Coffee break: Edible sunscreen, summer milkshake favorite, and getting Rick-rolled
Good morning, everyone! We're taking a coffee break and we have some fun stories to share with you this morning!
Harvard University researchers followed a group of nearly 50-thousand women for 30 years.They discovered that drinking coffee every morning helped women stay mentally sharp and physically strong later in life. The benefits were noticeable in middle-aged women who drank caffeinated coffee. Decaf coffee and tea didn't have the same effect. Participants drank up to 2-and-a-half cups of joe a day.
One of Chick-fil-A's most beloved milkshakes is set to return next week. The Atlanta-based fast food restaurant recently announced that its peach milkshake will return for its 16th year starting June 9. The creamy treat will be joined by a new peach-themed item, peach frosted lemonade. The drink features Chick-fil-A's regular or diet lemonade mixed, icedream dessert, and peaches. Both drinks will be available for a limited time at participating restaurants. Chick-fil-a also announced that the pineapple dragonfruit beverage will be extended through August 16.
Dermatologists are weighing in on the new trend of 'Edible sunscreens.' As you might expect, most are saying don't ditch the topical lotions and sprays. The edibles are filled with vitamins and antioxidants to protect your skin from within. Dermatologists say people might just be hearing about these, but they have actually been prescribing them for tears. They contain ingredients to help reduce sun-induced skin damage and inflammation, but they were always meant to be used with a physical barrier … Like traditional SPF. So no, edible sunscreen does not keep you from burning.
'Never gonna give you up' by Rick Astley first came out in 1987, but future generations know it more as the 'Rick rolling' song.. The gag from 2007 where you fool people into clicking on an unrelated link that takes them to the song. Our sister station in Chicago had the WGN Men's glee club even rick-rolled Rick Astley seven years ago. Astley thanked the listeners and said he never could have imagined his song would hit a billion streams.
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Los Angeles Times
24 minutes ago
- Los Angeles Times
Safe and sound: Orange County's oldest music store reopens in Laguna
Wave Baker, a longtime employee of Sound Spectrum, will tell anyone who listens that the place has 'an energy of its own.' So when the Laguna Beach-based record shop, which opened on South Coast Highway in 1967, closed in October, Baker had a feeling it wasn't over. Whether it was more than a feeling, what happened next was more than he hoped for. A music-oriented family came forward with a bid, planning to revive the business and restore the building. James, Audrey and Sadie Jean Wilcox, siblings who grew up in the nearby city of Tustin, worked together to reopen Orange County's oldest music store. After spending more than two decades working under the original owners, Jimmy and Edith Otto, Baker was asked to remain on staff. 'In a sense, I'm a bridge from the old to the new,' Baker said. 'I met with them, and we got along, and they wanted my help. I said, 'Well, I come with one condition — my left and my right arm. Travis [Garman] and Niloo [Aghaseyedali] were part of the old, and now we're all three part of the new.' James, 28, recalled visiting Sound Spectrum during surfing trips to Laguna Beach. In December, when he learned the iconic record store had closed, he called Wave. Within a week, the family had submitted an offer that was accepted. 'At the end of the day, a record store sells music,' James said. 'The special thing about this store is that it has sold music for so many decades. It sold music through the vinyl era, through the cassette era, through the CD era, and then all the way back again. 'In my opinion, the special part about this store is that it's past trends. It doesn't need to sell off of these trends. It can just keep selling music that touches people's hearts.' As for the responsibility that goes with inheriting a legacy of 57 years of service to the community, James said that Jimmy Otto created a business that could stand on its own. 'Jimmy was very much someone who could stand on his own, and he made his store stand on its own,' he added. 'We hope to keep that same energy, really forever. We believe that this store is so sacred and special. The special thing about music is that it does last forever.' James also called it a 'special moment' to have the keys to Sound Spectrum passed on to his family by Edith Otto, who also gave them a tour of the store. Audrey, 30, who is due to be married this year, compared the commitment to preserve a community staple to a wedding. 'There's like this union,' Audrey said. 'I have this connection with the former owner. … I feel like the Sound Spectrum itself is like a being of its own. I feel less that I'm the one that's deciding what happens to it and more that I'm listening to what it needs, being more like a steward to what the store wants, listening to that and making it happen. That's been my biggest source of inspiration is just what … everyone needs.' The Wilcox family's music industry experience has been driven by a burgeoning career for Sadie Jean, 23, as a singer-songwriter. James and Audrey, both of whom have business backgrounds, have helped manage her career. She has nearly two dozen shows lined up in Europe this fall, and she's preparing to release her first album later this year. Sadie Jean revealed she has been writing songs from a young age, but she was unsure if her family would embrace that side of her. 'It was so funny because once I told people I could sing and write songs, my family was like my biggest champions,' Sadie Jean said. 'Now they manage me, and my siblings manage me. My career became like a really big family thing, and my parents go on tour with me. All of a sudden, we're like a music family after being so like not at all. 'I think it just made so much sense when we found out that the record store in our community that we love was about to be gone forever. It felt so serendipitous. It was like a calling that we had to take it on and save it because music is built into our family culture now.' The return of the record store was celebrated with a ribbon-cutting ceremony on Thursday evening, music pumping as people perused the aisles stocked with selections of vinyl, CDs and posters spanning the decades. Local artists also collaborate, leading restorative efforts at the store. Amanda Burke touched up a mural by Bill Ogden, and a display by Brighid Burnes in the front window depicts musicians jamming away on various instruments. 'I saw many fathers or mothers say to their kid, 'I bought my first record here in the '80s,' Baker said. 'I want that little kid to be able to say that to their kids 30 years from now, long after I'm gone. I know the importance of that feeling. … That's what I want to keep. That's part of what I want to help survive.'
