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Why Were These General Hospital Favorites Missing From The Nurses Ball?

Why Were These General Hospital Favorites Missing From The Nurses Ball?

Yahoo2 days ago

While this year's General Hospital Nurses Ball was a night to remember for many, we can't help but wonder why some key Port Charles residents were missing from the biggest event of the year.
Lulu (Alexa Havins) certainly made her presence at the ball unforgettable, but missing were two key family members: Lucky (Jonathan Jackson), and the mayor herself, Laura (Genie Francis). Sure, Laura could have an excuse if she needed to stay home with Ace during Kevin's (Job Lindstrom) extended visit to Fairmont Crest, but what's Lucky's excuse? It certainly wasn't staying with the injured Elizabeth (Rebecca Herbst), considering Lucas (Van Hansis) also skipped the ball to watch it on TV with Liz instead of asking his Miami crush Marco (Adrian Anchondo) to be his date.
READ THIS: GH fans ask where this missing Mac (John J. York) and Michael (Rory Gibson) scene went.
But the biggest missed opportunity was making both Lucky and Liz absent from the ball when they could have recreated an old Nurses Ball act and warmed the hearts of every OG LL2 fan watching.
Ava (Maura West) May be back to having riches, but she didn't barge into the ball glammed up and with Ric (Rick Hearst) on her arm like many may have expected. She even performed one year, but this time around, her absence was hardly felt.
READ THIS: Amanda Setton opens up about Brook Lynn's heart-wrenching GH twist.
Considering how proud Brennan (Chris McKenna) is of scoring Carly (Laura Wright), you'd think he would have taken this opportunity to ask her to the ball. Instead, he wasn't seen once, while Carly arrived with alone and snapped some memories with her daughter and Sonny (Maurice Benard).
Did you notice any key characters missing from this year's Nurses Ball? Let us know in the comments.

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Veterans partner with non-profit for post-storm roof repair kits
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Veterans partner with non-profit for post-storm roof repair kits

Integrity Homes Co-Owners David Souileau and Warren Vandever demonstrate how to use the emergency tarp. (Ashlyn Little / American Press) Southwest Louisiana has seen its fair share of blue tarps on homes in recent years. With hurricane season beginning on June 1, now is the time to be prepared in case an emergency situation strikes. The Southwest Louisiana Veterans Association has partnered with Houston-based non-profit Every Shelter to distribute FEMA-approved emergency roof patch kits as part of a pilot program for local veterans. Every Shelter volunteer John O'Donnell, who is helping coordinate the pilot program, said the organization creates shelters for refugees in places where people need it. 'They were doing it so innovatively, they were creating these shelter solutions from recycled vinyl and recycled styrofoam and the environmental side of me kind of perked up a little bit and I became really interested,' O'Donnell said. Once O'Donnell contacted Every Shelter, he learned about the patch kit. That's when he started working with them to get the word out. The patch kit is 100 percent made in the U.S. The kit includes one tarp, nails and step-by-step installation instructions. 'The tarp is super easy to put up. If you can swing a hammer you can put this tarp up. The kit comes with the nails — it comes with everything you need, including the instructions and a video about where and how to place it. It makes it really accessible for those that need it,' O'Donnell said. Small, smart intervention can prevent bigger damage and keep people safe after a storm, he said. 'For example, with my own roof, we didn't lose the whole roof, we just had enough of a hole in it that enough water got in the walls where we had to gut the whole home. This can bridge that gap between the hole in the roof and getting a new roof,' O'Donnell said. The tarp will last longer than a blue tarp because of the UV specifications that it has and because it is made out of recycled billboard, according to O'Donnell. David Soileau and Warren Vandever co-own Integrity Homes, a veteran-owned contracting company that started in 2020 after Hurricanes Laura and Delta. 'Myself and Warren served our country and we both just want to serve. We're kind of done with the national service, but we still want to serve the community at least. When John brought the opportunity for us to be involved, it let us have a bigger way to serve the community and be ready for the next event,' Souileau said. 'We really wanted to partner up with what John's (O'Donnell) got going on. We have a big heart for the community, especially here in Southwest Louisiana, and want to make sure people get taken care of — mitigation is key, you need a dry place to stay and by having these tarps available can make a huge impact in keeping you safe,' Souileau said. For more information on the Emergency Roof Patch Kits visit

