logo
Brownstein: SNL vet Mikey Day making first appearance at JFL as fest pulls out all the stops

Brownstein: SNL vet Mikey Day making first appearance at JFL as fest pulls out all the stops

Mikey Day has no problem cracking up his Saturday Night Live colleagues during sketch performances on the show — and they've seen and heard pretty much everything. So it's a good bet he'll have no difficulty sending audiences here into hysterics when hosting a Just for Laughs gala July 26 at Théâtre Maisonneuve.
Day has performed and written some of the 50-year-old show's more memorable sketches. Even without opening his mouth, he sent TV viewers — and cast members — into convulsions doing Beavis and Butt-Head at an AI conference, with Ryan Gosling as the former and Day as … well … the butt of the bit.
'I feel I peaked with that one,' Day says in a Zoom interview.
Doubtful. He has also had audiences doubled over in the oft-recurring Eric and Donald Trump Jr. interplay, with his Don Jr. babysitting Alex Moffat's Eric. Or, opposite Tom Hanks, in the haunted David S. Pumpkins routines.
This will mark Day's first-ever appearance at JFL, but he is well aware of the fest and the comics who have played here, including many of his fellow SNL players discovered at the New Faces series.
'I'm an old face now,' he cracks. 'But it's shameful I've never been before. I'm definitely following in some mighty footsteps and just hope to come close to what many have done here in the past.'
The ever-self-effacing Day, 45, got his start in comedy collaborating with the famed Groundlings troupers in L.A. He has been holed up with SNL the last 12 seasons as a performer and writer and has earned an Emmy nomination for Outstanding Writing for a Comedy Series along the way. Yet he has no clue about how many sketches he has penned for the show over the years.
'I know I have written hundreds and hundreds. But I couldn't even guess. It's probably approaching 1,000, but not all, obviously, have made the show. I've definitely had some bombs, but luckily they're usually vetted out at dress rehearsal. Point is you cannot manufacture the magic of something that works.
'It all varies week to week. It's very much peaks and valleys, not taking the victories too seriously and not taking the failures too seriously. There's constant pressure. It's weird because everyone's very supportive of one another and it definitely feels like a family. And yet at the same time, there is only a limited amount of real estate on the show, so there is this kind of underlayer of competition. Thankfully, it doesn't really poison the dynamic.'
Day has no issues about making himself look ridiculous à la Butt-Head. He credits the British version of The Office with Ricky Gervais for inspiring him.
'The comedy in that show is all about the embarrassment and awkwardness. That kind of forms a lot of my sensibilities, like being humiliated on camera,' notes Day, who played Crackle in the Snap, Crackle and Pop trio in the Seinfeld cereal flick Unfrosted.
SNL's 50th anniversary this past season was particularly significant for Day and his longtime writing partner on the show, Streeter Seidell, with whom he is working on a Judd Apatow project.
'That was wild, with everything leading up to it. Luckily, I was in a couple of sketches and myself and Streeter wrote a couple of things, like the Kate McKinnon alien-abduction sketch. The whole thing was just incredibly surreal. ... There were a couple of (former cast members) I had never met, but you kind of instantly have this kinship, because the show pretty much operates the same since 1975. I do look back and can't believe I was part of something like that.
'I remember catching the Coneheads when I was 5, and it just blew my mind,' he adds. 'Now I hope to stay on the show as long as I possibly can. It's the greatest job in the world, so addictive and perfect for my kind of creative ADD mind. I want to stay until I can only play grandfathers — or most Congressmen and senators.'
Festival on the rebound
It turns out the JFL announcement made a month ago was but a soupçon of what was to come for a festival clearly on the rebound. The latest communiqués indicate we will be bombarded with chuckles on a scale the likes of which we haven't seen for years.
Sylvain Parent-Bédard, the JFL president and CEO, took over a year ago amid much tumult and put out a limited program then with very little lead time. This year's 43rd edition, running July 16-27, appears to be pulling out all the stops.
In addition to the previously reported news of Mae Martin, Danny Bhoy, Russell Peters and Brad Williams coming here, it has been announced that satirist supreme Roy Wood Jr. (The Daily Show) will join Day, Michelle Buteau and Fortune Feimster as gala hosts, and up-and-comers Ralph Barbosa, Joe Dombrowski and Carlos Ballarta will do solo shows.
And what would JFL be without its most enduring, most popular series, the Nasty Show? A new collection of filth-mongers are primed to deliver, helmed by viral sensation Che Durena and featuring shock-meisters Jiaoying Summers, Reggie Conquest, Jay Jurden and Amos Gill.
Also up there on the enduring popularity front is the Culture Show (né Ethnic Show). Another new batch of comics will be centre stage here as well. Host is Asif Ali (Deli Boys), and performing will be Frankie Quiñones and Andrea Jin.
Considered can't-miss by comedy aficionados and for which JFL could well be best known is the New Faces series, from which some of this continent's hottest stars have emerged. Getting their big breaks here were once unknowns like Kevin Hart, Amy Schumer, Ali Wong and Jo Koy plus future SNL cast members like Jimmy Fallon, Pete Davidson, Heidi Gardner and Marcello Hernandez.
Not finished yet
Off JFL, considered the fest's edgier sib and also a launching site for stars of tomorrow, returns this year with a veritable army of standups who won't be mincing words or actions. Among those to watch out for are Russell Howard, Emil Wakim, Nish Kumar, K. Trevor Wilson, Celia Pacquola, My Straight Friends, Amos Gill, Jiaoying Summers, Ivan Decker, Jay Jurden and Montrealers Tranna Wintour and Robby Hoffman.
Off JFL is home for Best of the Fest, early editions of the Midnight Surprise, Sunday Night Improv and — yay — the Montreal Series: The Montreal Show.
In keeping with the pattern being set in the Nasty Show and Culture Show series, the much-loved Montreal shows, taking place July 18 at 8:30 p.m. and 10 p.m. at Café Cléopâtre, will also showcase a different breed of local talents. To wit: host of the 8 p.m. performance is Eva Alexopoulous and appearing will be Kyra Carleton, Tom Murphy, Joanna Selvarajah, Mike Carrozza and Wassim El-Mounzer, a bright light who is certainly going places. At the helm of the 10 p.m. show is Alasdair Tremblay-Birchall and featured will be Claudine Napoleon, George Assily, Raajiee Chelliah, Olivia Benaroche and Arthur Sim Jr.
This year's JFL won't be confused for festivals of yore. It is definitely moving on with a dynamic coterie of standups ready to take their place.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Disney and Universal sue AI firm Midjourney for copyright infringement
Disney and Universal sue AI firm Midjourney for copyright infringement

