
Memorial service planned for Grammy-nominated R&B singer Angie Stone
The cargo van she was riding in flipped over and was then hit by a truck on March 1, music producer and Stone's longtime manager Walter Millsap III has said. Everyone else in the van survived except Stone, who was 63. Online tributes from fans and fellow artists poured in after her death.
Friday's service is set for 11 a.m. at Word of Faith Cathedral in Austell, Georgia, just west of Atlanta.
On Saturday, a service is planned at First Nazareth Baptist Church in Columbia, South Carolina.
The church-grown singer was born in Columbia, where music was always in her life since she was a child, Stone told the AP in 1999 interview. Her mother would sing around the house, and her father sang gospel and blues at establishments around Columbia.
Stone was a member of the all-female hip-hop trio The Sequence and known for the hit song 'Wish I Didn't Miss You.' She helped form The Sequence, the first all-female group on the hip-hop trailblazing imprint Sugar Hill Records, becoming one of the first female groups to record a rap song.
The group recorded 'Funk You Up,' which has been sampled by numerous artists, including Dr. Dre.
After finding success in the early 1980s, Stone later joined the trio Vertical Hold before launching her solo career.
Stone created hits like 'No More Rain (In This Cloud),' which reached No. 1 for 10 weeks on Billboard's Adult R&B airplay chart; 'Baby' with legendary soul singer Betty Wright, another No. 1 hit; and 'Wish I Didn't Miss You' and 'Brotha.'
She found a sweet spot in the early 2000s as neo-soul begin to dominate the R&B landscape with the emergence of singers like Erykah Badu, Jill Scott, Maxwell and D'Angelo.
Her 2001 album 'Mahagony Soul' reached No. 22 on the Billboard 200, while 2007's 'The Art Of Love & War' peaked at No. 11.
A Soul Train Lady of Soul winner, Stone went on to showcase her acting chops with film roles in 'The Hot Chick' starring Rob Schneider, 'The Fighting Temptations,' which starred Cuba Gooding Jr. and Beyoncé, and 'Ride Along' led by Ice Cube and Kevin Hart.
She also hit the Broadway stage as Big Mama Morton in 'Chicago,' and she showcased her vulnerability on the reality TV shows 'Celebrity Fit Club' and 'R&B Divas: Atlanta.'
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Scottish Sun
an hour ago
- Scottish Sun
The Cosby Show star Malcolm-Jamal Warner's mom breaks silence on his tragic death after details emerge of his drowning
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Scottish Sun
19 hours ago
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Sign up for the Entertainment newsletter Sign up 5 The Oasis reunion tour has reawakened of a huge swathe of our society which has felt forgotten Credit: BackGrid 5 Brothers Liam and Noel Gallagher on stage in Cardiff have rolled back the clock and exceeded expectations Credit: AP 5 The unbridled joy of the Oasis gigs has helped the nation, which is enduring an identity crisis Credit: Reuters In a Britain where the air feels thicker with political tension than it ever did in the halcyon days of the glorious Nineties, Oasis have rampaged back into our consciousness, representing and celebrating our everyman and everywoman — the normal, hard-working folk who pay their taxes on time and want the streets to be safe for their children. And, as the group's British dates for 2025 edge to a close, save for a couple of Wembley victory laps next month, it is clear the Gallagher brothers have come back at the right moment, with a not-so-Great Britain never needing them more. 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These raucous assemblies were populated by the sort of people who want the best bits of the Nineties back, soundtracked by a group, still burning bright, and encapsulating the working-class spirit of Britain — loud, defiant and irreverent. There wasn't any political posturing, no vile calls for murder from the stage nor balaclavas. Oasis are giving fresh hope and inspiration to generations young and old who feel increasingly ignored and isolated. This was pure, unbridled elation and I think some had forgotten how that had felt Dominic Mohan This Oasis tour has been a reassertion of British values, of fun, community, spirit, mass celebration and imbibement, of throwing your arms around strangers and chanting blissfully into each other's faces. It is a reminder of what, at its heart, this country is still about — something that may have been buried and lost in a world of X, AI, TikTok, perpetual wars and a repetitive cycle of post-pandemic horror and misery, served to us 24/7 in our pockets. This summer has been two powerful, Gallagher-propelled fingers up to the party poopers who want to stifle and silence us and ruin our lives. Our nation is enduring an identity crisis and feels demoralised by a faltering economy, left weary by violence, crime, and small boat crossings, alongside simmering tensions outside taxpayer-funded migrant hotels. A country on the edge, a powder keg with the potential to blow. The tough-talking Gallaghers and their forthright opinions could not be further from our Prime Minister Keir Starmer, a squeaky, risk-averse lawyer being roughed up on the world stage. 