logo
Famous in Canada: hit songs that only we will remember

Famous in Canada: hit songs that only we will remember

CBC25-02-2025
Social Sharing
Written by journalist, essayist and cartoonist Gabrielle Drolet, and Mac Cameron, producer and co-host of the Big in Canada podcast.
If you grew up in Canada with friends outside of the country, there's an uncanny experience you've likely lived through: that of mentioning a famous song or musician, only to realize no one knows what you're talking about.
It could be a song that feels like a cultural touchstone, something that played on the radio constantly during your teenage years and was blasted over supermarket speakers. But while it felt like a hit, it was only famous in Canada.
It turns out there's a lot of music that's Canada Famous, mainly because of content regulations put into place in 1971, a.k.a. Cancon, which required radio and music TV stations to play at least 30 per cent Canadian content.
More than 50 years later, today's Cancon regulations still shape what we hear on the radio. But while Cancon requirements can be successful in elevating Canadian artists at home, a song's success on national airwaves doesn't mean it'll reach widespread listenership outside of the country.
Here are 15 songs that climbed the Canadian charts to become national hits, but never broke through to international audiences in the same way.
'Crabbuckit,' k-os
Released in 2004 by rapper and singer k-os, "Crabbuckit" is quintessentially Canadian. Its lyrics, which are about the desire to impede others' success in order to propel yourself forward, feature references to Toronto's Yonge Street and the Tragically Hip. Nelly Furtado even has a cameo in the music video. This Canadianness — plus the fact that "Crabbuckit" is very catchy — likely contributed to the song's national success: it peaked at No. 23 on the Canadian Singles chart, and No. 3 on the Canada Contemporary Hit Radio chart. The video also hit No. 1 on the MuchMusic countdown for two weeks. It turns out the song only found an audience in one other country, though: it reached No. 90 on the German Singles chart, but was otherwise a uniquely Canadian success. — Gabrielle Drolet
'California,' Wave
For many Canadians, California can seem like the promised land — far from the frigid winters and relative anonymity of life farther north. This may explain why Canadians are the best at writing songs about the Golden State: On " California," Joni Mitchell dreams of returning; on " California," Grimes leaves feeling sad and bad; on " Drinking in L.A.," Bran Van 3000 wonders what the hell are they doing there. And on "California," Niagara Falls duo Wave dreams of sipping on tequila night after night. Had the boys in Wave ever been to California when they wrote the 18th most-played song on Canadian radio in 2001? It doesn't really matter, because the song didn't make it on any American charts. — Mac Cameron
'When I'm Up (I Can't Get Down),' Great Big Sea
"When I'm Up (I Can't Get Down)" is originally a 1993 song by an English folk group called Oysterband — but it wasn't made famous until 1997, when Newfoundland and Labrador's Great Big Sea released a cover of it as the lead single to its third studio album. Despite the song's international origins, it's now recognized as an East Coast classic: the folky, upbeat tune peaked at No. 6 on the Canadian RPM Singles chart, making it Great Big Sea's best-charting single. The song never charted outside of the country. — GD
'Sucks to Be You,' Prozzäk
Wielding a fake British accent and cartoon avatars, Prozzäk was kind of a joke. The project began as a way for Philosopher Kings bandmates Jay Levine and James McCollum to learn to work together after a fight. There was no intention of performing live, or any expectation of mainstream success. But then, " Sucks to Be You" climbed to No. 1 on the Much Countdown, the duo was nominated for multiple Junos in 2000, booked a cross-country arena tour, and Hot Show, Prozzäk's debut album, went multi-platinum, selling more than 600,000 copies — making it the 59th best-selling Canadian album ever. Cancon can sometimes be accused of trend chasing, but in this case, Prozzäk might have been setting the trend: noted cartoon band Gorillaz released its debut single "Clint Eastwood" — featuring a real British accent — in 2001, years after Prozzäk had not one, but two hit albums under its belt, even though neither really found success outside of Canada. — MC
'Fallout,' Marianas Trench
Pop-punk band Marianas Trench has found an audience outside Canada over recent years, but has been a household name in its home country for more than a decade — which is especially clear when looking at the success of the band's early singles. Released in 2011 ahead of Marianas Trench's third studio album, "Fallout" was a massive hit in Canada: its music video received five MuchMusic Award nominations, and climbed multiple national charts, beating out hits including Adele's "Rolling in the Deep" and Rihanna's "Diamonds" on Billboard's Canadian Hot 100 for 2012. Though it didn't chart in any other countries, "Fallout" is certified triple platinum in Canada. — GD
'What I Wouldn't Do,' Serena Ryder
This 2012 single was one of singer-songwriter Serena Ryder's first forays out of the folk music she'd built her brand on and into pop — it's the kind of catchy song that easily gets stuck in your head, and was made for radio play. "What I Wouldn't Do" found moderate success in the United States, peaking at No. 24 on the US Adult Alternative charts, but it was ubiquitous on Canadian radio stations and reached No. 8 on the Canada Hot 100, and No. 5 on the Canada Adult Contemporary charts. — GD
'A Criminal Mind,' Gowan
