logo
Musician Job Kurian on his latest release, ‘Nizhal', and his two-decades-long journey in the industry

Musician Job Kurian on his latest release, ‘Nizhal', and his two-decades-long journey in the industry

The Hindu17-05-2025
Job Kurian is a few months away from completing 20 years as a professional musician. Job is among those few reality show stars whose careers did not fizzle out after their initial tryst with fame; he soldiered on in the independent music scene as a singer and composer. The power and vigour of his voice, the energy that he brings to the stage and the soulful songs he has tuned have made him one of Malayalam's most-loved musicians.
When MetroPlus caught up with the musician currently touring the US over a Zoom call, he talked at length about his latest work, 'Nizhal' and what each work means to him.
'Nizhal' looks at a scenario where a son leaves his father at an old age home only to bring him back when he realises his mistake. TG Ravi plays the father, a role, which Job had originally planned for the late Nedumudi Venu. 'The idea came in the form of a tune some four years ago and my dream was to cast Venu uncle. He was family to me and he was also happy to do it. But it was not meant to be since he passed away. The project was almost called off until, two years ago, I revived it. We were lucky that TG Ravi sir agreed to do the role,' says Job.
The artiste stresses that the song, also featuring Anoop Mohandas and Master Ahaan, is a reminder to those who neglect the elderly community. 'It is a request to the society. There are umpteen examples of elders not being looked after by their families. I am against the concept of old age homes, for, I believe that as they grow old our elders need extra attention in spite of all their shortcomings. Their contribution to our lives is not small.'
Like most of his works, 'Nizhal' too has a personal touch, especially in showcasing the grandfather-grandson bond. 'I was extremely close to my grandmother. I see the same love and affection between my parents and my two sons.' Job adds, 'The shoot was special. The entire process was emotional for each member of the team.'
Engandiyoor Chandrasekharan, a regular when it comes to Job's compositions, has written 'Nizhal' as well. 'There is an innate simplicity about him and his verses. He understands what I want and has no hassles about making changes, if I suggest any. He encourages the writer in me as well. When I wrote the four lines of 'Bhaavam', he loved it so much that he decided to write the remaining verses around it,' Job says.
The musician is also basking in the sudden attention for 'Kannodu', a song that he composed 10 years ago for Music Mojo Season 3 on Kappa TV. The duet, which he sang with Mridula Warrier, was dedicated to his wife, Athira, after the birth of their first child. 'It became viral out of the blue, thanks to social media. I have always put my heart and soul into all my songs. Maybe, this is the result of that effort. I am neither worried or excited about the reception for my songs. But there is a satisfaction when such appreciation comes my way, even if it is after so many years. In fact, it took six years for my first work, 'Thaalam' to get noticed. Hopefully other songs also will also get recognised sometime in the future,' he says.
Looking back at his career, Job adds that his music comes from his experiences. The evergreen 'Padayathra', a duet with Harish Sivaramakrishnan, was inspired by his friend's journey to the Himalayas; 'Enthavo' reflected his state of mind at a point of time; 'Mulla' was about his childhood and relationships; 'Kaalam' was a tribute to an elderly family member; 'Bhaavam' was a message to stay humble and know more about Nature.
''Palaayanam' came out of a fear of the scenario when one might have to leave home to settle down elsewhere. I dread that situation where I could be forced to move out of Kerala. In spite of political polarisation and other contentious issues, I love living here. There is something about our people that keeps us together. Maybe, it is the humanity in us.' He adds, 'Performing for our audience is something different, be it at a music festival or temple ground or any other stage. The people are updated and the energy they bring is something else.'
Job considers his playback career as a bonus episode of his journey. His recent release was 'Kaavalaayi' in Empuraan. His one-off film project as a composer was Rasam (2015). 'My priority has always been making my own songs and to develop independent music in Kerala. I believe I have contributed a bit towards that.' He has a band, Job Kurian Live, and the members are Balu, Rony George, Shikku Dan Jacob and Ananthu.
However, the journey is tough for an indie artiste, he adds. 'People are not willing to invest in music, whereas they would happily do so for a movie. There is always a risk for an indie musician since there is no guarantee that you will make money. Releasing each song has been a struggle for me. But one's passion can overpower any challenge. There has always been a constant drive to keep working. Hard work pays off, eventually. That is when you get surprises like the reception for 'Kannodu'.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Stephen Curry's summer swing hits a high note with Redbone Nokia and Good News playlist
Stephen Curry's summer swing hits a high note with Redbone Nokia and Good News playlist

