Everything you need to know about Night and Day Festival
Night and Day takes place in Lough Key Forest Park, Co Roscommon on 27-29 June.
KT Tunstall, The Stunning, Jose Gonzalez, Paul Brady, Lisa Hannigan, The Wailers, Sultans of Ping, Fionn Regan, Hermitage Green, Joshua Burnside, Efa O'Neill, Nialler9, Daithi, Skinner, Mathman, DUG and many more.
You can see the full lineup and stage times here.
Yes, there is a full wellness schedule that ranges from hot tubs, saunas, yoga and reiki workshops that you can book here.
You can also avail of the exiting activities in Lough Key Forest Park that is: Zipit, Boat Tours, Kayaking and Ce Sauna.
The festival is over 20s but under 14s can attend with an adult ticket holder.
The festival has a full schedule of family friendly activities including kids yoga, circus skills, imagination playground, foraging for medicinal plants and much more.
Yes, weekend camping tickets (€195) as well as day tickets for Friday (€65), Saturday (€98) and Sunday (€98) are still on sale.
Yes, but you need to book in advance here.
No, they are sold out.
Driving: Exit the N4 onto the L1019 which will bring you to the festival car park. General traffic does NOT enter through the main Lough Key Forest Park entrance.
Train: You can get the train to either Boyle or Carrick on Shannon and get the shuttle bus (check timings) from designated locations.
Bus: A shuttle bus from Boyle (King House) and Carrick on Shannon (Cryan's Hotel) is operating.
Boat: The marina at Lough Key is open so you can arrive by boat if you wish.
Yes, but you can't have it inside the music tents after 6pm.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Irish Independent
5 days ago
- Irish Independent
All-star concert for Médecins Sans Frontières to take place on ‘private residence' in Wicklow
Tickets for the event in Delgany are not on general sale and anyone interested in attending needs to secure a place by email. Details were posted on with the all-star gathering, called 'The Raise 2025', billed as 'a music event organised by a collective of creatives, to generate support and awareness for the important work of Médecins Sans Frontières (MSF). More specifically, MSF's work in the occupied territories of Palestine'. "As many of us have watched from afar the devastation unfold in Gaza, a common response resounds: What can be done? What can I do?', it continues. 'In a small way, we hope that The Raise creates an opportunity for people to do something tangible through raising support for MSF. 'The Raise will take place in Delgany, County Wicklow on [Saturday] August 30. The Raise will be a day long concert involving some of the most celebrated artists and musicians Ireland has to offer: Kíla, Steve and Joe Wall (The Stunning), Declan O' Rourke, Anna Mieke, Paddy Casey, Mundy and lots more . . . we will hear from MSF workers about their experience in Gaza and, in so much as we are able, stand in support of them and the people they are serving.' While there is no link to buy tickets, the organisers explained: 'The Raise is a private event on a private residence, it is not exclusive, persons over 18 are welcome to email theraise2025@ to reserve a spot, but places are limited. A suggested minimum donation of €100 is encouraged if attending the event.'
Irish Examiner
06-08-2025
- Irish Examiner
'We just got lucky': Tales from the Cork lads who ran merchandise stalls for Oasis in the 1990s
Morty McCarthy remembers the first time he met one of the Gallagher brothers. It was February 1992, and the Cork man and his band, the Sultans of Ping, were sharing a bill with fellow Leesiders the Frank and Walters at the Boardwalk venue in Manchester. A local lad by the name of Noel popped up during the soundcheck to say hello. He'd been rehearsing in one of the other rooms with an unsigned group he said were called 'Oasis', and wanted to reacquaint with the Franks, a band he'd previously worked with as a roadie. Little did anyone there know that the 'sound' 21-year-old and the four lads banging out tunes in the basement were on their way to becoming the biggest band in Britain. Or that McCarthy would have a front seat on the Oasis rollercoaster. As the Sultans' career plateaued, the Greenmount drummer ended up working with the Manchester band's merchandise material in the era when they exploded onto the scene. His switch of career to the merchandise world originated in his Sultans days when, as the non-drinker in the band, McCarthy was the designated van driver. During a period of downtime in early 1994, he heard that their merchandise company Underworld needed somebody to ferry gear to various gigs. McCarthy signed up, and drafted in his childhood pal Damien Mullally when an opening came up for somebody to look after the company's London warehouse. 'Underworld were probably the biggest merchandise outfit in the UK at the time,' recalls McCarthy. 