'I was Grange Hill legend Zammo now I'm a locksmith after horror crash ended my dream'
Zammo McGuire had one of the most infamous story lines on Grange Hill after becoming a heroin addicts, but life for the actor after leaving the show took a different turn
For a generation of viewers, he was the fresh-faced trouble-prone kid of Grange Hill, but since he graduated, Lee Macdonald's life trajectory took a turn after a nasty accident changed his dream.
Ingrained into the memory of a generation who grew up in the 1980s, Lee Macdonald - who played Zammo Mcguire - made his way into houses across the country, and even into the White House as he and some of the cast were invited to Washington DC after Nancy Reagan watched the show.
Zammo was the classic 'cheeky chap' youngster with bags of charm but who was easily swayed down the wrong path, but this time it wasn't getting in trouble for getting into a playground scrap.
The show known for introducing some of the biggest issues of the time to a young audience had storylines centred around racism, teenage pregnancy, HIV and AIDS, and in this case drug addiction.
Zammo's story arc in particular struck with families becoming one of the most popular and controversial stories of the show as he was lured down the path of heroin addiction, leading to the infamous scene of him nearly overdosing when he was found slumped in a toilet.
The character became the face of the "Just Say No" anti-drug campaign that swept across the world in the 80s, with the Grange Hill cast even having a top five UK chart hit with their anti-drugs charity track, Just Say No.
But after his five-year spell on the show would come to an end in 1987, his time in front of the camera would take a hiatus. Partly something he claims was done due to the damage of the association with drugs, reports Sky.
But speaking about his time on the show to The Guardian, he had overwhelmingly positive things to say: "I was doing something I really enjoyed, getting paid for it and I was getting loads of girlfriends. My schoolwork never suffered; I was never bullied at school. It was the best thing I ever did, and if I could do it all again I would.'
Instead, he looked to turn his hobby of boxing into a career, however tragedy would strike just years later. When he was 21, Macdonald was left with severe head injuries after being involved in a nasty car crash that rendered his boxing career over before it had even started.
But since then he found things outside acting, buying up a locksmith in Surrey in 2000, with his old Grange Hill days coming in useful for mustering up business. He added: 'I went round local estate agents, and they would go: 'Zammo!' A lot of the work now I've got is from it.'
His website for the business even has the moniker: 'Just say no to the rest!'
But despite the locksmith business paying most of the bills, in more recent years, he's still been popping up on our television screens - most notably with small roles on EastEnders, The Bill and Neighbours.
In June last year, the actor also shared his health battle with the world, revealing that he had been diagnosed with skin cancer after spotting an "unusual spot on my face".
Posting to social media he added: "As we get older please keep an eye on anything unusual and hopefully get it looked at early!!! Booked in to get it sorted over the next couple of days."
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The Guardian
an hour ago
- The Guardian
Little Simz on breakthroughs, betrayal and becoming one of the UK's best-ever rappers: ‘I don't want to shy away from how I feel'
It's an unseasonably warm spring afternoon and sunlight is beaming through the floor-to-ceiling windows of a north London photo studio. When I arrive, Little Simz is out on the balcony. Wearing chunky sunglasses, a skirt and comfy cardigan, she sits on a chair with her back to the sun, eyes on the horizon, and pulls her legs up, wrapping her arms around her knees in a defensive position that's verging on foetal. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. It's curious body language for an artist at the top of her game. At 31, Simz is looking out at a city she can justifiably claim to have conquered since emerging as a teenage rapper more than a decade ago. But that's not where she's at right now. 'I genuinely felt like I could disappoint everyone,' Simz says when I ask about the making of her sixth album, Lotus. She gives an impression of what she said to her team at the start of the process. 