
Tunnels below New Brighton arcade became secret wartime factory
Even at the height of World War Two, the women who worked at New Brighton's amusement arcade turned up for their shifts as usual.Only they were no longer there to sell tickets, run the stalls, or to serve seaside snacks in the cafe.Rather, they were there to toil in a secret underground factory producing millions of bullets and shell casings for the war effort. Later this year, the tunnels below the original Art Deco arcade in the Merseyside seaside resort will open to the public as a museum.
The factory become so important to the war effort that, after a 1944 concert at the nearby Liverpool Empire, Dame Vera Lynn showed her appreciation for the factory's women by singing for them.Thankfully for the Allies - including the US forces who took over the ground floor in 1943 as an ordnance base - knowledge of the factory was a closely guarded secret.A Luftwaffe aircrew bombing map, uncovered by local historian Cathy Roberts, shows that Nazi Germany was totally unaware of what was really going on inside the Wilkie arcade. "With all the shells and fuel in there, if it had been hit it would have taken out most of New Brighton," she said.
The New Palace Amusement Centre, next to the Floral Pavilion, was opened by Whilma Howe "Will" Wilkie in August 1939, at a cost equivalent to nearly £1m in today's money. But within a matter of weeks, fun was the last thing on anyone's mind. On 3 September, Britain declared war on Germany, which had invaded Poland two days before. Wilkie answered the call from the government for safe and secretive places that could be used for the war effort. The 100-year-old tunnels were cleared of sand, debris and stalactites and converted into an underground munitions factory. Many of the women who had worked on the dodgem cars, shooting galleries and bagatelles went to work below ground making the ammunition.The arcade's manager became the factory's foreman. With more than 100 acres of tunnels, there was plenty of space in which the women could work.Each week, they made more than 250,000 bullets and as many shell cases.
In 1943, the arcade building would become even more crucial to the war effort.In preparation for the Allied invasion of occupied Europe, US forces arrived in New Brighton. The ever-enterprising Wilkie once again answered the call to action, converting the ground floor of the arcade into a base for American engineers and technicians. Because the Americans' army vehicles and trucks were shipped in flat-pack form, they had to be assembled on Merseyside.As a result, the New Brighton arcade became US Ordnance depot O_616. To make way for the US servicemen, the ground floor was cleared, with all the rides, stalls and attractions being moved out into the car park. To this day, the outdoor area is still home to fairground attractions. "Wilkie was quite canny," said Ms Roberts. "So he kept promoting the amusement arcade with press advertisements so no-one would think it was anything else."
From the June 1944 D-Day landings onwards, the building continued to play a vital role.US Army vehicles damaged on Omaha Beach during the Normandy invasion were shipped back and repaired in the arcade. And the advancing Allies relied upon the bullets and shells that were continuing to be produced by the women working in the munitions factory below.Many traces of the factory survive to this day, and the arcade remains in the Wilkie family, with Whilma's grandson David at the helm.
LISTEN: Hidden Merseyside - the tunnels under New Brighton's arcade
Ms Roberts and other volunteers have been working to turn it into a museum to honour and remember the efforts made by everyone who worked there during the war.It opened to the public on Thursday's 80th anniversary of VE Day.The ticketed tour, with free entry for service personnel, was sold out. Ms Roberts said she hoped the museum would become a popular attraction when it reopens later in 2025."We always knew this place was important to the war effort," she said. "But over the years we have learned just how important it was."
