David Sedaris, aka Crumpet the Elf, will bring live show to Minneapolis and Duluth
Dress the family in corduroy and denim; David Sedaris is coming to Minneapolis and Duluth.
The humorist and author will head to the Orpheum Theatre in Downtown Minneapolis on Oct. 20 for An Evening with David Sedaris. The night before, he'll bring the same show to the NorShor Theatre in Duluth.
Known for appearances on NPR and best-selling books like Me Talk Pretty One Day and Holidays on Ice, he'll bring his expansive tour through a big chunk of the Upper Midwest, including stops in Des Moines, Milwaukee, Viroqua, Madison, and Green Bay.
Tickets to see the author formerly known as Crumpet the Elf will go on sale at 10 a.m. on Friday, June 6.This story was originally reported by Bring Me The News on Jun 5, 2025, where it first appeared.
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San Francisco Chronicle
05-08-2025
- San Francisco Chronicle
‘My Fair Lady' transformed into a love triangle? S.F. Playhouse shows how
If 'My Fair Lady' is open-ended as written, San Francisco Playhouse just walked through that door into a whole new musical. Fight me, purists, but the possibilities are all right there, in the way Alan Jay Lerner and Frederick Loewe's masterpiece flouts the expectations of the well-trod enemies-to-lovers arc. Domineering phoneticist Henry Higgins and his feisty pupil Eliza Doolittle don't conclude on earnest declarations, back-bending kisses and a happily ever after. In the last line, after a fight, all Henry says is 'Eliza? Where the devil are my slippers?'— which various directors have wordlessly steered in different directions. In Bartlett Sher's magnificent revival, which toured BroadwaySF's Orpheum Theatre four years ago, Eliza walked offstage at the end, a move that echoed Nora's famous door slam at the end of 'A Doll's House.' But in Bill English's production, which opened Wednesday, July 9, at San Francisco Playhouse, the ambiguity comes earlier, to intriguing effect. This time, when Henry (Adam Magill) first encounters Eliza (Jillian A. Smith) outside the opera and makes a bet with Colonel Pickering (Brady Morales-Woolery) that he can pass this flower girl off as duchess by scouring her of her Cockney accent, the sparks are more diffuse. Call it 'My Fair Lady' by way of 'Challengers.' It's not crazy to explore whether the feeling between Henry and Pickering is more than old-chap backslapping. The two keep referring to themselves as confirmed bachelors, and there's a whole song called 'Why Can't a Woman Be More Like a Man?' But Eliza's tangled up in all the hormones too. When the three collapse on a chaise after Eliza finally speaks with Received Pronunciation and servant Mrs. Pearce (Heather Orth) stumbles upon their knot of wayward limbs, it looks like she's interrupted a ménage à trois. Still, if anyone feels puppy love here, it's Pickering, thanks to Morales-Woolery's pleading eyes and pregnant pauses, and Freddy (Nicholas Tabora), who falls for Eliza during her first bumbling public attempt at uppercrust cosplay. In other productions, when Eliza and Henry face off over his callous treatment of her, the subtext is that each wants the other to admit a weakness that's at least partly sexual. This time, while that flicker never entirely dies, it's more about the fun of debating an equal in intellect and fearlessness. When they ask what we owe each other as humans and why we let caste dictate the answer, they're two people honestly trying to figure out what they are to each other in an Edwardian London that has no name for their relationship. Henry veers from high dudgeon to babyish self-pity like he's getting tempest-tossed, but Magill navigates the gnarly waves like a master surfer, each new thrash of feeling perfectly calibrated to show what's changed from the last. Meanwhile, Smith brings a sprite's mischief and an easygoing self-assurance to Eliza. When with her small stature she makes Magill's tall Henry flinch, her tittering triumph is like David's over Goliath. If singing doesn't always make Loewe's golden melodies gleam, plenty else compensates. Abra Berman's costumes are refreshingly unshackled to those of the 1964 Audrey Hepburn film. Here Eliza wears trousers underneath some of her open-front skirts with tiers of ruffles, suggesting how she's ready to mount a steed and chart her own path. The supporting cast excels. Chachi Delgado radiates joy in movement executing Nicole Helfer's choreography. As Mrs. Pearce, Orth steals scenes with single crisp choices — a retracted neck, lowered eyelids, a bouncy step. Jomar Tagatac, playing Eliza's dustman father Alfred, brings head-to-toe understanding of who his unapologetically self-interested character is, what he wants, how to get it and how that changes beat by beat. He mimes making sweet, sweet love to a broom and asks an audience member to marry him with equal conviction. With its witty, word-drunk lyrics and thirst-quenching songs, 'My Fair Lady' is always worth a revisit. What might strike you acutely this time around, however, is just how much more unlikely it would be for someone as impoverished as Eliza to make a similar class leap today. When a glowed-up Eliza tries to revisit her old back-alley stomping grounds, her former peers instinctively understand that they're not supposed to be around her. In our era, it's less about accent, but those caste walls seem all the thicker and higher.


