
Non-Equity Jeff Award nominations: Theo's ‘Secret Garden' and Kokandy Productions lead the way
Nominations have been announced for the 51st annual Non-Equity Jeff Awards, with Theo Ubique Cabaret Theatre and Kokandy Productions earning the most nominations for their off-Loop musicals.
The Evanston company also known simply as Theo received 22 nominations for three productions, including 'The Secret Garden' (with 10), 'A Little Night Music' (with 8) and 'Sondheim Tribute Revue' (with 4 nominations across the awards' 23 categories.)
Chicago's Kokandy Productions received 14 nominations, with most going to its holiday production of Sondheim's 'Into the Woods,' which was staged in the basement of the Chopin Theatre (10 nominations).
According to the announcement Thursday by the all-volunteer Joseph Jefferson Awards Committee, Invictus Theatre Company and City Lit Theater Company also earned 12 and 11 nominations, respectively, for multiple productions in the past year.
The Non-Equity Jeff Awards are for the most recent season of theater productions by the Chicago area's non-union theaters. Eligible productions for the 51st annual awards opened between Jan. 1 and Dec. 31, 2024, and the nominations cast a wide net, recognizing some 138 artists in shows from 29 companies.
The ceremony for the 51st Anniversary Jeff Awards for Non-Equity Theater will be 7 p.m. March 24 at the Harris Theater, 205 E. Randolph St. at Millennium Park; tickets are $73.60, on sale Feb. 17 at www.jeffawards.org
NON-EQUITY JEFF AWARD NOMINEES
PRODUCTION OF A PLAY
'Attempts on Her Life' – TUTA Theatre
'August Wilson's Seven Guitars' – City Lit Theatre
'Coronation' – Refracted Theatre
'Native Son' – Lifeline Theatre
'Pro-Am' – First Floor Theater
'Topdog/Underdog' – Invictus Theatre Company
PRODUCTION OF A MUSICAL OR REVUE
'A Little Night Music' – Theo Ubique Cabaret Theatre
'Into the Woods' – Kokandy Productions
'On the Twentieth Century' – Blank Theatre Company
'Sondheim Tribute Revue' – Theo Ubique Cabaret Theatre
'The Secret Garden' – Theo Ubique Cabaret Theatre
ENSEMBLE OF A PLAY
'Attempts on Her Life' – TUTA Theatre
'August Wilson's Seven Guitars' – City Lit Theatre
'Dogs' – Red Theater
'Pro-Am' – First Floor Theater
'The Singularity Play' – Jackalope Theatre Company
ENSEMBLE OF A MUSICAL OR REVUE
'A Little Night Music' – Theo Ubique Cabaret Theatre
'Alice by Heart' – Kokandy Productions
'Into the Woods' – Kokandy Productions
'Sondheim Tribute Revue' – Theo Ubique Cabaret Theatre
'The Secret Garden' – Theo Ubique Cabaret Theatre
NEW WORK
Brynne Frauenhoffer – 'Pro-Am' – First Floor Theater
Erik Gernand – 'The Totality of All Things' – Redtwist Theatre
George Howe and William Massolia – 'The House Without a Christmas Tree' – Griffin Theatre Company
Hanna Kime – 'Dogs' – Red Theater
Mark Pracht – 'The House of Ideas' – City Lit Theatre
Jay Stull – 'The Singularity Play' – Jackalope Theatre Company
Loy A. Webb – 'Judy's Life's Work' – Definition Theatre
Laura Winters – 'Coronation' – Refracted Theatre
DIRECTOR OF A PLAY
Aaron Reese Boseman – 'Topdog/Underdog' – Invictus Theatre Company
Manny Buckley – 'August Wilson's Seven Guitars' – City Lit Theatre
Aileen Wen McGroddy – 'Attempts on Her Life' – TUTA Theatre
Max Truax – 'Mother Courage and Her Children' – Trap Door Theatre
Georgette Verdin – 'The Singularity Play' – Jackalope Theatre Company
Rebecca Willingham – 'Pro-Am' – First Floor Theater
DIRECTOR OF A MUSICAL
Fred Anzevino – 'Sondheim Tribute Revue' – Theo Ubique Cabaret Theatre
Danny Kapinos – 'On the Twentieth Century' – Blank Theatre Company
Christopher Pazdernik – 'The Secret Garden' – Theo Ubique Cabaret Theatre
L. Walter Stearns – 'A Little Night Music' – Theo Ubique Cabaret Theatre
