
Lando Norris ready to go all the way in championship battle with Oscar Piastri
Piastri came within centimetres of colliding with Norris on the penultimate lap when he momentarily lost control of his McLaren as he attempted a banzai move for the win.
Norris ⚔️ Piastri: How did they not collide?! 😱#F1 #HungarianGP pic.twitter.com/Wu3LmlcOwP
— Formula 1 (@F1) August 3, 2025
But Norris survived and held his nerve to keep the fast-charging Australian at bay to land his fifth win of the season – his third in his last four appearances – taking the chequered flag just six tenths clear and reducing the championship deficit to nine points with 10 rounds remaining. Max Verstappen, who finished ninth on Sunday, remains in third in the standings but 97 points off the championship pace.
'I'm dead,' said Norris. 'In the final stint Oscar was catching and I was pushing flat out. My voice has gone a little bit.
'It has been a tough battle so far with Oscar and it is going to continue to be tough. The margins between us are pretty small. There are things I can do better and improve on, and I am sure he will probably say the same thing. So, it is going to be a good and tough fight, probably until the end.
'Even though the results have looked great, I'm not making my life very easy at the minute. If I can work on those things, then I'll be in a better place.'
Norris' win in the concluding round before the summer break reignites his bid to land a maiden world crown. But the Bristolian can count himself somewhat fortunate to be standing on the top step of the podium.
At the start, Norris got away well from his marks, but an attempt to pass Piastri on the inside of the opening corner backfired.
DRIVER STANDINGS (AFTER 14/24 ROUNDS)
Oscar Piastri takes a nine-point lead into the summer break#F1 #HungarianGP pic.twitter.com/d5cvq76xzy
— Formula 1 (@F1) August 3, 2025
Norris did not commit to the overtake and that left him in no-man's land, allowing George Russell and then Aston Martin's Fernando Alonso to breeze through.
On lap three, Norris fought his way clear of Alonso but was then tucked up behind Russell and making little progress.
Piastri and Charles Leclerc, who controlled the first stint of the race from pole position, stopped for new tyres on laps 18 and 19 respectively. Russell also peeled into the pits on lap 19 promoting Norris to the front.
McLaren were now considering a one-stop strategy. Norris' race engineer, Will Joseph, was on the radio: 'Lando, 40 laps on the hard tyre, you up for it?'
Norris replied: 'Yeah, why not?'
On lap 31 of 70, the Englishman came in for his sole change of tyres before lighting up the timesheets with the fastest laps of the race so far.
In his haste to catch up, Norris then dropped two wheels through the gravel on the exit of the chicane, which irked Joseph.
'Lando, just keep the focus, we don't want these mistakes,' he said.
Leclerc, Piastri and Russell were all forced to stop again. When it all shuffled out, Norris led Leclerc by seven seconds, with Piastri five seconds further back.
But Piastri was on the move, swatting Leclerc aside on lap 51 and then set about reducing Norris' nine-second advantage.
With five laps to go, Piastri was just a second behind his team-mate, and on the penultimate lap, the Australian went for glory at the first bend. However, Norris retained his composure and remained ahead to land what could be a pivotal win in his championship charge.
