
Habitat loss and climate change make it tough to be an amphibian. Some humans are helping
HONEOYE, N.Y. (AP) — On a rainy March evening, John Bateman puts on his boots and a headlamp and heads to a wetland cut through by a busy road. As he walks, he scans the pavement for spring peepers, toads, salamanders and newts making their slow way as they migrate to new habitat each spring, and leans down occasionally to help guide one across.
It's a small act that makes a big difference for these amphibians, who need different habitats for different stages of their life cycle — sometimes wetlands, sometimes drier uplands. Roads often separate these habitats, and migrating amphibians can get squished.
They already face challenges from habitat lost to development. That's especially true for vernal pools, the small pools that show up each spring in forested ecosystems as snow melt and rainwater collect at low points on the ground. These pools hold water as late as July, and provide essential breeding habitat for amphibians like salamanders and frogs.
Larger wetlands can enjoy federal protections, but not the vernal pools, which are too small and temporary.
'Unfortunately, with urban sprawl and development, a lot of the forests are being cleared for new housing developments as people move out of the cities and into the suburbs,' said Bateman, a professor of environmental conservation and horticulture at Finger Lakes Community College. 'When they clear these forest habitats, vernal pools are going to be buried and become new houses, condominiums, and neighborhoods.'
___
EDITOR'S NOTE: This story is a collaboration between Rochester Institute of Technology and The Associated Press.
___
The U.S. Geological Survey calls amphibian declines 'a global phenomenon' and one that's been underway in the U.S. since at least the 1960s. The agency said populations are dropping almost 4% each year in the U.S.
Development isn't the only threat. Amphibians are being affected by Earth's changing climate. The Appalachian region is particularly rich in salamander species, and with temperatures rising, their range is shifting northward, Bateman said.
That concerns him.
'At one point you hit the top and there is nowhere else to go,' Bateman said.
A warming climate also requires cold-blooded amphibians to spend more time hunting to get the food they need to maintain their metabolism, said Karen Lips, a University of Maryland biology professor whose research found salamanders becoming smaller as a result.
Bateman isn't the only conservationist working to help amphibians.
Margot Fass owns A Frog House, a center for frog advocacy in Pittsford, New York. In April, she raised money and worked with 70 volunteers to build three vernal pools as part of Save the Frogs Day. The pools should help amphibians, but will also be a source of water for birds and other wildlife.
Fass grows animated as she talks about chemical-free gardens and their importance to amphibians: 'One spray of pesticides can kill a frog within an hour. It's just horrible.'
Both she and Bateman are strong believers in educating their communities to help amphibians. They often give talks in schools, libraries and to various groups.
'It's amazing how few people really know that frogs are endangered or that a third of them have gone extinct,' Fass said.
The Genesee Land Trust, a not-for-profit conservation organization, is another active member in preserving and protecting land in the greater Rochester region. It owns Cornwall Preserve in Pultneyville, New York, on the edge of Lake Ontario. The trust bought the 77-acre property in 2016, becoming the first non-farmers to own the land in 200 years. They're preserving the historical farmland and in doing so have restored some wetlands and vernal pools.
Wednesdays
A weekly look towards a post-pandemic future.
'The wetland immediately served a population of birds after we first started digging,' said Elliotte Bowerman, the trust's director of communications.
Catching amphibians may just be a nostalgic childhood memory for most, but for Bateman it never lost its magic. He believes preserving wetlands and vernal pools is critical not only for the amphibians and the environment, but for the next generation to experience the childlike wonder of discovering these hidden creatures.
'I think that the future generations are absolutely going to be at a loss to not have those experiences that I did as a child, to have that connection with nature,' he said.
