logo
Why are movie tickets so expensive? A cinephile's plea for affordability

Why are movie tickets so expensive? A cinephile's plea for affordability

Indian Express3 days ago
It was the year 2006. Krrish had hit the theatres, and it was the first time my parents were taking me to watch a movie on the silver screen. Paras Cinemas, Nehru Place, now known as INOX Paras, was then a single-screen theatre. We bought the tickets in 'black' and three of them cost just Rs 210. I still remember Hrithik Roshan leaping onto a horse and then into the sky — it was the exact moment the seven-year-old me fell in love with cinema. And in that love, theatres played a starring role.
From Saif Ali Khan racing for redemption in Ta Ra Rum Pum to Brad Pitt 'flying' in his F1 car; from Shah Rukh Khan being reborn in Om Shanti Om to Shah Rukh Khan being reborn again as Pathaan; from Harry Potter defeating Voldemort to Iron Man snapping his fingers to end Thanos, theatres have given me countless moments to hold on to. Sitting in a dark room with strangers, watching stories unravel on a giant screen, was more than just the trivial act of moviegoing. For me, it was a ritual — a highly rewarding one.
But then I grew up. And with adulthood came the moment that every cinephile dreads: paying for the tickets myself. Theatres once gave me my first taste of stories that felt larger than life. They gave me magic and belongingness. Now, they give me anxiety and a bill.
This summer alone has been a blockbuster for the box office with Superman, F1, Mission: Impossible, Metro In Dino, and Saiyaara. But for anyone like me who enjoys movies the traditional way, on the big screen, it's also been the costliest one yet. For the first time, I wasn't just excited about new releases; I was also calculating whether I could afford to watch them. Superman tickets alone were priced anywhere between Rs 400 and Rs 1,600.
I never thought much about ticket prices until recently. Now, I plan around them. I wait for discount days. I resurrected an old bank account just because it gave me a 50 per cent cashback. I have become that person who refreshes the coupon section on apps before deciding whether I can afford to watch a movie on release day. Often, I find myself texting friends, not just to share the film but to ask, 'Want to come? There's a buy-one-get-one offer.' I never used to care about going alone. Now, I feel like I need company, just to split the cost.
And that hurts. I have always been someone who lives for the 'first day, first show'. But now, major chains have started offering Rs 99 – Rs 149 ticket prices on Tuesdays to boost footfalls, and I often find myself waiting till the fifth day and catching the last show just so I don't burn a hole in my wallet. The excitement of walking into a packed house on Friday has now been replaced by the disappointment of waiting for Tuesday.
Let's not forget that the ticket price is just the beginning. Add Rs 100 for parking, Rs 700 for popcorn — more if you dared to ask for cheese or caramel or a drink — and of course, taxes. Suddenly, your simple plan to watch a movie turns into an over Rs 1,000 experience. And this is if you are going alone. If you are going with someone, it may as well be a small budget holiday.
The annual 'Box Office Report' by the Mumbai-based research firm, Ormax Media, reveals a telling figure. In 2022, the average price of a movie ticket was Rs 119. In 2023, it rose to Rs 130. And in 2024, it touched Rs 134. That's a 12.6 per cent rise in just two years, and a whopping 45.6 per cent increase from 2015.
Now, it must be noted that box office earnings have also grown in that period. In 2024, films earned Rs 11,833 crore (though this was marginally less than 2023's Rs 12,226 crore). This marked a 42 per cent rise over 2015 earnings. However, footfall is yet to recover to its pre-pandemic levels. Just before the Covid-19 pandemic hit, box office footfall was at a high of 103 crore in 2019, which has fallen to 88.3 crore in 2024, even lower than the 94.3 crore in 2023. The report notes, 'This underscores the increasing dependence of the box office on rising Average Ticket Prices (ATP) in recent years.'