Time of India

time09-07-2025

  • Time of India

Stephen Curry's summer swing hits a high note with Redbone Nokia and Good News playlist

Stephen Curry recently shared a glimpse into his off-court life, posting photos of his golf outing and summer playlist on Instagram. The Golden State Warriors star's post, featuring songs by Drake, Childish Gambino, and Chris Stapleton, sparked enthusiastic reactions from fans. Followers appreciated the mix of chill vibes and personal touch, highlighting Curry's influence beyond basketball. Basketball fans got more than a shot of sunshine recently when NBA star Stephen Curry gave his Instagram followers a peek into his relaxing side. Known for his game-winning efforts on the court, Curry showed off something different - his playlist and peaceful golf moments. With just a few photos and a simple caption, he sparked a flurry of reactions online. The post wasn't about basketball, but it still hit the sweet spot. Stephen Curry shares golf time and summer playlist on Instagram On July 8, Golden State Warriors point guard Stephen Curry posted a few pictures on his Instagram story. The first photo showed him standing on a golf course under a bright sky. The next ones captured headphones, playlists, and summer mood. He added a clear caption: 'Golf and good music > Let me know if I'm missing any songs!' This light-hearted vibe instantly caught attention. Curry also included a list of songs he used as his warmup soundtrack: NOKIA - Drake GOOD NEWS - Shaboozey MUTT - Lwond Thomas RUSHMERE - Mumford and Sons READY OR NOT - Fugees REMOTE JOB - Larusso featuring Miles Minnick YOUR WAY'S BETTER - Frank Forest REDBONE - Childish Gambino TENNESSEE WHISKEY - Chris Stapleton NAVAJO - Masego Stephen Curry's summer swing hits a high note with Redbone Nokia and Good News playlist (Image Source: Instagram) Each track added to the vibe of a calm, joyful afternoon on the green. Fans react as Stephen Curry invites summer tunes and playlist suggestion Followers jumped into the comments with energy and fun. One fan wrote, 'Adds to walk up son options, good news that gas!!!' Another typed, 'Sounds like summer, OVO Steph!' (OVO referencing Drake's record label). Yet another replied, 'Drake – what did I miss? c'mon chef!' (Image Source: Instagram) Their delight showed that his followers don't just follow his scoring record—they enjoy his lifestyle too. The Instagram story has already sparked interest among music lovers and basketball fans. Curry's post encouraged conversation and shared moments—proving his influence stretches far beyond the hardwood. Also Read: 'Cowardly betrayal'- LeBron James delivers stunning decision to leave Cleveland Cavaliers for Miami Heat It was just a playlist post, but Stephen Curry made it feel personal. Fans jumped in, shared thoughts, and showed love. His mix of chill songs and golf vibes hit home. No big message—just a guy enjoying his summer and inviting others to do the same. Simple and real. Game On Season 1 continues with Mirabai Chanu's inspiring story. Watch Episode 2 here.

Cinematographer-writer Bahul Ramesh on scripting the second season of the web series, ‘Kerala Crime Files'
Cinematographer-writer Bahul Ramesh on scripting the second season of the web series, ‘Kerala Crime Files'

The Hindu

time25-06-2025

  • The Hindu

Cinematographer-writer Bahul Ramesh on scripting the second season of the web series, ‘Kerala Crime Files'