New York Post
25-07-2025
- New York Post
‘Ginger Twinsies' review: Campy off-Broadway ‘Parent Trap' parody is millennial catnip
Theater review GINGER TWINSIES 80 minutes with no intermission. At the Orpheum Theatre, 126 Second Ave. Am I seeing double? If the answer is 'yes' at 'Ginger Twinsies,' you might be suffering from heatstroke. Because the funniest bit of writer-director Kevin Zak's stage parody of 'The Parent Trap' that opened Thursday night at the Orpheum Theatre in the East Village is the title characters' complete lack of resemblance. Advertisement The 11-year-old twin sisters, Hallie and Annie, both played by pasty, redheaded Lindsay Lohan in the 1998 film, are taken on here by a white guy, Russell Daniels, and a black woman, Aneesa Folds. They're a pair of hilarious adults, with Red Bull coursing through their veins, who couldn't look less alike. It's ludicrous that the girls' estranged parents, posh British fashion designer Elizabeth (Lakisha May) and salt-of-the-earth Napa Valley vintner Nick (Matthew Wilkas), can't tell these obviously different people apart. But we go along with it. And the result, stupid as it gets, is very funny. The entire off-its-rocker off-Broadway show, whose sole sin is occasionally trying too hard, is lovably loony. So, for that matter, is watching a room full of millennials, drunk on nostalgia, mouthing every word and knowing every beat of a 27-year-old kid's movie. Advertisement If you're 29 to 44 and fall into the 'Parent Trap' obsessive category, that would be a fruitful topic to bring up with your therapist next time. If you don't, well, congratulations. The Disney language barrier of 'Ginger Twinsies' will take a few minutes to ease into. But once you get the gist — and it ain't hard — the comedy amounts to an onslaught of wrecking-ball subtle jokes, barked so loud by the eight-person cast that the bowls of borscht a block away at Veselka vibrate. 4 Aneesa Folds and Russell Daniels star as Hallie and Annie in 'Ginger Twinsies.' Matthew Murphy 4 Lindsay Lohan's breakout role was as both twins in the 1998 film. Courtesy Everett Collection Advertisement Zak's smart realization is that 'The Parent Trap' actually functions as a solid stage farce. All the pieces are there: mistaken identities, a love triangle, English accents. Amping up the mischief, since the adult-aimed play can kick the cute movie's PG rating to the curb, plenty of sex humor is tossed in. As in the Nancy Meyers flick, after British Annie and American Hallie unexpectedly meet at summer camp and discover they're long-lost sisters, they decide to swap personas. Hallie jets to London and Annie heads to California to meet mom and dad and, eventually, force them back together. From there, 'Ginger Twinsies' takes fond childhood memories and stomps on them with ruthless mockery, a trivia night's worth of 1990s and aughts pop culture references, filthy humor and nuclear energy. Frankly, at times the show is too high-pitched; a Lindsay's Boot Camp at which even the slightest break is not permitted. So few breaths are taken, the actors' faces become redder than their wigs. Advertisement 4 The one-act comedy sends up Nancy Meyers' 1998 Disney movie. Matthew Murphy The octet runs like hamsters on a wheel on Beowulf Boritt's cabin set covered in kitschy cutouts. Think Big Ben hand-drawn in Crayola. But when the play confidently finds its groove in the middle, the Napa and London scenes, the ensemble's comedic skills knock us over like Lindsay Lohan was in that amnesia Christmas movie. Phillip Taratula is a scream as Meredith — Nick's viperous 26-year-old fiancée. The actor plays the misunderstood minx as a pantomime villain, who enters wearing an absurdly large hat only to take it off to reveal smaller and smaller versions of the same accessory. 