logo
Cottesloe welcomes out-of-this-world spacemen art exhibition

Cottesloe welcomes out-of-this-world spacemen art exhibition

Perth Now23-05-2025
Coming Out (Blue) Spaceman, artist Brendan Murphy and owner of Gullotti Galleries Paul Gullotti and Sitting Spaceman (Pink). Picture: John Koh
Contemporary artist Brendan Murphy opened his blockbuster Australian exhibition debut in Cottesloe on Thursday, hours after unveiling a 7m spaceman sculpture he donated to Perth.
The sculptor, painter and digital artist, who works from his Miami-based studio, launched his Life is Electric showcase at Gullotti Galleries, which is on display until July 10.
The exhibition features 45 works ranging from vibrant graffiti-style paintings to carbon fibre sculptures of all sizes, including his renowned Boonji Spacemen, which represents embracing the unknown and the human desire to venture beyond.
The opening comes after a custom-built Boonji Spaceman, titled Lightning, landed in Stirling Gardens outside Council House, where it will remain for the next year.
SEE THE SOCIALS GALLERY BELOW
Owner of Gullotti Galleries, Paul Gullotti, was overcome with emotion when talking about the moment he had secured a spaceman for Perth and a debut Murphy exhibition with help from former Lord Mayor Basil Zempilas.
'I just want to say something from personally from my heart about that moment,' he said during a speech.
'I've been in this business for 30 years now, what I've looked at today and what I've seen, I think I have to pinch myself, watching the smiles, seeing all of these people here, my phone hasn't stopped ringing.
'We need this kind of art here.' The new Boonji Spaceman artwork at Stirling Gardens. Credit: Riley Churchman / The West Australian
However, the history-making landing of the spaceman has caused quite a controversy after it replaced the Ore Obelisk or The Kebab, which had been in place since the 1970s but was removed and put in storage in 2021.
But it seems some people are warming to the idea of having the incredible piece after lining up to capture selfies to share on Instagram.
Murphy said after making contact with Mr Gullotti and Mr Zempilas, he was hooked on gifting a sculpture to Perth.
'(Mr Zempilas) sold me on Perth and his passion for the city and the city as a place that's looking to the future and there's a history of connection to space, so it was kind of a no-brainer,' he said.
'And that started a journey which, if I knew what it would have entailed, probably would not have taken that journey. But now that I'm here, everyone's been very nice and the city's gorgeous.'
Murphy's spacemen can be seen in Knightsbridge, London and Minute Maid Park, home of the Houston Astros baseball team in Texas.
Murphy's art has been collected by celebrities including Serena Williams, Rafael Nadal, Novak Djokovic, Ryan Gosling and Warren Buffett.
Nadal's sculpture is a 2m tennis player called Vamos, which stands at the sporting legend's tennis academy in Mallorca.
Murphy has also created a $25m diamond-encrusted statue for Saks Fifth Avenue in New York.
He has held multiple exhibitions in the USA, Canada and Europe.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The mixologists who are shaking up Perth's cocktail scene
The mixologists who are shaking up Perth's cocktail scene

Perth Now

timean hour ago

  • Perth Now

The mixologists who are shaking up Perth's cocktail scene

Perth's gin-credible cocktail scene is heating up. Some of the CBD's most prestigious bars — Terrarium, Mechanics Institute, Bar Lafayette and Ritz Carlton's Songbird — will be graced by a cohort of the globe's most esteemed mixologists as part of Plateful Perth's Cocktail Weekend next weekend. Songbird will collaborate with Singapore's Sago House, one of Asia's best bars, with guest bartenders, Naz Zurmi and Ronan Keilthy, taking over on Friday evening. Songbird venue supervisor Kristen Sly said punters could expect 'good cocktails and good vibes'. 'It's going to be an awesome opportunity to show off cocktails, not just from Australia, but also from Asia,' she said. Terrarium and Mechanics Institute will team up with Sydney's Bar DEMO and A Little Cooler, respectively, while Bar Lafayette will join forces with Hobart's Rude Boy, using native ingredients to serve up Aussie-inspired cocktails. Perth bartender Marco Barsotti form Songbird Bar. Credit: Jackson Flindell / The West Australian 'It's almost like we're transporting people to Hobart without needing to take a flight for six or seven hours,' Bar Lafayette's Marco Manca said. Ms Sly said she was proud of Perth's booming cocktail community. 'Perth's cocktail scene is growing, and it's only getting stronger,' she said. 'I think there's a demand for craft cocktails and showing off what creativity Perth can bring to the market, but I also think that classic cocktails are still pretty popular. 'We sell so many espresso martinis and spicy margaritas, but it's also awesome to show off some creative spice in those cocktails too.' Mr Manca described cocktails as 'more than just a liquid' and said he was excited to show off Bar Lafayette's creative flair. Perth bartender Kristen Sly form Songbird Bar. Credit: Jackson Flindell / The West Australian 'Especially now that cocktails are so expensive, you want (the bartender) to care about the details,' he said. 'I just want to bring a little more to the community, I want to raise the expectation of what a cocktail is — it's more than just a liquid, it's what's in the details. 'Our mission is to make classic cocktails with a twist, so they can drink something familiar, but also unexpected.' Plateful of Perth's Cocktail Weekend runs from Friday to Saturday. For more information visit this link. The Plateful Perth Festival will be a masterclass in cocktail making taking over several bars. Credit: Jackson Flindell / The West Australian