It's not just casual moviegoers feeling the heat. Even those immersed in the film ecosystem are being priced out. Anshul Gupta, a journalist based in Delhi-NCR, summed it up best: 'I have watched 24 films in theatres already this year — 34, if you count all the media screenings and film festival movies. In short, I watch a lot. Doing this in Delhi-NCR in 2025 is an expensive hobby. Being in the media business, I am still able to watch a few through the screenings but I think looking for coupons, card discounts and other 'jugaads' every time when a tentpole film releases is getting on my nerves.'
To understand how the situation plays out in other cities, I reached out to Abhinav Chakraborty, a senior journalist based in Chennai and a fellow film enthusiast. Chakraborty self-admittedly watches one movie in the theatre almost every week. When asked whether pricing impacts his viewing habits, he responded, 'Yes, it does. I grew up in Mumbai where tickets are much pricier, especially on the first weekend. Compared with that, Chennai's ticket prices don't exceed Rs 250 at any point (not applicable for IMAX, of course). So while I only looked at morning shows back in Mumbai, here I can go watch movies according to my convenience.'
Chakraborty added, 'I believe the range of movie ticket prices in Delhi is similar to that in Mumbai, which would make moviegoing every weekend unviable.'
Affordable ticketing doesn't just allow you to watch a movie; it encourages a habit of watching. It aids a culture of moviegoing and helps build a community. If Chennai can cap prices and still run successful shows, why can't the other northern and western regions follow suit?
Just recently, Karnataka announced a price cap of Rs 200 on movie tickets. That's a move in the right direction. But when I tried to get a sense of how theatre chains view this issue, the responses were guarded. I reached out to a few cinema managers, but none were willing to comment. A duty officer at PVR Cinemas, Mall of India, said people may not be frequenting theatres because 'there is an abundance of content'. 'Because of OTT and YouTube, the audience has content on their phones,' he added.
But that doesn't offer the complete picture. As Chakraborty pointed out, lower ticket prices encourage him to watch films he might not even be interested in initially. A 2023 research by Ormax Media shows that while the 'appeal' of a movie stays stable when the ticket prices increase in multiples of Rs 25, there is a 15 per cent fall in appeal when the price point moves from double-digit to triple-digit figures (i.e. Rs 50 to Rs 100). The trend continues across multiples of Rs 100, with the appeal dropping by 18 per cent between Rs 100 and Rs 400. This is true for a regular film. For event films such as Pathaan or Tiger 3, with large-scale releases, the appeal is often higher despite expensive tickets. However, the appeal does drop between Rs 50 and Rs 400. Though ticket prices may not result in a dramatic decline in the appeal of a movie, they certainly have an impact. It shows that the shrinking footfalls at theatres may not be just about a lack of interest, but also a lack of access. When tickets cost as much as a decent dinner, experimentation dies. Curiosity becomes a calculated risk.
There's also a burgeoning idea of 'premium moviegoing experience' with recliner seats, curated menus, and call-a-waiter buttons. Some halls resemble luxury hotels more than cinemas. However, the experience isn't for everyone and may even be exclusionary.
So here's a simple request to the powers that be: let movies be movies again. Let them be accessible, affordable, and democratic. Don't make us choose between passion and practicality. Because when cinema becomes a luxury, it stops being culture and starts being a commodity.
Let me buy that ticket without flinching. Let me sit in the dark with strangers and feel wonder, not worry. Let me be that seven-year-old again, watching Hrithik Roshan fly, not calculating if I can afford to watch him land.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Mahavatar Narasimha Becomes Biggest Animated film ever in India, Overtakes Spider Man
Mahavatar Narasimha Becomes Biggest Animated film ever in India, Overtakes Spider Man

