‘Tatami' Review: A Bitter Fight, Both on and Off the Mat
In the beginning of 'Tatami,' Leila (Arienne Mandi), a flinty Iranian judoka competing in the World Judo Championships, looks unstoppable. A gold medal seems within reach, which would be a first for Iran in the tournament's history.
Unfortunately for Leila, hers isn't a feel-good underdog story — more like a Kafkaesque nightmare. Winning gold is negligible to her authoritarian government; it's more concerned with her obedience.
Directed by Guy Nattiv and Zar Amir (a rare collaboration between an Israeli and an Iranian filmmaker), 'Tatami' draws inspiration from the real-life experiences of Iranian athletes who were punished or forced to seek asylum abroad after refusing to wear a hijab during their international sporting events. We see Leila defiantly release her black mane of hair on several occasions — as in flashbacks to her life in Tehran in which she's in bed with her husband or partying at an underground club.
But it's not Leila's hijab that's the problem: Midway through the tournament, Leila's coach, Maryam (Amir, an Iranian exile herself), gets a call from the Iranian authorities demanding that Leila fake an injury and drop out immediately to avoid competing against an Israeli athlete. (Iran doesn't recognize Israel, and forbids its athletes from competition with Israeli athletes.)
The script is annoyingly fuzzy on these details, brushing knotty geopolitics aside for a more straightforward story about the oppression of Iranian women and the menacing, absurd ways in which they're policed. We see plenty of Leila's scuffles on the mat, shot stylishly in velvety black and white, but the meat of the conflict happens on the sidelines and in the corridors of the stadium. That is where Leila (who refuses to to stop competing) and Maryam lock horns; the Iranian government's cronies appear dressed as plain-clothed spectators; and the tournament's organizers struggle to decide how best to protect Leila.
The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage.
TatamiNot rated. Running time: 1 hour 45 minutes. In theaters.
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‘Tatami' Review: A Bitter Fight, Both on and Off the Mat
In the beginning of 'Tatami,' Leila (Arienne Mandi), a flinty Iranian judoka competing in the World Judo Championships, looks unstoppable. A gold medal seems within reach, which would be a first for Iran in the tournament's history. Unfortunately for Leila, hers isn't a feel-good underdog story — more like a Kafkaesque nightmare. Winning gold is negligible to her authoritarian government; it's more concerned with her obedience. Directed by Guy Nattiv and Zar Amir (a rare collaboration between an Israeli and an Iranian filmmaker), 'Tatami' draws inspiration from the real-life experiences of Iranian athletes who were punished or forced to seek asylum abroad after refusing to wear a hijab during their international sporting events. We see Leila defiantly release her black mane of hair on several occasions — as in flashbacks to her life in Tehran in which she's in bed with her husband or partying at an underground club. But it's not Leila's hijab that's the problem: Midway through the tournament, Leila's coach, Maryam (Amir, an Iranian exile herself), gets a call from the Iranian authorities demanding that Leila fake an injury and drop out immediately to avoid competing against an Israeli athlete. (Iran doesn't recognize Israel, and forbids its athletes from competition with Israeli athletes.) The script is annoyingly fuzzy on these details, brushing knotty geopolitics aside for a more straightforward story about the oppression of Iranian women and the menacing, absurd ways in which they're policed. We see plenty of Leila's scuffles on the mat, shot stylishly in velvety black and white, but the meat of the conflict happens on the sidelines and in the corridors of the stadium. That is where Leila (who refuses to to stop competing) and Maryam lock horns; the Iranian government's cronies appear dressed as plain-clothed spectators; and the tournament's organizers struggle to decide how best to protect Leila. The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage. TatamiNot rated. Running time: 1 hour 45 minutes. In theaters.