'We just got lucky, because we all started working literally a couple of months before the whole Britpop thing broke. And Underworld not only had Oasis, they also had Pulp.' Liam and Noel Gallagher messing about at Knebworth in 1996. Mullally and McCarthy enjoyed working in the merchandise, travelling to gigs and making the most of life in London. In true Cork style, they'd even managed to secure jobs in Underworld for a few more of their mates from home. Not that it was all plain sailing. There was still an element of anti-Irish feeling in the UK in the mid-1990s – especially in the wake of the IRA bombing of the Bishopsgate financial district in 1993 – and going around in a van full of boxes meant the Cork duo were regularly stopped and questioned at police checkpoints. 'We also got a bit of it around Abbey Wood where we lived, but things were much better when we moved to Hackney, which was more multicultural,' says Mullally. Meanwhile, between April 1994 and the release of Definitely Maybe at the end of August, a real buzz was building around Oasis. The three singles Supersonic, Shakermaker, and Live Forever, had been hitting incrementally higher chart positions, and the album went straight to number one in the UK charts. The Gallagher brothers had arrived. For the Cork duo, the gigs they worked were getting ever busier, and the few dozen t-shirts and other bits they'd previously sold were now getting to hundreds and even thousands of units. Underworld realised they were going to need a bigger boat. Or at least a decent lorry. This created a bit of a conundrum as nobody in the company had the special licence required in the UK. Step forward the lad with the Irish licence which, at the time, was universal and didn't need the special HGV training. 'I'd never even sat in the truck before,' recalls McCarthy, now 55, of the day they went to hire their new vehicle from a yard near King's Cross. 'I just thought, how hard can it be? We got in and the first thing I did was hit a barrier. I was just thinking 'I'm not going to be able to reverse this. So whatever we do, we'll just have to drive it forward'. I suppose we had this 'It'll be grand' attitude. I wouldn't do it at this age!' Morty McCarthy on a merchandise stall back in the 1990s. Life on the road was a mixture of good fun and hard work. Depending on the tour, Mullally and McCarthy would sometimes be living on the crew's bus, or other times driving to venues themselves. Of course there were some late nights and partying along the way, but the Oasis entourage also had a serious work ethic. 'If everybody knew that did a couple of days off, then there might be a big party and a bit of a blowout. But a lot of the time, people were up early to get set up at the next venue, and working long hours through the day. You wouldn't have been able to do your job if you were partying all the time,' says Mullally, now working at the Everyman theatre in Cork. 'People got on very well on tour. You knew you just couldn't be invading people's private space or doing the langer in any way.' The band themselves travelled in a different bus, but both Mullally and McCarthy recall the Gallagher brothers as being down-to-earth lads who were always pleasant to deal with. 'I think because we were Irish, that helped too,' says Mullally. 'Yes,' agrees McCarthy. 'I even remember Noel joking with us about Taytos and Tanora!' He does recall a friendly disagreement before a gig in Bournemouth when Liam Gallagher fancied his footwear. 'We had this Dutch driver who used to come every week delivering merchandise, and he used to sell Adidas off the back of the truck. I'd bought this pair of orange Adidas. Liam collected Adidas trainers. He was like 'I'm having your trainers.' And I was going no, and he was like '100 quid!'.' While it was predominantly merchandise that kept Mullally and McCarthy involved with Oasis, they also dropped a load of equipment for the band to Rockfield Studios in 1995. Those sessions at the Welsh studio would of course spawn (What's the Story) Morning Glory?,the second album that would propel the band to stratospheric levels of popularity. On the road, part of the Cork duo's job was dealing with the increasing amount of bootleggers who were selling unofficial merchandise near the venues. 'We'd go out to chat to them, and then of course it'd turn out that a lot of them were friends of the Gallaghers from Manchester,' says Mullally. 'They were mostly nice guys so you'd just ask them to push back a bit – 'Just go down to the end of the road to sell your stuff'.' The mid-1990s was an era when everything was paid for in cash. This meant the two Cork lads would sometimes end up with tens of thousands worth of banknotes in cardboard boxes or plastic bags in the back of the truck or in a hotel after a gig. Liam and Noel Gallagher of Oasis arriving at Cork Airport in 1996. Picture: Dan Linehan An event like Knebworth in 1996 – when Oasis played to 250,000 people across two days – created even more issues. 