
'Outlander': Season 7 Blu-Ray Review - Beloved Series Continues To Surprise As The End Draws Near
Following the harrowing events of season six, Jamie and Young Ian race to rescue Claire before she's tried and wrongfully convicted of murder. But their mission is complicated by the beginning of a geopolitical firestorm: The American Revolution has arrived. In the seventh season of OUTLANDER, Jamie, Claire and their family are caught in the violent birth pains of an emerging nation as armies march to war and British institutions crumble in the face of armed rebellion. The land the Frasers call home is changing — and they must change with it. In order to protect what they've built, the Frasers have to navigate the perils of the Revolutionary War. They learn that sometimes to defend what you love, you have to leave it behind. As the conflict draws them out of North Carolina and into the heart of this fight for independence, Jamie, Claire, Brianna and Roger are faced with impossible decisions that have the potential to tear their family apart.
For in-depth thoughts on Outlander: The Complete Seventh Season, please see my colleague Martin Sexton's reviews from its original television debut below:
Video Quality
Outlander: The Complete Seventh Season arrives on Blu-Ray courtesy of Sony Pictures Home Entertainment with a glorious AVC encoded 1080p transfer of all 16 episodes spread over six discs. This transfer showcases a stunning amount of discrete detail within the period costumes and thorough production design. Skin tones appear very natural throughout the season, and compression artifacts and noise are virtually nonexistent. The lush cinematography of this series always looks impeccable in high definition, and this season is no different. This transfer captures every glorious aspect as perfectly as one could hope. The series remains immaculate with a complex color palette revealing deep hues within the backgrounds. Black levels are deep, giving way to rich detail within the shadows. The highlights are likewise brilliant and avoid any instances of blooming in this presentation. The Blu-Ray presentation is top-tier on all fronts and represents a standout effort from Sony.
Audio Quality
This Blu-Ray comes with a dynamic DTS-HD 5.1 Master Audio track that brings this journey to life with the utmost precision. Dialogue is a key element of the show, and it springs forth clearly without being overwhelmed by any parallel sounds. The moving score on the show is often grand and immersive in the best way, as it juggles the more volatile moments as well as the subtle stretches. Ambient sounds are carefully placed in the rear channels. The environmental sounds memorably engage the surround speakers to make things feel all-encompassing. Even when you are simply observing the landscapes, this track delivers on all fronts. The more kinetic moments know how to pack a punch in the low end response. The audio track never comes up short.
Special Features
Deleted Scene:
Brief scenes are provided from most of the episodes of moments that were cut primarily for pacing reasons, but prove to be an entertaining addition for fans.
A Life Well Lost (1:28)
The Happiest Place On Earth (5:11)
Death Be Not Proud (2:57)
A Most Uncomfortable Woman (1:52)
Unfinished Business (6:05)
A Hundredweight of Stones (2:38)
Ye Dinna Get Used To It (1:28)
A Hundred Thousand Angels (3:28)
Outlander Untold:
An array of bonus stories from the
Outlander
universe are provided to help flesh out the world more for fans.
Syzygy (6:28)
A Visitor At Valley Forge (6:24)
A Good Man (6:51)
Ablution (6:13)
Blooper Reel (12:20)
Final Thoughts
Outlander has always been a show determined not to become complacent with its storytelling, and fans have been rewarded with complex characters, thrilling surprises, and rich narratives that always keep us returning for more. As we start to get closer to the end of the line, we can feel the story picking up the pace considerably, occasionally to a fault. This penultimate season bounces back from a truncated season with a mighty episode haul that often reminds us why we love the show so much, even with the writer's strike impacting the flow in a few different respects. The pacing is somewhat erratic, but we still love embarking on this incredible journey as we continue to grow with these characters (and say goodbye to some). We are not sure if we are prepared for this to officially conclude, but we are excited to see if everything can come together satisfactorily. Sony Pictures Home Entertainment has released a Blu-Ray featuring a top-notch A/V presentation and a fine assortment of supplemental features. Recommended
Outlander: The Complete Seventh Season is currently available to purchase on Blu-Ray and DVD.
Note: Images presented in this review are not reflective of the image quality of the Blu-Ray.
Disclaimer: Sony Pictures Home Entertainment has supplied a copy of this disc free of charge for review purposes. All opinions in this review are the honest reactions of the author.
