Has Pump Up the Healthy Love been renewed for Season 2? Here's what we know:
Renewed Or Cancelled?
Pump Up the Healthy Love is the latest sentimental K-drama, boasting compelling characters and an intriguing story. This one has been quite the rollercoaster over the past weeks and has certainly resonated with its audience.
If you've been following this one, you may be wondering if this has been renewed or cancelled. Well, wonder no more. Here's what we know about a renewal:
What is Pump Up the Healthy Love about?
Get ready for another heart-pounding gym drama, this time centering on Do Hyeon-jung. who happens to be the manager of a 24 hour gym who has become a 'health freak,' who corrects the lives of his members.
He fights a fierce game of survival between being a self-employed businessman and a trainer in an unfriendly world. However, his life soon changes when he crosses paths with Lee Mi-ran, a travel agency planning and development manager.
We have ongoing coverage of Pump Up the Healthy Love on the site, including recaps for every episode. You can find those HERE!
Has Pump Up the Healthy Love been renewed for season 2?
At the time of writing, KBS2 have not renewed Pump Up the Healthy Love for season 2. Given the ratings over the weeks, it'll be interesting to see if they actually do renew this for a follow-up.
KBS2 do have ratings available to look over here, with the first episode beginning with a respectable 1.8% share and since then it's been hovering around a 1.3% rating, which is not bad for a mid-week K-drama.
Most k-dramas do wrap up their stories in a single season though, and it's generally very rare – but not impossible – to find these sort of shows renewed. This one doesn't look like it's going to buck the trend and is unlikely to be renewed in the future.
We'll be sure to update this section with more details as they become available.
What we know about season 2 so far:
Barely anything is known about season 2 right now. Given most Korean dramas are reserved to one season, it's rare to find these sort of shows renewed. With the rare exception of ongoing Netflix shows (Love ft. Marriage and Divorce, Hospital Playlist etc.) then it seems unlikely that this one will be renewed.
Having said that though, we have seen Taxi Driver and Tale of the Nine Tailed renewed recently, alongside Alchemy of Souls too. Given how steady the ratings are for this series, could we see this one buck the trend? It seems very unlikely that Pump Up the Healthy Love will, but you never know! We'll be sure to update this section when we know more.
Would you like to see Pump Up the Healthy Love return for a second season? Or do you think the story has run its course? Let us know your thoughts in the comments below!
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In 2019, Sotheby's sold a painting of a little girl with a conservative side parting, a Peter Pan collar and the most unflinching green eyes – which stare down the viewer. It went for $25m, which makes it Japan's most expensive painting. And it is a knife crime waiting to happen. The girls gaze is as withering as those in Picasso's Les Demoiselles d'Avignon. Her eyes follow you as inescapably as Lord Kitchener's in the first world war recruitment poster. But Nara's's painting, Knife Behind Back (2000), is more upsetting than either of those. Most chilling is what we don't see; it's all about the power of titular suggestion. This nameless girl is a variation on a theme that Nara has been developing in his paintings since art school in the 1990s. Inspired by both Japanese kawaii (cute) and Disney twee, his cherubic, cartoonish figures with oversized heads resemble psychotic Kewpie dolls. 'People refer to them as portraits of girls or children,' says curator Mika Yoshitake. 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'I was lonely and animals and music were a great comfort.' Music was and remains both comfort and catalyst: throughout his career he has listened to music in the studio. He would hear a song – say the Clash's Death or Glory or Del Amitri's Nothing Ever Happens – and draw or make a painting, often very loosely inspired by it. He's also made art for bands: The sleeve for REM's 2001 single I'll Take the Rain, for instance, includes Nara's depiction of a crown-wearing dog on a homemade skateboard. In 1988, after graduating from the Aichi University of the Arts, Nara decided to study at the Staatliche Kunstakademie in Düsseldorf. He remained in Germany for 12 years, where he concocted his most characteristic artistic moves: he would often paint a single figure in pastel with thick cartoonish lines. These figures seem innocuous but on closer inspection disclose that they are carrying weapons and wearing expressions like those of a toddler crossly awoken from a nap by an importunate adult. Nara returned to Japan in 2000 to find many fellow artists subscribing to Takeshi Murakami's Superflat postmodern art movement. Its followers drew on manga and anime and what Murakami called the 'shallow emptiness of Japanese consumer culture'. While Nara was long associated and exhibited with these so-called SoFlo artists, his work was never as ironic. His art has never been celebration nor critique of the otaku sensibility that the Superflat movement critiqued. Otaku is the Japanese term used to describe geeky young people obsessed with manga, video games and computers and withdrawn from the real world. It might seem that Nara's moody staring girls depict just such otaku alienation, but that isn't quite right. While his art expresses obliquely his own loneliness, there is nothing ironic or cleverly po-mo about it. Nara is too ardent, too political and too keen to express authentic emotion to be truly Superflat. 'Punk rock,' he said once, 'taught the 17-year-old me not to think with my top-heavy head, but to feel with my body'. In 2011, his art was revolutionised by natural disaster: 'What really changed the way I work was the tsunami that hit the north-eastern part of Japan in 2011.' The Great East Japan earthquake unleashed the tsunami that damaged reactors at the Fukushima nuclear plant and devastated large parts of his home prefecture. For several months he was so traumatised that he could scarcely work. When he returned to his studio, the first works he made were in clay that he worked in a seeming rage. It was as if he was physically attacking the lumps of clay he fashioned into sculptures of yet more innocent and/or troubled little girls. While Nara has always opposed nuclear power (as paintings such as No Nukes, 2004, and After the Acid Rain, 2006, indicate), he became more politically vocal after 2011. He leant his imagery to anti-war and anti-nuclear banners. In an agitprop acrylic on board painting from 2019, a big-headed girl makes her reappearance beneath the slogan Stop the Bombs. Nara is unapologetic about making such political art. 'Now, even in this very moment, there is a bomb exploding somewhere in the world,' he writes on his website. 'But there must also be new life coming into the world in that moment. 'STOP THE BOMBS!' I feel this from the bottom of my heart.' More recent works such as No War Girl and Peace Girl express a similarly pacifist message. Arguably Nara has always been political in a broader sense. Way back in 1994, he made a shocking painting called Dead Flower. A little girl with blood falling from her lips and the words 'Fuck You!' written in blood on her back, has just sawn through a flower with a dripping serrated blade. I imagine that this little horror has just killed the last flower in the world just to keep the bare lightbulb at the top of the picture alight. If so, it's an allegory of climate catastrophe. If not, it's still terrifying. Either way, you'll be able to see it in the Hayward's show as a timely reminder that Japanese art doesn't have to be detached from reality – nor simply beautiful. At the Hayward Gallery, London, from 10 June to 31 August.