Yahoo
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Forbes
an hour ago
- Forbes
‘Just Sing' Doc Shows The Heartfelt Real-Life World Of ‘Pitch Perfect'
When the filmmakers behind Just Sing first picked up their cameras, they weren't sure what story they were going to be telling. That's the risk — and to some, the thrill — of vérité documentary filmmaking. The only certain thing about the production was the subject: the SoCal VoCals, an elite college a cappella group from the University of Southern California, which is known for its powerhouse vocals, precision, showmanship, and an alumni roster that's packed with talented singers. But since the film's narrative is built around a competition, one which the filmmakers couldn't control, the outcome was impossible to script. 'It was part of the stress,' admits co-director Angelique Molina during a recent interview. 'If they had lost in the first round, we had to ask ourselves, 'where does the story go?'' That uncertainty hung over the production from the very beginning, and had to be a part of pitch meetings. Would the group advance through regionals? Would their stories resonate with everyone? Would there even be a satisfying emotional arc if none of these hardworking young singers got their moment in the spotlight? Thankfully, Just Sing does feature such an arc — one that isn't rooted solely in the outcome of the national championship, but rather in personal stories of the members of the SoCal VoCals. The audience is pulled in, and ultimately entertained, not just by the impeccable performances, but via an inside look at average, everyday people. That speaks to the openness of the singers, and the talent of the filmmakers. The documentary, which premieres at the Tribeca Festival on Friday (June 6), is ultimately joyful, as the camera follows the group of college students attempting to balance rehearsals, schoolwork, personal challenges, and the relentless drive to become not just good performers, but a winning team. 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The filmmakers had other hurdles to clear as well, including the incredibly complicated and fraught world of music licensing. The SoCal Vocal's set list throughout the competitions featured everything from Lady Gaga to Beyoncé to Bob Dylan, and anyone who knows anything about placing songs into visual media knows such choices don't come cheap. 'We're really proud of the music we licensed,' says producer Sarah Thomson. 'We had an amazing music supervisor, and thankfully, nearly everyone said yes.' The team's careful planning and early outreach helped avoid problems in the future, like having to replace important music in post-production – something that simply wasn't an option here. The filmmakers needed to show the performances, and the students got to pick their own tunes. If just one act had declined, that may have been the end of this movie. The final cut of this documentary feels perfectly polished, but according to those who made the film, the process was a little messy. 'You can't script life,' Troen says. 'We were directing and filming at the same time, passing the camera between us, deciding who goes home with whom, who gets miked up out of 16 people. It was like a dance.' Even the edit evolved slowly. 'We had to ask, where does the story go? It wasn't about who was 'better,' it was about which stories could move the narrative forward.' 'In a cappella, sure, there are leads,' says Molina, 'but to sound like one voice, you have to be on the same page. That's what we tried to do as filmmakers, too.' This documentary, which is, at its heart, about something fairly simple that thousands of students take part in every year, feels both triumphant and normal – as can so many things in a life. Whether the SoCal VoCals win or not becomes almost secondary, though of course there's plenty of tension. 'We think the film will feel both bittersweet and triumphant, no matter what,' says Troen. 'Because at the end, they graduate. That's the real emotional payoff.'