Bahul Ramesh, who joined the list of cinematographers-cum-scriptwriters in Malayalam cinema with Kishkindha Kaandam, the acclaimed slow-burning thriller by Dinjith Ayyathan, is back again as scenarist with the second season of the web series, Kerala Crime Files: The Search for CPO Ambili Raju. Directed by Ahammed Khabeer, the series is being discussed for its taut screenplay, nuanced character arcs and novel themes. The action is set in the fictitious Kaniyarvila police station limits in Thiruvananthapuram. The officers posted there are being transferred because of their alleged nexus with criminals. When, Ambili Raju (Indrans), one of the cops, goes missing, the newly-appointed officers, Circle Inspector Kurian (Lal) and Sub Inspector Noble (Arjun Radhakrishnan) and their team start the investigation, which eventually leads to shocking revelations about Ambili and his special bond with an ex-convict Ayyappan (Harisree Ashokan). But as the narrative move towards the climax, more truths emerge, eventually leading to apprehending the culprit. In a free-wheeling conversation with MetroPlus, Bahul says that he did not put pressure on himself thinking it was the second season of a successful show. 'Ahammed ikka (Ahammed Khabeer, director of both seasons of KCF) contacted me in September 2023 asking if we could work on the new season. I had just finished Kishkindha Kaandam. He had only a month to pitch the story idea to the streaming platform. It is difficult for me to arrive at a thread just like that, my stories usually develop only once I start writing. I also wanted to give Ahammed enough time to find another story/writer if my idea did not work. However, he was confident and his only request was to include a few characters from the first season so that the viewers are reminded of the franchise,' Bahul says. Bahul became friends with Ahammed at LV Prasad College of Media Studies, Chennai, where he studied cinematography and Ahammed had done an internship. 'Even though he had interned much before I joined, we met through mutual friends. I looked forward to working with him, irrespective of the format or my designation. Jithin Stanislaus, the series' DOP, is also a senior,' he says. The writing for KCF did not involve a lot of research as many would think. 'I have put down the basic things I know, corroborated by what I read in the newspapers, saw on social media, or heard from others. There was no reference for the police characters. Once I finished the script, I fact-checked with experts and consulted a police officer who had helped Ahammed ikka in the first season. It was he who gave us the term passport adichu kitti, a phrase that the police use for transfer orders.' Bahul's expertise, when it comes to character development, is on show in KCF as it was in Kishkindha Kaandam. The way he peels layers of the characters is a mainstay of the story. However, Bahul stresses that it is not deliberate. 'I don't design my characters. The focus is on writing original dialogues and when I do that, the layers show as a byproduct of the process. I don't finalise the story and then write. The narrative develops as I work scene by scene,' he explains. In the context he mentions the scene where Ambili asks his daughter to go to Ayyappan's house and enquire about him. 'Her reluctance to go there hints at tension between the two characters. At the same time, I did not want the daughter's character to be one-dimensional. It was only after establishing this premise that I worked out the relation between Ambili and Ayyappan.' Bahul stresses that he was not concerned about adapting his writing to the web series format, especially arriving at a cliffhanger after each episode. 'I didn't follow that template. I wanted to keep it organic, without gimmicks. It was about pushing the envelope and arriving at a situation naturally, as I travelled with my characters.' In fact, he had 'an interesting way' to fix the duration of each episode. 'Ahammed ikka said that five episodes could be of 30 minutes, and the last one slightly longer. So, once I wrote the 40-page first episode, I gave it to my father to read. It took him 25 minutes and I gauged that it could be the approximate running time of that episode. That is how I got the meter to anchor my syntax. As I wrote each episode, I took it towards a conclusion, keeping that duration in mind, without twists or cliffhangers. Thus, each episode had an organic ending.' Now that deliberations are on about the 'show, don't tell' approach in the series, especially the climax, Bahul avers that he did not want to take the obvious route. 'It does not have an open ending. We have laid to rest all doubts, without stating the obvious. The answers lie in the final scene when Noble smiles, seeing the pack of dogs, thus declaring that his speculations were right.' Interestingly dogs are integral to the storyline and his exploration of the human-animal bond is heart warming. 'Their roles became important as I started working on the script. We had an expert who helped us execute scenes with the dogs. It was, obviously, difficult to make them act on demand. The director and DOP were patient enough to get the right shot.' About featuring a dog with a cognitive disability, Bahul says that he came across a scenario at a friend's house. 'They had a visually impaired dog. It was disturbing. But that's where I got the idea that a dog with a disability would be an interesting material for the series,' he says. Becoming a writer was a dream Bahul chose to keep on the back burner. 'I knew that scripting films was a gamble. Your story could get rejected and if chosen you don't know when it would become a film. So I decided to focus on cinematography, settle in that space, and then start writing scripts.' That opportunity came during during the lockdown, 'since there was nothing else to do. My first script was based on the theme of lockdown which Dinjith Ayyathan was keen to make into a film. That's when I came up with the story of Kishkindha Kaandam and he felt that we should make that first.' Bahul points out that he does not lose sleep over whether people like his scripts or not. 'I follow my instincts, my intuitions. I am open to correcting my mistakes. This attitude comes from parental conditioning. Thanks to my parents who never forced me to study. I have never been under pressure to perform well. They were happy with whatever marks I got. Once, on the eve of my Plus 1 exam, I was so nervous that I thought I would fail. I told my father this and asked if we could go watch a film. He was game and we watched the late evening show of In Ghost House Inn, which was the only movie playing in theatres then!' He is open to criticism as well. 'I want people to express their opinion, be it negative or positive. It is encouraging that they are at least thinking about it. I believe that such observations help in the growth of the content. Sometimes they surprise me with findings that I had never thought of. It is motivating when someone points out that I have tried to do something different. I never wanted to fall back on something that was easy, convenient or formulaic.' Meanwhile, he has finished the shoot for Dinjith's next movie, starring Sandeep Pradeep, due for release later this year.