Listen to the best of BBC Radio Merseyside on Sounds and follow BBC Merseyside on Facebook, X, and Instagram. You can also send story ideas via Whatsapp to 0808 100 2230.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
30 minutes ago
- Telegraph
A gentleman's guide to three-piece suit etiquette
The three-piece suit needs a bit of rescuing, the format having been hijacked by the Instagram manosphere and estate agents. We are an awfully long way from Indiana Jones in his Raiders of the Lost Ark professorial garb and, like a lot of the sartorial canon, various codes have been forgotten. The first thing to know is that a three-piece suit is the least formal of suit styles, perfectly demonstrated by Tom Hardy with his excellent and discerning use of RRL, a range from Ralph Lauren that's designed to be somewhat informal and more 'rustic'. This is the rule for both lounge suit and black tie, followed by double-breasted suits and two-piece single-breasted varieties. However, this wasn't always the case. The wearing of a waistcoat was essential in the nascent years of suiting because of a decree in October 1666 by King Charles II, mandating the wearing of a waistcoat for gentlemen. We know this because it was noted in Samuel Pepys' diary, reminding us of a time where people remembered to memorialise the more important matters. In the Regency era to much of the Victorian, order of the day for established houses was morning dress (a riding outfit - the morning was when gentlemen rode out) or frock coat in the daytime, and white tie in the evening, all requiring a waistcoat. As morning dress was replaced by the lounge suit and the frock coat was more or less isolated to the Court, the waistcoat was no longer a certainty in a man's daily wardrobe. In 1856, Edward VII commissioned Henry Poole to make him an 'evening lounge suit' in midnight blue, as he disliked dressing in white tie and preferred the growing trend of tailless jackets. Black tie was born, and waistcoats also began to fall out of favour for evening wear. More on 'Dirty Bertie' later. This heritage might explain the consensus that the wearing of a three-piece suit is occasion wear, which is why it's so prevalent at weddings. The hard-man credentials of Peaky Blinders have also made a lot of men feel confident that it's an agreeable way to dress up without losing any machismo. Whether you align with Tom Hardy and wear it casually, or want to wear the three-piece for something formal, there are rules that need to be kept in mind. Button know-how This is where we return to our wonderfully short-lived but sartorially consequential monarch, Edward VII. The question surrounding waistcoats often has to do with the bottom button. There are various disputes around the origin of this, but allow me to dispel things once and for all. Edward VII was perfectly able to wear the bottom button done up, no matter how large he was, his tailor would have taken it into account and an extra button would have made no difference at all. In fact, it was popped open for riding. This could easily have been for comfort but that is not necessarily a weight issue, rather the traditions of higher buttoning on riding garments - see morning coats, paddock-cut jackets and hunting pinks - which all need raised buttons for comfort in a sedentary position. The unbuttoning of the waistcoat therefore indicated you were a man of good standing who rode, and so everyone wanted to follow suit. Just to confuse things a bit, this does not apply to double-breasted waistcoats; they must all be done up. The smartest button stance is a three-button (six altogether) angled stance in a V shape, rather than the straight buttoning you see often from fashion designers. Fit check One of the biggest fashion faux pas is the sight of a man's shirt peeking out beneath the lapel and above the trousers. It is as much of a sartorial shortfall as the triangle of death – the triangle of white above the waistline and single-breasted jacket button, betraying the jacket as too small. This is very much how a certain tight-suited, Love Island hopeful might dress. One issue is that many brands make trousers that have what is called 'a low rise', i.e. the distance between the crotch and the top of the zip is short. What a man needs are trousers that are cut higher, ideally with pleats and held up by braces, to avoid this sloppy look. The lapel debate Old school aesthetes like my father, the kind that see everything through the prism of what is allowed in the officer's mess, would die on the hill against lapels on waistcoats. The lapel debate has more to do with opinion rather than actual etiquette, and truthfully, far be it from me to speak ill of my father's opinions on style, I think this is a misstep. It is true that a single-breasted lapel should have a very small lapel, if one at all, but a double-breasted waistcoat must have one, and the prouder the better. Accessorising The Roaring Lion by Yousuf Karsh is considered one of the greatest portrait photographs of all time; Winston Churchill's moody look is because just before it was taken, Karsh removed Churchill's cigar from his mouth. What stands out the most in this image is the chain which travels across the pockets, dipping to create a W shape. Whether a pocket watch, a lighter, a Champagne swizzle stick or cigar cutter, the chain is legitimate accessorising for waistcoats. The chain should travel from the left pocket to the first button hole that sits above the line of the pocket, and then if there is a fob, it should dangle down. If long enough, it can then be passed to the opposite pocket. One form of accessorising is a more outre design of waistcoat. This is, and should remain, the domain of the prefects of Eton College, known as 'Pop', who are allowed to wear whatever design of waistcoat they like in order to distinguish their authority (and boy do they take advantage of that freedom). You also had Sixth Form Select who were the 'other' prefects, selected due to academic achievement, and they could wear silver buttons. Keep it simple on civvy street; yours should match the jacket and trouser of the suit, and with morning dress should be a pastel colour such as sky blue. Where to find inspiration Watch every episode of Jeeves & Wooster for a categoric reminder of proper classic style, and there is plenty of three-piece action in there for you to see. Further watching should be the aforementioned Indiana Jones, Jude Law as Dumbledore in the Harry Potter offshoot Fantastical Beasts (seriously, a great men's style reference), and the original Great Gatsby. For non-fiction references, look to Churchill of course, and then his Tory successor Anthony Eden. Tom Hardy is definitely a solid inspiration for men who want to avoid the dandyish look. Just remember that tweed and heavier wools are much more preferable for a three-piece suit, so in the summer look for what are known as 'high twist wools', which allow for breathability. Full linen will crease too easily, so travel fabrics like Fresco wool are ideal. The three-piece suit may feel like dress up, but perhaps with a little bit of historic enlightenment and better knowledge of the rules, you can channel your Bertie or Tom Hardy and never let anyone take your cigar without asking permission.