___
The Associated Press' climate and environmental coverage receives financial support from multiple private foundations. AP is solely responsible for all content. Find AP's standards for working with philanthropies, a list of supporters and funded coverage areas at AP.org.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
17 hours ago
- Winnipeg Free Press
Film Festival showcases what artificial intelligence can do on the big screen
NEW YORK (AP) — Artificial intelligence 's use in movie making is exploding. And a young film festival, now in its junior year, is showcasing what this technology can do on screen today. The annual AI Film Festival organized by Runway, a company that specializes in AI-generated video, kicked off in New York Thursday night with ten short films from around the world making their debut on the big screen. 'Three years ago, this was such a crazy idea,' Runway CEO Cristóbal Valenzuela told the crowd. 'Today, millions of people are making billions of videos using tools we only dreamed of.' The film festival itself has grown significantly since its 2023 debut. About 300 people submitted films when it first began, Valenzuela said, compared to about 6,000 submissions received this year. The one and half-hour lineup stretched across a range of creative styles and ambitious themes — with Jacob Alder's ' Total Pixel Space ' taking home the festival's top prize. The 9-minute and 28-second film questions how many possible images — real or not — exist in the digital space, and uses math to calculate a colossal number. A stunning series of images, ranging from the familiar life moments to those that completely bend reality, gives viewers a glimpse of what's out there. Meanwhile, Andrew Salter's 'Jailbird,' which snagged second place, chronicles a chicken's journey — from the bird's perspective — to a human prison in the United Kingdom to take part in a joint-rehabilitation program. And 'One,' a futuristic story by Ricardo Villavicencio and Edward Saatchi about interplanetary travel followed in third place. The 10 films shown were finalists selected from thousands submitted to Runway's AI Film Festival this year. The shorts will also be shown at screenings held in Los Angeles and Paris next week. How AI is used and executed is a factor judges evaluate when determining festival winners. But not every film entered was made entirely using AI. While submission criteria requires each movie include the use of AI-generated video, there's no set threshold, meaning some films can take a more 'mixed media' approach — such as combining live shots of actors or real-life images and sounds with AI-generated elements. 'We're trying to encourage people to explore and experiment with it,' Valenzuela said in an interview prior to Thursday's screening. Creating a coherent film using generative AI is no easy feat. It can take a long list of directions and numerous, detailed prompts to get even a short scene to make sense and look consistent. Still, the scope of what this kind of technology can do has grown significantly since Runway's first AI Film Festival in 2023 — and Valenzuela says that's reflected in today's submissions. While there are still limits, AI-generated video is becoming more and more life-like and realistic. Runway encourages the use of its own AI tools for films entered into its festival, but creators are also allowed to turn to other resources and tools as they put together the films — and across the industry, tools that use AI to create videos spanning from text, image and/or audio prompts have rapidly improved over recent years, while becoming increasingly available. 'The way (this technology) has lived within film and media culture, and pop culture, has really accelerated,' said Joshua Glick, an associate professor of film and electronic arts at Bard College. He adds that Runway's film fest, which is among a handful of showcases aimed at spotlighting AI's creative capabilities, arrives as companies in this space are searching for heightened 'legitimacy and recognition' for the tools they are creating — with aims to cement partnerships in Hollywood as a result. AI's presence in Hollywood is already far-reaching, and perhaps more expansive than many moviegoers realize. Beyond 'headline-grabbing' (and at times controversial) applications that big-budget films have done to 'de-age' actors or create eye-catching stunts, Glick notes, this technology is often incorporated in an array of post-production editing, digital touch-ups and additional behind-the-scenes work like sorting footage. Industry executives repeatedly point to how AI can improve efficiency in the movie making process — allowing creatives to perform a task that once took hours, for example, in a matter of minutes — and foster further innovation. Wednesdays Columnist Jen Zoratti looks at what's next in arts, life and pop culture. Still, AI's rapid growth and adoption has also heightened anxieties around the burgeoning technology — notably its implications for workers. The International Alliance of Theatrical Stage Employees — which represents behind-the-scenes entertainment workers in the U.S. and Canada — has 'long embraced new technologies that enhance storytelling,' Vanessa Holtgrewe, IATSE's international vice president, said in an emailed statement. 'But we've also been clear: AI must not be used to undermine workers' rights or livelihoods.' IATSE and other unions have continued to meet with major studios and establish provisions in efforts to provide guardrails around the use of AI. The Screen Actors Guild-American Federation of Television and Radio Artists has also been vocal about AI protections for its members, a key sticking point in recent labor actions. For Runway's AI Film Festival, Valenzuela hopes screening films that incorporate AI-generated video can showcase what's possible — and how he says this technology can help, not hurt, creatives in the work they do today. 'It's natural to fear change … (But) it's important to understand what you can do with it,' Valenzuela said. Even filmmaking, he adds, was born 'because of scientific breakthroughs that at the time were very uncomfortable for many people.'


