
Southwest Louisiana Charter Academy celebrates Louisiana Day
Southwest Louisiana Charter Academy's annual Louisiana Day included a Mardi Gras parade on Friday. (Rodrick Anderson / American Press)
A little unexpected rain didn't stop Southwest Louisiana Charter Academy (SWLCA) from celebrating the end of the school year with Louisiana Day.
A classic field day with a cultural twist, Louisiana Day is an annual tradition that began 13 years ago at SWLCA's first location on Derek Drive as a special celebration 'dedicated to honoring the rich culture and heritage of our state,' said Dean of Students Natalie Johnson.
From zydeco bands to line dancing to a sauce cook-off to the historical Louisiana walking museum featuring a timeline and artifacts, students are exposed to the region's culture, providing a fun and educational end-of-year experience.
Batrina Clark is an instructional coach at SWLCA who was there at the genesis of Louisiana Day. She and her colleagues conceived the idea in 2012. With the school's first full celebration on the horizon, they decided to up the ante. Instead of a traditional full-field day at the end of the school year, SWLCA would host a full-blown celebration of all things Louisiana culture.
The SWLCA staff wanted to create a fun, but informative day for students who do not have much opportunity to explore what the region has to offer.
'We work with a lot of kids who are from those socioeconomic backgrounds where they don't get to experience culture outside of small things in their home,' she said. 'Traditional field days are great, but it is also good to be able to provide kids with opportunities they normally wouldn't have.'
SWLCA also has a high Hispanic population of students who get to learn about Louisiana culture, she noted.
The day always begins with a Mardi Gras parade. This is usually held in the school's parking lot, but this year, they moved the celebrations to the gym because of the weather. Throughout the day, students participate in hands-on activities like creating 'swamp slime' and face painting, play festival-style games, go on rides, and dance to Zydeco and other cultural tunes.
Representatives with the Louisiana Department of Wildlife and Fisheries attend to let students meet baby alligators at the petting zoo.
Students also get to sample local dishes during a food-tasting prepared by the parents of each grade level.
Because many students started in kindergarten and attended all the way up to eighth grade, Louisiana Day has become a staple that students look forward to throughout the year. So much so that the administration receives requests of what they would like to see next year, Clark said.
But it is more than just a fun day for students, it is also a family-oriented community celebration. Parents and families get in on the fun as well, attending the parade and participating in the culinary activities.
'It's really deeply rooted in the culture of the school.'
SWLCA went bigger this year, with more festival activities and inflatable games. Why? This is SWLCA's final year. In the fall, the school will merge with its sister school, Lake Charles Charter Academy (LCCA), creating two specialized campuses for one school.
The current SWLCA location will house kindergarten through third grade, the current LCCA campus will house fourth through eighth grade.
Louisiana Day will continue after the merger, but it might look a little different on a new campus, Johnson said.
The day ended with a heartfelt farewell to Duke the Bulldog, who was chosen as the school's mascot and named at the inaugural Louisiana Day. This was a full-circle moment for Clark.
With big changes on the horizon, she said they are excited to merge to work together to create an educational community that is even more connected and explorative, all while leaving a legacy in its wake.
'Although we are giving up our identity … We've touched so many lives and I think that all of the students along the way, this community that we've built and the impact that we've made, it's going to forever be remembered,' she mused.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Axios
12 minutes ago
- Axios
Carlos Frías settles discrimination case with WLRN
WLRN and ex-"Sundial" host Carlos Frías quietly settled a discrimination lawsuit that Frías filed last year after the radio station canceled his show. The big picture: In the lawsuit, Frías claimed that the NPR station discriminated against him for being Latino and retaliated after he complained to human resources. The lawsuit claimed a WLRN editor told a producer the show was "sounding very Latino" and began keeping track of how many Hispanic guests were on the show. WLRN denied the allegations. It said in court filings that the "unsuccessful Sundial show" was canceled for poor ratings, leading to the termination of Frías and two producers on the show. The latest: Frías, who had sought reinstatement to his old job and compensatory damages, settled the case with WLRN in January. Details of the settlement are confidential, Frías' attorney, William Amlong, tells Axios. "Both sides are appropriately happy and unhappy," Amlong said. "It's how a good mediation always works out." The other side: A WLRN spokesperson said: "The matter has been resolved." Since leaving WLRN, Frías has been working as a freelance writer for outlets like the New York Times, while pursuing other projects.