Eddie Murphy comedy The Pickup OK for 'brain off' viewing
Eddie Murphy comedy The Pickup OK for 'brain off' viewing

The Advertiser

time3 hours ago

  • The Advertiser

Eddie Murphy comedy The Pickup OK for 'brain off' viewing

Eddie Murphy's career of late has been strictly streaming fare - and that's been reflected in the quality. Not to say that films that actually hit the cinema are always going to be better than those on the small screen, but generally there's a ceiling of quality for a streaming film, and it's going to be reached more quickly than the big-screen ceiling. His latest venture, a buddy (sorta) cop comedy with Pete Davidson, is of fine to middling quality. The jokes are obvious but occasionally draw a chuckle, the action is largely forgettable, and the characters aren't well-rounded enough to be memorable. The Pickup makes for adequate "brain off" viewing. It's super easy to watch while you're scrolling on your phone, and is amusing enough to sustain you for the runtime. There's nothing so terrible that you'll get overly bored or want to turn it off, but you won't be actively recommending it to anyone either. The film follows two armoured truck workers, Russell Pierce (Murphy) and Travis Stolly (Pete Davidson, The King of Staten Island) as they attempt to make their day's rounds in record time so Russell can get home to celebrate his anniversary with wife Natalie (Eva Longoria in her second Prime Video release in as many weeks, following the utterly atrocious War of the Worlds). But along the way they find themselves being pursued by a crew of criminals led by Zoe (Keke Palmer, Hustlers) while they're conveniently in a service dead-zone. But what Russell doesn't know is that Travis already knows Zoe. He'd met her a few days earlier and they'd spent the weekend together, the driver becoming the thief's unwitting inside man. A good portion of the film is dedicated to the pursuit, with the criminal crew chasing down the truck along a stretch of highway. Some of this action is decent, and shot with a little bit of flair. There's a lull in the action for a while after that, before the climax rolls around full of speed, danger and explosions. The Pickup makes Murphy's Russell the straight man to Davidson's over-the-top Travis. We're used to seeing Murphy be the more boisterous half of a movie pairing, but that's certainly not the case here. Davidson plays pretty much the same character he's played in everything thus far, a dopey but nonetheless likeable dude who bumbles his way around. Palmer, however, is easily the best part of the film. The moment she arrives on screen she commands your attention. She has an incredibly watchable quality and generally elevates everything she appears in. Longoria provides some decent laughs in her supporting role, and her addition to the final act helps to give the film a little more spark as it careers towards the end. Director Tim Story (who has helmed films like the 2005 Fantastic Four, Ride Along and 2023 Christmas streamer Dashing Through the Snow) and screenwriters Kevin Burrows and Matt Mider have managed to include some sly references to their stars' careers which are a nice touch. At one point Travis starts to play The Pointer Sisters' The Neutron Dance (a song most associated with Murphy's Beverly Hills Cop) in their truck and cops a stern look from Russell, while later on Zoe encounters prominent graffiti reading 'NOPE', the title of one of Palmer's most famous films. While there are worse ways to spend a lazy hour-and-a-half (notably, the previously mentioned War of the Worlds with Longoria and Ice Cube - steer well clear), there are also plenty of other movies more worthy of your time. Every star of The Pickup certainly has poorer films in their history. Eddie Murphy's career of late has been strictly streaming fare - and that's been reflected in the quality. Not to say that films that actually hit the cinema are always going to be better than those on the small screen, but generally there's a ceiling of quality for a streaming film, and it's going to be reached more quickly than the big-screen ceiling. His latest venture, a buddy (sorta) cop comedy with Pete Davidson, is of fine to middling quality. The jokes are obvious but occasionally draw a chuckle, the action is largely forgettable, and the characters aren't well-rounded enough to be memorable. The Pickup makes for adequate "brain off" viewing. It's super easy to watch while you're scrolling on your phone, and is amusing enough to sustain you for the runtime. There's nothing so terrible that you'll get overly bored or want to turn it off, but you won't be actively recommending it to anyone either. The film follows two armoured truck workers, Russell Pierce (Murphy) and Travis Stolly (Pete Davidson, The King of Staten Island) as they attempt to make their day's rounds in record time so Russell can get home to celebrate his anniversary with wife Natalie (Eva Longoria in her second Prime Video release in as many weeks, following the utterly atrocious War of the Worlds). But along the way they find themselves being pursued by a crew of criminals led by Zoe (Keke Palmer, Hustlers) while they're conveniently in a service dead-zone. But what Russell doesn't know is that Travis already knows Zoe. He'd met her a few days earlier and they'd spent the weekend together, the driver becoming the thief's unwitting inside man. A good portion of the film is dedicated to the pursuit, with the criminal crew chasing down the truck along a stretch of highway. Some of this action is decent, and shot with a little bit of flair. There's a lull in the action for a while after that, before the climax rolls around full of speed, danger and explosions. The Pickup makes Murphy's Russell the straight man to Davidson's over-the-top Travis. We're used to seeing Murphy be the more boisterous half of a movie pairing, but that's certainly not the case here. Davidson plays pretty much the same character he's played in everything thus far, a dopey but nonetheless likeable dude who bumbles his way around. Palmer, however, is easily the best part of the film. The moment she arrives on screen she commands your attention. She has an incredibly watchable quality and generally elevates everything she appears in. Longoria provides some decent laughs in her supporting role, and her addition to the final act helps to give the film a little more spark as it careers towards the end. Director Tim Story (who has helmed films like the 2005 Fantastic Four, Ride Along and 2023 Christmas streamer Dashing Through the Snow) and screenwriters Kevin Burrows and Matt Mider have managed to include some sly references to their stars' careers which are a nice touch. At one point Travis starts to play The Pointer Sisters' The Neutron Dance (a song most associated with Murphy's Beverly Hills Cop) in their truck and cops a stern look from Russell, while later on Zoe encounters prominent graffiti reading 'NOPE', the title of one of Palmer's most famous films. While there are worse ways to spend a lazy hour-and-a-half (notably, the previously mentioned War of the Worlds with Longoria and Ice Cube - steer well clear), there are also plenty