Russell took the final place on the podium with Leclerc a disappointed fourth. The next race takes place in the Netherlands on August 31.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
.jpeg%3Fwidth%3D1200%26auto%3Dwebp%26quality%3D75%26trim%3D1570%2C0%2C2430%2C0%26crop%3D&w=3840&q=100)

Scotsman
3 hours ago
- Scotsman
Fringe theatre reviews CADEL: Lungs on Legs Ma Name is Isabelle Woman in the Arena
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... CADEL: Lungs on Legs ★★★★ Underbelly (Venue 61) until 24 August Since the summer of the London 2012 Olympics, when Gary McNair's Born to Run saw actress Shauna Macdonald perform the entire text while running on a treadmill, plays involving actors completing feats of physical endurance have been a recurring Fringe sight. Now CADEL: Lungs on Legs takes the genre to a new level with the addition of a static racing bike. Born to Run proved such a gimmick can elevate and bring visceral realism to a play that's well-written, and that's also the case here. Advertisement Hide Ad Advertisement Hide Ad CADEL: Lungs on Legs | Connor Delves/Steve McMahon A performance of vivid, compelling energy by New York-based Australian actor Connor Delves is powerfully backed up by Delves' and Edinburgh writer Steve McMahon's script, alongside Mark Barford's seamlessly complex direction. Cadel Evans was the real-life first Australian winner of the Tour de France, and Delves tells his story from childhood to triumph, detailing the injuries, crashes and moments of hopelessness and determination along the way. Working up an authentic sweat, he switches seamlessly between racing tops and headgear (provided by an uncredited female actor-stagehand, whose silent expressions populate the play), and sells moments of dangerous action with visceral believability. Through it all, we feel physically invested in Evans' compulsion to do the seemingly impossible while the clock of age and physical capacity tensely counts down. David Pollock Ma Name is Isabelle ★★★ Scottish Storytelling Centre (venue 30) until 24 August Advertisement Hide Ad Advertisement Hide Ad A powerful reimagining of the famous Isabelle from the bothy ballad Bogie's Bonnie Belle. In the original ballad, Isabelle is voiceless but here, the storyteller allows her to finally tell her own story. Isabelle is impregnated by a man her father disapproves of. She is forced to give up the child, and eventually falls in love again, running off with another man. Lucy Beth performs the piece in Doric, a traditional Scottish dialect, which adds texture and authenticity. Her storytelling is animated, and she often pushes her physicality to underscore the emotional weight of her words, showing clear commitment throughout this spoken word performance. The anger and pain she conveys feel real, particularly during the harrowing scenes where she describes being separated from her baby. We witness a full emotional journey from the rosy cheeks and sparkling eyes of young love to the hinted trauma of rape, the reality of childbirth, and the hurt at being cast aside. Advertisement Hide Ad Advertisement Hide Ad It's a lot to take in, and while the emotional ambition is admirable, there are moments where the intensity and pacing risk overshadowing the narrative. The stage is empty, with no props or visual aids. It's just Lucy Beth, as Isabelle, prepared to bare her heart. Suzanne O'Brien Woman in the Arena ★★★ Greenside @ George Street (Venue 236) until 23 August For much of her life, Jen DiGiacomo was good at keeping secrets. It became her default survival mode. But she also likes to talk, so now it's time to share those secrets, packing a heck of a lot of autobiographical action into an engaging hour. She eases us in with the verbal aggression of her father and violent nightmares of her childhood before moving on to her stutter, one of many challenges she has learned to navigate with grace. Her trip words flash up on a screen so she doesn't need to utter them. Advertisement Hide Ad Advertisement Hide Ad But the dominant strand of her story is her decades-long journey as a trans woman, from clandestine childhood dress-up sessions to the nasty micro and macro-aggressions she has been subjected to along the way and the nerve-wracking process of coming out to her ex-wife, children and parents. Some of this is eye-watering stuff yet DiGiacomo displays no bitterness. She reserves her anger for the murder of trans girls such as Brianna Ghey while her own experiences are related with black humour, presumably because she knows that she is now who and where she is meant to be, revelling in her newfound gender euphoria. Fiona Shepherd Medium Dead ★★★ ZOO Playground (Venue 186) until 24 August To criticise this dark one-woman show by Eleanor Shaw as tasteless would be to miss the point but, to be fair, the point can be sometimes