Yahoo
2 hours ago
- Yahoo
Carlos Ponce Joins MariVi the Master Navigator as the Voice of Papá in Breakout Animated Series Now Streaming on Nuestra.TV and YouTube
[Media: Access more images and video HERE] LOS ANGELES, June 05, 2025 (GLOBE NEWSWIRE) -- Emmy-winning actor, Latin Grammy nominated artist, and international screen star Carlos Ponce has joined the animated children's series MariVi the Master Navigator, as the voice of Papá, a hard-working and loving immigrant father. The series, now streaming for free on and YouTube (@WeAreMariVi), recently surpassing 100,000+ subscribers, brings to life the emotional nuance of growing up between two cultures – a Latino and an American one. Rooted in the acclaimed work of Maria (Lopez) Twena, MariVi the Master Navigator tells the powerful story of a first-generation Hispanic family learning to call America home. Through the eyes of MariVi — a resourceful bilingual/bicultural daughter — the series shines a light on the quiet heroism of Latino children of immigrants who serve as interpreters and cultural ambassadors, shaping the future of their families and communities. 'Navigating two cultures can be incredibly challenging, particularly for the Hispanic community, where collectivism and self-reliance often stand in contrast,' said Twena. 'In MariVi the Master Navigator, each character brings their own strength as they adapt to new surroundings, a new language, and an unfamiliar world. It was essential that the voice of Papá, as the head of the household, felt authentic. We're incredibly grateful to have found that voice in Carlos.' 'Papá isn't just a supporting character, he's the foundation,' said Carlos Ponce. 'He reminds me of the fathers I grew up around: hardworking, proud, sometimes stubborn, but full of heart. I saw parts of my own life in him. It's a character that feels deeply real, and I'm honored to give him a voice.' The casting of Ponce, whose work spans blockbuster films (Julie & the Phantoms, Murder Mystery 2, Couples Retreat), hit TV series (Santa Diabla, 7th Heaven), animated hits (Rio, Ice Age: Collision Course), the Spanish-language narration of all Harry Potter Audible books, and chart-topping Latin Albums, adds star power and legitimacy to a project that champions representation and cultural pride. Ponce's voice performance is a timely tribute to immigrant fathers whose quiet sacrifices often go unseen. With Father's Day approaching, his role as Papá offers a heartfelt celebration of their love, strength, and everyday heroism. More information on and @wearemarivi on social media. Press Contact:Claudia Santa Cruz claudia@ in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
a day ago
- Yahoo
How 'Will Trent' star Ramón Rodriguez became an industry game-changer
ABC's "Will Trent" is no ordinary police procedural. "There's a thousand cop shows," said Ramón Rodriguez, who portrays the show's main character, Will Trent. "How do you make this one stand out?" The broadcast drama series, which also airs on Hulu, centers special agent Trent: a dapper investigator whose instinctual crime-solving skills render him essential to the Georgia Bureau of Investigation. But beneath the three-piece suit, there's a more complex side to Trent, who navigates the residual trauma from being abandoned at birth and growing up in the Atlanta foster care system. He is also dyslexic. "One of the exciting things when I came onto the show was not knowing where this character was from," said Rodriguez, 45. "Trent was very much [written as] a colorless character." Born in San Juan, Puerto Rico, Rodriguez greeted me on a Zoom call from his present home in Southern California, while wearing a New York Knicks cap. Before "Will Trent," he previously played the first main Hispanic character on the HBO series "The Wire," and appeared in films such as 2009's "Transformers: Revenge of the Fallen" and "G20," a thriller featuring Viola Davis, which premiered April 10 on Amazon Prime Video. Since the 2023 premiere of "Will Trent," Rodriguez has molded his beloved character in many ways; he's a hard-nosed detective with a mushy side, which is most evident in scenes with his pocket-sized chihuahua named Betty. Based on Karin Slaughter's New York Times-bestselling novel series "Will Trent," showrunners Liz Heldens and Daniel Thomsen organically tailored the titular role to reflect Rodriguez's real-life Puerto Rican identity. It's a major win for Latinos in an industry that otherwise lacks Latino-led programming. "Once we run out of feeling fresh, creative, excited and inspired, then I think we start phoning it in," said Rodriguez. "But that's something I'm not interested in and I know my partners aren't either." Rodriguez has taken on roles behind the camera as well. He directed "I'm a Guest Here," the first episode of Season 3, which wrapped earlier this month; he was also named an executive producer. "I really wanted to be a part of the creative collaboration of creating this character in this show," said Rodriguez. When Season 3 dropped