of other movies more worthy of your time. Every star of The Pickup certainly has poorer films in their history. Eddie Murphy's career of late has been strictly streaming fare - and that's been reflected in the quality. Not to say that films that actually hit the cinema are always going to be better than those on the small screen, but generally there's a ceiling of quality for a streaming film, and it's going to be reached more quickly than the big-screen ceiling. His latest venture, a buddy (sorta) cop comedy with Pete Davidson, is of fine to middling quality. The jokes are obvious but occasionally draw a chuckle, the action is largely forgettable, and the characters aren't well-rounded enough to be memorable. The Pickup makes for adequate "brain off" viewing. It's super easy to watch while you're scrolling on your phone, and is amusing enough to sustain you for the runtime. There's nothing so terrible that you'll get overly bored or want to turn it off, but you won't be actively recommending it to anyone either. The film follows two armoured truck workers, Russell Pierce (Murphy) and Travis Stolly (Pete Davidson, The King of Staten Island) as they attempt to make their day's rounds in record time so Russell can get home to celebrate his anniversary with wife Natalie (Eva Longoria in her second Prime Video release in as many weeks, following the utterly atrocious War of the Worlds). But along the way they find themselves being pursued by a crew of criminals led by Zoe (Keke Palmer, Hustlers) while they're conveniently in a service dead-zone. But what Russell doesn't know is that Travis already knows Zoe. He'd met her a few days earlier and they'd spent the weekend together, the driver becoming the thief's unwitting inside man. A good portion of the film is dedicated to the pursuit, with the criminal crew chasing down the truck along a stretch of highway. Some of this action is decent, and shot with a little bit of flair. There's a lull in the action for a while after that, before the climax rolls around full of speed, danger and explosions. The Pickup makes Murphy's Russell the straight man to Davidson's over-the-top Travis. We're used to seeing Murphy be the more boisterous half of a movie pairing, but that's certainly not the case here. Davidson plays pretty much the same character he's played in everything thus far, a dopey but nonetheless likeable dude who bumbles his way around. Palmer, however, is easily the best part of the film. The moment she arrives on screen she commands your attention. She has an incredibly watchable quality and generally elevates everything she appears in. Longoria provides some decent laughs in her supporting role, and her addition to the final act helps to give the film a little more spark as it careers towards the end. Director Tim Story (who has helmed films like the 2005 Fantastic Four, Ride Along and 2023 Christmas streamer Dashing Through the Snow) and screenwriters Kevin Burrows and Matt Mider have managed to include some sly references to their stars' careers which are a nice touch. At one point Travis starts to play The Pointer Sisters' The Neutron Dance (a song most associated with Murphy's Beverly Hills Cop) in their truck and cops a stern look from Russell, while later on Zoe encounters prominent graffiti reading 'NOPE', the title of one of Palmer's most famous films. While there are worse ways to spend a lazy hour-and-a-half (notably, the previously mentioned War of the Worlds with Longoria and Ice Cube - steer well clear), there are also plenty of other movies more worthy of your time. Every star of The Pickup certainly has poorer films in their history. Eddie Murphy's career of late has been strictly streaming fare - and that's been reflected in the quality. Not to say that films that actually hit the cinema are always going to be better than those on the small screen, but generally there's a ceiling of quality for a streaming film, and it's going to be reached more quickly than the big-screen ceiling. His latest venture, a buddy (sorta) cop comedy with Pete Davidson, is of fine to middling quality. The jokes are obvious but occasionally draw a chuckle, the action is largely forgettable, and the characters aren't well-rounded enough to be memorable. The Pickup makes for adequate "brain off" viewing. It's super easy to watch while you're scrolling on your phone, and is amusing enough to sustain you for the runtime. There's nothing so terrible that you'll get overly bored or want to turn it off, but you won't be actively recommending it to anyone either. The film follows two armoured truck workers, Russell Pierce (Murphy) and Travis Stolly (Pete Davidson, The King of Staten Island) as they attempt to make their day's rounds in record time so Russell can get home to celebrate his anniversary with wife Natalie (Eva Longoria in her second Prime Video release in as many weeks, following the utterly atrocious War of the Worlds). But along the way they find themselves being pursued by a crew of criminals led by Zoe (Keke Palmer, Hustlers) while they're conveniently in a service dead-zone. But what Russell doesn't know is that Travis already knows Zoe. He'd met her a few days earlier and they'd spent the weekend together, the driver becoming the thief's unwitting inside man. A good portion of the film is dedicated to the pursuit, with the criminal crew chasing down the truck along a stretch of highway. Some of this action is decent, and shot with a little bit of flair. There's a lull in the action for a while after that, before the climax rolls around full of speed, danger and explosions. The Pickup makes Murphy's Russell the straight man to Davidson's over-the-top Travis. We're used to seeing Murphy be the more boisterous half of a movie pairing, but that's certainly not the case here. Davidson plays pretty much the same character he's played in everything thus far, a dopey but nonetheless likeable dude who bumbles his way around. Palmer, however, is easily the best part of the film. The moment she arrives on screen she commands your attention. She has an incredibly watchable quality and generally elevates everything she appears in. Longoria provides some decent laughs in her supporting role, and her addition to the final act helps to give the film a little more spark as it careers towards the end. Director Tim Story (who has helmed films like the 2005 Fantastic Four, Ride Along and 2023 Christmas streamer Dashing Through the Snow) and screenwriters Kevin Burrows and Matt Mider have managed to include some sly references to their stars' careers which are a nice touch. At one point Travis starts to play The Pointer Sisters' The Neutron Dance (a song most associated with Murphy's Beverly Hills Cop) in their truck and cops a stern look from Russell, while later on Zoe encounters prominent graffiti reading 'NOPE', the title of one of Palmer's most famous films. While there are worse ways to spend a lazy hour-and-a-half (notably, the previously mentioned War of the Worlds with Longoria and Ice Cube - steer well clear), there are also plenty of other movies more worthy of your time. Every star of The Pickup certainly has poorer films in their history.