Derek Van Barham – 'Into the Woods' – Kokandy Productions
Derek Van Barham and Brittney Brown – 'Alice by Heart' – Kokandy Productions
PERFORMER IN A PRINCIPAL ROLE (PLAY)
Bide Akande (Berenger) – 'Rhinoceros' – Theatre Y
Mikha'el Amin (Lincoln) – 'Topdog/Underdog' – Invictus Theatre Company
DeMorris Burrows (Booth) – 'Topdog/Underdog' – Invictus Theatre Company
Holly Cerney (Mother Courage) – 'Mother Courage and Her Children' – Trap Door Theatre
Peter Ferneding (Ned Weeks) – 'The Normal Heart' – Redtwist Theatre
Jacqueline Grandt (Judith) – 'The Totality of All Things' – Redtwist Theatre
Tamarus Harvell (Bigger) – 'Native Son' – Lifeline Theatre
Claudia Quesada (Alba Guerrero) – 'An Educated Guess'– Definition Theatre
Ana Santos (Electra Casados) – 'Adverses' – Aguijón Theater Company
Katherine Schwartz (Agnes Eggling) – 'A Bright Room Called Day' – Blank Theatre Company
James Sparling (Thomas Becket) – 'Murder in the Cathedral' – City Lit Theater Company
PERFORMER IN A PRINCIPAL ROLE (MUSICAL)
Patrick Byrnes (Frederik Egerman) – 'A Little Night Music' – Theo Ubique Cabaret Theatre
Caitlyn Cerza (Alice) – 'Alice by Heart' – Kokandy Productions
Joryhebel Ginorio (Mary Lennox) – 'The Secret Garden' – Theo Ubique Cabaret Theatre
Madison Kauffman (Cinderella) – 'Into the Woods' – Kokandy Productions
Will Koski (Lord Archibald Craven) – 'The Secret Garden' – Theo Ubique Cabaret Theatre
Julia Limoncelli (Addie Mill) – 'The House Without a Christmas Tree' – Griffin Theatre Company
Tyler Anthony Smith (Hedwig) – 'Hedwig and the Angry Inch' – Haven Theatre
Colette Todd (Desiree Armfeldt) – 'A Little Night Music' – Theo Ubique Cabaret Theatre
Karylin Veres (Lily Garland) – 'On the Twentieth Century' – Blank Theatre Company
Kevin Webb (Baker) – 'Into the Woods' – Kokandy Productions
PERFORMER IN A SUPPORTING ROLE (PLAY)
Cereyna Jade Bougouneau (Charli) – 'Judy's Life's Work' – Definition Theatre
Grant Carriker (Gregor Bazwald) – 'A Bright Room Called Day' – Blank Theatre Company
Kason Chesky (Micah) – 'The Totality of All Things' – Redtwist Theatre
Callahan Romen Crnich (Hal) – 'Proof' – BlueBird Arts
Justice Ford (Lotte/Carmen) – 'By the Way, Meet Vera Stark' – The Artistic Home
Jodi Gage (Actor 1) – 'Coronation' – Refracted Theatre Company
Robert Howard (Hedley) – 'August Wilson's Seven Guitars' – City Lit Theater Company
Zachary Linnert (Felix Turner) – 'The Normal Heart' – Redtwist Theatre
Stephanie Shum (Two) – 'Dogs' – Red Theater
Jarvell Williams (Canewell) – 'August Wilson's Seven Guitars' – City Lit Theater Company
Michael B. Woods (Macduff) – 'The Tragedy of Macbeth' – Invictus Theatre Company
PERFORMER IN A SUPPORTING ROLE (MUSICAL)
Lexi Alioto (Susan) – '[Title of Show]' – PrideArts
Alicia Berneche (Letitia Peabody Primrose) – 'On the Twentieth Century' – Blank Theatre Company
August Forman (Narrator/Mysterious Man) – 'Into the Woods' – Kokandy Productions
Shea Hopkins (Cinderella's Prince, Wolf) – 'Into the Woods' – Kokandy Productions
Dakota Hughes (Martha Sowerby) – 'The Secret Garden' – Theo Ubique Cabaret Theatre
Brennan Martinez (Lily Craven) – 'The Secret Garden' – Theo Ubique Cabaret Theatre
Shannon McEldowney (Heidi) – '[Title of Show]' – PrideArts
Maya Rowe (Charlotte Malcolm) – 'A Little Night Music' – Theo Ubique Cabaret Theatre
Anne Sheridan Smith (Beverly) – 'The Mad Ones' – Blank Theatre Company
Kevin Webb (Carl–Magnus Malcolm) – 'A Little Night Music' – Theo Ubique Cabaret Theatre
PRODUCTION (SHORT RUN)
'Cock' – Open Space Arts
'The Drowsy Chaperone' – Surging Films and Theatrics
'The Language Archive' – Edge of the Wood Theatre
'Light Switch' – Open Space Arts
'Pilot Island and Her Keepers' – The Impostors Theatre Co.