'A few times a day we used to do a cash-run to get the money off the stall. Somebody would come along with a backpack and we'd stuff it with maybe 10 grand in notes," says Mullally. "You'd try to be as inconspicuous as you could walking through the crowd with that on your back, hoping that nobody comes at you.' Knebworth had 'proper' security vans taking the cash from the event HQ, but Mullally recalls the earlier days when himself and his co-worker would have to bank the money. 'You can imagine with all the stuff that was going on at the time, and two Irish guys coming into the bank with 20 grand in cash, sometimes even in deutsche marks if we were after a European tour. They'd be looking at you strangely, and you know that they're just about to push a button. But they might make a few phonecalls or whatever and we'd eventually get it done.' Knebworth is widely regarded as the high point for the band, but McCarthy also has particularly warm memories of the gig they played in his hometown just a few days later. 'I couldn't believe they were actually playing in Cork at that stage,' he says. He drove the truck from the UK via the Holyhead ferry, but as he arrived at Páirc Uí Chaoimh ahead of schedule, they wouldn't let him into the arena. Wary of leaving a truck full of merchandise parked around the city, McCarthy drove it to the seaside village of Crosshaven. 'When I got there I decided I'd leave it at the carpark at Graball Bay. I didn't even know if it'd fit up the hill but I just about managed it,' he recalls. When he went back later that evening to check everything was ok, there was a big crowd of children gathered around the emblazoned truck. 'There was a big mystery in Cork about where the Gallaghers were staying, and the word had gone around that this was their truck. One of the kids asked me 'Are Liam and Noel coming out to play?' I had to shoo them away.' Oasis merchandise has become an even bigger business since the 1990s. Picture: Lucy North/PA Those two Cork gigs were among the final dealings McCarthy had with Oasis. He has since moved to Sweden, where he teaches English, but regularly returns to the merchandising world for tours with various other bands. He's happy the Gallagher brothers are back together, and realises he was part of something special in the 1990s. 'It's hard to explain people the energy in the UK that the Britpop thing had. Musically, I didn't think it was the greatest, but the energy was phenomenal,' says McCarthy. ' I think at the time, the Indie scene was very middle class. But then along came Oasis. We probably didn't realise we were living in a golden era, but we had the time of our lives.'
The Irish Sun
17-07-2025
- The Irish Sun
Bottle-feeding lambs, poitin at TOTP & punching megastar – iconic Irish 80s acts reveal incredible secrets of golden era
A TOUR manager for Irish rockers The Stunning gave one of megastars Blur 'a dig' — after mistaking him for a drunken music fan. The Brewing Up A Storm band were making serious inroads in the Advertisement 5 The Stunning's Steve Wall revealed how the shock incident happened Credit: Redferns 5 Blur supported The Stunning at a raucous London gig. Credit: Getty 5 The Hothouse Flowers feature on episode 4 of the Irish Sun's Fields of Dreams podcast Credit: Getty Singer 'Derek, the guitarist at the time, had a tendency to play in his bare feet. One of these b*****ds broke a glass on purpose in front of Derek's guitar pedals so he couldn't get to it — and they were really p***ing us off. 'After the 'What he was trying to do? I don't know. Maybe he just thought like, 'I'll go in and say hello to the lads, I'm from Mayo', or wherever. Advertisement Read more on Field Of Dreams Listen to Fields Of Dreams on 'So we had this tour manager, a big strapping fella from Co 'He grabbed your man and he basically rammed him up against the door, threw him out — got the bouncers to kick him out." So far so good, then. He added: 'So we were towelling down. And then this other guy came in the door and it was Graham Coxon from Blur. I mean, we didn't know that at the time. And he was coming in because he thought he'd left something behind in the dressing room. Advertisement Most read in The Irish Sun Breaking Breaking 'Tony grabbed him and rammed him up against the wall. And he said, 'I thought I told you to f*** off!' I think he gave him a dig.' Steve added: 'I never got to meet him again after that, but I always wanted to apologise.' Róisín O says Vogue Williams 'fan-girled' over her mam Mary Black Episode 4 of the Fields of Dreams podcast examines the astonishing quality of the scene nationally in the 