hard to discern. Bennie (Shaw) works in the afterlife taking calls from people who need help composing their suicide notes. The fantasy setting may initially strike you as a failure of nerve but it does provide an important remove from the terrible reality. This, however, is lost when Bennie takes a call from a famous real-life figure who has taken their own life. Advertisement Hide Ad Advertisement Hide Ad There's no doubting Shaw's sincerity in using dark humour to confront awful events but it can be tough to fully appreciate. Firstly, by using an actual, almost universally well-liked personality (at the risk of entering spoiler territory, it's Anthony Bourdain) this can seem more than a little exploitative. Secondly, the vast majority of the play is only Bennie's side of phone conversations. This is an incredibly difficult thing to pull off unless you're Bob Newhart and while Shaw acquits herself well you do feel that she's made a rod for her own back. However, a defiant laugh in the face of despair is still a laugh and against the odds this does manage to deliver a life-affirming coda. Rory Ford People We Bury Alive ★★★ ZOO Playground (Venue 186) until 24 August Advertisement Hide Ad Advertisement Hide Ad When Rita sets up an online forum for people who have been buried alive, she does not mean it literally. In People We Bury Alive, the burial is emotional – Rita was first buried alive aged three by her father, after he went to the shop for cigarettes and never came back. She was buried alive again by her ex-boyfriend recently. They fell out of love, and he ghosted her. Ghosting is a kind of burial, we find. Images of death abound. Rita works in a funeral home: sometimes, she stages poetry readings for the bodies in the mortuary (or as she calls them, morts). She reads the instructions for a blow-up doll to a doll that she now owns, and this also becomes a kind of poetry. A metaphor for the ideal woman, the doll has no needs or voice of her own, and she is willing to do whatever one wants whenever one wishes. Advertisement Hide Ad Advertisement Hide Ad It is hard not to feel cheated by the metaphors at play – the literal meanings promise such strangeness and complexity – but it is a thoughtful piece nonetheless, as with Rita's guidance, we question what we bury, how we bury, and who buries us. Josephine Balfour-Oatts Our Brothers in Cloth ★★ Assembly George Square Studios (Venue 17) until 25 August A man named Mark (Kieran Kelliher) returns to the Irish village of Bunderr, to inform his old friend Alan (Jake Douglas) that Alan's late brother Chris was abused by their former priest. The hard-drinking Alan is thrown into turmoil, lashing out at new priest Father O'Donovan (Kevin Glynn) and alienated his disbelieving mother (Emily Swain), but while Ronan Colfer's play gives an evocative account of the smalltown, patriarchal trust networks which allow abuse to fester, there's a gap between the intended emotional intensity and the cast's abilities. The capable Douglas, for example, is regularly required to launch into jarring De Niro-esque barks of impotent rage, although Scottish actor Oil Fyne is a real touch of underused class as family friend Siobhan.


Wales Online
4 hours ago
- Wales Online
Tommy Fleetwood's four-word admission after his wife with 23-year age gap rejected him
Tommy Fleetwood's four-word admission after his wife with 23-year age gap rejected him Tommy Fleetwood married wife, Clare, in 2017, and though they now have a growing family, the English golfer's spouse initially declined his advances due to their substantial age difference Tommy Fleetwood was rejected by his wife at first due to their 23-year age gap (Image: Getty) Golfer Tommy Fleetwood has candidly shared that he "didn't mess it up" when he got a second chance with his now-wife, Clare, after she initially turned him down due to their 23-year age difference. Fleetwood is currently in the running to clinch his first PGA Tour victory at the FedEx St. Jude Championship this Sunday. The Englishman is renowned for his exceptional skill on the Tour, yet he's notably not won a title despite his talent and earnings exceeding £23million. However, this could all change at the FedEx St. Jude, where the two-time major runner-up leads by one stroke going into the final round. At 34 years old, Fleetwood is determined not to 'mess up' this prime opportunity, much like he successfully navigated his relationship with Clare, who is 57 and was initially hesitant about their age difference. The pair first crossed paths through Fleetwood's brother Joe, who worked with Clare at Hambric Sports Management. Fleetwood even mentioned Clare in his Golf Monthly blog back in mid-2015, noting how well they got along and that he had enjoyed their conversations over the years. "I get on well with Clare Craig, too, who is vice-president