
Southwest Louisiana Charter Academy celebrates Louisiana Day
A little unexpected rain didn't stop Southwest Louisiana Charter Academy (SWLCA) from celebrating the end of the school year with Louisiana Day.
A classic field day with a cultural twist, Louisiana Day is an annual tradition that began 13 years ago at SWLCA's first location on Derek Drive as a special celebration 'dedicated to honoring the rich culture and heritage of our state,' said Dean of Students Natalie Johnson.
From zydeco bands to line dancing to a sauce cook-off to the historical Louisiana walking museum featuring a timeline and artifacts, students are exposed to the region's culture, providing a fun and educational end-of-year experience.
Batrina Clark is an instructional coach at SWLCA who was there at the genesis of Louisiana Day. She and her colleagues conceived the idea in 2012. With the school's first full celebration on the horizon, they decided to up the ante. Instead of a traditional full-field day at the end of the school year, SWLCA would host a full-blown celebration of all things Louisiana culture.
The SWLCA staff wanted to create a fun, but informative day for students who do not have much opportunity to explore what the region has to offer.
'We work with a lot of kids who are from those socioeconomic backgrounds where they don't get to experience culture outside of small things in their home,' she said. 'Traditional field days are great, but it is also good to be able to provide kids with opportunities they normally wouldn't have.'
SWLCA also has a high Hispanic population of students who get to learn about Louisiana culture, she noted.
The day always begins with a Mardi Gras parade. This is usually held in the school's parking lot, but this year, they moved the celebrations to the gym because of the weather. Throughout the day, students participate in hands-on activities like creating 'swamp slime' and face painting, play festival-style games, go on rides, and dance to Zydeco and other cultural tunes.
Representatives with the Louisiana Department of Wildlife and Fisheries attend to let students meet baby alligators at the petting zoo.
Students also get to sample local dishes during a food-tasting prepared by the parents of each grade level.
Because many students started in kindergarten and attended all the way up to eighth grade, Louisiana Day has become a staple that students look forward to throughout the year. So much so that the administration receives requests of what they would like to see next year, Clark said.
But it is more than just a fun day for students, it is also a family-oriented community celebration. Parents and families get in on the fun as well, attending the parade and participating in the culinary activities.
'It's really deeply rooted in the culture of the school.'
SWLCA went bigger this year, with more festival activities and inflatable games. Why? This is SWLCA's final year. In the fall, the school will merge with its sister school, Lake Charles Charter Academy (LCCA), creating two specialized campuses for one school.
The current SWLCA location will house kindergarten through third grade, the current LCCA campus will house fourth through eighth grade.
Louisiana Day will continue after the merger, but it might look a little different on a new campus, Johnson said.
The day ended with a heartfelt farewell to Duke the Bulldog, who was chosen as the school's mascot and named at the inaugural Louisiana Day. This was a full-circle moment for Clark.
With big changes on the horizon, she said they are excited to merge to work together to create an educational community that is even more connected and explorative, all while leaving a legacy in its wake.
'Although we are giving up our identity … We've touched so many lives and I think that all of the students along the way, this community that we've built and the impact that we've made, it's going to forever be remembered,' she mused.
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Chicago Tribune
6 hours ago
- Chicago Tribune
Chicago Latin Restaurant Weeks returns with fewer participating restaurants due to immigration uncertainty
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Yahoo
5 days ago
- Yahoo
Ethel Cain Apologizes for Offensive Old Posts: ‘Any Way You Feel About Me Is Valid'
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I would have said (and usually did say) anything, about anyone, to gain attention and ultimately just make my friends laugh.' Anhedönia continued: 'I could tell you that I had no idea at the time the platform I would have in the future, or tell you I just have a dry and extremely sarcastic sense of humor, or make any other kind of excuse, but there's no place for excuses in this matter. At the end of the day I am white, so while I can take accountability for my actions, there's no way for me to fully understand the way it feels to be on the receiving end of them. All I can say is that I am truly sorry from the bottom of my heart, to anyone who read it then and to anyone reading it now. Any way you feel about me moving forward is valid.' Anhedönia said she now looked at this chapter of her life 'shamefully,' adding, 'As I move forward through my life, I aim to use my platform for good, for change, and for progress. 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Anhedönia added: 'I am responsible for my actions and taking accountability for the mistakes I have made in the past, but everything beyond that is brutal slander, targeted harassment, and in the words of my own attackers, bullying with the end goal of me killing myself. My team and I are taking this matter seriously and are pursuing legal recourse under the fullest extent of the law.' While Anhedönia was largely contrite in her statement, there were several specific images and accusations that she addressed directly. These included a photo of her in a homemade T-shirt emblazoned with 'LEGALIZE INCEST,' a drawing she made that some have referred to as child pornography, a photo of her that some have claimed is evidence of sexual abuse toward animals, her mock-up of an Ethel Cain missing poster for her album Preacher's Daughter based on a real missing poster made for a nine-year-old girl who was abducted and murdered, and claims of misogyny and 'fetishization of the female experience.' Anhedönia's responses to those allegations are printed in full below. 