1980s and '90s which resulted in many Irish bands — including Founder member Fiachna O'Braonain recalls a shock visit from Irish broadcasting royalty while over in London and about to head out and perform on legendary Advertisement He said: 'We get a call from security. They say, 'There's a guy here, he says he's come to see you. He's from Connemara, and he's come all the way over to see you guys, and his name is Sean Ban Breathnach'.' The POITIN IN HAND Fiachna added: 'F***ing SBB is here! So we go, 'Yes, let him in'. SBB arrives in… he had a bottle of poitin with him.' The Fields of Dreams podcast also hears hilarious stories from Sharon Shannon, the accordion star who was propelled into fame with Advertisement Just before her debut album became the biggest selling trad album in Irish history, she toured with the Whole Of The Moon hitmakers for 18 months. Mike Scott decided they needed to tour on a massive bus, which they took to the Shannon farm in the west of Ireland one day. BIG HOOLEY She said: 'I don't know how it even fitted on the road. The road to our house where I grew up is a tiny little road with grass in the middle of it. I don't even know if my parents were expecting us. 'And this huge, big, luxurious bus comes in, drives into the driveway of the old farmhouse at Advertisement 'My mother was putting dinners in front of them. And if they were staying for any length, any long period of time, the bottle of whiskey would be out as well. 'So we had a mighty big hooley, a big session. FEEDING THE LAMB 'And I remember Noel Bridgman, the drummer in the band, had a pet lamb, one of our pet lambs in his lap, and he was feeding the lamb with the bottle of milk. 'I can't get over that. Advertisement 'Real cool, you know, the leather trousers and the beautiful long hair and Steve with the feathers in his hat and all this — and all of them here in the middle of this old country farmhouse having a drink of whiskey and having a big session and feeding the lamb.' This episode also focuses on the charity single craze which began with 5 Hothouse Flowers star Fiachna O'Braonain got a shock visit from from Irish broadcasting royalty while over in London Credit: Redferns The 14-hour gig in Advertisement However, the event was criticised before it even began. Some saw it as doing the work of government, and the fury levelled at its main players left lasting marks on some. These include Paul Doran, who co-wrote the song Make It Work — derided as 'Make it Worse' by some folk at the time — with Christy Moore. Make It Work topped the charts in May 1986. For Doran, the instant fame, his struggles to deal with the attention and the criticism, and then failure to capitalise on what was a good song left a bitter aftertaste. Advertisement 'A BIT OF A SHOCK' He revealed: 'I became very, very well known almost overnight, you know. 'And then to have people kind of criticizing this event that you're associated with and best known for, it was all a bit of a shock to the system really. 'I guess I didn't really know how to handle it. 'So yeah, my thoughts have changed over the years. There are times when I cursed it and thought, 'God, you know that's the only thing I'm known for'. Advertisement 'Tony grabbed him and rammed him up against the wall. And he said, 'I thought I told you to fk off!' I think he gave him a dig.' Steve Wall 'It's a kind of a weight around my neck, you know — it's that kind of thing. 'I didn't capitalise on it at all.' REGRETS Paul continued: 'I regretted that at times, especially when I was on hard times in my life, and I was broke, and you know what I mean, I would say, oh, why didn't you do that?' That followed 1985's Show Some Concern, by a 'supergroup' called The Concerned. Advertisement Mike Hanrahan from Stockton's Wing was among those who joined forces for the single that topped the charts. However, he admitted: 'If I'm been really honest about it, I think it's more of getting your face in the video, you know? 'PUBLICITY FEST' 'Those things… that was a publicity fest for artists. 'Maybe I'm a bit cynical — but what's wrong with that?' Singing superstar Mary Black also lifts the lid on the time Christy Moore kind of gatecrashed her wedding. Advertisement The Field of Dreams podcast harks back to the time when she was starting to make waves as a solo singer in 1980. It was when the She said: 'I got married on March 6, 1980, and the wedding had to be stopped. 'Because it was being aired at half 9 that night, and we all squeezed into this room. Advertisement 'We were down in the Clarence Hotel in Dublin, having a knees-up wedding, and everything had to stop so they could see Mary on television singing on the Christy Moore show.' EPISODE four of Fields of Dreams is out now on 5 The Waterboys star Mike Scott insisted they needed to tour on a massive bus Credit: Redferns