4 As Meredith, Phillip Taratula enters wearing a gigantic hat. Matthew Murphy As the household help, Jimmy Ray Bennett sneeringly hops between upper-crust butler Martin and Annie's grandpa by barely lifting a hand-held mustache to his lip. And Grace Reiter plays vineyard worker Chessy like she's Roseanne Barr singing the National Anthem. In what could hardly be called a twist, Wilkas' Nick, the Dennis Quaid role in the movie, takes a sleeveless Village People turn. And May's Elizabeth goes on a hotel bender, making Whitney Houston cracks. The Orpheum's most famous tenant, 'Stomp,' opened years before 'The Parent Trap' hit theaters, and closed in 2023 after nearly three decades. Since then, the tricky venue has been something of a Goldilocks. Advertisement Some shows have proved too boffo. Others have been too amateurish or niche. While I don't suspect 'Ginger Twinsies' will find much of an audience beyond Disney+ subscriber millennials or curious St. Mark's bar-flies, it's the first tenant there in two years to strike me as just right.
Yahoo
11-07-2025
- Yahoo
Barack Obama charging twice as much as Beyoncé for top VIP package at London show
Barack Obama is giving Beyoncé a run for her money by charging more than double her top VIP ticket price for his upcoming London show, with packages going up to £1,790. The 44th president of the United States faced a number of challenges while in office, from steering the country through the 2008 financial crisis and passing healthcare reform, to managing ongoing wars and tackling climate change. He remains a hugely popular figure worldwide, with many eager to hear his take on today's issues, and judging by the prices, his fans are willing to pay. Titled An Evening With President Barack Obama, it is scheduled to take place at London's O2 Arena on September 24, followed by a date at Dublin's 3Arena on September 26. The top VIP package includes a photo opportunity with Obama, subject to security clearance, and is limited to one photo for every two guests. The Standard has confirmed that these tickets will only be sold in pairs, so solo attendees won't have the option to purchase this package or be paired with strangers for the photo. The package also offers early entry, VIP check-in, a commemorative ticket, a copy of his memoir A Promised Land, premium seats near the front, and post-show access to a private club with a bar and live music. In comparison, global superstar Beyoncé's top VIP tickets for her recent Cowboy Carter tour at Tottenham Hotspur Stadium cost around £860. Those included premium seats, early entry, exclusive merchandise, and access to private lounges. Beyoncé and Obama share history, with the singer performing the National Anthem at his second inauguration in 2013. Another VIP option offered by Obama is a £895 dining package that comes with a four-course meal at posh steakhouse Gaucho. This also includes a welcome glass of champagne, seating within the first ten rows, a copy of his book, and post-show access to the Seat Unique Club with a private bar and live entertainment. Other VIP prices start at £595, with standard tickets expected to be cheaper but likely to sell out fast. They go on sale at 10am on July 10. Organisers have also said that 100 tickets in each city will be set aside for charities. While Obama's shows are expected to fill up quickly, Beyoncé reportedly quietly gave away free tickets through London food banks after failing to sell out her six-date run in the capital.