Restaurant with no tables or plates where food is served straight from the floor
Gok Wan recently hosted the launch of a new restaurant without tables or plates, where meals are served directly from the floor.
This innovative multi-course gourmet experience, inspired by modern Asian cuisine, replaces traditional plates with a pristine vinyl surface right next to diners' feet.
The restaurant, named FLOORS, has opened in Angel, Islington, London, offering adventurous food enthusiasts the chance to step outside their comfort zones and enjoy a truly distinctive dining experience.
Instead of standard tableware, dishes are presented in protective casings made from natural, sometimes edible materials, artistically placed directly on the floor.
The tasting menu includes delicacies such as lychee ceviche served in a chilled oyster shell, lotus leaf steamed meats with black bean-peppered beef, duck and oyster mushroom with black sesame mochi cake, fuyu sour cream, and an edible rice paper receipt.
This bold concept was conceived by Bosch, who conducted a survey of 2,000 adults and discovered that while three quarters would never eat food that had fallen on the floor in a restaurant, 23 per cent would consider dining in a place where food was served off the floor if they could be sure it was properly clean.
When posed with the idea of a "Floor Dining Experience," over two thirds respondents found it odd, even if they knew the floor was clear.
Nevertheless, Bosch, who are responsible for the unique experience, remain hopeful that diners will feel differently: "This dining experience is all about pushing boundaries and reimagining what's possible.
"With the right tools, even the floor can become the star of the dining experience. We're excited to challenge perceptions and bring a new level of cleanliness to unexpected places."
Over one in 10 individuals admitted that they would consider eating food off the floor on a dinner date, as long as the infamous five-second rule was applicable. However, the majority of those quizzed said this was a definite no-no if you were in a restaurant setting.
TV star Gok Wan confessed: "I'd eat most things off the floor – in five seconds – if I knew how clean the floor was, unless it was soup.
"Many of us wouldn't eat food if it's fallen on the floor, especially in a restaurant – but personally, I'm not that fussy."
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Scottish Sun
17 hours ago
- Scottish Sun
All the Father's Day freebies you can get to treat dad this Sunday worth over £150 – from free pints to day's out
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The T&C's say: "For each paying customer, one Father, Grandfather or caregiver can choose 1 Hopper, 1 Curry Dish & 1 Side for free. Valid on Sunday 15th June 2025 only." Hoppers start at £4, whilst curries £9 and sides £4 - meaning you could say a minimum of £17. Free cash schemes if you're struggling Many of us are still struggling with the high cost of living - but there's help you can get. New or expectant parents can get up to £442 a year to spend on food through Healthy Start scheme. Some new parents can get £500 via the Sure Start Maternity Grant. The money is designed to help you cover the costs of having a child. Councils also offer support through the welfare assistance schemes, to help cover the costs of essentials, from buying new furniture to food vouchers. The amount you can get varies but an investigation by The Sun found that hard-up Brits can apply for help worth up to £1,000. 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North Wales Chronicle
a day ago
- North Wales Chronicle
Tony Awards laud android rom-com Maybe Happy Ending and history-making Purpose
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Rhyl Journal
a day ago
- Rhyl Journal
Tony Awards laud android rom-com Maybe Happy Ending and history-making Purpose
Its star, Darren Criss, had won the leading actor in a musical award just minutes before. He also hosted the Tonys pre-show. The best new play trophy at Sunday's Tony Awards went to Purpose, Branden Jacobs-Jenkins' drawing-room drama about an accomplished black family exposing hypocrisy and pressures during a snowed-in gathering. It caps a remarkable year for Jacobs-Jenkins, who in addition to winning back-to-back Tonys — his Appropriate won best play revival in 2024 — earned the Pulitzer Prize for Purpose. Jacobs-Jenkins becomes the first black playwright to win for best new play since August Wilson took home the trophy in 1987 for Fences. He urged Tony viewers to support regional theatres. Purpose was nurtured in Chicago. Kara Young — the first black female actor to be nominated for a Tony Award in four consecutive years — became the first black person to win two Tonys consecutively, with the featured actress in a play trophy for her work in Purpose. Young thanked her parents, Jacobs-Jenkins, her cast and director Phylicia Rashad. 'Theatre is a sacred space that we have to honour and treasure, and it makes us united,' she said. Sunset Blvd., with Nicole Scherzinger starring as a fallen screen idol desperate to reclaim her fame, won best musical revival, handing composer Andrew Lloyd Webber his first competitive Tony since 1995, when the original show won. The current version is a stripped-down, minimalist production. Sarah Snook took home the trophy for leading actress in a play for her tireless work in The Picture of Dorian Gray, where she plays all 26 roles. 'I don't feel alone any night that I do this show,' Snook said, dismissing the idea of her play as a one-woman show. 'There are so many people onstage making it work and behind the stage making it work.' 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Erivo then appeared at the stage in a red, spangly gown with white accents, hip cocked, as she launched into the slow-burning original song Sometimes All You Need Is a Song, written by Marc Shaiman, Scott Wittman, Benj Pasek and Justin Paul. Initially alone with just a pianist, Erivo's soaring voice was soon joined by dozens of members of the Broadway Inspirational Voices choir, all dressed in white, making her look like a powerful strawberry in a bowl of whipped cream. In her opening comments, she singled out first-time nominees Louis McCartney, Sadie Sink, Escola and 'an up-and-comer that I think you're going to really be hearing quite a bit about — George Clooney'. She noted that the 2024-2025 season took in 1.9 billion dollars (£1.46 billion), making it the highest-grossing season ever and signalling that Broadway has finally emerged from the Covid-19 blues. 'Broadway is officially back,' Erivo said. 'Provided we don't run out of cast members from Succession,' a nod to appearances this season by former co-stars Snook and Kieran Culkin and last season by Jeremy Strong. She and Sara Bareilles duetted for a moving in memoriam section, singing The Sun Will Come Out from Annie, and honouring its composer Charles Strouse as well as George Wendt, Richard Chamberlain, Athol Fugard, Joan Plowright, Quincy Jones, Linda Lavin, James Earl Jones and Gavin Creel. Erivo was an amiable host, at one point appearing in the second mezzanine to comment that everyone likes the view from theatre balconies — except perhaps Abraham Lincoln. She had fun with Winfrey later on, telling her to check under her chair, where she found a gift bag with a toy automobile. 'You get a car!' Erivo cracked. The best book and best score awards went to Maybe Happy Ending, a rom-com between androids, with lyrics written by Hue Park and music composed by Will Aronson. Its director, Michael Arden, won — 'Happy Pride!' he said — and it also picked up best scenic design of a musical. Justin Peck and Patricia Delgado won for choreographing Buena Vista Social Club, and Peck noted a song from the renowned original album was played at their wedding. The musical takes its inspiration from Wim Wenders' 1999 Oscar-nominated documentary on the making of the Cuban album. Best costumes in a play went to Marg Hornwell for The Picture of Dorian Gray, while Death Becomes Her won the musical counterpart, a win for Paul Tazewell in a year where he also became the first black man to win an Oscar for designing costumes, for Wicked. 'I have dressed so many of you out there,' he said from the podium. Harvey Fierstein, the four-time Tony winner behind Torch Song Trilogy and Kinky Boots, was honoured with a lifetime achievement Tony and became emotional during his speech: 'There is nothing quite like bathing in the applause of a curtain call, but when I bow, I bow to the audience, with gratitude, knowing that without them I might as well be lip-syncing showtunes in my bedroom mirror. 'And so I dedicate this award to the people in the dark.'