of Europe," Fleetwood penned. "She's always been around on Tour, and I've chatted to her a lot over the years." Their professional relationship took a personal turn later in 2015 when Clare became Fleetwood's manager, leading to romance. The couple tied the knot two years later and have a son named Frankie together. Clare, originally from Manchester, also has two sons from a previous relationship. Article continues below Fleetwood married Clare in the Bahamas in 2017 (Image: Getty) But their love story wasn't without its complications. On the Performance People podcast, Fleetwood's partner shared that she initially rebuffed his romantic interest. "We've got a 23-year age difference," she stated, reflecting on the early stages of their romance. "Of course, I turned him down. I was like, 'Don't be stupid.'" Fleetwood opened up about how he eventually won Clare over, culminating in a candid four-word confession: "Well, she just eventually gave in, I think, and thought, 'I'll just give him some time. I'll give him the time of day and then we'll go from there.' I didn't mess up." Clare continued, and touched on considering giving up her managerial role after marrying Fleetwood, but acknowledged that juggling both positions offers her comprehensive insight. "I know everything on every side – so there's sponsorship side, the logistics side, the PR side, the accounts side, everything," she elaborated. "Maybe sometimes too much, you know, because then that's all I think about sometimes, but that's just the different dynamic. Article continues below "I look at one question – it might have 15 answers for me. Do you know what I mean? It's a little bit more complicated for me because I see things, you know, like, are we going to live? I don't see it as a lifestyle choice necessarily, I'll look at it as a business choice as well." At the FedEx St. Jude being hosted at TPC Southwind in Memphis, Tennessee, Fleetwood is facing stiff competition, with a slew of skilled contenders hot on his heels after several close calls in previous years. Trailing him by just one stroke is fellow Englishman Justin Rose, and two shots behind is world No. 1 Scottie Scheffler. US Open champion J. J. Spaun is also only three shots adrift of Fleetwood, who is aiming to create his own personal history.

Rhyl Journal
4 hours ago
- Rhyl Journal
John Mousinho hails impact of Portsmouth debutant Adrian Segecic
Australian Segecic, a summer signing from FC Sydney, struck in the 38th minute of his debut with a sharp follow-up finish after Jamie Cumming saved from Colby Bishop. Mousinho said: 'I thought it was a really good performance for 60 minutes. 'We controlled the game in the first half and I thought we deserved the lead. We created by far the better chances of the game. 'Naturally towards the back end of the game there was a lot of pressure on our goal with the corners and long throws, which we dealt with largely pretty well. 'There were just a couple of mistakes we made which led to a build-up of pressure. 'But overall I'm extremely pleased. We're not going to be the finished article by any means on August 9 but it's something to build on, and a clean sheet as well. 'Segecic was great not just to get the winning goal but his workrate was superb as well. 'His pressing was great and he picked himself up into some very nice pockets at times, so I was really impressed with him on his debut. Oxford head coach Gary Rowett did not blame Cameron Brannagan, whose mistake started the attack that led to Segecic's goal. Rowett said: 'It was one mistake and that was the main factor in the game. 'Other than that Portsmouth edged the game without creating a lot of moments, but one mistake gives them that little bit of impetus to hold on to, and they defended well. 'Michael Helik could maybe have dropped just a little bit deeper when Cammy made that mistake – he wouldn't normally make that pass, but he's been brilliant for us previously and it is what it is, just one mistake, probably a lack of concentration. 'It was a physical encounter. Probably for most of the first half and a little bit of the second half we were a little off it and couldn't quite connect possession together well enough. 'We had some moments but couldn't move quickly enough to not allow them some moments in the final third, and we allowed them to dictate some of those moments. 'There wasn't much football or fluidity in the game, every chance seemed to come from a mistake. 'But I thought the last 20 minutes was exactly what you would hope – there was more of an edge to us and more quality, there were some great balls in the box and more shots. 'We really should punish one of those – of course Nicolas Schmid made a couple of very good saves, and Jamie made one for us in the first half. 'But from that last 20 minutes I thought we deserved something from the game.'