'The Smuggler' – Jackalope Theatre Company
DIRECTOR (SHORT RUN)
Michael D. Graham – 'Light Switch' – Open Space Arts
Stacey Lind – 'The Language Archive' – Edge of the Wood Theatre
Billy Surges – 'The Drowsy Chaperone' – Surging Films and Theatrics
Iraida Tapias – 'The Delicate Tears of the Waning Moon' – Water People Theatre
Wren Wesner – 'Cock' – Open Space Arts
PERFORMER IN A PRINCIPAL ROLE (SHORT RUN)
Rebeca Alemán (Paulina) – 'The Delicate Tears of the Waning Moon' – Water People Theatre
Seth E. Harman (Man in Chair) – 'The Drowsy Chaperone' – Surging Films and Theatrics
Philip Andrew Monnett (Henry) – 'Light Switch' – Open Space Arts
Mafer Roussell (Helen of Troy) – 'Juicio a Una Zorra' – Repertorio Latino Theater Company
Andrew Burden Swanson (Tim Finnegan) – 'The Smuggler' – Jackalope Theatre Company
Phil Timberlake (Jacob Marley) – 'Jacob Marley's Christmas Carol' – Lifeline Theatre
PERFORMER IN A SUPPORTING ROLE (SHORT RUN)
Jeff Broitman (Resten) – 'The Language Archive' – Edge of the Wood Theatre
Yahdina U–Deen (Grandma Betty) – 'Beneath the Willow Tree' – Pulse Theatre Company
Sonya Robinson (W) – 'Cock' – Open Space Arts
Ellen Shaw (Emma) – 'The Language Archive' – Edge of the Wood Theatre
ARTISTIC SPECIALIZATION (SHORT RUN)
Dominick Alesia (original music) – 'Pilot Island and Her Keepers' – The Imposters Theatre Co.
Diane Fairchild (lighting design) – 'Jacob Marley's Christmas Carol' – Lifeline Theatre
Madeline Felauer (costume design) – 'The Golden Girls Meet the Skooby Don't Gang: The Mystery of the Haunted Bush' – Hell in a Handbag Productions
Tim Huggenberger (choreography) – 'The Drowsy Chaperone' – Surging Films and Theatrics
Stefan Roseen (sound design) – 'Pilot Island and Her Keepers' – The Imposters Theatre Co.