'Sorry, everyone, this could be a big waste of your time, and if it is, I'm truly sorry, but I'm just not confident right now.' The crisis felt terminal, Simz tells me. It sprang from creative fatigue: six albums in a decade and relentless touring tends to do that to solo artists. That spark she naturally had in the studio just wasn't there this time, perhaps exacerbated by a very public schism with her friend, collaborator and producer Inflo. They are now embroiled in a messy legal battle over an alleged £1.7m in unpaid loans. She's explained the album title as a reference to 'one of the only flowers that thrive in muddy waters', but the seas she's been swimming in appear shark infested rather than just murky. She was close to calling it quits. At one point Simz sat down with Lotus producer Miles Clinton James to lay her cards on the table. 'I was just real with him. I said, 'Look, whatever you think this Little Simz shit is … I can't guarantee that's possible because I'm not even feeling it myself.' 'I just was a bit lost, to be honest,' Simz says. The first time I saw Simz perform was 11 years ago in a dark basement club in east London. She was still a teenager, making her live debut as a support act for the Atlanta rapper Future – tall, skinny and absolutely not fazed by a crowd made up of industry types as well as hardcore rap fans. Contemporary hip-hop can sometimes seem like a game of style over substance – more about the number of followers, the degree of posturing and the right connections than actual ability on the mic. Simz is an antidote to those excesses. Watching her at Glastonbury last year, she appeared with a backing band and little else, dropping into a cappella moments where her voice and lyrical ability were the only tools she needed. But even then, in that little basement back in 2014, she looked born to do it. Since that debut she has risen to become arguably the most exciting British musician of the last decade. There have been awards: a Mercury prize, an Ivor Novello, a Brit and a handful of Mobos. All of her albums have been critically praised, but the last three have cemented her as a mainstream success and darling of the critics. This year she's curating Meltdown, following in the footsteps of Grace Jones, David Bowie and Chaka Khan, and bringing herself, plus The Streets and Tiwa Savage, to London's Southbank Centre. She's also shooting two films, both still under wraps. And there have been viral online moments, too: a Chicken Shop date with Amelia Dimoldenberg where she talked about her love of Bell Hooks and Muay Thai kickboxing; and a few weeks back she freestyled with Usher after one of his sold-out O2 shows. What does she think young Simz would make of the artist she's become today? 'I think she'd just be proud,' she says, looking out over the London skyline. 'Like, wow, you actually did it. You actually did what you set out to do.' Did she have an established list of goals? 'Definitely playing the O2,' she says after a moment's thought. 'Even though that's not happened yet, it's happening.' Simz is set to play the venue in October, as part of a UK arena tour in support of Lotus. 'Even that is a crazy thing to wrap my head around,' she says. 'Or even just, like, going to the States and performing in New York, or curating Meltdown. I don't even think I knew what Meltdown was back then.' Born Simbiatu Ajikawo in 1994, Little Simz was raised in north London by her Nigerian mother Tola and three older siblings. Her father broke up with her mum and left the family home, which soon buzzed with activity thanks to a steady stream of foster children. 'I met so many different kids from all different walks of life who just became part of my family and who my mum nurtured and took care of,' Simz says. 'It was really beautiful. I gained newfound respect and appreciation for my family, knowing that it's not given that everyone has loving support … I never went a day without love.' When Simz won a Brit for best new artist in 2022, she brought her mum out on stage. 'It just really felt like she won best album that night and I just went up there to support her,' says Simz, who seems genuinely in awe of her mother. 'I thought, wow, you came to this country not knowing anyone, not knowing a word of English, and now your last born has just won a Brit … it's kind of crazy.' Growing up in north London, Simz experimented with various artistic disciplines. She danced (the hyperactive early 00s style known as krumping was a favourite); acted (starring in CBBC shows Youngers and Spirit Warriors); and rapped, appearing on stage at the O2 Academy aged 11, reciting her own work as part of a youth club also attended by Leona Lewis and Alexandra Burke. The competing creative avenues were all maintained until she hit her mid-teens and a clear winner emerged. 'When I was maybe, like, 14 is when music became my world. I was just so immersed in it. This is me. This is what I want to be when I get older,' Simz says. The artists she most looked up to were Missy Elliott and Ms Dynamite. 