
Brighton Pride 2025: Businesses excited for economic boost
Herve Guyat, owner of the New Steine Hotel and Herve's Café in Kemp Town, said: "I have a lot of people who book for the following year as they check out."He added: "It's very exciting – I opened just before Pride 25 years ago and it always falls around my birthday so I couldn't be happier."Brighton Pride is expected to bring a boost of around £30m to the local economy across the weekend.Two days of music in Preston Park, headlined by Carey and the Sugababes, will be paired with gigs and events across the city, in particular around Kemp Town and St James's Street.Phil Sherrington, owner of Centre Stage bar in Marine Parade, said Pride is "all about the community" and is "really important" for the LGBTQ+ community.He said: "In this day and age it is important we keep the message going that the community is here and strong."The bar will host the community stage for the Pride Street Party, which is moving to the A259 from St James's Street this year.

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Daily Mail
2 minutes ago
- Daily Mail
Mariah Carey accused of shading Katy Perry as she gives 'savage' response when asked about singer's space trip
Mariah Carey has been accused of 'shading' Katy Perry after she was asked about the singer's controversial Blue Origin space trip - claiming she had never heard of it. When Katy, 40, went to space with an all female crew including Lauren Sanchez and Gayle King back in April, it seemed like everyone was talking about it. But there's one massive star who apparently didn't hear about the controversial endeavor: pop sensation Mariah, 56. The Obsessed songstress was recently asked during an interview if she had any interest in going into space like fellow musician Katy did - but the pop icon seemed to have no idea what the journalist was talking about. It made for a pretty awkward interaction, and left many convinced that Mariah was throwing some subtle shade towards Katy with her response. 'Would you fancy going to space? You know, like Katy Perry did?' BBC Radio 2's Scott Mills asked Mariah during a recent appearance on the Breakfast Show. 'Did she go to space?' a confused Mariah responded. 'Mhm. Not for long,' Scott told her, to which Mariah questioned, 'Where'd she go?' Mariah was recently asked during an interview if she had any interest in going into space like fellow musician Katy did, but she seemed to have no idea what the journalist was talking about Scott admitted that he wasn't sure what part of space she went to before a crew member interjected from off camera, 'Just into orbit and back.' 'Into orbit and back?' Mariah quipped. 'She was, like, floating in the... and this is true?' 'Yeah, I have not made this up. This is true,' Scott told the hitmaker, who appeared to be flabbergasted by the news. 'Wow. Alright Katy,' she said. 'I'm not mad at her, that's pretty amazing.' 'I mean, she hasn't stopped talking about it since,' Scott added, which sparked a chuckle from Mariah. 'But it happened. Would you do it?' 'I think I've done enough,' she coolly replied. The interaction quickly went viral on both Instagram and X, formerly Twitter, and many people rushed to the replies and comments to share their thoughts. 'The subtle shade lol,' one person wrote, while another added, 'She totally knew.' 'Would you fancy going to space? You know, like Katy Perry did?' BBC Radio 2's Scott Mills asked Mariah. 'Did she go to space?' a confused Mariah responded View this post on Instagram A post shared by BBC Radio 2 (@bbcradio2) 'How could she pretend to not know?!' asked someone else. 'Of course she knows. She doesn't care,' read a fourth comment. 'I love her shade,' said a fifth. '"I think I've done enough" queen behavior,' joked a different user. 'I love her she's a whole vibe,' commented someone else. Another person simply wrote, 'Savage.' Others believed Mariah truly didn't know about the space trip and made jokes about her 'living in her own bubble.' 'Imagine being that off the grid that you missed Katy Perry went to space - sounds glorious,' one user wrote. 'I would love to be as unbothered as Mariah, she never knows ANYTHING nor ANYBODY,' said another. The women were in space for roughly 11 minutes; they crossed the Karman Line, often used as the boundary of space, and were treated to roughly three minutes of weightlessness 'She lives on Planet Mariah. Lucky girl,' joked someone else. 'Mariah literally minds her own business,' read a different comment. Another user added, 'The level of unbothered I'm striving for.' The women were in space for roughly 11 minutes - they crossed the Karman Line, often used as the boundary of space, and were treated to roughly three minutes of weightlessness before they headed back down to the ground. Katy she was seen floating inside the capsule holding a daisy in a nod to her daughter, Daisy. Upon landing back to Earth she emerged with the flower in hand, which she held to the sky before dropping to her knees and kissing the ground. But she was fiercely ridiculed afterwards, with people online branding her as 'tone deaf' and 'dramatic' for her actions. The entire trip was heavily scrutinized by people on social media, as well as fellow stars.


