flood'), which was then still going on, should be emulated everywhere. Or as he put it: 'When we hear the resistance, the Al-Aqsa flood, we must turn that flood into a tsunami of the whole world.' Still, Rooney claims that a ban on Palestine Action constitutes an 'alarming curtailment of free speech'. The other day in the Irish Times, Rooney made herself the martyr in all this, writing ominously: 'My books, at least for now, are still published in Britain and are widely available in bookshops and even supermarkets.' In a similarly self-important vein, she declared that she intended to go on supporting Palestine Action in any way she could, including by donating royalties from her books and TV adaptations. Although she seems to hear the jackboots of the Stasi British police at her door, Rooney is of course Irish, and appears to live in Ireland. And so wittingly or otherwise she joins a long list of Irish public figures willing to throw themselves into the middle of a row – any row – so long as it allows them the warm, fuzzy feeling of continuing to be part of the most oppressed people ever.

The drama of an Irish supermarket car park
The drama of an Irish supermarket car park

Spectator

time3 hours ago

  • Spectator

The drama of an Irish supermarket car park

The woman pushing a wheelchair was causing such a rumpus in the supermarket that whichever aisle I was in I could still hear her shouting. She was an Englishwoman abroad if ever I saw one. Resplendent in sleeveless vest and leggings, she was pushing her adult daughter around an Irish supermarket as a friend or family member pushed their trolley, and she was making sure that as many people as possible were aware of her. She was shouting so much, about everything, that nobody was taking the slightest notice, and she became the soundtrack of the shop, an integral background kerfuffle. She shouted at the crisp shelves, she shouted at the frozen pea compartment, she shouted in the shampoo and shower gel aisle. It wasn't clear exactly what she was shouting at or for. She made so much noise that the entire supermarket reverberated with it, but the noise was all in such a strong estuary accent that even if the staff had wanted to help her with her inquiries, they would have struggled to understand. As it was, they only intervened when she was flinging things off shelves and dismantling displays of discounted homewares, and then only to replace fallen items and tidy piles of fallen packets. Neatly dressed Irish people – for the Irish dress up nicely to go shopping – went about their business as the be-vested Brit rampaged through the aisles yelling. Her daughter, aged in her late teens or early twenties, was slurping from a can of Red Bull as her mother pushed her round, and seemed oblivious to whatever she was cross or happy about. I did my weekly shop without once understanding a single sentence she yelled, and even when I was right next to her I could not make out what on earth she was either angry or happy about. They were ahead of me in the queue, the mother still shouting in a ceaseless monologue, and they began to leave before I had finished checking out. As I unloaded my shopping, I heard her screaming something unintelligible at the cashier about something she either didn't like or liked a lot, and then as I started packing, they disappeared through the doors in a blaze of shouting. I thought no more about it, but when I pushed my trolley outside a more intelligible commotion had begun. A woman had pulled into the last remaining disabled parking space by the door, and the English woman, pushing her daughter, had stopped by her car in the other disabled space and was shouting: 'You wanna be ashamed of yerself! There's people need them spaces! I've got a disabled daughter I 'ave!' It appeared that even though she had a space, she was very much focused on policing the space next to it, and it occurred to me that this was a very English thing to do. While the locals here are undoubtedly interested in everyone's business, they tend not to censure each other as the authorities might. No one Irish would dream of pointing out to anyone else that they're parked incorrectly. The unanimous view is, if you can get something extra then good luck to you, and if everyone can fiddle the system, so much the better. This is particularly true of the deep south. I heard recently of a parking warden visiting the nearest market town to us and ticketing a few cars pulled up haphazardly outside shops, but after the locals finished with him, he never returned. You could park your car in the middle of the main road all day in West Cork and no one would complain. No one has once beeped their horn at me in the two years since I moved here, to give you some idea how laidback they are. Not realising this, the English woman let rip as the Irish woman got out of her car, which did not seem to have a blue badge. 'My daughter can't walk and now we can't get the car doors open to get her in cos you've parked next to us!' Whereupon her daughter, like Andy Pipkin in the Little Britain sketch, got up out of her wheelchair and walked to the passenger side of the car, which was unimpeded, swung wide the door and got in. While doing this, she deftly grabbed a bag of crisps from the shopping bags, chucked the can of Red Bull asunder, and sat in the car tucking into the crisps. It was as she enthusiastically crunched her crisps that an elderly man began very slowly to get out of the passenger side of the Irish car to reveal that he wore a leg brace. He hobbled to the curb, dragging one leg, revealing that one arm also hung limp and inert, and waited for his wife to help him. The Irish couple then continued towards the shop doors with absolute dignity. But the English woman continued to shout abuse at them, even though it was now clear that the poor man was crippled. This was when the Irish lady finally tipped over her West Cork edge, and turned back and walked up to the English woman, and she let rip with the best the rebel county could offer, shouting into her face a diatribe made up of the sorts of things we Brits are not allowed to say to each other any more, and so no longer expect to hear, and it went like this: 'Shut your fecking mouth! Your daughter's disabled is she? Look at the size of her! And you've just taken her in that supermarket and bought her more food!' And with that, she left the English woman standing there with her mouth open, just for a few seconds dumbfounded, before she recovered enough to say in a very shaky voice: 'I ain't 'avin' that! I'm gonna complain! I'm getting the manager! I want the manager! But manager came there none. She looked around the car park, and she walked towards the shop doors gesticulating. If she was waiting for someone to come out and offer her a complimentary 12-pack of Red Bull by way of apology, then she was going to be standing there for a very long time.