'Watching early Missy videos … the beats were hard, so I always wanted to dance to them and make routines for them.' But what really impressed Simz was her artistry and uncompromising approach. Told by executives she wasn't thin enough, Elliott shot videos with Hype Williams in billowing black costumes that made a feature of her body type rather than diminishing it. Simz has spoken before about industry figures encouraging her to wear sexualised outfits – something anathema to an artist whose lyrical ability is their superpower. 'I don't want to compromise on that, because at that point I'd stop being myself,' she says. 'But maybe something that I wasn't open to wearing when I was 18, I would now as a grown woman … It just has to feel right.' Like her other hero, Ms Dynamite, Simz addressed the absence of her father in her lyrics. While Dynamite didn't pull her punches ('I spent 23 years trying to be the fucking man you should be / Taking care of your responsibility / Putting clothes on our back and shoes on our feet, no help' is how she addressed it on her song Father), Simz is more reflective, generous even, in her assessment of her dad, who she still has no contact with. She's written about him before on I Love You, I Hate You, a standout moment from her Mercury prize-winning album from 2022, Sometimes I Might Be Introvert. Did his absence complicate her happy memories of childhood? 'It doesn't affect the memories I have growing up. It just wasn't meant to be between them … but I think there's still a lot of love there, and I'm sure my dad respects my mum having raised his children, you know? Now that I'm older, I definitely just understand that parents are flawed as well, and I get it. I've tried to not hold on to the anger, maybe that I once felt, or like this deep resentment … I'm just trying to let it go.' Was that hard to do? 'Definitely, 100%,' Simz says. 'Especially when you just internalise a lot of it. Like, did you not love me? Like, did you not …' There's a pause. 'I don't think it's any of that. I just think it is what it is, to be honest. But I've forgiven him.' That grace isn't something Simz extends to everyone. One issue that definitely isn't resolved is her relationship with Inflo, real name Dean Josiah Cover, the producer she's known since childhood and to whom she paid gushing tribute from the Mercury stage. ('I wanna say a thank you to my brother and close collaborator Inflo – Flo [has] known me since I was so young, he's stuck by me, we created this album together. There were times in the studio I didn't know if I was gonna finish this record, I was going through all the emotions … he stuck by me.') The pair met at Mary's Youth Club in north London and forged one of the most successful and close producer-artist relationships the UK has seen in the last decade. They didn't just work on Little Simz records, they were also part of Sault – the mysterious collective that also includes Inflo's wife Cleo Sol and Michael Kiwanuka. They didn't play live. Albums were dropped without warning or promotion. They oscillated between R&B, neo-soul and funk, all underpinned by Inflo's production, earning the group a Mercury nomination in 2021. But it's fair to say that a lot has changed in the last three years. Lotus feels like a breakup record of a sort, not romantic but still deeply personal, as the Simz/Inflo partnership is pulled apart and dissected. In late 2023, Sault put on a gig at the Drumsheds. It's a huge venue in north-east London that used to be an old Ikea store, which they filled with string sections, choristers and teams of dancers. Tickets were priced at £99 a pop, and sold out rapidly. One punter said it was like a mix of Kendrick Lamar's performance at Glastonbury, a Punchdrunk immersive theatre production, the London 2012 opening ceremony and Talking Heads' classic concert film Stop Making Sense, 'and it was also like nothing you've ever seen'. The whole thing cost around £1m, which Simz claims she mostly bankrolled, lending the money to Inflo. Simz's legal team says she also made significant payments to her former producer to cover recording costs. Inflo's legal team disputes the details of the claims but he is yet to comment publicly; the case is ongoing. 'Clarity' and 'directness' are the two words Simz uses to sum up her mindset going into the recording process for Lotus. From the opening track Thief, it's clear what she's focusing on. There are barbs ('You talk about god when you have a god complex, when I think you're the one who needs saving … '), score settling ('We went for 100 down to nought, and yes it is all your fault … your name wasn't popping until I worked with you') and accusations ('This person I've known my whole life, coming like the devil in disguise. My jaw was on the floor, my eyes have never been so wide … '). It's all delivered with a snarl and a driving bassline that wouldn't sound out of place on a Nick Cave murder ballad. Her track Lonely features the lines, 'Team falling apart and I'm caught in the crossfire / You selling me lies and saying I must buy'; while on Hollow she raps, 'You want the best for me allegedly / But all you got is evil eye and jealousy … You was moving like one leech.' Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Simz describes the schism as 'a bit of a violent ending' and she doesn't leave anything to the imagination on the record: there's not an olive branch in sight. Although Inflo isn't mentioned by name, it doesn't take a forensic investigator to figure out who the chorus 'Selling lies, selling dreams … Thief!' might be aimed at, while 'I feel sorry for your wife' appears to be a reference to Inflo's partner, Cleo Sol. These are Fleetwood Mac levels of animosity. Surely there must be huge anxiety before airing all these things in public? 'I really just put my life out there and my diary essentially,' she says, sounding like rap's answer to Rachel Cusk. 'I just wanted to be true to the emotion, what I was feeling, and document it, and not shy away from how I feel about stuff, because I don't want things to eat me up and fester.' She emphasises that the desire for openness is about her mental health. 'Because I do think they eat you from the inside out. So for me to not let that happen, I needed to talk about it in so many different ways … from a place of pure hurt and anger and frustration, to a place of sadness.' Simz has spoken before about her experiences with therapy, in order to cope with seeing friends go to prison, and after the 2018 murder of the model Harry Uzoka – another childhood friend, who was stabbed in west London. Simz stayed off social media in the hours after the news broke, instead choosing to go into the studio and write Wounds, an anti-knife crime track on her album Grey Area. Now it seems the place she's working out her feelings is the recording studio. And she's under no illusions that there's a road back to working with Inflo or as part of Sault, who are still releasing new music (though the collective's Michael Kiwanuka features on the title track, Lotus). 'I'm really proud of myself that I was able to do that,' she says. 'There's a legacy built; amazing music was made and I will always love those songs. I'm super proud of that work, but it's just a new time and a new chapter in my life.' Can she still listen to the music she made with Inflo as a solo artist and in Sault? 'If you have a kid with someone and it doesn't work out, you don't just stop loving the kid,' she says after a few moments. 'You can appreciate you've made something beautiful with someone and now grow in your separate ways.' Three things kept Simz grounded during the tumult of the last 18 months: family, God (she's credited the big man with helping her get the album finished) and her partner, the model Chuck Junior Achike. You rarely hear Simz speak about her relationship: is that intentional? 'I don't think I get asked that much,' she laughs. 'I do quite enjoy having that bit of privacy, but my partner's not a secret.' Then there's her favouite way to relax: Lego. 'I haven't done it in a while, but at one point I was banging them out in a day … just ordering bare Lego, getting a bit crazy with it.' How crazy? Did you recreate Middle-earth in your living room? 'I had one similar to this landscape,' she says looking out toward the Shard and the city skyline. 'I think it was, like, the London Eye, and I set up some nice bonsai trees, flowers and a jazz band.' What's the appeal? 'It just makes me feel like a kid,' Simz says. 'I'm not really thinking when I do it … it just feels really peaceful. I just feel really calm.' Cooking for loved ones (she makes a mean plate of jollof rice) and entertaining is another key part of the Simz downtime calendar, as well as taking photographs. 'Photography is something I've loved for many, many years,' Simz says, beaming. 'I like just going out and shooting stuff.' Like what? 'Landscape stuff, or people, whatever. If I'm out in the middle of nowhere, I'll just shoot some sheep.' 'Sheep?' 'Yeah,' she says. 'They need to be represented, too!' We've swapped seats; she's now looking out over the capital, sunglasses on to protect against the glare. Amid the jokes there's a hard-won steeliness to Simz. Was it always there? Coming into the industry as a teenager, Simz says, she was 'super trusting, very open, very vulnerable' and genuinely believed that people worked in the industry because they just love music. 'That was my attitude towards things,' she says, laughing. 'People are just trying to make good art, because music's really gonna heal the world. Then obviously you get rude awakenings.' Lanre Bakare is the author of We Were There: How Black culture, resistance and community shaped modern Britain, published by Vintage Little Simz's new album, Lotus, is out now and she is curating Meltdown, 12-22 June, at Southbank Centre, London.
