
Barbra Streisand finds 'The Secret of Life' on her new duets album
She had just spent six days a week for six weeks recording the audiobook version of her 2023 memoir "My Name is Barbra' - which became more than 48 hours of discussing her storied, EGOT-winning career and the unexpected life that came with it. But now, it was time to record a new album with a stunning lineup of duet partners that ranged from current hitmakers Hozier and Sam Smith to legends Bob Dylan, Paul McCartney and James Taylor. And when producers played the songs for her, she couldn't sing along. Her mighty voice would just squeak.
"My voice was shot,' Streisand, 83, told The Associated Press, calling from her home in Malibu, California. "I mean, I literally prayed to God in front of that microphone, 'Let my voice be there for me.' And I don't know how, but it was there.'
Fans will be able to hear that for themselves on Friday, when her album "The Secret of Life: Partners, Volume 2' arrives in stores and on streaming services. And despite her misgivings, Streisand shows she can still deliver the performances she wants, while also coaxing them out of others.
Her duet with Dylan had been decades in the making. In 1970, Dylan sent Streisand a bouquet of flowers and a note - written in what she believes was crayon - asking, "Would you sing with me?'
But they did not connect until decades later, when their styles had converged a bit. When Streisand started work on her new album, she sent Dylan a copy of her memoir with an inscription referring to their time separately performing in Greenwich Village as teenagers and hoping it was time to finally sing together.
Choosing to rework the Ray Noble standard "The Very Thought of You' - popularized by everyone from Nat King Cole and Tony Bennett to Billie Holiday and Ella Fitzgerald - turned out to be a surprise. It's not one of her personal favorites, though it is her longtime manager Marty Erlichman's favorite song.
Dylan, one of the most revered songwriters in music history, only wanted to sing a standard, not one of his own classics. "Isn't that great?' Streisand said. "I would've sung anything with him.'
She also agreed to his request to keep everyone else out of the studio when they recorded - including Streisand's husband, James Brolin, who often goes to her sessions.
"I had heard he wrote 'Lay, Lady, Lay' for me,' she said. "So I thought, 'Let's make this lush, romantic track.''
Though Dylan has a reputation for not taking much direction from producers, Streisand said he was very receptive to her suggestions.
"He was totally open to 'Why don't you maybe try this?' or 'Phrase it this way' or 'Try something else' - just like I do as a director in movies and he was my actor that day,' she said. "To capture his originality and his voice and his phrasing, it was just an exciting experience.'
Her experience with McCartney was more daunting. There was a full film crew on hand, led by Oscar-winning director Frank Marshall, to capture the recording of two of the world's most successful artists for an upcoming documentary on Streisand's life. Streisand said that added to the challenges of the session.
"He was kind of shy about it and I understand him,' she said about recording "My Valentine' with McCartney. "I walked into a room of 25 people (to sing) and I don't like that.'
McCartney told his website he was "terrified' during the three-hour session.
"I thought, 'Well, this will be easy because it's my song, it's "My Valentine.' What can go wrong?'' he said. "But what I'd forgotten was that they'd arranged it so that it had to go in Barbra's key and then in my key. So, to get from Barbra's key into mine was kind of difficult. ... It wasn't easy at all!'
They quickly worked it out. "It turned out great,' said Streisand, who released the song in May as one of the album's preview singles.
It's another single, though, that is resonating even more. "Letter to My 13-Year-Old Self,' Streisand's duet with Icelandic singer-songwriter Laufey, hit No. 1 on the iTunes chart earlier this month, topping Sabrina Carpenter's "Manchild' and Mariah Carey's "Type Dangerous' on release day.
Streisand related to the song because it reminded her of a middle-school report she wrote called "My Thirteen Years,' which meant so much to her that she still has it. In neat, cursive writing, she recalled what her life was like, her love of Shakespearean sonnets, and the death of her father, Emanuel. "I was too young to realize what had happened,' she writes in the report.
It was at age 13 that Streisand also made her first record, when her mother brought her to Nola Studios in Manhattan to record "You'll Never Know' and "Zing! Went the Strings of My Heart.'
"When I was 13, that's a very distinguished year in my life,' Streisand said. "So I hear this song … and it really hit me.'
She worked with Laufey to turn the original, which Laufey sang solo, into a duet. They settled on Laufey singing as the 13-year-old and Streisand as her mother. Streisand said she was "absolutely thrilled' with how it turned out and how fans have responded to it.