1. Regarding the topic of incest in my artwork, it's a layered experience. I have always been interested in creating art centered around the taboo. Much like all the other topics explored in my work, it was just another part of human nature I wrote about it. However, with specific instances such as my hand drawn t-shirt (which was a ridiculous item I made in my bedroom that was never intended to be and never has been any kind of merch distributed to other people, just to clear that one up), at the time I was still of a somewhat inflammatory mindset and fully made that t-shirt to be a crude joke to garner attention. I had even been labeled 'incest girl' on Twitter in that time period, I suppose because the people I surrounded myself with knew I was a white girl from the bible belt, and that was their joke that I leaned into. As an artist with a fanbase comprised of many victims of sexual/emotional abuse of an incestuous nature who find comfort in my music because of it, I understand how painful this could be. I apologize deeply if my actions have caused you any further grief and if I have let you down. I do want to be clear, however, that I have never fetishized it. Rather, as a lonely and confused child I had my own complicated personal struggles with the concept during puberty (in a hypothetical manner, not involving anyone in my actual family). I have since untangled these feelings and I now understand their root. While sometimes the topic of incest may get intermingled on a song with my own experiences of sexual abuse or my own familial traumas, I have never and would never fetishize such a sensitive subject. All of these topics I'm going to discuss have carried the brand of 'fetish' as this is a common talking point for the transphobic brigade of individuals attacking me. 2. Regarding the topic of drawn child pornography, based off of one drawing I made at 19 years old. I am going to be brief about this because this is quite possibly one of the most serious offenses I can fathom. I had three individual characters that I drew often from the ages of 18-20, each character being a different age in that bracket. The character of Teddy, who was 19, was a hypersexual character born out of my own struggles with sexual trauma and assault. At the time of that drawing, I had just been raped by a man twice my age weeks before. The way I processed this was the opposite way I thought rape victims were supposed to behave, as I leaned into sadomasochism and became fixated on the event and thought that somehow sexualizing it in a way I could control or desire would make it more bearable, as though I wanted it. This was reflected in my artwork. All other details aside, the character was the same age I was and had the same extremely slender body type I had at the time. I utilized a more cartoonish-hybrid style for my characters occasionally as was the norm for artwork in my scene on the internet around that time, but the character was still of the same legal age I was and that has always been the case. I will not be discussing this topic again. 3. Regarding the topic of sexual abuse towards animals, because yes that is somehow also an accusation against me. I was at a Fourth of July party out in the sticks at a friend's house and the majority of us were topless because we could be. My friend's dog hopped in the truck with me and I messed with him by putting him in a headlock for a few seconds while a friend took a picture. My bare breast was squished against his face for all of two seconds. I can't believe I'm even addressing this. 4. Regarding the missing poster included in the promotional materials of Preacher's Daughter. I made that poster at 3am in a rush and was googling '1990s missing poster' looking for any kind of template to use that would seem period accurate for the character. I picked that one out of all the search results because it was in the yellowish color palette and had a font/visual language that I thought would match the other visuals for the album. I absolutely should have done my research on the poster I chose, and I understand how this could be hurtful and damaging to the family of that child. I insist that this was nowhere close to my intention by using it. Hindsight is 20/20 and I would not be so careless in that regard again. However, the accusations of me fetishizing the kidnapping and murder of a child are beyond egregious and ridiculous. 5. Regarding the topic of misogyny and 'fetishization of the female experience'. Cis women are not the only people capable of being victims of sexual assault. They are not the only people capable of being abused, kidnapped, or murdered. To posture that I have never been harmed in my life as a child or an adult trans woman, or that fearing the very real possibility of being harmed again, kidnapped, or killed as a trans woman is somehow a 'fetish', is entirely willfully ignorant and hateful. No one knows what I have been through in my personal life, and I feel zero need to share it with the world because it's no one's business but mine. You can debate the ethics of artistic expression until you're blue in the face but you cannot tell me what I have experienced and how to process that because you simply were not there and you do not know me. Preacher's Daughter is a deeply personal story to me, born from my traumas and deepest fears. If it reads as a fetish to you, then that is your problem and not mine. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword


USA Today
5 days ago
- USA Today
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