The Sun
31 minutes ago
- The Sun
Huge pop star signs up for Celebrity Bake Off alongside Molly Mae and JoJo Siwa after being inspired by his son
RAG 'N' Bone Man has signed up to Celebrity Bake Off, The Sun can reveal. The singer, 40 - real name Rory Graham - joins influencer Molly-Mae Hague, comedian Babatunde Aleshe and Dance Moms star JoJo Siwa in the famous tent later this year. 4 4 He previously said it was the only reality show that he would consider taking part in. During an interview with Sky News, the Giant hitmaker revealed he discovered his love of baking in lockdown with his young son. He said back in 2021: "My son enjoys cakes, like a lot of three-year-olds do. "So we got into making all sorts of different kinds of cakes, I've kind of become quite good at baking, which is not necessarily a bad thing." Asked if Celebrity Bake Off could be on the cards, he said: "If they want me, I'll be there. "I don't really like the idea of reality shows, but I reckon I'd give Bake Off a go. If Big Narstie can do, I can do it." A source told The Sun: "He's really excited about getting in the tent - he can't wait for his son to see him baking on TV! "He's watched the show - now he's ready to impress the judges". His signing for Bake Off follows our exclusive story that Molly-Mae will swap the high stakes world of fashion for the heat in the kitchen. The Maebe founder has been placed firmly in the spotlight since her break-up last year with Tommy Fury. First look at new Bake Off judge as Prue Leith is replaced in tent for brand new celebrity series Another reality TV star, Jojo Siwa, has also signed up for the Celebrity Bake Off, just weeks after starring on Celebrity Big Brother and revealing her new relationship with Love Island's Chris Hughes. The celebrity version of Bake Off, whose participants have yet to be confirmed by C4, is being made just before filming of the "civilian" version. The show begins filming this summer with Noel Fielding and Alison Hammond returning to host as well as Paul Hollywood coming back to give the celebs some serious scrutiny in the Channel 4 star Prue Leith has stepped back from all GBBO specials, with cooking expert, and pal, Caroline Waldegrave filling her shoes. Last year, The Sun revealed how Prue had made the decision to step back from the Great British Bake Off specials and focus on the regular series. Channel 4 declined to comment and have yet to confirm any of the celebrities for the show. 4


The Independent
35 minutes ago
- The Independent
William and Sophie sample gin during rare joint outing
The Prince of Wales sipped gin with the Duchess of Edinburgh when the pair made a rare official outing together. William and Sophie touched paper cups and said 'cheers' as they sampled the drink at the Royal Cornwall Show – the prince's first visit as the Duke of Cornwall. The pair were mobbed by crowds at the event at Whitecross, Wadebridge near Bodmin, who wanted selfies with William and to shake their hands. The prince and duchess tried Saint Sithney Cornish gin and afterwards William described it as 'very light'. They also sampled the prince's favourite tipple, cider, and as the alcohol consumption mounted William joked about stronger spirits: 'I've been caught out with whisky a few times – I think I can do it, then it catches you out.' The pair spent the first few moments touring food stalls and stopped at jellies, jams and other produce made by the husband and wife team Wendy and Andy Knight from Home Farm Cornwall. William spread some spicy pumpkin chutney onto a piece of popadom, after asking for something 'not too hot' and quipped: 'When anyone says a little bit of spice – it's quite hot.' But he approved of the taste: 'Yummy, really good, there's definitely a bit of spice.' The prince knew what he wanted when they visited the Rattler Cornish Cider stall and turned down an offer of an alcohol free drink, saying he '(needed) the real stuff, cannot drink zero' and asked for the 'original'. He told Laura Clerehug who was manning the stand that 'everyone remembers their first Rattler' and after taking a drink, said: 'Needs a bit of ice in it, like a bit of ice.' During his tour of the show, William was intrigued by a robot dog-like device being developed by the University of Plymouth that can test the biodiversity of agricultural land, with farmers from William's Duchy of Cornwall participating in the research. He quipped 'what will the sheep make of that – dogs hate it I'm sure' – and watched as it rolled on to its back like a real canine. In the Duchy of Cornwall hub marquee, a large number of mental health charities and organisations working in Cornwall had been gathered and he chatted intently to the representatives. Husband and wife Serena and Elliott Jolly founded Sunrise Cornwall, after Mrs Jolly's younger brother committed suicide, to provide safe spaces for bereaved family and friends to talk and share their experiences. Gesturing around to the other organisations, William suggested to the couple they all 'find a way to help each other out, the synergy will make a greater impact, I hope that's something you can talk about'. Mrs Jolly said afterwards: 'Suicide isn't a dirty word, we have to be able to talk about it.'