logo
Selena Gomez and Benny Blanco Head to Prom in ‘Talk' Music Video

Selena Gomez and Benny Blanco Head to Prom in ‘Talk' Music Video

Yahoo02-05-2025

Selena Gomez and Benny Blanco have shared a new song, 'Talk' off the deluxe edition of their debut collaborative LP, I Said I Love You First. To celebrate the track, the pair shot a prom-themed music video with director Tony Yacenda, which features Gomez's first experience with the high school rite of passage.
'Talk' interpolates Cake's 1998 single 'Never There' and features Gomez singing about a recently-departed lover. 'I know you just left but, damn, I need you right back,' she croons. 'I'ma call you daddy 'cause I know you like that/ Go recharge your batteries, come back to me and make your mama proud.'
More from Rolling Stone
Selena Gomez, Benny Blanco Will Feature GloRilla, More on Deluxe 'I Said I Love You First'
Gracie Abrams Covers Lorde's Devastating Ballad 'Liability' in New Zealand
Adam Levine Confirms New Maroon 5 Album, Tour on 'Fallon'
'Talk' appears on I Said I Love You First…And You Said It Back, out today via SMG Music/Friends Keep Secrets/Interscope Record. The deluxe version features four new original songs, including 'Stained,' a new remix of 'Bluest Flame,' 'Cowboy' with GloRilla and 'Guess You Can Say I'm In Love' with vocals and production from Greg Gonzalez of Cigarettes After Sex. It also features an acoustic version of 'Call Me When You Break Up' with Gracie Abrams and a live version of 'How Does It Feel To Be Forgotten.'
Blanco and Gomez — who got engaged in December — released I Said I Love You First on March 21, featuring collaborations with Abrams on 'Call Me When You Break Up,' The Marías on 'Ojos Tristes,' and Tainy and J Balvin on 'I Can't Get Enough.' Charli XCX also provided backing vocals and writing credits on 'Bluest Flame.'
Rolling Stone's Rob Sheffield reviewed the album, writing, 'Let's hope we get many sequels to this album over the years to come, because the world needs all the uplifting pop-star love stories we can get.'
Best of Rolling Stone
The 50 Greatest Eminem Songs
All 274 of Taylor Swift's Songs, Ranked
The 500 Greatest Albums of All Time

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Marina Is 'Manifesting' Love on New Album, ‘Princess of Power'
Marina Is 'Manifesting' Love on New Album, ‘Princess of Power'

Cosmopolitan

time3 hours ago

  • Cosmopolitan

Marina Is 'Manifesting' Love on New Album, ‘Princess of Power'

Another MARINA album is nearly upon us, which means we'll soon have an entirely new rolodex of glittery alt-pop bangers to soundtrack our summer. According to the singer-songwriter, her latest record PRINCESS OF POWER is a form of 'manifestation music,' as her discography has always been. During a recent interview with Rolling Stone, she got candid about how certain things in her life came true once she released her past fan-favorite albums, The Family Jewels, Electra Heart, and FROOT. 'The Family Jewels was full of manifestation,' she told the outlet. 'It was believing that I deserved… that I could be a star. It was based on what I'd been dreaming of. So, I fully believe this works.' She added that 2015's FROOT 'brought a major love into my life,' and that her Tumblr-era megahit 'Primadonna,' off her album Electra Heart, 'created that lifestyle' of being front and center in the spotlight. As for PRINCESS OF POWER, MARINA describes her track 'Rollercoaster' as 'manifestation music,' as she sings about 'embracing life's highs.' 'It almost always comes true,' she said, adding, 'I want this fresh, free energy.' She explained that she 'manifests finding love' in the song while another track on the album, 'Metallic Stallion,' tells the story of a lover with intimacy issues. The album's title track 'reteaches' her how to love, and according to the artist, she 'had to reconsider' her approach to romance. 'A lot of us, I think, prioritize romantic love. And I've, by force, had to reconsider that,' she said. 'That's massively part of this album as well,' she shared, adding, 'I just really want it to have a positive impact. Otherwise, what's the point of doing anything?' PRINCESS OF POWER drops June 6 along with her fourth single, 'I <3 YOU.' The star has been teasing the track across social media before she takes the stage at New York's Governors Ball music festival on Saturday, June 7. So far, fans have gotten a taste for MARINA's new album with tracks like 'Cuntissimo,' 'Cupid's Girl,' and 'Butterfly.' This marks MARINA's first full-length release since she dropped the deluxe edition of Ancient Dreams in a Modern Land in 2022, and we can't wait for the newness she's bringing with this new era.