Daily Mirror
2 hours ago
- Daily Mirror
TV teen who needed French polisher in Yellow Pages ad unrecognisable 34 years on
One of the best-remembered ads for the Yellow Pages phone directory featured a floppy-haired teenager waking up to the aftermath of party he'd thrown while his parents were away Before the rise of the internet, we had the Yellow Pages, a comprehensive directory of local businesses – from advice centres to zoos – all vying for your custom, packaged in a hefty, distinctively coloured phone book. In the 1990s, the Reading-based company became famous for its unforgettable TV adverts, each new release bringing a buzz of anticipation akin to the unveiling of a new John Lewis Christmas advert today. These TV commercials even turned their stars into temporary celebrities, long before the era of reality TV, and gave birth to several catchphrases. Anyone around at the time will easily remember the Yellow Pages ad featuring elderly man searching for a book titled Fly Fishing by J R Hartley, with the surprising twist that it was Mr Hartley himself seeking his old publication. There was also the cheeky young lad standing on a stack of Yellow Pages to sneak a kiss under the Christmas mistletoe. And in 2003, Cold Feet actor James Nesbitt was enlisted to rejuvenate the brand, with the actor channelling his character Adam's hapless persona from the show, using the Yellow Pages to navigate tricky situations. But one of the most memorable adverts, first aired in 1991, featured a shaggy-haired teenager waking up on his living room floor after hosting a house party while his parents were away. Venturing into a bedroom, he stumbles upon a stranger on the bed, exclaiming: "Wake up! My parents fly back today," as a small group hastily tidies up the house. Then after his abject horror at noticing a scratch on a wooden table, he turns to the reliable Yellow Pages to find a solution. "Hello, French polishers?" he enquires over the phone, adding: "It's just possible you could save my life." The scratch is skilfully polished away in the nick of time and everything seems fine, until the final moment when the unfortunate lad realises that someone has doodled a beard and glasses onto a woman on one of the family's treasured paintings. The teenager in the advert was portrayed by Nottingham actor Simon Schatzberger, who later played Adrian Mole in a stage production in London's West End, and has since appeared as a Woody Allen-esque character in a stand-up comedy show. Now aged 57, he's also had a stint as David Klarfeld on the BBC soap Doctors and made appearances in EastEnders as a Rabbi, both in December 2018 and again in January 2019. His other television roles include Band Of Brothers, Daniel Deronda and Father Brown. In 2019, Yellow Pages announced it would cease printing its iconic directories, after more than half a century. The final editions of the once-indispensable guide were delivered in Brighton, the city where the directory's original copies were distributed. It boasted 104 editions, each customised to specific areas of the UK, with nearly 23 million copies circulated each year. And in 2023, a perfume was launched that even smelled like Yellow Pages, proving the brand lives on... sort of.
Daily Mail
10 hours ago
- Daily Mail
Coronation Street's Jack P Shepherd reveals 'shock' over soap awards snub as he reflects on his reaction during ceremony
Coronation Street star Jack P. Shepherd was left gobsmacked after being snubbed at this year's British Soap Awards – and his stunned reaction said it all. The 37-year-old, who has played David Platt since he was 12, had high hopes of adding a third gong to his shelf during Saturday night's star-studded event. But despite being one of the longest-serving and most recognisable faces on the cobbles, Jack lost out to Patsy Palmer and her Eastender's character Bianca Jackson. While he congratulated the winner, Jack couldn't help but reveal how 'shocked' he was and felt the award should have been his, as he declared the was 'fuming'. Speaking on his podcast On The Sofa with co-stars Ben Price and Colson Smith, the star admitted he couldn't hide his reaction when the camera panned on him. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the Daily Mail's new Showbiz newsletter to stay in the loop. The 37-year-old, who has played David Platt since he was 12, had high hopes of adding a third gong to his shelf during Saturday night's star-studded event but lost out to Patsy Palmer and her Eastender's character Bianca Jackson Colson said: 'You worked so hard to receive this Best Comedy nomination...' to which Jack replied: 'I have. 'I've been trying for years to get a nod for comedy cos I've never been nominated for it before.' Colson then probed: 'And how are you feeling about the result? Your frenemy...' Jack admitted: 'It was a shock. It was a shock. If you watched it, you will notice that my reaction is genuine. 'I'm completely blown away. I didn't win. I couldn't hide it.' Bursting into fits of laughter, Ben, 53, who plays Jack's onscreen brother Nick Tilsey joked: 'I was sat behind you and I'd gone. 