Sure, duet success is nothing new to Streisand, who has topped the charts with Neil Diamond on "You Don't Bring Me Flowers,' and Donna Summer on "No More Tears (Enough Is Enough),' and a string of albums including "Duets,' "Partners' and "Encore: Movie Partners Sing Broadway.'
But "The Secret of Life: Partners, Volume 2' is different. Streisand said her worries about the world and President Donald Trump's second administration may have subconsciously contributed to her selection of some of the album's more serious tracks - like Sting's "Fragile' and her reworking of "Love Will Survive' from last year's "The Tattooist of Auschwitz' series into a duet with Seal.
"I'd like to be happier,' Streisand said. "But every time I turn on the television - and I'm a glutton for punishment, obviously - I'm fascinated and horrified at the same time, you know?'
At a recent dinner with U.S. Sen. Cory Booker, D-N.J., Streisand said he described the current state of Washington as "created chaos, corruption and cruelty.'
Streisand added, "I thought, 'That kind of sums him (Trump) up.''
However, Streisand, who has retired from touring, said she does plan to work on achieving the goal she set out in her memoir: To enjoy life more. "The Secret of Life' - named from the James Taylor classic, as well as a children's book she reads her grandchildren - has sparked thoughts about what enriches her life.
"The secret of life is spending time with people you love,' she said, adding she plans to release a string of photos of her and her "secrets,' including her husband, her son Jason Gould, and other friends, family, and, of course, dogs.
Streisand is in her "stop and smell the roses' era.
"I'm getting older by the day, by the minute, and you have to take a look at your life from that point of view again, you know?' Streisand said. "I look in the mirror and go, 'How much time do I have left?' … I've had several projects I've never fulfilled, but I have such fulfillment now with people that I love.'
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Arab Times
14 hours ago
- Arab Times
Barbra Streisand finds 'The Secret of Life' on her new duets album
She had just spent six days a week for six weeks recording the audiobook version of her 2023 memoir "My Name is Barbra' - which became more than 48 hours of discussing her storied, EGOT-winning career and the unexpected life that came with it. But now, it was time to record a new album with a stunning lineup of duet partners that ranged from current hitmakers Hozier and Sam Smith to legends Bob Dylan, Paul McCartney and James Taylor. And when producers played the songs for her, she couldn't sing along. Her mighty voice would just squeak. "My voice was shot,' Streisand, 83, told The Associated Press, calling from her home in Malibu, California. "I mean, I literally prayed to God in front of that microphone, 'Let my voice be there for me.' And I don't know how, but it was there.' Fans will be able to hear that for themselves on Friday, when her album "The Secret of Life: Partners, Volume 2' arrives in stores and on streaming services. And despite her misgivings, Streisand shows she can still deliver the performances she wants, while also coaxing them out of others. Her duet with Dylan had been decades in the making. In 1970, Dylan sent Streisand a bouquet of flowers and a note - written in what she believes was crayon - asking, "Would you sing with me?' But they did not connect until decades later, when their styles had converged a bit. When Streisand started work on her new album, she sent Dylan a copy of her memoir with an inscription referring to their time separately performing in Greenwich Village as teenagers and hoping it was time to finally sing together. Choosing to rework the Ray Noble standard "The Very Thought of You' - popularized by everyone from Nat King Cole and Tony Bennett to Billie Holiday and Ella Fitzgerald - turned out to be a surprise. It's not one of her personal favorites, though it is her longtime manager Marty Erlichman's favorite song. Dylan, one of the most revered songwriters in music history, only wanted to sing a standard, not one of his own classics. "Isn't that great?' Streisand said. "I would've sung anything with him.' She also agreed to his request to keep everyone else out of the studio when they recorded - including Streisand's husband, James Brolin, who often goes to her sessions. "I had heard he wrote 'Lay, Lady, Lay' for me,' she said. "So I thought, 'Let's make this lush, romantic track.'' Though Dylan has a reputation for not taking much direction from