'I am possessive about all my tracks,' says Job Kurian ahead of Bengaluru concert
'I am possessive about all my tracks,' says Job Kurian ahead of Bengaluru concert

New Indian Express

time16-06-2025

  • New Indian Express

'I am possessive about all my tracks,' says Job Kurian ahead of Bengaluru concert

Some journeys don't begin with grand plans – they start with a small, quiet passion. For singer-composer Job Kurian music was one such journey inward, an interest that slowly grew to be a means to understand life, connect with others, and stay honest with oneself. 'I always wanted to compose my own songs and perform them. I wanted to do it independently,' he notes as he completes almost two decades of his musical pursuit. Speaking with CE ahead of his show yesterday, when asked about what the audience can expect as he performs in the city after almost a year, Kurian kept it classic. 'It will be mostly my original songs. I'll play my self-composed tracks – I'll play Padayatra, Bhaavam, Roots, Kannodu. But there are some that I have sung in the movies like Manikyachirakulla and Aaranne. It depends on the mood and request,' he explains, adding 'Bengaluru has received our original compositions in a good way all these years. Being an indie artiste, my priority is always my original compositions. I have tried to bring that to the audience all my life; cinema has been an added aspect to my career. I totally respect that.' For Kurian, who finished his engineering degree in Karnataka, performing in Bengaluru is like coming home. 'I did my engineering graduation from Hassan. I speak a bit of Kannada. Actually, I sing in Kannada too,' he confides. While singing was a dream inculcated by his parents from childhood, Kurian recalls, 'Back then, we didn't think of it as a career. With that interest, I started listening to music which is my main feature. I still like to listen to music. Then I slowly became open to a lot of genres.' The breakthrough came with the reality show Superstar on Amrita TV, which he calls a 'catalyst' for him. 'People recognised me. That was the biggest recognition. In parallel, I could confidently release my tracks since I had an audience that knew me. Mostly, if you notice, all my tracks are biographical in nature. So, my dream was to make my own experiences into music and present it to the audience. That's how I keep doing things now,' Kurian emphasises. His recently-released track, Nizhal, is one such story that travels through layers of human relationships. Besides this, his approach to music is fluid and organic. 'Nothing is planned in music. It's a flow. When you don't know anything else other than music, you just have to do that. I've never been half-hearted in my approach.' This, he believes to be his inspiration.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store