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Mickalene Thomas Draws Us Into Her Living Rooms At IFPDA Print Fair's Buzzy Opening

Mickalene Thomas Draws Us Into Her Living Rooms At IFPDA Print Fair's Buzzy Opening

Forbes29-03-2025
Mickalene Thomas, l'espace entre les deux, 2025. Installation view.
Travel back to the everyday 1970s with Mickalene Thomas, exploring quintessential living rooms where a lemon yellow sofa and verdant plants punch up the linoleum flooring, fabricated paneling, upholstery, and wallpaper. The New York-based multidisciplinary artist – known for her rhinestone-encrusted paintings of domestic interiors and portraits of Black women subverting normative ideal of of beauty, race, and gender – collaborated with Two Palms Press to create paper-pulp sculpture, collages, silkscreens, and three-dimensional cast paper works to convey the feelings emanating from her bespoke living spaces. Plants, lamps, carpeting, books, and furniture made of paper layer the verisimilitude of the quotidian and the imagined. Thomas embraces the fungibility of innovating printmaking techniques to challenge our perception of reality, memory, nostalgia, and social mores.
l'espace entre les deux (2025), a site-specific immersive installation at the Park Avenue Armory, welcomes art lovers to the International Fine Print Dealers Association (IFPDA) Print Fair, open to the public until Sunday. Founded in 1987 as the preeminent international membership organization for galleries, dealers, and publishers specializing in prints and editions, the IFPDA Print Fair is the longest-running and largest international art fair dedicated to prints and editions.
'In art, we are often looking and draw inspiration to what is already being accomplished in nature,' Thomas said. 'Trees, the origin of paper, exist three-dimensional — so why can't the creations we make out of paper mimic or replicate that same depth and dimensionality?'
Thomas' project was commissioned by the IFPDA and organized by Independent curator and publisher Sharon Coplan, with production assistance by Two Palms and major support provided by the Jordan Schnitzer Family Foundation, founded by the West Coast businessman and philanthropist who is regarded as North America's largest print collector. Schnitzer often loans pieces of his private art collection including sculptures, paintings, glass and mixed media work, to museums and institutions around the world, helping others to engage with a wide array of art.
Mickalene Thomas, l'espace entre les deux, 2025. Installation view.
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Thomas was actively interacting with her space and the flow of more than 5,000 onlookers who packed the bustling VIP opening on Thursday. The line to enter snaked around the block Thursday evening, as passers-by observed the demand by curators, collectors, artists, and industry experts for an accessible art form, prints and multiples.
'The International Fine Print Dealers Association hosts the most important print fair in the world. As a major supporter, I am very excited and honored to sponsor a groundbreaking installation piece by internationally recognized artist Mickalene Thomas,' said Schnitzer, whose family foundation has organized more than 180 exhibitions and loaned thousands of works to more than 120 museums. 'I am fortunate to have a number of her works in our collection, which have toured nationally. Mickalene is a true pioneer of the medium, and her work has continually redefined the landscape of contemporary prints. We are thrilled to showcase her extraordinary talent at the Park Avenue Armory.'
A visitor at the opening night of IFPDA Print Fair 2025 taking a picture of Amy Sherald's ... More screenprint 'For Love, and for Country' (2024) at Hauser & Wirth's booth.
Highlights of this year's fair include a focus on leading contemporary artists, with blockbuster booths life Hauser & Wirth's debut of new prints by Nicole Eisenman, Rashid Johnson, and Amy Sherald, along with a curation of historical masterworks by Louise Bourgeois, Philip Guston, Eva Hesse, Allan Kaprow, Dieter Roth, and Jack Whitten. David Zwirner is presenting a new edition by Gerhard Richter and new lithographs by Josh Smith, alongside historic prints and editions by Ruth Asawa, Yayoi Kusama, Donald Judd, and Raymond Pettibon.
"We are thrilled to welcome a global array of collectors, museum curators, and newcomers alike to this year's IFPDA Print Fair as we showcase the remarkable breadth of printmaking throughout history," said Anders Bergstrom, chairman of the IFPDA Print Fair Committee. "The fair offers exceptional works from top galleries and publishers worldwide while also highlighting the enduring vitality and innovation within the print medium. As we celebrate another year, we remain committed to fostering a deeper appreciation for prints and their unique contribution to the art world."
L-R: Mickalene Thomas, Jordan Schnitzer, Jenny Gibbs, Sharon Coplan at the opening night of IFPDA ... More Print Fair 2025.
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Aljamain Sterling 'can see the light at the end of the tunnel' ahead of UFC Shanghai — but he's not done yet
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  • Yahoo