producers, Streisand said he was very receptive to her suggestions. "He was totally open to 'Why don't you maybe try this?' or 'Phrase it this way' or 'Try something else' - just like I do as a director in movies and he was my actor that day,' she said. "To capture his originality and his voice and his phrasing, it was just an exciting experience.' Her experience with McCartney was more daunting. There was a full film crew on hand, led by Oscar-winning director Frank Marshall, to capture the recording of two of the world's most successful artists for an upcoming documentary on Streisand's life. Streisand said that added to the challenges of the session. "He was kind of shy about it and I understand him,' she said about recording "My Valentine' with McCartney. "I walked into a room of 25 people (to sing) and I don't like that.' McCartney told his website he was "terrified' during the three-hour session. "I thought, 'Well, this will be easy because it's my song, it's "My Valentine.' What can go wrong?'' he said. "But what I'd forgotten was that they'd arranged it so that it had to go in Barbra's key and then in my key. So, to get from Barbra's key into mine was kind of difficult. ... It wasn't easy at all!' They quickly worked it out. "It turned out great,' said Streisand, who released the song in May as one of the album's preview singles. It's another single, though, that is resonating even more. "Letter to My 13-Year-Old Self,' Streisand's duet with Icelandic singer-songwriter Laufey, hit No. 1 on the iTunes chart earlier this month, topping Sabrina Carpenter's "Manchild' and Mariah Carey's "Type Dangerous' on release day. Streisand related to the song because it reminded her of a middle-school report she wrote called "My Thirteen Years,' which meant so much to her that she still has it. In neat, cursive writing, she recalled what her life was like, her love of Shakespearean sonnets, and the death of her father, Emanuel. "I was too young to realize what had happened,' she writes in the report. It was at age 13 that Streisand also made her first record, when her mother brought her to Nola Studios in Manhattan to record "You'll Never Know' and "Zing! Went the Strings of My Heart.' "When I was 13, that's a very distinguished year in my life,' Streisand said. "So I hear this song … and it really hit me.' She worked with Laufey to turn the original, which Laufey sang solo, into a duet. They settled on Laufey singing as the 13-year-old and Streisand as her mother. Streisand said she was "absolutely thrilled' with how it turned out and how fans have responded to it. Sure, duet success is nothing new to Streisand, who has topped the charts with Neil Diamond on "You Don't Bring Me Flowers,' and Donna Summer on "No More Tears (Enough Is Enough),' and a string of albums including "Duets,' "Partners' and "Encore: Movie Partners Sing Broadway.' But "The Secret of Life: Partners, Volume 2' is different. Streisand said her worries about the world and President Donald Trump's second administration may have subconsciously contributed to her selection of some of the album's more serious tracks - like Sting's "Fragile' and her reworking of "Love Will Survive' from last year's "The Tattooist of Auschwitz' series into a duet with Seal. "I'd like to be happier,' Streisand said. "But every time I turn on the television - and I'm a glutton for punishment, obviously - I'm fascinated and horrified at the same time, you know?' At a recent dinner with U.S. Sen. Cory Booker, D-N.J., Streisand said he described the current state of Washington as "created chaos, corruption and cruelty.' Streisand added, "I thought, 'That kind of sums him (Trump) up.'' However, Streisand, who has retired from touring, said she does plan to work on achieving the goal she set out in her memoir: To enjoy life more. "The Secret of Life' - named from the James Taylor classic, as well as a children's book she reads her grandchildren - has sparked thoughts about what enriches her life. "The secret of life is spending time with people you love,' she said, adding she plans to release a string of photos of her and her "secrets,' including her husband, her son Jason Gould, and other friends, family, and, of course, dogs. Streisand is in her "stop and smell the roses' era. "I'm getting older by the day, by the minute, and you have to take a look at your life from that point of view again, you know?' Streisand said. "I look in the mirror and go, 'How much time do I have left?' … I've had several projects I've never fulfilled, but I have such fulfillment now with people that I love.'