SCENIC DESIGN
Rose Johnson – 'Bottle Fly' – Redtwist Theatre
Manuel Ortiz – 'The Tragedy of Macbeth' – Invictus Theatre Company
Samantha Anna Rausch – 'Proof'– BlueBird Arts
Kevin Rolfs – 'Network' – Invictus Theatre Company
Kevin Rolfs – 'Topdog/Underdog' – Invictus Theatre Company
Marvin Tate – 'Rhinoceros' – Theatre Y
COSTUME DESIGN
Gregory Graham – 'Coronation' – Refracted Theatre Company
Rachel Lambert – 'By the Way, Meet Vera Stark' – The Artistic Home
Lucy Elkin – 'The Secret Garden' – Theo Ubique Cabaret Theatre
Rachel S. Parent – 'August Wilson's Seven Guitars' – City Lit Theater Company
Patti Roeder – 'Murder in the Cathedral' – City Lit Theater Company
SOUND DESIGN
Ethan Korvne – 'Coronation' – Refracted Theatre Company
Christopher Kriz – 'The Singularity Play' – Jackalope Theatre Company
L.J. Luthringer – 'The Tempest' – Idle Muse Theatre Company
Kimberly A. Sutton – 'Rhinoceros' – Theatre Y
Petter Wahlbäck – 'The Tragedy of Macbeth' – Invictus Theatre Company
LIGHTING DESIGN
Garrett Bell – 'Coronation' – Refracted Theatre Company
Keith Parham – 'Attempts on Her Life' – TUTA Theatre
G 'Max' Maxin IV – 'Into the Woods' – Kokandy Productions
Hannah Wien – 'The Tragedy of Macbeth' – Invictus Theatre Company
Levi J. Wilkins – 'The Secret Garden' – Theo Ubique Cabaret Theatre
PROJECTION DESIGN
DJ Douglass – 'Network' – Invictus Theatre Company
Abboye Lawrence – 'Coronation' – Refracted Theatre Company
G. 'Max' Maxin IV – 'The House of Ideas' – City Lit Theater Company
MUSIC DIRECTION
Carolyn Brady – 'Sondheim Tribute Review' – Theo Ubique Cabaret Theatre
Carolyn Brady – 'The Secret Garden' – Theo Ubique Cabaret Theatre
Eugene Dizon – 'A Little Night Music' – Theo Ubique Cabaret Theatre
Heidi Joosten – 'Alice by Heart' – Kokandy Productions
Aaron Kaplan – 'On the Twentieth Century' – Blank Theatre Company
Nick Sula – 'Into the Woods' – Kokandy Productions
ARTISTIC SPECIALIZATION
Violent Delights (Amber Wuttke & Jay Donley) (fight choreography) – 'The Tragedy of Macbeth' – Invictus Theatre Company
Jillian Leff (fight choreography) – 'Die Hard 4 Your Luv' – Factory Theater
Ariana Miles, Evelyn Ryan and Nick Sula (orchestrations) – 'Into the Woods' – Kokandy Productions
Philip Seward (original music) – 'Murder in the Cathedral' – City Lit Theater Company
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Newsweek
2 hours ago
- Newsweek
Tears As Dogs Rescued From Animal Testing Center Touch Grass for First Time
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A major operation to rescue dogs from an overseas animal testing center came to an end with dozens of rescued beagles experiencing freedom for the first time. The Beagle Freedom Project helps to rescue and rehome animals used in experimental research, and since 2010 has saved thousands of animals in their fight for "a world where animals are no longer treated as disposable tools for testing." A recent rescue has seen dogs taken from abroad to find new homes in the United States, with a video of their first taste of freedom going viral online. Jason Bayless, vice president of the BFP, explained to Newsweek: "These dogs came from a non-U.S. animal testing laboratory, where they were born into a life of confinement and pain, just like most laboratory animals around the world. "While we don't know the exact facility or the specific tests they endured, details often hidden due to the secrecy and lack of transparency in animal testing, we do know this: when they weren't being used for experiments, they were confined to cramped metal cages, with multiple dogs per cage, stacked one on top of the other. "They were denied everything a living being deserves: no sunlight, no fresh air, no gentle touch. Their bodies were treated as tools, their lives reduced to test results." Content creator and animal rescuer Nathan Kehn, 35, who posts to social media under the name @nathanthecatlady, posted a video of the dogs' first taste of freedom to TikTok on June 1, where he wrote: "If this doesn't make you feel good I don't know what will." The rescued Beagles prepare to take their first steps on grass, after being brought to the US by the Beagle Freedom Project. The rescued Beagles prepare to take their first steps on grass, after being brought to the US by the Beagle Freedom Project. TikTok @nathanthecatlady In the clip, he showed multiple dog carriers in a garden, which held beagles rescued from testing centers overseas, and who were about to "come outside for the first time." One by one, the doors were opened, and the dogs—who had "never walked on grass"—were given the freedom to explore. Some were cautious, unsure of what to make of the great outdoors, while others sprinted onto the grass and began running, exploring and sniffing, their tails wagging furiously. Some didn't seem to know what to make of the feel of the grass under their paws, but it didn't take long before they joined the others playing and getting cuddles from volunteers. Kehn, who volunteers with animal rescue groups around the world to raise funds for supplies and "bring attention to the awesome work they are doing," told Newsweek he was "so excited" to learn the BFP had secured the beagles and were bringing them to safety. "I've seen firsthand how miserable these poor beagles are when they come out of the lab," he said. "Getting to see their first steps on grass and then watch the spark in their eye when they realized they can play was amazing. It's days like that that give me motivation