The Guardian
3 minutes ago
- The Guardian
Edinburgh art festival review – regal lusting, sofa-surfing and the perfect painting for our times
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His book Daemonologie incited Scottish witch-hunting and inspired Shakespeare to write Macbeth. The world he lived in was full of invisible magical forces. On view are relics of that universe, including a bezoar, to protect from poison, and the Charmstone of the Stewarts of Ardsheal. If James was superstitious and hungry for love, his violent childhood may explain it. A wonderfully weird painting shows him as a child praying by the monument of his father, Lord Darnley, murdered in 1567 by the unusual method of blowing up the house where he was staying in Edinburgh. A print portrays the beheading of his mother in 1587. These are strange events from a time in history that is alien to us, yet the portraits here make us feel close to these people. James's jester, Tom Derry, is utterly alive in a careworn, sensitive portrait by Marcus Gheeraerts the Younger. As for the king himself, he goes through many changes. The virtual twin of Mary, Queen of Scots in a 1583 double portrait, even more 'feminine' in a ruff-heavy painting a few years later, increasingly louche yet roughed up in later portraits. This terrific exhibition brings history to life without battering it into a 21st-century plaything. An even more remote past is magically, jerkily performed by glass marionettes in Wael Shawky's Cabaret Crusades III: The Secrets of Karbala. This ravishing film work at Talbot Rice Gallery is already an acknowledged classic of 21st-century art and comes to Edinburgh at a time when war again rages in the lands where, in the 11th and 12th centuries AD, Christians and Muslims fought for Jerusalem. You won't find glib contemporary parallels in Egyptian artist Shawky's screen epic. He does everything possible to estrange the Crusades, acted by puppets as if this were a slow, contemplative Thunderbirds. Cabaret Crusades takes you not just to another time but another way of telling it, in its own words. He refutes the historical nonsense of jihadis treating the Crusades as a living grievance just as much as he recovers an Arab view of a story often told through western sources. This is, in short, a phenomenally serious and complex achievement that is also hypnotically beautiful. The Middle Eastern past appears again as enigmatic, poetic ruins in Mike Nelson's photographs of a ruinous Turkish city at Fruitmarket Gallery. They are hung at the bottom of the gallery walls, with bare lightbulbs and low benches, to encourage intimacy with how the artist imagines this lost world. Roland Barthes wrote of his fixation on a 19th-century photograph of the Alhambra: 'I want to live there.' Nelson confesses something similar, then undercuts it with an installation in another part of the gallery representing a now-demolished housing estate: a reconstruction that becomes an impossible, ensnaring labyrinth. As you move through one dingy, derelict claustrophobic room and corridor after another, anxiety mounts. Where is this leading? The Edinburgh Dungeon next door has nothing on this. You can never go back to the past, says Nelson. If you did it would be a nightmare. In general, art that is ambivalent and poetic has more to say than art that is simplistic and didactic. Unfortunately, there is some of the latter in Edinburgh, too. Siân Davey's exhibition The Garden at the Stills Gallery takes the opposite of Shawky's thoughtful approach. Davey and her son created a wildflower garden and invited their friends and neighbours to share this healing space. Good for them. But Davey's big intensely coloured photos of her garden community, with herself and other people going nude in nature, are pure bathos. To make me believe this flowery paradise is a shelter and hope for the marginalised and oppressed, I would need more than mawkish oversharing. This is flower-power nonsense, half a century too late. Recovering from that, I turn to Aubrey Levinthal's nuanced, elusive paintings at the Ingleby. The gallery is well worth seeking out, tucked down a side street in the classical New Town, and in Levinthal it has discovered a major contemporary painter. She depicts her quiet, middle-class family life in Philadelphia, but it is the way she paints it that's wondrous. Planes of almost abstract colour turn out to be sofas or laptops. A vase of Hockneyesque flowers seems to emerge from a boy resting on a sofa; the man in her life, in a nice reversal of art's old hierarchies, is portrayed as a classical bearded beauty, sprawled in a chair, her idealised, brainless muse. In the most haunting painting here, she studies her son, in a triple image, as he contemplates a glowing iPad screen. It's a painting for our times. Until 24 August


The Independent
32 minutes ago
- The Independent
‘Fixated' man who stalked Anna Friel for three years bailed ahead of sentencing
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