a bombshell regarding Trent's biological father, it paved the way for a nail-biting Season 4, which was confirmed earlier this year. This interview has been edited and shortened for clarity. It also reveals Season 3 spoilers. In the books, Will Trent isn't Puerto Rican, but this series is peeking into your own Puerto Rican identity. What are your thoughts on that? It was a topic that they were curious about exploring. Where does Will come from as an orphan who grew up in the foster care system? Identity becomes a focal point for someone like that. Again [him being Puerto Rican] isn't in the books, which is kind of exciting. We've been able to separate and say that the books are the books. It wasn't something that we were trying to sort of check a box and say, "Great, Will's heritage is Puerto Rican." It was a very organic explanation of this character discovering who he is. When you were cast for the lead, did you ever picture the show as what it is today? You never know what's gonna work and why it's gonna work. You don't have control of a lot of things in this business. The one thing I do have control over is my work, what I can bring to it, what I try to do. This is the first time I've been on a show that's gone on for this long from the pilot. If you would've asked me that, is this gonna be the show that goes past one season? I probably would've said, "I don't think so." And it's nothing against the show, you just don't know. It took a minute for me to be fully convinced, but I'm so grateful that they were willing to continue having conversations with me and that they were really willing to have me on as a partner because that was important to me. It doesn't feel like the show hinges on those elements of identity. Why is it important to keep that balance in this procedural show? [Solving cases is] another aspect of the show that I know audiences love. I just think the things that tend to pull our hearts to the things that are emotional and personal things, what someone's struggling with or how are they overcoming it. In Season 3, we have a really pivotal moment where Will accidentally shoots a bad guy, but ends up killing a young boy by accident. That case ended up changing the rest of the season — he was not able to recover from that event of having the boy die in his arms. That was Episode 11 and that will likely go into Season 4. Your dog Betty also shines in Season 3. We get to hear her voice for the first time which happens during a fun hallucination scene. What was it like to film that episode? That was two episodes after this tragic episode I just described, which is crazy, right? We wanted to mix levity and humor with our heavy drama and emotional stuff. So as Will was entering this case that involved a cult, he gets caught undercover and in that process he gets drugged. Liz Heldens, one of our showrunners, had been dying to find a way to get me to dance on this show, and I was like "Listen: Will Trent is an awkward individual, he's not someone that's out here dancing." She was like, "Well, what if that's a hallucination?" I was like, "That's brilliant!" Anything can happen while he's tripping. I remember I was walking on set and one of our production assistants, Tim, had read the script and said, "What if Betty talks?" So I pitched that to Liz and she topped it and went, "Well, what if Betty's British?" You made your directorial debut in Season 3. How was that experience for you? I felt like a kid in a candy store. By Season 3, I really understood the character and what works with our show, where our strengths are. I just got to be me in certain scenes, because at the start of the [third] season Will has left the [Georgia Bureau of Investigation], he's got a beard and he's in a T-shirt, jeans and curly hair. It was also fun to direct new cast members. We introduced Gina Rodriguez, who played Marion Alba, and Antwayn Hopper, who played Rafel Wexford. Which was really fun. I'd be like: "No notes." [Laughs.] Will you be directing in Season 4? I will definitely be directing at least one episode next season. It makes the most sense for me to direct the premiere as I did this past season. I love that pressure of having to set the bar for a season. What can audiences expect for the upcoming season? We're about to begin these serious conversations. There were some pretty serious cliffhangers at the end of Season 3, where we find out Angie Polaski (Erika Christensen) is pregnant, and Will is definitely not the father, so that's gonna be something to explore. Amanda Wagner (Sonja Sohn), who is a maternal figure for Will, is in the hospital bed. We just discovered his dad, [Sheriff Caleb Roussard], which we don't know too much about, so I'd want to know more about the character and what happened with the mom. There's just so many questions that we will get to explore — I mean, is there new love in Will's life? Get our Latinx Files newsletter for stories that capture the complexity of our communities. This story originally appeared in Los Angeles Times.