Dannii Minogue: Aussie star set to make long-awaited TV return in UK drama Imposter
Dannii Minogue: Aussie star set to make long-awaited TV return in UK drama Imposter

West Australian

time10 hours ago

  • West Australian

Dannii Minogue: Aussie star set to make long-awaited TV return in UK drama Imposter

More than three decades after she departed Home and Away's golden shores, Dannii Minogue is set to make her acting comeback in a bitter family drama also starring Neighbours icon Jackie Woodburne. The new TV series, titled Imposter, is being produced for the UK's Channel 5 and shot in Australia. Spotted filming in Melbourne, Minogue, 53, cut a radiant figure as she donned a white summer dress matched with blue and tan heels, and a sky blue coat. In shots from filming, Minogue cosies up to co-star Harrison Popple, an emerging Perth-born talent whose best known credit to date is Australian children's drama Itch, filmed in Perth and Albany from 2019-2020. Woodburne, 69, looked a far cry from her beloved Susan Kennedy character on the soap, seen sporting a grey coat and dusty silver hair. Imposter has been described as a Succession-like family feud with a fight for money at its core. Its Aussie cast also features familiar faces Don Hany and Jane Harber, both of whom starred in popular drama Offspring. Harber is also known for Upper Middle Bogan. UK actress and singer Kym Marsh, who became a show favourite on Coronation Street, is also set to star. An Australian broadcaster is yet to be announced but it is set to screen in the UK in 2026.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store