5 Dominic Mohan has seen the change in the more mature Gallagher brothers 30 years one Credit: Supplied I've had more than 30 years of the Gallagher live experience, run-ins, interviews, japes and scrapes around the world as a journalist and broadcaster. The band played a part in my success, but this is certainly a more refined and modern Oasis for the 21st Century. There's definitely a little less laddishness around this time, no maybe about it. In 2000, when I saw the band perform at Wembley, the brothers encouraged women to expose their breasts for the big screens and leered at them. 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The 2025 Oasis experience serves to remind us all of a simpler Nineties era, where life felt more colourful, less oppressive and liberated, more of a laugh and light-hearted Dominic Mohan This is a celebration of the pre-eminent British songwriting canon of the past five decades, two hours where you can forget your woes and your mortgage, an experience that is the antithesis of Glastonbury in many ways and representative of a monumental constituency of this country, reflecting its true nature and soul. Ultimately, nobody cared how much they paid for their ticket. The atmosphere inside and outside of these sonic cathedrals was like that of a World Cup Final but all 90,000 of us supported the same team. Packed into Tube trains afterwards, we laughed, linked arms and sang together all the way home, banging on the carriage doors and ceilings, most knowing every word of the same thunderous council house hymns we had been assaulted with just hours before. This rebirth is certainly the biggest British rock reunion of all time. No question. The technological, media and musical terrain has shattered so significantly since the band split that I cannot envision any other act hereafter surfacing with such cultural and societal impact or significance, capturing the zeitgeist and stimulating a nation and its people in the same way. The Irish-blooded brothers' surprise peace deal has held firm so far, like the Good Friday Agreement, itself cast in the Nineties when Oasis reached their pinnacle — sending alternative culture mainstream. And, unlike some of their shows in the past, this set is expertly paced for maximum joy and communion. There is barely a moment for pause or reflection, with one audio juggernaut after another crushing your consciousness. I expect this incendiary tour to roll into next year to mark the 30th anniversaries of the mythical Maine Road and Knebworth shows of 1996, thus reuniting the true face of Britain once again, for that collective outpouring of bottled-up and suppressed emotion. It sometimes feels as if it might not be worth going to see any other act live in the meantime, because they will never measure up to this. The 2025 Oasis experience serves to remind us all of a simpler Nineties era, where life felt more colourful, less oppressive and liberated, more of a laugh and light-hearted. But, alongside that, was a political hope, a thriving economy and a capital city abuzz with some of the world's leading wealth creators, restaurateur and clubs, top fashion designers and unparalleled artistic geniuses. That's what's missing this time around, but we must harness our newly reclaimed power and voice, and strive to restore the country we love, sparking a revolution in political thinking and attitude, bringing back the sense of fairness and justice that has slipped from our democratic grasp. Oasis have helped put a spring back in the nation's faltering step. The planet is looking on in envy as the reworked version of Britpop- mania thrives on our shores and we can again proudly boast that our modest nation has spawned the greatest rock and roll band of modern times. We must build on that spirit, endeavour and influence as the Gallaghers spread the word around the globe, with their intercontinental tour detonating worldwide. The brothers played a significant role in shaping Nineties British media and politics, assisting the ushering in of Tony Blair as Labour Prime Minister in 1997. And these Oasis paeans are Noel's glorious manifesto for a brighter Britain and fairer society, strangely resonating now more than ever, it would seem. But what is beyond doubt is that, if Oasis were a political party itself, it would represent the real Britain and retain power for years — its rivals caught beneath a landslide.