Breaking Down the Brutal Ending of Bring Her Back
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Warning: This post contains spoilers for Bring Her Back. The message of Bring Her Back may be that grief is the real monster. But desperate mother Laura (played with a harrowing intensity by Sally Hawkins) makes a pretty good one all on her own. As a follow-up to their acclaimed 2023 feature debut Talk to Me, Australian filmmaking brothers and RackaRacka YouTube creators Danny and Michael Philippou have delivered a brutal exploration of trauma and loss in the form of a boundary-pushing supernatural horror. The movie is vicious and visceral, and is currently sitting at a certified fresh rating of 89% on Rotten Tomatoes. Following a found footage-style opening sequence depicting a disturbing occult ritual, Bring Her Back introduces us to tight-knit step-siblings Piper (Sora Wong) and Andy (Billy Barratt). We quickly learn that 17-year-old Andy feels responsible for protecting his younger sister, who is mostly blind. 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But as Oliver's behavior turns increasingly violent and Laura's attempts to create a divide between Piper and Andy grow ever more blatant, it becomes clear that whatever Laura's really up to is far more dark and nefarious than simply not wanting troubled teen Andy moping around. How Bring Her Back ends Bring Her Back is a tough and squirm-inducing watch that never grants viewers any real reprieve as it hurtles toward its cruelly bleak conclusion. But for horror fans seeking nearly 100 minutes of relentless dread, this one is likely to get the job done. In the end, it's revealed that Laura, driven to all-consuming anguish by her daughter's death, is attempting to use that same ritual we caught a glimpse of in the movie's opening minutes to try to resurrect Cathy, whose frozen corpse she's been keeping hidden away in a locked shed. 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The Muddled Message of Bring Her Back
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The Muddled Message of Bring Her Back

The horror genre has come to feel oversaturated with message films: artistically rendered stories that use scares less to frighten and more to manifest psychological or philosophical themes. So when the Philippou brothers—a pair of Australian directors (and twins) who got their start on YouTube—premiered their feature debut, Talk to Me, it felt like a burst of youthful energy. The gnarly cautionary tale followed a group of teens whose attempt at a séance goes disgustingly wrong; it became a film-festival and art-house phenomenon. Impressively, the movie resonated with highbrow audiences without sacrificing the unbridled ambition the directors had used to gain a foothold online, with short films inspired by professional wrestling and pop culture. Yet their follow-up film, Bring Her Back, feels like a conscious swerve away from those roots. 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Their new caretaker's scatterbrained affect just barely hides dangerous ulterior motives; she vacillates between being an overly affectionate friend to her charges and a hypersensitive disciplinarian. [Read: Time for scary movies to make us laugh again] The filmmakers know exactly how to leverage Hawkins's warm, naturalistic screen presence, using her offbeat sweetness to keep the audience guessing as to her character's exact level of malevolence. Laura's home is supposedly a good fit for the brother-sister pair because she had a blind daughter, who died; Piper is visually impaired. Yet the siblings' new environment curdles pretty quickly as Laura becomes unduly fascinated with Piper's similarities to her deceased child, and is outwardly hostile toward the fiercely protective Andy. Other goings-on contribute to the film's eeriness: A shirtless and mute child named Oliver (Jonah Wren Phillips) is wandering around, sporting a suspicious birthmark. 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[Read: The master of highbrow horror] Those revelations are also evidence of the directors' struggle to interpret these hijinks as psychologically revealing, not just wickedly gruesome. Teasing out the mysteries of Laura's character drew me in; the broad strokes of her preoccupation with Piper make sense, while exactly what she's planning to do with the girl is hard to pinpoint—especially with the unsettling wild-card presence of Oliver shuffling around in the background. Laura dismisses his odd behavior as that of another traumatized foster child, but its origins are far more disturbing. Exploring the nature of his pain—as well as Andy's and Piper's—is where the film's message becomes most muddled; the abuse that children can face from the adults watching over them is largely treated as the stuff of plot twists. 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Article originally published at The Atlantic

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