to keep doing the work I do." Nathan Kehn with some of the rescued Beagles. Nathan Kehn with some of the rescued Beagles. TikTok @nathanthecatlady TikTok users went wild for the video, viewed close to 5 million times, with one commenter asking: "Why in 2025 is animal testing still allowed?" and another describing it as "beyond belief that animal testing is still allowed in our times." "I am crying," another said. "Animal testing is so wrong. And as a beagle owner and lover this just breaks my heart thinking of what they endured. THANK YOU for rescuing these babies." Multiple commenters attributed the rescue to President Donald Trump: in April, the National Institutes of Health—a component of the U.S. Department of Health and Humane Services—adopted a new initiative to reduce animal use in their research. It cited new technologies that allows researchers to study health and disease using human information. However, Bayless told Newsweek that in this case, the beagles came from a facility outside the U.S., so any American policy changes "have no jurisdiction over their treatment." He said that getting the dogs to safety in the U.S. took "months of urgent coordination, international effort, and behind-the-scenes advocacy." But it was worth it—as, "for the first time, these dogs are now learning what it means to live—to feel grass under their paws, to receive affection, to play, to rest without fear." "Today, they're either in loving forever homes or with fosters who are helping them adjust to life outside a cage. We've watched them discover toys, form bonds, and slowly heal from the trauma they endured," he said. "Despite everything, they wag their tails. They're learning to trust. It's powerful."


Boston Globe
20 hours ago
- Boston Globe
A Sikh Captain America? Why religious diversity matters in the comics universe.
Representation of non-Abrahamic religions and spiritual traditions, particularly in the mainstream comics universe, is minimal. Even when they are portrayed in comics, their presentation, as Singh and others in the field point out, is often inauthentic and sometimes negative. Recently, however, comic book writers and academics who study the intersection of religion and comics observe a renaissance of sorts, which they say is happening because people close to these faith traditions are telling these stories with a reverence and sincerity that resonate with a wider audience. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Singh's journey to make that connection began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' Advertisement He suited up as Captain Sikh America in Manhattan for the first time in summer 2013 — one year after a self-proclaimed white supremacist opened fire inside a Sikh temple in Oak Creek, Wisconsin, killing six and injuring four others. Advertisement New York's reaction to Captain Sikh America was joyous. 'Strangers came up and hugged me,' Singh said. 'Police officers wanted photos with me. A couple wanted me to be part of their wedding ceremony. I felt I had a certain privilege I'd never had before.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. He doesn't speak directly about religion but rather the core values of Sikhism. 'I talk about equality, justice and about the universal light being present in every speck of creation,' he said. Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. For example, one page might talk about the Orishas, divine spirits that play a key role in the Yoruba faith of West Africa, while another might feature Egyptian gods. One of the first superheroes with African religious roots, Chireau said, was Brother Voodoo, created in the 1970s by Marvel publisher Stan Lee, writer Len Wein and artist John Romita. He was the first Haitian superhero. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. 'It's definitely gotten a lot better and much more authentic because the people who are telling these stories care about those religious practices,' she said. Advertisement Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. Elysée was raised Catholic, but he now considers himself agnostic. For the past decade, he's written comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I went looking for anything on African spirituality in the bookstore, I found it in the occult section as opposed to the religion or mythology section,' he said. Common depictions of African faith as voodoo and witchcraft are colonialist narratives aimed at demonizing Indigenous spiritual practices, he added. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Elysée is excited and relieved by the reaction to his work. 'While this is entertainment, you also don't want to offend those who believe in it and truly get so much power from it,' he said. 'Some of my portrayals of these religions in my comics may not be 100% authentic, but there is a level of research and respect that goes into every piece of it.' Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. Porcellino was drawn to Buddhism in his 20s after what he describes as a period of intense mental suffering and health problems. Advertisement As a punk rock fan, Porcellino saw commonalities between punk and Zen because 'they are both concerned with the essence of things rather than appearances.' Both are ways of life — simple yet nuanced. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking home one night from school. When he gets home, his mom asks him to take the dog outside; as he steps out, he sees the stars. 