To the wider world, Scottish-born Canadian Lawrence Gowan is now the lead singer of American rock band Styx. But when Styx plays in Canada — which it does fairly often — there is a song in the setlist that doesn't get played for American audiences: "A Criminal Mind," which is certified platinum in Canada but didn't chart at all elsewhere. It's one of several big hits from Gowan's 1985 album, Strange Animal, and peaked at No. 5 on the Canadian RPM chart, buoyed by its bizarre, semi-animated and " ground-breaking" Juno Award-winning music video. Gowan has better tunes, but having our very own "Thriller" or "Sledgehammer" video was enough to cement "A Criminal Mind" as a Canadian classic rock staple. — MC
'Whoa Is Me,' Down With Webster
"Whoa Is Me" is a single from Down With Webster's second independent release, the band's 2009 EP, Time to Win, Vol. I., which is what first found them commercial success. "Whoa Is Me" is certified double platinum in Canada, and the song peaked at No. 13 on the Canada Hot 100. Though the single didn't chart internationally, its home success landed it on the national year-end Billboard chart for 2010, where it beat out tracks including "Naturally" by Selena Gomez and "Can't Be Tamed" by Miley Cyrus. — GD
'Hell,' Tegan and Sara
"Hell" is the lead single from Sainthood, the sixth studio album by pop duo Tegan and Sara. The two sisters had been making music since the late '90s, but firmly established themselves as Canadian musicians to watch with the success of their 2007 album, The Con. Riding on that success, "Hell" was an indie-rock hit: it was Tegan and Sara's first song to chart on the Canada Hot 100, where it reached No. 56, and it made it to No. 20 on the Billboard Canadian Rock chart. Despite that mark of success at home, it didn't chart anywhere else. — GD
'Save Your Scissors,' City and Colour
"Save Your Scissors" is the first single from City and Colour's 2005 debut record, Sometimes, and saw City and Colour — the pen name for St. Catharines-based singer-songwriter Dallas Green — reach solo success almost immediately. "Save Your Scissors" peaked at No. 18 on the Canada Adult Contemporary Billboard charts, and No. 9 on the Canada Rock Top 30, but never charted elsewhere. The quiet acoustic song, on which Green sings and plays guitar without accompaniment, was a strong start to what's become a successful solo career. — GD
'Fuel Injected,' Swollen Members
Before Drake, Canada's most famous rapper internationally was probably either Ed Robertson of the Barenaked Ladies or Snow, depending on your definition of rap. But in the early 2000s, one independent Vancouver rap group managed to break into Canada's mainstream, despite being named after — well, nevermind. "Fuel Injected" mixed West Coast underground flavour, a repurposed Giorgio Moroder sample, hardcore esthetics and an undeniable Moka Only hook, making Swollen Members the best-selling Canadian hip-hop artists ever (at least for a while). The video for "Fuel Injected" won four MuchMusic Video Awards in 2002 — tied for the most wins in one night ever — and it helped Swollen Members win three Junos in a row for rap recording of the year. — MC
'I Believe,' Nikki Yanofsky
When Canada hosted the 2010 Olympics in Vancouver, the country pulled out all the stops — including the release of an official promotional song. Co-written by Grammy-nominated composer Stephan Moccio (who's worked with the likes of Céline Dion and Miley Cyrus) and performed by Montreal-based jazz singer Nikki Yanofsky, the song spent four weeks at No. 1 on the Billboard Canadian Hot 100 chart, and was Canada's No. 33 single of the year overall. It never charted elsewhere. — GD
'Patio Lanterns,' Kim Mitchell
Kim Mitchell's "Patio Lanterns" is not exclusively a Canadian success — the 1986 song performed well on the US Billboard Top Rock charts, peaking at No. 36 — but it was never a classic anywhere but here. The song peaked at No. 12 on the Canadian Singles chart and was one of the top 100 singles of the year in Canada, beating out tracks including "You Give Love a Bad Name" by Bon Jovi. It's a staple for hot summer nights and has become such a cultural mainstay that, in 2021, Mitchell joked with the CBC that he sometimes gets sick of it himself. — GD
'Barrett's Privateers,' Stan Rogers
Sea shanties as we know them — traditional folk songs that sailors sang on ships — date back to the 16th century, but Canadian musician Stan Rogers was enamored with them throughout his career in the 1970s. Rogers' music often told stories of sailors in the Maritimes, with "Barrett's Privateers" being his most famous example. Though it was never a radio hit, the 1976 modern sea shanty has become a staple throughout the country and especially in the Maritimes, where it's a classic drinking song and an unofficial anthem. So while this might not be a Cancon radio hit, it feels wrong to discuss music famous in Canada without mentioning Stan Rogers. — GD
'When the Night Feels My Song,' Bedouin Soundclash
The opening acoustic guitar chords of "When the Night Feels My Song" have a similar effect on Canadians as the opening chords of "Back in Black" or "Smells Like Teen Spirit." In those first few smacks you can already hear the entire song, and you can see years of your life flash before your eyes. "When the Night Feels My Song" hit No. 1 on the Much Countdown, was the CBC Kids' Canada theme song for years and is the ninth most-played song on Canadian radio ever. When it was released in 2004, Bedouin Soundclash had punk credibility at the height of Canadian punk's popularity — but the reggae-ska sound from Jay Malinowski and Eon Sinclair also fit nicely alongside Jack Johnson and all the other acoustic guitar guys of the era. While "When the Night Feels My Song" did find minor success across the pond when it had a U.K. release in 2005, nothing compared to its juggernaut status in Canada. — MC
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