Aljamain Sterling 'can see the light at the end of the tunnel' ahead of UFC Shanghai — but he's not done yet

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Fleur Du Mal Brings Its Signature Lingerie To NYC's Williamsburg
Fleur Du Mal Brings Its Signature Lingerie To NYC's Williamsburg

Forbes

time36 minutes ago

  • Forbes

Fleur Du Mal Brings Its Signature Lingerie To NYC's Williamsburg

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Black Cowboy joy is spread by 'Boots on the Ground' viral line dance
Black Cowboy joy is spread by 'Boots on the Ground' viral line dance

Associated Press

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Black Cowboy joy is spread by 'Boots on the Ground' viral line dance

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Other scholars trace it to European immigrants who brought traditional folk dances from their native lands. The country western style is performed to country tunes, while soul line dancing is backed by R&B, soul and hip-hop. Along with the 'Cupid Shuffle,' routines to DJ Casper's 'Cha Cha Slide' (2000) and V.I.C.'s 'Wobble' (2008) are canonized in soul line dancing, as well as the most recognized 1972 song, 'Electric Boogie (The Electric Slide)' by Marcia Griffiths. But 'Boots on the Ground' has introduced trail ride line dancing to many Americans outside of the Southeast. Trail rides are socialized horseback processionals traveling to a designated location. In Black Southern culture, it is a party atmosphere with food and dancing, including niche music genres like zydeco and Southern soul, which blends R&B, blues, gospel and country. 'People didn't really know about it. … When something is trending, it makes everybody get on the bandwagon,' said 28-year-old Jakayla Preston, who goes by the handle @_itsjakaylaa on TikTok. A professional dancer, the Houstonian began teaching line dance classes this year after persistent requests from her followers, which intensified following the 'Boots on the Ground' boom. Leading classes across the country, she discovered attendance was about more than foot-taps and turns. 'I have people who are struggling and battling with a lot of things … they'll even sometimes cry and thank me for hosting the class there, or just giving them the experience to be able come and express,' she said. 'It's a feeling that's indescribable.' Line dance with the Beyoncé effect ' Beyoncé probably had a lot to do with that, as far as her 'Cowboy Carter album,'' said Preston, referring to the attention on trail ride line dancing. The Grammy's reigning album of the year sparked conversations about African American contributions to country music and Black cowboy culture, with 'Cowboy Carter' tourgoers frequently dressing the part. The Houston Livestock Show and Rodeo, one of the city's marquee events, broke its attendance record this year, and while there were several factors, many first-timers and social media users said they visited Queen Bey's hometown to experience what she sang about. 'I never seen — ever — that many people that was out there line dancing,' said Preston, who grew up attending the rodeo. 'It's an amazing sight to see.' Sharlene Sinegal-DeCuir, chair of African American and Diaspora Studies at Xavier University in New Orleans, said Beyoncé's impact extends beyond music. 'Country western music: the sound, the banjo, the violin, all those things are African instruments,' said Sinegal-DeCuir, who grew up in Lafayette, Louisiana, line dancing and listening to zydeco. 'She's bringing it to the world to let the world know, no, we're not just getting into country — we are country.' The political line (dance) in the sand Sinegal-DeCuir believes the political climate may have indirectly contributed to the success of 'Boots on the Ground' and interest in line dancing. She notes the 92% of Black women who voted against President Donald Trump, whose policies are disproportionately affecting Black Americans, including eliminating DEI programs, federal agency mass layoffs, and cuts to SNAP benefits, Medicare and Medicaid. 'We know how to survive these things because we lean on family, we lean on community, and this joy,' said Sinegal-DeCuir. 'The world is burning down, and we're sitting here learning a new line dance because we're tired of the political atmosphere … it's a form of resistance.' Cupid remembers a pivotal moment during the social justice movement, sparked by the 2020 killing of George Floyd, a Black man who was murdered by a Minneapolis police officer. He saw a video of a tense exchange between protesters and law enforcement at a rally, and 'Cupid Shuffle' began playing to ease tensions. More social videos were uploaded during that era showing his song played at protests across America. 'I realized the importance of it, as far as connecting two people that don't even see eye to eye,' said the 'Flex' artist, who is readying a new album next month that he says will be the first all-line-dance album. 'If you had to pick three songs that could bring people on two opposite sides of the fence together for a moment, then line dancing is definitely those types of songs.' 'I don't think there's any other genre more powerful than line dance,' he added. ___ Follow Associated Press entertainment journalist Gary Gerard Hamilton at @GaryGHamilton on all his social media platforms.

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