Arab Times
11-06-2025
- Arab Times
Johnson, Song decode love in ‘Materialists'
LOS ANGELES, June 11, (AP): Before Celine Song was an Oscar-nominated filmmaker, she was a playwright in New York who needed day jobs to pay rent. That's how she found herself as a professional matchmaker. What may have begun as a purely transactional gig, a way for her to keep making her art in an expensive city, taught her more about people's wants and needs and the true contents of their hearts than she could have ever imagined. 'I always wanted to write something about it because there seemed to be a story in it that is massive and very epic in proportion,' Song said. 'It affects every human being on Earth.' And while waiting for her breakout film 'Past Lives' to debut, she did. That film is 'Materialists,' a modern-day New York love story starring Dakota Johnson, Pedro Pascal and Chris Evans that's heading to theaters this weekend. Johnson is the matchmaker presented with two different types of men for herself - one a poor, struggling actor and ex-boyfriend, the other a wealthy 'unicorn' - and the internet has already been drawing battle lines. But, like 'Past Lives' wasn't really about a love triangle, 'Materialists' is about something more than the question of which guy is the 'correct' choice. Song and Johnson spoke with The Associated Press about the film, falling in love and the modern marketplace of dating. Remarks have been edited for clarity and brevity. AP: How did you find each other? Song: We met up thinking that we were just going to get to know each other and be friends and I walked away from that conversation - this is just from my perspective - but I think I was still sitting there when I texted my producers and the studio being like, 'I think I've found my Lucy.' That's how casting works for me, it's always about falling in love. It's very connected to what we talk about in the film. Like, there's no mathematical anything. It just the feeling that you get talking to someone and you're like, oh I just know. Johnson: I knew you had this movie that you were about to start making. I was basically told it was too late. I was like, but I really want to meet her because she's so smart, and I've seen interviews and obviously had seen 'Past Lives.' I just wanted talk and get to know her as an artist and a person and so I went into this being like there's no chance that I'll be in this movie, but maybe she'll make another one. We just had such a good time talking, I didn't even know that I was someone she was thinking about. A few weeks later we spoke. It was very romantic. AP: Where do we meet Lucy in life? Johnson: She's sort of at the top of her game in her work and is very disconnected from her heart and focused on being a perfectionist and getting people to get married. On the surface, you see her as a very transactional person and not really invested in people's souls, but she actually is and really does want the best for them. She's also on her own journey of trying to figure out what it is she wants for herself in this life, and, essentially, do you fight for the thing that you think you want, or do you fight for that thing that you know you need? Is that right, Celine? Song: That's so good. AP: What are you trying to say through the two men in her life? Song: It was never going to be a conversation about which flavor of a person. It's actually so much more about this marketplace of dating that all of us live in if you're single, and also the marketplace that Dakota's character is navigating. She knows the math better than anyone else in the film. She's an excellent matchmaker. Pedro plays somebody who is probably, in straight dating, someone of the highest possible value. Chris' character, in the spectrum in the marketplace of values of dating, is someone who is of the lowest value possible. I find them to be such adorable characters, very worthy of an adoration. Lucy knows exactly where they fall in the in the stock market of men. It's actually about the way that the math around that is going to blow up. Johnson: Celine speaks so eloquently about the marketplace of dating and I glitch at those words because I'm like, you can't explain love that way. But that's actually how people are. Marriage used to be a business deal. It was like, my father wants your cows and my mother needs your wheat and whatever. It was a trade-off. But now there's all these books about how we expect our partner to fulfill every single aspect of our needs. And the world being dominated by social media, people don't meet in real life anymore. They don't behave normally in public. People are in a very strange place in evolution, and I think the difference between these two characters and these two men, sure they are different ends of the spectrum in terms of like technical value, materialistic value. But also each of them have the opposite in terms of psycho-spiritual value and emotional value and what they can offer the other person in terms of soul evolution and growth. Perhaps because she works in this world of trying to understand people and what they want, she's forced to go more inward and really interrogate herself and say, what do I really want and what is actually important in this life? Is it how much money I have or is it how truly loved I am? Song: To me, it's about this contradiction, right? It's this thing of how we talk about what we want in our partner, when we're asked to use language to describe it, and how we literally, spiritually fall in love. The gap between those two things is terrifyingly big. To me, that's where the mystery of the film is.