CBC

timea day ago

  • CBC

Disney and Universal sue AI firm Midjourney for copyright infringement

Disney and Universal have filed a copyright lawsuit against popular artificial intelligence image-generator Midjourney, marking the first time major Hollywood companies have entered the legal battle over generative AI. Filed in federal district court in Los Angeles on Wednesday, the complaint claims Midjourney pirated the libraries of the two Hollywood studios to generate and distribute "endless unauthorized copies" of their famed characters, such as Darth Vader from Star Wars and the Minions from Despicable Me. "Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing," the companies state in the complaint. The studios also claimed the San Francisco-based AI company ignored their requests to stop infringing on their copyrighted works and to take technological measures to halt such image generation. Midjourney didn't immediately respond to a request for comment Wednesday. WATCH | AI's effect on the creative industry: How is AI affecting the creative media industry? 1 year ago Duration 10:10 For many, artificial intelligence is a tool. For others, it represents plagiarism and theft of intellectual property. Lorelei Pepi, a professor of animation at Emily Carr University in Vancouver, joins our Dan Burritt in conversation to unpack AI's impact on the creative sector. In a 2022 interview with The Associated Press, Midjourney CEO David Holz described his image-making service as "kind of like a search engine," pulling in a wide swath of images from across the internet. He compared copyright concerns about the technology with how such laws have adapted to human creativity. "Can a person look at somebody else's picture and learn from it and make a similar picture?" Holz said. "Obviously, it's allowed for people, and if it wasn't, then it would destroy the whole professional art industry. Probably the nonprofessional industry, too. To the extent that AIs are learning like people, it's sort of the same thing, and if the images come out differently, then it seems like it's fine." Major AI developers don't typically disclose their data sources but have argued that taking troves of publicly accessible online text, images and other media to train their AI systems is protected by the "fair use" doctrine of American copyright law. The studios' case joins a growing number of lawsuits filed against developers of AI platforms — such as OpenAI and Anthropic — in San Francisco and New York.