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Washington Post
32 minutes ago
- Washington Post
An astonishing new approach to ‘Frankenstein'
The 'Frankenstein' that roared to life in D.C. this past weekend marks a triumphant U.S. directorial debut for London-based theater savant Emily Burns, who'd already earned a measure of local attention for adapting the script for the 'Macbeth' that brought Ralph Fiennes to Shakespeare Theatre Company last spring. As in that intriguing but uneven exercise, Burns has chucked a night-dark classic and a brisk contemporary vibe into her authorial Cuisinart. But this time, with the writer-director not just remixing the story but shepherding the whole shebang, the resulting world premiere is a blistering success — unabashedly intelligent, sumptuously visualized, taut as an assassin's garrote. It's jump-scary psychodrama with a literary pedigree, served up in sleek prestige-TV style. If there's any theatrical justice it'll end up making piles of money on Broadway and the West End. We're still in Geneva circa 1790, still in Mary Shelley's shadow-shrouded tale of an Enlightenment-inspired wannabe scientist. The moral and ethical probings still circle around what exactly Victor Frankenstein (Nick Westrate) has been up to of late. But there's also the intimately personal question, more urgent now than ever, of what the fallout will be for Elizabeth (Rebecca S'manga Frank), Victor's adopted sister and eventual wife. You might reasonably guess that in a rewrite grounded in what the script says is 'psychologically now,' she'll end up being far more than a tragic second-banana figure. What you might not expect is how far and how firmly Burns will manage to shift focus to Elizabeth without entirely dismissing Victor as 'the real monster,' that tired old oversimplification. Or how much genuinely suffocating suspense she'll wring from the hows and the whys and the what-could-you-possibly-be-thinkings. We'll have none of the novel's epistolary, travelogue-y throat-clearings to kick off this brutally efficient retelling; no Arctic vistas, no random ice floe encounters. Burns launches things in smothering gloom instead, with moody surtitles and a moodier voice-over. (Tired devices, you might sneer, right up until they pay off in a hair-raising collision of remembered horror, real-time revelation and rapacious need.) Those opening atmospherics give way, suddenly and startlingly, to a titanic thunderclap and a strobed glimpse of what looks for an instant like your standard mad-scientist lab setup. (The design elements, courtesy of scenarist Andrew Boyce, costumer Kaye Voyce, lighting guru Neil Austin, sound artist André Pluess and projectionist Elizabeth Barrett, prove uniformly superb and enviably unified.) A quick tonal shift, more light, and we're in the soaring moonlit kitchen of the Frankenstein family's stately home, well past midnight on the stormy eve of the young couple's long-planned wedding. Then Burns's lean story edit derails not just the planned nuptials but everyone's entire lives: Victor's 10-year-old brother, William, reported missing in the opening exchanges, is confirmed dead. Which is when things get all 21st-century head-shrinky: Justine (Anna Takayo), the devoted family retainer framed for the murder in Shelley's version, implicates her own self in this telling, confessing to the crime out of a morbid conviction that her impatience with William's preadolescent rowdiness had driven him out of the house and into the real killer's path. And Justine's piercing need to atone for what she sees as unforgivably bad (surrogate) parenting is merely the first suggestion of the soul-searchings to come over at the Frankenstein place. 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Frank's hypnotically sure performance as Elizabeth is the staging's bright lodestar. Her voice is caramel and cloves, expressive even in Burns's lighter modern phrasings, downright beguiling in more lyrical passages taken whole from Shelley's period text. Her body language speaks more resonantly yet: Stillness can equal immense authority onstage, and this actor's economy of movement generates black hole gravity, making larger gestures all the more seismic when they erupt. Takayo's is a nervier and more restless presence, as is Westrate's — aptly enough given the essential fecklessness of this adaptation's still-charming Victor. He's twitchy and shifty and impossible to repose any real faith in, this thoroughly modern man-child, which is one potent way Burns sustains the evening's exquisite narrative tension. Grounding a character's evasions and fictions in a physical vocabulary that screams 'I cannot be trusted' is a sly tactic for making an audience second-guess what it already knows to be a horrifying truth. That truth, of course, involves what constitutes monstrosity, and in whose eyes. Burns's last great coup is the climactic reveal that finally settles the question of whether this tale of a grotesque and murderous villain bears any resemblance to fact. It's not quite a spoiler to acknowledge that a Creature does make an appearance — actor Lucas Iverson gets a playbill credit, after all — but the specifics of that answer and the delicacy in how Burns and company navigate the moment elicited audible gasps at Sunday's matinee. Like nearly every rich and gorgeous element of this 'Frankenstein,' it's flat-out astonishing. Frankenstein, through June 29 at the Klein Theatre. About 2 hours 20 minutes, including an intermission.

Associated Press
33 minutes ago
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