bbno$, the Beaches warn approaching TikTok Canada closure will hurt homegrown artists
bbno$, the Beaches warn approaching TikTok Canada closure will hurt homegrown artists

Winnipeg Free Press

time2 hours ago

  • Winnipeg Free Press

bbno$, the Beaches warn approaching TikTok Canada closure will hurt homegrown artists

In 2021, a TikTok of Canadian rapper bbno$ raising his eyebrows to the beat of his single 'Edamame' started gaining traction — and eventually changed the course of his career. The platform's Canadian team suggested he recreate the clip with a safari-themed filter, then helped push it globally. 'When that happened, the song just skyrocketed,' he says of the track, which features Indonesian rapper Rich Brian and went six-times Platinum in various countries. bbno$ is among several Canadian artists worried about losing social media support that can make or break their careers as TikTok prepares to comply with a federal order to shut down its operations in Canada. For Canadian musicians, TikTok can be as vital as radio play once was. Its algorithm lets songs leap borders instantly, offering emerging acts — especially BIPOC artists facing barriers in traditional channels — a shot at global reach. With Ottawa's dissolution order set to take effect soon, TikTok Canada's team has been running campaigns to show its value — and Canadian artists are rallying behind them. 'Being an artist in this generation is like, you're basically a TikTokker,' says the Juno-winning rapper, born Alexander Gumuchian. 'Without having a TikTok team that I can relay information to — that could help me get banners, help me when things are starting to bubble — I'm losing ammunition to help fire my career up.' In November, Ottawa ordered TikTok's Canadian arm to dissolve following a national security review of its Chinese parent company, ByteDance Ltd., though the app will remain accessible in Canada. The order cited 'national security risks' but a government spokesperson declined to provide specifics due to 'confidentiality provisions.' Social media researcher Philip Mai says there are concerns around potential Chinese government access to user data, foreign surveillance of Canadians in sensitive sectors and misuse of information for propaganda. 'China's National Intelligence Law legally permits data access, raising plausible risk concerns,' says the co-director of the Social Media Lab at the Ted Rogers School of Management. Still, no public evidence shows TikTok has shared user data with the Chinese government, and the company denies it. Mai says shutting down TikTok Canada reduces its physical and legal presence in the country, limiting the platform's potential for data surveillance and its ability to influence policy or public opinion. 'This strategy is less extreme than banning TikTok, but more than a slap on the wrist,' he says. bbno$ says the platform's Canadian team has helped bolster his social media presence. Without it, he warns, many Canadian artists will face a 'bottleneck' in their careers. Juno-winning Toronto band The Beaches says TikTok Canada has been 'instrumental' in their rise. 'Without local teams championing Canadian musicians internationally, we're left competing with American artists as outsiders, not as domestic talent,' says the group in a statement. 'This puts us at a disadvantage and pushes Canadian artists to leave the country just to have a shot at global success.' Though The Beaches have enjoyed Canadian radio airplay for years, their single 'Blame Brett' went viral on TikTok in 2023, helping them reach the U.S. Billboard charts for the first time. Mai warns TikTok Canada's closure would be a 'big blow to Canadian artists,' reducing opportunities, support systems, grant programs and sponsorships. 'Forcing the closure of TikTok's Canadian operation will likely decrease Canadian visibility in the algorithm,' he says, noting local staff often boost regional content via tailored campaigns, including ones highlighting Indigenous creators. Last month, TikTok CEO Steven Chew asked Minister of Industry Mélanie Joly for an urgent meeting, warning that shutting down TikTok Canada would force layoffs, halt investments and pull support from creators and culture. 'The wind-up process is rapidly approaching a critical juncture,' Chew wrote. TikTok declined to say whether it has heard back from Joly, who did not respond to questions about the meeting request. TikTok recently withdrew sponsorships for several Canadian arts institutions, including the Juno Awards and TIFF, and slashed the National Screen Institute's TikTok Accelerator for Indigenous Creators, which has supported nearly 400 participants since 2021. Indigenous hoop dancer James Jones says the federal government's shutdown order shows a disregard for the country's digital creators. 'It's really unfortunate that they are taking away a team that has been so supportive of the BIPOC community and the Indigenous community,' says the Edmonton-based creator, who boasts over four million followers. 'I don't think that anyone has ever asked us what we wanted or even reached out and said, 'Hey, how is this going to affect you?'' Jones says early in his career, TikTok Canada offered advice on maximizing his reach and facilitating key connections with brands and publications. He says its Accelerator program has helped many Indigenous creators and small businesses. Jones feels the government is sending a message that 'we're not being prioritized.' 'They don't care what happens to us, they don't care about our businesses, our brands,' he says. 'They don't care about how it affects us personally to not have access to a team that supports us directly.' Vanessa Brousseau, an advocate for missing and murdered Indigenous people, says the government's decision feels 'really painful, but familiar.' 'It feels like a pattern and a way of oppressing minorities, oppressing Indigenous people,' says the alum of the TikTok Accelerator for Indigenous Creators. 'TikTok is the only platform that amplifies our voices and makes sure we're being heard.' Brousseau worries that if the decision isn't reversed, it will be 'very detrimental' to Indigenous TikTok creators. 'Sure, TikTok will still be there, but we won't be amplified anymore. We won't have those connections. We won't have those opportunities.' This report by The Canadian Press was first published Aug. 20, 2025.