Toronto Sun
a day ago
- Toronto Sun
Private lunar lander from Japan falls silent while attempting a moon touchdown
Published Jun 05, 2025 • 3 minute read This image provided by ispace, inc. shows the Resilience lander circling the moon, Wednesday June 4, 2025. Photo by ispace, inc. via AP / AP A private lunar lander from Japan fell silent while descending to the moon with a mini rover Friday and its fate was unknown. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account The Tokyo-based company ispace said its lander dropped out of lunar orbit as planned and everything seemed to be going well. But there was no immediate word on the outcome, following the hourlong descent. As the tension mounted, the company's livestream of the attempted landing came to an abrupt end. More than two hours later, ispace said it had yet to establish communication with the spacecraft and was still working to gain contact. The encore came two years after the company's first moonshot ended in a crash landing, giving rise to the name Resilience for its successor lander. Resilience carried a rover with a shovel to gather lunar dirt as well as a Swedish artist's toy-size red house for placement on the moon's dusty surface. Long the province of governments, the moon became a target of private outfits in 2019, with more flops than wins along the way. Launched in January from Florida on a long, roundabout journey, Resilience entered lunar orbit last month. It shared a SpaceX ride with Firefly Aerospace's Blue Ghost, which reached the moon faster and became the first private entity to successfully land there in March. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Fly me to the Moon 🎵🌝RESILIENCE status: nominal Distance above the Lunar surface: ca. 100 km Current orbital phase: Low lunar orbit, traveling at ca. 5,800 km/h RESILIENCE remains in a circular orbit as landing day approaches. This video was captured from lunar orbit by… — ispace (@ispace_inc) June 4, 2025 Another U.S. company, Intuitive Machines, arrived at the moon a few days after Firefly. But the tall, spindly lander face-planted in a crater near the moon's south pole and was declared dead within hours. Resilience was targeting the top of the moon, a less forbidding place than the shadowy bottom. The ispace team chose a flat area with few boulders in Mare Frigoris or Sea of Cold, a long and narrow region full of craters and ancient lava flows that stretches across the near side's northern tier. Plans had called for the 7.5-foot (2.3-metre) Resilience to beam back pictures within hours and for the lander to lower the piggybacking rover onto the lunar surface this weekend. Made of carbon fiber-reinforced plastic with four wheels, ispace's European-built rover — named Tenacious — sported a high-definition camera to scout out the area and a shovel to scoop up some lunar dirt for NASA. This advertisement has not loaded yet, but your article continues below. The rover, weighing just 11 pounds (5 kilograms), was going to stick close to the lander, going in circles at a speed of less than one inch (a couple centimetres) per second. It was capable of venturing up to two-thirds of a mile (1 kilometre) from the lander and should be operational throughout the two-week mission, the period of daylight. Besides science and tech experiments, there was an artistic touch. The rover held a tiny, Swedish-style red cottage with white trim and a green door, dubbed the Moonhouse by creator Mikael Genberg, for placement on the lunar surface. Takeshi Hakamada, CEO and founder of ispace, considered the latest moonshot 'merely a steppingstone,' with its next, much bigger lander launching by 2027 with NASA involvement, and even more to follow. This advertisement has not loaded yet, but your article continues below. Minutes before the attempted landing, Hakamada assured everyone that ispace had learned from its first failed mission. 'Engineers did everything they possibly could' to ensure success this time, he said. Chief financial officer Jumpei Nozaki promised to continue the lunar quest regardless of the outcome. Ispace, like other businesses, does not have 'infinite funds' and cannot afford repeated failures, Jeremy Fix, chief engineer for ispace's U.S. subsidiary, said at a conference last month. While not divulging the cost of the current mission, company officials said it's less than the first one which exceeded $100 million. Two other U.S. companies are aiming for moon landings by year's end: Jeff Bezos' Blue Origin and Astrobotic Technology. Astrobotic's first lunar lander missed the moon altogether in 2024 and came crashing back through Earth's atmosphere. For decades, governments competed to get to the moon. Only five countries have pulled off successful robotic lunar landings: Russia, the U.S., China, India and Japan. Of those, only the U.S. has landed people on the moon: 12 NASA astronauts from 1969 through 1972. NASA expects to send four astronauts around the moon next year. That would be followed a year or more later by the first lunar landing by a crew in more than a half-century, with SpaceX's Starship providing the lift from lunar orbit all the way down to the surface. China also has moon landing plans for its own astronauts by 2030. World Olympics Toronto & GTA Columnists Columnists


Winnipeg Free Press
2 days ago
- Winnipeg Free Press
A private Japanese spacecraft falls silent while trying to land on the moon, company officials say
TOKYO (AP) — A private Japanese spacecraft falls silent while trying to land on the moon, company officials say.