Arab Times
10-06-2025
- Arab Times
BET Awards 2025 brings star power, tributes, and social justice
LOS ANGELES, June 10, (AP): The BET Awards delivered a night of major star power and poignant moments Monday night, marking the ceremony's 25th anniversary with a mix of comedy, emotion, and calls for justice. The night delivered a stirring mix of purpose and entertainment from Doechii 's powerful speech, Jamie Foxx 's emotional reflection and Kevin Hart 's sharp comedic opener. Doechii made her presence felt early during the five-hour ceremony, using her acceptance speech for best female hip-hop artist to draw attention to the immigration raids and protest crackdowns taking place just miles from the venue. Her message added urgency and depth to a ceremony meant to honor both Black excellence and social impact. After being named best female hip-hop artist - her first-ever BET Award - Doechii acknowledged her fellow nominees, then shifted the spotlight to the issues unfolding outside the venue. "There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order,' said Doechii, who won a Grammy for best rap album, only the third woman to win in that category. "Trump is using military forces to stop a protest,' she said. "I want you all to consider what kind of government it appears to be when every time we exercise our democratic right to protest, the military is deployed against us. What type of government is that?' Doechii's words drew applause from the audience at the Peacock Theater, where the awards aired live. "People are being swept up and torn from their families,' she continued. "I feel like it's my responsibility as an artist to use this moment to speak up for all oppressed people. … We all deserve to live in hope and not fear. I hope we stand together.' Foxx, Mariah Carey, Snoop Dogg and Kirk Franklin received the Ultimate Icon Award. They were selected due to their impact on entertainment as well as their community impact and advocacy. Foxx was the first to receive his award. He was visibly moved during a heartfelt moment at the awards, being brought to tears while accepting his trophy after surviving a life-threatening health scare in recent years. The Oscar and Grammy winner reflected on watching the in memoriam tribute from his seat. "When I saw the memoriam, I was like, 'Man, that could've been me,'' said Foxx, who was hospitalized in 2023 after suffering a stroke. In an interview with The Associated Press, he recalled the severity of the moment: "The thing was almost a wrap. Every prayer counted.' Foxx was presented the award by music legend Stevie Wonder, adding even more weight to the emotional moment. As he stood on stage, his voice cracked with gratitude. "I don't know why I went through what I went through. But I know my second chance - I won't turn it down,' Foxx said, as his two daughters and sister wiped away tears from the audience. "I have so much love to give. Just give me one more crack at this. Whatever reason you put this on me, I promise I'll do right. … You can't go through something like that and not testify.' Carey said this was her first time collecting a trophy at the BET Awards. The singer said she became emotional after Busta Rhymes introduced her. "It took me a while, but I finally realized that life is far too short to live for anyone else's approval, which is something I always did,' said Carey, a five-time Grammy winner. "I decided to own who I am.' Dr. Dre presented the award to Snoop, who walked onstage with his wife Shante Taylor. In his speech, he paid homage to Carey, Franklin, and Foxx before thanking the many others who helped him throughout his life. "Hip-hop gave me a voice. It gave me a purpose,' he said. "It gave me a way out and a way into homes, hearts, cultures, and countries I'd never thought I would even touch. Being an icon isn't about fame. It's about legacy. It's about what you build, what you leave behin,d and who you lift up along the way.' Franklin expressed gratitude for the honor, admitting he's far from the perfect Christian, husband, father, or artist. He joked, "I can't even sing.' "Which makes this award so amazing, because what I do really don't make sense," he said. "If you're listening to this, that's when you know it's God.' Hart kicked off the awards with a flurry of jokes, poking fun at everything from celebrity names to slippery afterparties. "There won't be any afterparties tonight. Things could get slippery,' he quipped, referencing baby oil that's been frequently mentioned in the criminal case against Diddy. Hart set the tone for a night full of humor and on a night honoring the awards show's 25th anniversary. The comedian also joked about the pronunciation of GloRilla and Snoop's real names, drawing laughs from the crowd before turning sincere. Hart paid tribute to Foxx and teased gospel star Franklin. "When you get your award tonight, don't come up here front twerking,' Hart said, as the crowd erupted in laughter. The jab was a nod to Franklin's viral moment when he playfully twerked on gospel legend Jacky Clark Chisholm during a live performance. "Don't come up here poppin',' Hart added, as cameras caught Franklin bowing his head and chuckling. "Don't try to blame it on the Lord. The Lord didn't ask for that. Put it away, Kirk.' Kendrick Lamar took home the award for his critically acclaimed project "GNX.' Lamar made waves with his Grammy triumph, winning song and record of the year for "Not Like Us.' He followed up with a groundbreaking halftime show, becoming the first solo hip-hop performer to headline the coveted slot. The rap megastar is currently on the Grand National Tour with SZA. Lil Wayne, GloRilla, Amerie, Jim Jones, and Teyana Taylor were some of the performers who hit the stage. Other performers included Babyface, Ludacris, Tank, Jennifer Hudson, Teddy Riley, T-Pain, Doug E. Fresh, Craig Robinson, Playboi Cart,i and singer Leon Thomas. The BET Awards offered tributes to former popular hosts and performances, including the network's once-flagship program "106 & Park. ' The weekday show launched in 2000 and lasted for more than a decade. It thrived with a video countdown, interviews, and performances. The show reunited past hosts A.J. Calloway, Free, Julissa Bermudez, Keshia Chanté, Rocsi Diaz, and Terrence J. The tribute will feature performers such as Bow Wow, Amerie, B2K, Jim Jones, Mya, T.I,. and Mr. 106 & Park.