'It's the experience of being in everyday, mundane life ... and then suddenly breaking through to some kind of transcendence,' he said. Porcellino views these comics as a healing presence in his life. 'They are an important part of my spiritual practice,' he said. 'Any time I have a major crisis in my life, my first reaction is to sit down and start making comics and put my focus into that. It just helps ground me.' Teresa Robeson, who wrote a graphic novel about the 14th Dalai Lama, said that even though her mother was Catholic and raised her in the faith, her grandmother was Buddhist. She grew up in Hong Kong, with memories of relatives praying to Buddhist gods, taking in the fragrance of burning incense and the sound of Buddhist chants. Though she practices neither Catholicism nor Buddhism at this time, Robeson jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Advertisement Robeson liked the idea of representing a religion and culture that do not get much attention in media. 'Children's books are like mirrors and windows for kids,' she said. 'It's helpful especially for children of immigrants who don't often see themselves in mainstream literature. They don't see anyone who looks like them or prays like them. At the same time, it also helps kids who are not Asian or Buddhist to learn something about those communities.' Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Pai was an engineer turned comic books seller who used varied marketing techniques, including walking around with planks, nails and hammers in his bag so he could build shelves for bookstores that refused to display his comics because they lacked shelf space, said Reena I. Puri, the company's executive editor and a 35-year veteran of the business. Pai started with Hindu mythology and gods but soon expanded to other faiths, releasing a globally successful comic titled 'Jesus Christ' and others about Buddha, Sikh gurus and Mahavira, who founded Jainism. Later came secular comics about historical figures and folktales. But religion remains the mainstay of Amar Chitra Katha, and books that teach children about faith, history and culture are also the most popular in the diaspora, Puri said. Advertisement 'Most recently we've also portrayed (Indigenous) religions and have gathered folktales relating to these traditions from all over India,' she said. Amar Chitra Katha comics faced criticism in the past for their portrayal of gods as fair-skinned and 'asuras' — often the antagonists to the gods — as dark-skinned with demonic facial features. But that has changed, Puri said. 'We've educated ourselves and realized that our ancient texts were not as racist or colorist as we may be today,' she said. 'We're correcting those misconceptions now.' British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey counts himself an atheist who went to Sunday school only 'for the fun, stories and chocolate.' Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored pagan themes, particularly what he called the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. Even though many of his comics and novels explore religion and ethics, Carey said, he has never 'felt any temptation whatsoever to believe.' 'I've become more and more entrenched in that position, because organized religions are like any organization that sustain themselves, amass power, wealth and authority,' he said. 'So I've never really grappled with religious issues. What I do sometimes is explore, play with and tease out moral issues that were important and meaningful to me.' ___
Yahoo
a day ago
- Yahoo
Taylor Swift's New Selfie With Travis Kelce Is Turning Heads
Taylor Swift's New Selfie With Travis Kelce Is Turning Heads originally appeared on Athlon Sports. While there has been a lot of talk about a highly anticipated wedding between Taylor Swift and Kansas City Chiefs star Travis Kelce, there has been no official confirmation from the couple as to where they currently stand in their nearly two-year relationship. Swift and Kelce were spotted attending a wedding on Friday, though it was not theirs. While the complete details of their recent public appearance have yet to surface, initial reports have indicated that the couple took part in Kelce's cousin's wedding ceremony. Several photos and videos of the two have been circulating online, including an adorable selfie that appears to have been taken by Swift herself. The photo, which features Swift with a big smile on her face and Kelce busting out the customary peace sign, quickly drew the attention of fans on social media. "That's a stunning pair at the wedding!" a comment on X read. "Omg what a perfect wedding guest selfie!!! 😍" another said. "She's Gorgeous omg!!" a supporter wrote. "She's literally glowing. Girlie is so happy," observed a fan. "DID WE JUST GET A SELFIE TAKEN BY TALOR? 😭😭❤️" said another. "Omg omg omg so so cute!!!!!" reacted a user. It looks like the couple had a great time at the ceremony, and this photo serves as proof of the same. Swift and Kelce, though, will need to spend some time apart soon. The All-Pro tight end is expected to join the Chiefs for their mandatory minicamp scheduled on June 17-19. Kelce is determined to make the most of what could be his final NFL season, and the 35-year-old has been and will continue to work hard behind the scenes to do everything he can to get himself ready for a big year story was originally reported by Athlon Sports on Jun 7, 2025, where it first appeared.