‘They are turning him into a hero': Kneecap solidarity gig held in Dublin
‘They are turning him into a hero': Kneecap solidarity gig held in Dublin

South Wales Guardian

time6 hours ago

  • South Wales Guardian

‘They are turning him into a hero': Kneecap solidarity gig held in Dublin

Kneecap flags and logos hung from the windows in Connolly Books, which dubs itself Ireland's oldest radical bookshop, in solidarity with O hAnnaidh, Kneecap, and the people of Palestine. Pro-Palestine supporters criticised the decision by British authorities to bring a charge against the performer instead of focusing on the Israeli government's actions against the Palestinian people. O hAnnaidh, 27, who performs under the stage name Mo Chara, is accused of displaying a flag in support of Hezbollah at a gig in November last year. Hundreds of Kneecap supporters greeted O hAnnaidh as he arrived at Westminster Magistrates' Court in London on Wednesday morning, alongside fellow Kneecap rappers Naoise O Caireallain and JJ O Dochartaigh. During the hearing, his defence team argued the case should be thrown out, citing a technical error in the way the charge against him was brought. The case has been adjourned until September 26, when the judge will rule on whether he has the jurisdiction to try the case. At the protest session at Connolly Books on Wednesday afternoon, several artists played Irish traditional music in solidarity with the rappers and Palestine. Musician Ru O'Shea, who performed at the demonstration, said charging O hAnnaidh had turned him into 'a hero'. 'I think it's been a huge misstep by the powers that be to go after him in the first place,' he told the PA news agency. 'I reckon that they don't have a thing on him, and I think they are turning him into a hero, and I think we need a hero. 'What's happening in Palestine right now, it's gotten to such an extreme that it's waking a lot of people up, including the British who might not have ever seen it otherwise and stayed in that bubble forever.' O'Shea's friend John Feehan said: 'I think people are maybe starting to look up a little bit in Britain, and I think things like what's happening with Kneecap is a catalyst for people to be like 'Oh, wait a minute, what's actually happening here?'. So I hope there's momentum, but I really don't know.' Dubliner Aoife Powell, 19, said she came out to protest because she is 'angry' at the decision to charge an artist rather than focus on what is happening to the people of Gaza. 'I'm here because it just worries me that the fact that governments are focused on artists expressing themselves rather than the actual problem, which is obviously the genocide in Gaza,' she told PA. 'It's a little bit disheartening to see there's so much pressure being put on these artists to stop saying what they truly think and to stop standing on the right side of history. 'I feel like it's a distraction from what's actually happening. 'When a government tries to silence people, they should learn that they can never silence people. I feel like the public would get more angry at that.' Sean O'Grady is from Coleraine in Northern Ireland but has lived in Dublin for almost 70 years. 'I'm delighted with them (Kneecap), that they've done what they're doing, and they're getting plenty of publicity. 'The British government are crazy, I mean, what are they at? 'They're supplying a lot of the bombs, and a lot of the arms and ammunition to Israel to do what they're doing. So they should be ashamed of themselves instead of bringing in these people (to court) for stupid reasons. 'It's getting good publicity over there for the cause of the Palestinians.' Dubliner Dermot Nolan said he attended his first Palestine protest in 1967, and while he remembers horrific events such as the Vietnam War, the scale of death and injuries in Gaza is the worst he has ever lived through. 'I'm here because it's important to for two reasons – first of all, to show our intolerance of the genocide and slaughter that's being carried out by the US, Nato and Israel. 'The second reason is the question of civil rights. We're protesting about the indictment of a member of the Irish group Kneecap. 'It is a sign of creeping authoritarianism which is happening in all the western countries and most clearly in Britain.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store