'I couldn't think of anything more funny then not winning the comedy and then Patsy winning it who'd been in Big Brother with you - and then name checking you saying "I thought Jack would win"' To which Jack exclaimed: 'And then I said "So did I!"' Ben then asked: 'Were you fuming? Was that your fuming face?' 'Yeah' said Jack. 'I was just blown away. I was as much blown away as winning Big Brother as I was losing that award.' Speaking on his podcast On The Sofa with co-stars Ben Price and Colson Smith (pictured) Jack admitted while he congratulated the winner, he was 'shocked' and felt the award should have been his, as he declared the was 'fuming' Meanwhile Patsy left both the crowd and viewers at home in stitches during the British Soap Awards, as she went off in a tangent about vaginas during her award acceptance speech It was the BBC 's EastEnders that cleaned up on the night with eight awards while Hollyoaks received three, Emmerdale two and Coronation Street only one. Meanwhile Patsy left both the crowd and viewers at home in stitches during the British Soap Awards, as she went off in a tangent about vaginas during her award acceptance speech. The actress, 53, won the prize for Best Comedic Performance at the annual ceremony, held on Saturday night at London 's Hackney Empire. As she took to the stage to accept the gong, Patsy got rather sidetracked, as she deliver an ode to vaginas, that had the audience breaking down into laughter. She made the X-rated remarks in reference to EastEnders' live 40th anniversary special, which saw Bianca having to help sister Sonia (Natalie Cassidy) give birth after they became trapped in the Queen Vic with cousin Lauren (Jacqueline Jossa) following the explosion. The scene had viewers cracking up as Bianca and Lauren argued over who had to help, with both reluctant to get up close and personal with the birth. It culminated with Bianca taking a huge glug from a bottle of brandy for some liquid courage, before declaring the now-iconic line: 'It's only a noony Lauren!' Referencing the hilarious moment, Patsy began her speech: 'Listen I haven't prepared a speech, because I really thought Jack was gonna win. 'To be able to funny in all what of we've seen tonight is nothing short of miracle really. I'd like to thank Shona McGarty for leaving, because if she hadn't have left I wouldn't have come back. 'I wasn't expecting that and I'm so glad I did because then I stayed for the 40th and that was really where we celebrated the women's vagina!' However, Patsy didn't stop there, valiantly continuing on to add: 'I think vaginas have always been funny.' She then changed tone to express her thanks to show and even choked back her tears, as she gushed: 'All jokes aside, coming back to EastEnders after quite some time has been the most amazing experience for me and I'm so grateful. Beyond grateful. 'And I'm not going to cry, so I'm going to go, because it is a comedy award. But you really have no idea what a gift it's been for me to come back.' Viewer Voted Categories: Best British Soap: Coronation Street EastEnders - WINNER Emmerdale Hollyoaks Best Leading Performer: Kellie Bright (Linda Carter, EastEnders) Eden Taylor-Draper (Belle Dingle, Emmerdale) Beth Cordingly (Ruby Miligan, Emmerdale) Villain of the Year: Calum Lill (Joel Deering, Coronation Street) Navin Chowdhry (Nish Panesar, EastEnders) - WINNER Ned Porteous (Joe Tate, Emmerdale) Tyler Conti (Abe Fielding, Hollyoaks) Best Comedy Performance: Jack P Shepherd (David Platt, Coronation Street) Patsy Palmer (Bianca Jackson, EastEnders) - WINNER Nicola Wheeler (Nicola King, Emmerdale) Nicole Barber-Lane (Myra McQueen, Hollyoaks) Panel Voted Categories: Best Family: The Platts (Coronation Street) The Slaters (EastEnders) The Dingles (Emmerdale) The Osbornes (Hollyoaks) - WINNER Best Dramatic Performance: Peter Ash (Paul Foreman, Coronation Street) Steve McFadden (Phil Mitchell, EastEnders) - WINNER Eden Taylor-Draper (Belle Dingle, Emmerdale) Isabelle Smith (Frankie Osborne, Hollyoaks) Best Single Episode: Mason's death (Coronation Street) Phil's psychosis: the Mitchells in 1985 (EastEnders) - WINNER April's life on the streets (Emmerdale) Hollyoaks time jump (Hollyoaks) Best On-Screen Partnership: Alison King and Vicky Myers (Carla Connor and Lisa Swain, Coronation Street) Rudolph Walker and Angela Wynter (Patrick and Yolande Trueman, EastEnders) - WINNER William Ash and Beth Cordingly (Caleb and Ruby Miligan, Emmerdale) Nathaniel Dass and Oscar Curtis (Dillon Ray and Lucas Hay, Hollyoaks) Best Newcomer: Jacob Roberts (Kit Green, Coronation Street) Laura Doddington (Nicola Mitchell, EastEnders) Shebz Miah (Kammy Hadiq, Emmerdale) Isabelle Smith (Frankie Osborne, Hollyoaks) - WINNER Best Storyline: Paul's battle with MND (Coronation Street) Phil Mitchell: Hypermasculinity in crisis (EastEnders) Belle and Tom - Domestic Abuse (Emmerdale) Sibling sexual abuse (Hollyoaks) - WINNER Best Young Performer: Will Flanagan (Joseph Winter-Brown, Coronation Street) Sonny Kendall (Tommy Moon, EastEnders) Amelia Flanagan (April Windsor, Emmerdale) - WINNER Noah Holdsworth (Oscar Osborne, Hollyoaks) Scene of the Year: Amy's deathly plunge reveals a grisly secret (Emmerdale)