Government of Canada invests $275,000 in the MUTEK Festival Français
Government of Canada invests $275,000 in the MUTEK Festival Français

Cision Canada

time14 hours ago

  • Cision Canada

Government of Canada invests $275,000 in the MUTEK Festival Français

The Government of Canada supports MUTEK MONTRÉAL, Aug. 19, 2025 /CNW/ - Canadian identity and culture drive innovation, economic growth and national pride. Supporting events that celebrate Canada's cultural diversity strengthens communities by bringing people together and providing a platform to share our stories, heritage and traditions. This helps build a stronger, more united Canada. Our government is proud to support the MUTEK Festival, celebrating digital artistic expression, from August 19 to 24 in Montréal. Today, the Honourable Mélanie Joly, Minister of Industry and Minister responsible for Canada Economic Development for Quebec Regions, along with the Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages, announced $275,000 in funding for the MUTEK Festival. Canada Economic Development for Quebec Regions (CED) is providing a $210,000 non-repayable contribution through the Quebec Economic Development Program (QEDP) for the commercialization of the 2025 and 2026 festivals. This support will help attract international tourists and promote Montréal's international reputation. Canadian Heritage is investing $65,000 in the MUTEK Festival through the Canada Arts Presentation Fund to support the 2025 event. This funding will allow MUTEK to present a highly diverse program while helping give Montréal audiences access to works by professional artists from Quebec, other Canadian provinces and abroad. Quotes "Our government is proud to support MUTEK, a vibrant, inclusive and culturally significant event that celebrates Montréal's leadership in electronic music and digital art. MUTEK not only fuels creativity and innovation but also creates substantial economic benefits across Quebec and Canada by attracting key industry players and visitors. This support reflects our commitment to fostering world-class cultural experiences and promoting Montréal and Quebec as premier destinations for artistic and tourism excellence." —The Honourable Mélanie Joly, Minister of Industry and Minister responsible for Canada Economic Development for Quebec Regions "MUTEK continues to push creative boundaries in 2025, showing the bold and inclusive spirit of Canadian creativity. This year's festival brings together artists who reflect the diversity and energy of our culture through cutting-edge digital art. In a fast-changing world, MUTEK creates space for innovation and for Canada's cultural voices and talent to be showcased on the world stage." —The Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages "With a rich, eclectic and multifaceted artistic selection, MUTEK promises a new gathering, brimming with vitality, where sensory explorations meet artistic discoveries. This is a can't-miss summer event to celebrate the diversity and uniqueness of digital cultures." —Alain Mongeau, General and Artistic Director of MUTEK Festival Quick Facts MUTEK features more than 120 dedicated artists from 26 countries, each bringing their own original approach. Most of them are making their debut in Montreal, across 17 unique programs. For six days, artists and audiences from near and far will gather in the Quartier des Spectacles to experience a one-of-a-kind experience that brings together sound, visuals and innovation. CED's Quebec Economic Development Program helps communities realize promising economic development and diversification opportunities for the future. The Canada Arts Presentation Fund provides financial assistance to organizations that present professional arts festivals or performing arts series. The Fund also supports organizations that assist arts presenters. CED Canadian Heritage MUTEK Festival SOURCE Canadian Heritage

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store