Pink Villa

time26 minutes ago

  • Pink Villa

Mahavatar Narasimha Becomes Biggest Animated film ever in India, Overtakes Spider Man

Mahavatar Narasimha has emerged as the highest-grossing animation film of all time in India. The film grossed Rs. 8 crore approx on its second Friday, taking its total gross to Rs. 56.50 crore. This figure doesn't include 3D charges, as is the reporting norm in India, including which the total gross stands at Rs. 63 crore approx. Mahavatar Narasimha surpassed the Hollywood film Spider-Man: Across the Spider-Verse for the record, while the previous biggest homegrown animation was Tamil film Kochadaiiyaan featuring Superstar Rajnikanth. The record came in just eight days of release, and with the sort of momentum the film has caught, it will be setting the bar quite high this time. Animation films are extremely popular across the world, boasting some of the biggest grossers ever. Just this year, Chinese animation Ne Zha 2 obliterated box office records in the country, grossing over USD 2 billion. Last year, Inside Out 2 did tremendous business across the world. In several countries, animation is the most popular genre for movie-going. However, in India, it has very few takers. The genre is often looked down on as 'kids cinema', and in India, kids don't drive the box office. The religious animation does have some appeal, but except for Punjabi film Chaar Sahibzade, nothing has found the success pan-India or in Hindi, that is, until now. Mahavatar Narasimha is the first in the announced cinematic universe of seven films. The hope is that this film and franchise will break the stigma and unlock the massive potential of animation that has already delivered blockbusters worldwide. The Highest Grossing Animated Films in India are as follows: Rank Title Year Gross 1 Mahavatar Narasimha 2025 Rs. 56.50 cr. 2 Spider-Man: Across the Spider-Verse 2023 Rs. 55.50 cr. 3 Incredibles 2 2018 Rs. 54.50 cr. 4 Frozen 2 2019 Rs. 54.00 cr. 5 Kochadaiiyan 2014 Rs. 52.00 cr. 6 Kung Fu Panda 4 2024 Rs. 43.00 cr. 7 Inside Out 2 2024 Rs. 38.00 cr. 8 Moana 2 2024 Rs. 31.50 cr. 9 Kung Fu Panda 3 2016 Rs. 30.75 cr. 10 Kung Fu Panda 2 2011 Rs. 28.50 cr.

Son of Sardaar 2 Box Office Collection Day 1: Ajay Devgn's comedy struggles with Rs 6.75 crore debut amid poor reviews
Son of Sardaar 2 Box Office Collection Day 1: Ajay Devgn's comedy struggles with Rs 6.75 crore debut amid poor reviews

Indian Express

time26 minutes ago

  • Indian Express

Son of Sardaar 2 Box Office Collection Day 1: Ajay Devgn's comedy struggles with Rs 6.75 crore debut amid poor reviews

Ajay Devgn's latest comedy outing, Son of Sardaar 2, co-starring Mrunal Thakur, Ravi Kishan, and Deepak Dobriyal in lead roles, finally hit theatres on Friday. The film opened to a decent response at the box office, collecting around Rs 6.75 crore (India net) on its first day, according to industry tracker Sacnilk. The film recorded an overall Day 1 occupancy of 22.56%, starting with just 10.24% during morning shows, improving to 17.88% in the afternoon, 21.84% in the evening, and peaking at 40.27% during night shows, nearly double its early-day performance. In terms of regional performance, Tier-2 cities like Lucknow and Jaipur led the occupancy charts with 39% and 37%, respectively. Meanwhile, traditional strongholds for Hindi films like Delhi-NCR and Mumbai lagged slightly behind, recording 30.50% and 20.25% occupancy respectively. What's striking, however, is how Son of Sardaar 2 opened significantly lower than Ajay's last release, another sequel, Raid 2, which had a solid opening day collection of Rs 19.25 crore. In comparison, the new film's first-day figure is also less than half of Shaitaan, Ajay's recent horror blockbuster, which had opened at Rs 14.75 crore. That said, it still fared better than Maa, starring Kajol, which managed Rs 4.5 crore on its opening day last month. Also Read | Triptii Dimri and Siddhant Chaturvedi's Dhadak 2 seethes with the rage of filmmaker Shazia Iqbal Despite the modest opening, Son of Sardaar 2 did manage to outperform its immediate competition, Shazia Iqbal's Dhadak 2, which collected just Rs 3.35 crore on its opening day, according to Sacnilk. Both films, however, are struggling to draw audiences in the face of stiff competition from Mohit Suri's romantic musical Saiyaara, which is currently in its second week and has already amassed a staggering Rs 285.75 crore. Interestingly, Son of Sardaar 2 was initially scheduled for release last week. However, in light of Saiyaara's unexpected box office dominance, Ajay chose to delay the release by a week to avoid any sort of indirect clash, a strategic move in contrast to 2012, when the original Son of Sardaar released opposite Yash Raj Films' Jab Tak Hai Jaan. Back then, despite immense pressure, Ajay went ahead with the clash, which ended up affecting both films' long-term box office performance. Whether the sequel can sustain and grow in the coming days remains to be seen.