Disney, Universal sue AI image-generator Midjourney for copyright infringement
Disney, Universal sue AI image-generator Midjourney for copyright infringement

Globe and Mail

timea day ago

  • Globe and Mail

Disney, Universal sue AI image-generator Midjourney for copyright infringement

Disney and Universal have filed a copyright lawsuit against popular artificial intelligence image-generator Midjourney on Wednesday, marking the first time major Hollywood companies have enter the legal battle over generative AI. Filed in federal district court in Los Angeles, the complaint claims Midjourney pirated the libraries of the two Hollywood studios to generate and distribute 'endless unauthorized copies' of their famed characters, such as Darth Vader from Star Wars and the Minions from Despicable Me. 'Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' the companies state in the complaint. The studios also claimed the San Francisco-based AI company ignored their requests to stop infringing on their copyrighted works and to take technological measures to halt such image generation. Midjourney didn't immediately respond to a request for comment Wednesday. Getty Images and Stability AI face off in first major copyright trial for AI industry Toronto AI company Cohere asks U.S. court to dismiss media publishers' copyright lawsuit In a 2022 interview with the Associated Press, Midjourney CEO David Holz described his image-making service as 'kind of like a search engine' pulling in a wide swath of images from across the internet. He compared copyright concerns about the technology with how such laws have adapted to human creativity. 'Can a person look at somebody else's picture and learn from it and make a similar picture?' Holz said. 'Obviously, it's allowed for people and if it wasn't, then it would destroy the whole professional art industry, probably the non-professional industry too. To the extent that AIs are learning like people, it's sort of the same thing and if the images come out differently then it seems like it's fine.' Major AI developers don't typically disclose their data sources but have argued that taking troves of publicly accessible online text, images and other media to train their AI systems is protected by the 'fair use' doctrine of American copyright law. The studio' case joins a growing number of lawsuits filed against developers of AI platforms – such as OpenAI and Anthropic – in San Francisco and New York. Meanwhile, the first major copyright trial of the generative AI industry is underway in London, pitting Getty Images against artificial intelligence company Stability AI.

Disney and Universal sue AI firm Midjourney for copyright infringement
Disney and Universal sue AI firm Midjourney for copyright infringement

CTV News

timea day ago

  • CTV News

Disney and Universal sue AI firm Midjourney for copyright infringement

A Darth Vader costumed character poses at the Hasbro and Amazon Star Wars interactive Imperial March experience at the Empire State Building on Thursday, March 21, 2024, in New York. (Photo by Evan Agostini/Invision/AP, file) NEW YORK — Disney and Universal have filed a copyright lawsuit against popular artificial intelligence image-generator Midjourney on Wednesday, marking the first time major Hollywood companies have entered the legal battle over generative AI. Filed in federal district court in Los Angeles, the complaint claims Midjourney pirated the libraries of the two Hollywood studios to generate and distribute 'endless unauthorized copies' of their famed characters, such as Darth Vader from Star Wars and the Minions from Despicable Me. 'Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' the companies state in the complaint. The studios also claimed the San Francisco-based AI company ignored their requests to stop infringing on their copyrighted works and to take technological measures to halt such image generation. Midjourney didn't immediately respond to a request for comment Wednesday. In a 2023 interview with The Associated Press, Midjourney CEO David Holz described his image-making service as 'kind of like a search engine' pulling in a wide swath of images from across the internet. He compared copyright concerns about the technology with how such laws have adapted to human creativity. 'Can a person look at somebody else's picture and learn from it and make a similar picture?' Holz said. 'Obviously, it's allowed for people and if it wasn't, then it would destroy the whole professional art industry, probably the nonprofessional industry too. To the extent that AIs are learning like people, it's sort of the same thing and if the images come out differently then it seems like it's fine.' Major AI developers don't typically disclose their data sources but have argued that taking troves of publicly accessible online text, images and other media to train their AI systems is protected by the 'fair use' doctrine of American copyright law. The studio' case joins a growing number of lawsuits filed against developers of AI platforms — such as OpenAI, Anthropic — in San Francisco and New York. Shawn Chen, The Associated Press

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store