Revealing Jeff Buckley Doc, ‘It's Never Over,' to Arrive This Summer
Revealing Jeff Buckley Doc, ‘It's Never Over,' to Arrive This Summer

Yahoo

time4 hours ago

  • Yahoo

Revealing Jeff Buckley Doc, ‘It's Never Over,' to Arrive This Summer

A new documentary, It's Never Over: Jeff Buckley, which examines the life of the late singer-songwriter, will open in movie theaters on Aug. 8. An HBO premiere will follow this winter. The film, by director Amy Berg (Phoenix Rising, West of Memphis), features never-before-seen footage from Buckley's archives. His mother, Mary Culbert, and former partners Rebecca Moore and Joan Wasser gave new interviews for the picture. It also includes commentary from Buckley's former bandmates, Michael Tighe and Parker Kindred, as well as singer-songwriters Ben Harper and Aimee Mann. More from Rolling Stone 'It's Never Over, Jeff Buckley' Pays Tribute to One of the Greatest Singers Ever Jeff Buckley's Mom Finally Explains Why That Brad Pitt Biopic Never Happened Questlove's Sly Stone Documentary to Premiere at 2025 Sundance 'I've spent practically my entire career trying to make this film, which takes a very intimate look at one of the greatest singers and songwriters of all time,' Berg said in a statement. 'I'm so excited Magnolia and HBO have come on board to share this film with the world and give old fans and new audiences a chance to experience Jeff from this unique vantage point.' The film looks at how he followed in the footsteps of his father, singer-songwriter Tim Buckley — who died at age 28 when Jeff was 8 — and launched his own music career, signing to Columbia Records. A concert recording, Live at Sin-é, came out in 1993, and Buckley's sole studio album, Grace, came out in August 1994, three years before his death at age 30. His own legacy has grown ever since. When the film premiered at Sundance in January, Rolling Stone wrote that the picture 'does justice to [Buckley's] legacy.' 'Buckley's mother, Mary Guibert, has been extremely protective over her son and his songs, but she's opened up the vaults for Berg's film,' the review said. 'There are pictures of Buckley as a chubby, smiling baby, and rocking a metalhead shag mullet as a teen; clips of him playing in high school bands, glimpses into notebooks filled with an elegant scrawl that you can only describe as Buckleyesque. Music from every phase of his career, in both rough-demo and finished form, plays over the soundtrack, along with voicemail messages — including the last one he left his mom — and recording session banter. Rarities abound, which makes this feel as much like an archive tour as a movable scrapbook.' Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time

‘Phineas and Ferb' Sticks to What Works in a Welcome Return
‘Phineas and Ferb' Sticks to What Works in a Welcome Return