Dhadak 2 Box Office Collection Day 1: Siddhant Chaturvedi-Triptii Dimri starrer is no Saiyaara, opens with Rs 3.35 crore
Dhadak 2 Box Office Collection Day 1: Siddhant Chaturvedi-Triptii Dimri starrer is no Saiyaara, opens with Rs 3.35 crore

Indian Express

time26 minutes ago

  • Indian Express

Dhadak 2 Box Office Collection Day 1: Siddhant Chaturvedi-Triptii Dimri starrer is no Saiyaara, opens with Rs 3.35 crore

Dhadak 2 Box Office Collection Day 1: It sure is an exciting time for fans of Hindi cinema, with Dhadak 2, Son of Sardaar 2, and Saiyaara all competing with each other at the box office. However, Dhadak 2 has started its theatrical run with modest numbers. According to industry tracker Sacnilk, the Siddhant Chaturvedi and Triptii Dimri movie earned Rs 3.35 crore on its opening day. Interestingly, it fell short of the number posted by its predecessor, Dhadak, which came out seven years ago. Starring Ishaan Khatter and Janhvi Kapoor, Dhadak earned Rs 8.7 crore net on its first day in theatres and closed its theatrical run after earning Rs 74.19 crore nett in India, and Rs 113 crore worldwide. The source material for the first film was the Marathi movie Sairat, which earned Rs 3.7 crore net on its first day. While the opening day numbers aren't all that disappointing, the fact of the matter is that Dhadak 2 is competing with far too many other films in the marketplace. The Ahaan Panday and Aneet Padda-starrer Saiyaara is still going strong and is again expected to have a big weekend. Son of Sardaar 2, starring Ajay Devgn and Mrunal Thakur, is now also in the race, with Kingdom 2 and Fantastic Four chipping away at whatever crowd is left. ALSO READ: National Film Awards: '12th Fail' is best film, Massey-Shah Rukh and Rani win best actor awards Genre-wise, Saiyaara is Dhadak 2's direct competitor, and the Mohit Suri directorial has already crossed Rs 440 crore worldwide. The occupancy rates of Dhadak 2 averaged out at 22.85%, with the morning and afternoon shows bringing in rates of 15.02% and 22.29%. The evening and night shows improved on the numbers a bit and achieved 22.03% and 32.07%, respectively. The NCR region had 432 shows available and averaged an occupancy rate of 32.5%, while Mumbai had 339 shows and averaged an occupancy rate of 22.75%. Saiyaara still looks to be the biggest challenge for all the films currently on the docket. The makers of Son of Sardaar 2 even cut the price of their tickets by 50% to provide the viewers with some extra incentive. Directed by Shazia Iqbal, Dhadak 2 will be hoping to have a good weekend and rake in some formidable numbers before it starts bleeding shows. The cast of the film includes Siddhant, Triptii, Saurabh Sachdeva, Vipin Sharma, and Manjiri Pupala.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store