Yahoo

time5 hours ago

  • Yahoo

‘Phineas and Ferb' Sticks to What Works in a Welcome Return

Most TV revivals are bad. They exist solely for the cynical purpose of exploiting a familiar title, not because there are new stories worth telling in a particular world. Good TV shows are the product of a specific time in the lives of the characters on the show, the people making the show, and the people watching at home. Change one or more of those, and it usually doesn't work. There are exceptions, of course. The passage of time in some ways enhanced both Roseanne/The Conners and Party Down, because they're shows about people in dire financial straits, and revisiting them in an even worse economy made the comic stakes even sharper. And Twin Peaks: The Return was a masterpiece because traditional rules of storytelling never applied to David Lynch. More from Rolling Stone Disney's Live Action 'Snow White' Gets Digital and Physical Release Dates America Runs on Disney: Brooks Drop Surprise Limited-Edition RunDisney Sneaker Collab Lululemon's Viral Disney Capsule Initially Sold Out Fast - Here's Where It Just Restocked Online Now there's Disney's Phineas and Ferb, returning with its first new season in a decade. The family TV classic is animated, which helps enormously, because the characters don't have to age (though they do very slightly). More importantly, it's a show designed to be both timeless and formulaic, so that it can return in any era, act exactly like it always has, and nothing will seem amiss. As the infectious Bowling for Soup theme song has long explained, the title characters — stepbrothers in a blended family (voiced in the original series by, respectively, Vincent Martella and Thomas Brodie-Sangster) who live in an unnamed tri-state area — have 104 days of summer vacation to fill, and the kind of boundless imaginations, technical skills, and resources to do anything they want. In various episodes of the original series, they traveled through time and space, built the world's biggest roller coaster, and designed a plane that allowed them to circumnavigate the globe in one incredibly long summer day by always staying ahead of the sunset. Their older sister Candace (Ashley Tisdale) is obsessed with busting them by showing their mother Linda (Caroline Rhea) the boys' wild and dangerous creations. And every episode has a subplot where the family's pet platypus, Perry, secretly works as a spy, who is constantly trying to prevent the 'evil' — really, just annoying — schemes of pathetic mad scientist Heinz Doofenshmirtz (played by the show's co-creator, Dan Povenmire). Inevitably, the plots intersect when Doof's latest gadget (which always has the suffix '-inator') somehow erases evidence of the boys' latest scheme just before Linda can get a look at it. And that's it: the same idea, repeated in two stories per episode, for nearly 140 episodes that aired over eight years. But the genius of what Povenmire, co-creator Jeff 'Swampy' Marsh, and company did over those eight years was the way they gradually turned that rigid formula to their advantage. Once the audience understood that the same story beats would happen in the same rough order from week to week, no matter how different the inventions, the more the show got to have fun with it. At times, it involved the characters becoming aware of those recurring tropes, like Candace eventually deciding that there's some universal force preventing Linda from ever seeing what the boys are really doing, or Doofenshmirtz noticing when Perry is late or otherwise not following his usual routine. At others, the show found ways to subvert its own formula while somehow sticking with it; in one classic episode, Candace and Doof's teenage daughter Vanessa (Olivia Olson) swap outfits after a dry cleaner mix-up, and as a result, the usual A-story/B-story structure gets flipped, so that it's Doof with a big idea (trying to build his own floating island nation), while the boys build an -inator (albeit one with a benign purpose, to show a friend what they think will be her first rainbow). The only thing standing even partially in the way of a revival is the fact that the show had a definitive ending in 2015, with an episode set on the last day of that wonderful summer vacation. When the team reunited briefly for the 2020 movie Candace Against the Universe, the story was set earlier in that summer. As it is, there are far more individual stories than would fit into even a 104-day summer. At some point, the story needs to move forward, even a little(*). (*) There was another 2015 episode, 'Act Your Age,' set 10 years in the future, where the boys and their friends are preparing to leave for college. But nothing in it would significantly constrain stories set in the kids' present-day lives. And that is basically what this fifth season does. We begin on the last day of the school year, as Phineas has just finished telling the class about all the adventures he, Ferb, Isabella (Alyson Stoner), Baljeet (Maulik Pancholy), and Buford (Bobby Gaylor) had the previous summer. The bell rings, there's a musical number — because there's always an upbeat musical number somewhere in each episode — and then a new summer begins. When we finally get Bowling for Soup to open the second episode, the theme song's lyrics now declare, 'There's another 104 days of summer vacation,' and everything else is otherwise the same. That holds true for the show. The kids are in theory a year older, but the only way to tell that is that some of the actors' voices have gotten deeper. (Martella is now in his thirties, and he re-recorded a few of his lines in the opening credits so they're more consistent with how Phineas sounds today; Ferb is now voiced by David Errigo Jr., but he speaks so infrequently that you'd barely notice.) The show remains unapologetically self-aware. When Perry crashes into the Doofenshmirtz Evil, Inc., headquarters like usual to find out about his nemesis' latest scheme in the first episode, Doof admits, 'I know, today's -inator is a little basic. But I'm purposely starting slow.' And that classroom musical number includes Phineas acknowledging the high bar they set the previous summer, while insisting, 'I'm confident we can top ourselves somehow.' The bar is, indeed, spectacularly high. The original run is one of the greatest kid/family/whatever animated comedies of all time. With one exception, there's not anything in the five episodes I've seen that I would put against the very best of the 2000s/2010s batch. But the fact that the series is able to return after a decade away (give or take Candace Against the Universe) and still feel like itself is a remarkable achievement. The new episodes are much more of a piece from the final season or so, when the creative team was pushing harder against the boundaries of their formula, and focusing more on the supporting characters. There are several stories this time out that barely even feature Phineas and Ferb, including one that follows up on the idea that Candace's best friend Stacy (Kelly Hu) knows that Perry is really a secret agent(*). The best of this group (the one that belongs in the stratosphere of the original) is an even bigger experiment, where the kids build a giant zoetrope — which Buford dubs 'Tropey McTropeface' — and it goes off to have a delightful series of adventures that includes a romance with a local Ferris wheel, much of this accompanied by an unexpected special musical guest. It would be the weirdest new installment if it weren't for the one that turns a single joke from an old episode — that Buford for some reason has life-sized molds of all the other characters, for purposes unknown — into an entire plot, which at one point has Buford simultaneously wearing a Candace skin suit and a Linda skin suit. (Warning: You might have nightmares about that one later.) Mostly, though, Phineas and Ferb thankfully manages to still be Phineas and Ferb. (*) For O.W.C.A., the Organization Without a Cool Acronym, where all the agents are animals wearing fedoras. Later this summer, King of the Hill will return from an even longer hiatus with a season that will both age up the characters and explicitly deal with how the world has changed since that animated classic last appeared. Maybe that will work. But it's a relief to have something as funny, optimistic, joyous, and inventive as Phineas and Ferb back in our lives, acting as if barely any time at all has passed. The first two episodes of the new Phineas and Ferb season debut tonight on Disney Channel, with additional episodes releasing weekly on Saturday mornings, while 10 episodes will begin streaming June 6 on Disney+. I've seen five episodes. Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store