logo
Mythic Quest's Updated Finale Changes Ian and Poppy's Polarizing Ending — Which Version Is Better?

Mythic Quest's Updated Finale Changes Ian and Poppy's Polarizing Ending — Which Version Is Better?

Yahoo18-04-2025

Apple TV+ may have pulled the plug on its video game workplace comedy Mythic Quest, but the series' creators have one more surprise in store for viewers: A brand-new scene that retcons Season 4's very polarizing and wildly confusing ending.
In the original finale (which is, of course, now the de facto series finale), Ian convinces a pregnant Poppy to reverse her decision to stay at MQ, telling her that if there's even the slightest chance that things could work out with her boyfriend in the Netherlands, she should go and pursue it. Poppy gets on the plane, but shows up at the office after getting an alert that Ian was attempting to log back into the system. Poppy and Ian both admit to each other that the Elysium expansion is far more important than they previously let on. They embrace, Ian kisses her and they make out for a few moments before pulling away with horrified looks on their faces. Just as Poppy is about to speak, the credits roll.
More from TVLine
Law & Order: Organized Crime Premiere: Stabler and Benson Reunite Under Dire Circumstances as Season 5 Begins - Read Episodes 1 and 2 Recap
Abbott Elementary EPs Talk Season 4's 'Breather' Finale, Janine and Gregory's Latest Relationship Milestone
Daredevil: Born Again: Who Returned for the Finale? Who Didn't Survive? And How Did It Set Up Season 2?
If you were shocked and appalled by that ending, the new one (now streaming on Apple TV+) might be more your speed. Things are mostly the same in that final scene between Poppy and Ian, except after they hug it out, they separate with Poppy saying that she's going to write down all of Ian's passwords for him. They switch desks (since hers was all packed up and empty), while Ian cracks a joke about how Pop had sex one time and got pregnant. And their jovial back and forth bantering shall continue indefinitely inside the walls of Mythic Quest! No kiss. No awkward romantic chemistry. (Plus, there's a fantastic needle drop — Starship's 'Nothing's Gonna Stop Us Now.')
So, what do you think, fans? Which ending do like better? Vote in our poll below, then hit the comments!
Best of TVLine
Mrs. Maisel Flash-Forward List: All of Season 5's Futuristic Easter Eggs
Yellowjackets Recap: The Morning After
Yellowjackets Recap: The First Supper

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

LiveOne (NASDAQ: LVO) to Announce Fiscal Year 2025 Financial Results and Host Investor Webcast on Wednesday, June 18, 2025
LiveOne (NASDAQ: LVO) to Announce Fiscal Year 2025 Financial Results and Host Investor Webcast on Wednesday, June 18, 2025

Yahoo

time3 hours ago

  • Yahoo

LiveOne (NASDAQ: LVO) to Announce Fiscal Year 2025 Financial Results and Host Investor Webcast on Wednesday, June 18, 2025

Reaffirms Audio Revenue of $108M+ and Adjusted EBITDA* of $16M+ for FY25 Improves efficiency by leveraging state of the art AI technology launching 25+ new radio stations and hosts. Reducing one-third of Slacker staff and achieving an additional $1.3M in cost savings LOS ANGELES, June 05, 2025 (GLOBE NEWSWIRE) -- LiveOne (Nasdaq: LVO), an award-winning, creator-first, music, entertainment, and technology platform, will announce preliminary financial results for its fiscal year ended March 31, 2025 ('FY25') and will host an investor webcast on Wednesday, June 18, 2025. 'We believe that AI, when thoughtfully integrated, allows us to scale and personalize our programming while staying true to what makes Slacker Radio different—human-centered curation, storytelling, and the connection that our DJs and hosts create with listeners,' said Jaime Solis, Head of Content & Programming at LiveOne. About LiveOneHeadquartered in Los Angeles, CA, LiveOne (Nasdaq: LVO) is an award-winning, creator-first, music, entertainment, and technology platform focused on delivering premium experiences and content worldwide through memberships and live and virtual events. LiveOne's subsidiaries include Slacker, PodcastOne (Nasdaq: PODC), PPVOne, CPS, LiveXLive, DayOne Music Publishing, Drumify and Splitmind. LiveOne is available on iOS, Android, Roku, Apple TV, Spotify, Samsung, Amazon Fire, Android TV, and through STIRR's OTT applications. For more information, visit and follow us on Facebook, Instagram, TikTok, YouTube and X at @liveone. For more investor information, please visit Forward-Looking StatementsAll statements other than statements of historical facts contained in this press release are 'forward-looking statements,' which may often, but not always, be identified by the use of such words as 'may,' 'might,' 'will,' 'will likely result,' 'would,' 'should,' 'estimate,' 'plan,' 'project,' 'forecast,' 'intend,' 'expect,' 'anticipate,' 'believe,' 'seek,' 'continue,' 'target' or the negative of such terms or other similar expressions. These statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements to differ materially from those expressed or implied by such statements, including: LiveOne's reliance on its largest OEM customer for a substantial percentage of its revenue; LiveOne's ability to consummate any proposed financing, acquisition, spin-out, special dividend, merger, distribution or transaction, the timing of the consummation of any such proposed event, including the risks that a condition to the consummation of any such event would not be satisfied within the expected timeframe or at all, or that the consummation of any proposed financing, acquisition, spin-out, merger, special dividend, distribution or transaction will not occur or whether any such event will enhance shareholder value; LiveOne's ability to continue as a going concern; LiveOne's ability to attract, maintain and increase the number of its users and paid members; LiveOne identifying, acquiring, securing and developing content; LiveOne's intent to repurchase shares of its and/or PodcastOne's common stock from time to time under LiveOne's announced stock repurchase program and the timing, price, and quantity of repurchases, if any, under the program; LiveOne's ability to maintain compliance with certain financial and other covenants; LiveOne successfully implementing its growth strategy, including relating to its technology platforms and applications; management's relationships with industry stakeholders; LiveOne's ability to extend and/or refinance its indebtedness and/or repay its indebtedness when due; uncertain and unfavorable outcomes in legal proceedings and/or LiveOne's ability to pay any amounts due in connection with any such legal proceedings; changes in economic conditions; competition; risks and uncertainties applicable to the businesses of LiveOne's subsidiaries; and other risks, uncertainties and factors including, but not limited to, those described in LiveOne's Annual Report on Form 10-K for the fiscal year ended March 31, 2024, filed with the U.S. Securities and Exchange Commission (the 'SEC') on July 1, 2024, Quarterly Report on Form 10-Q for the quarter ended December 31, 2024, filed with SEC on February 14, 2025, and in LiveOne's other filings and submissions with the SEC. These forward-looking statements speak only as of the date hereof, and LiveOne disclaims any obligation to update these statements, except as may be required by law. LiveOne intends that all forward-looking statements be subject to the safe-harbor provisions of the Private Securities Litigation Reform Act of 1995. * About Non-GAAP Financial MeasuresTo supplement our consolidated financial statements, which are prepared and presented in accordance with the accounting principles generally accepted in the United States of America ("GAAP"), we present Contribution Margin (Loss) and Adjusted Earnings Before Interest Tax Depreciation and Amortization ("Adjusted EBITDA"), which are non-GAAP financial measures, as measures of our performance. The presentation of these non-GAAP financial measures is not intended to be considered in isolation from, or as a substitute for, or superior to, operating loss and or net income (loss) or any other performance measures derived in accordance with GAAP or as an alternative to net cash provided by operating activities or any other measures of our cash flows or liquidity. We use Contribution Margin (Loss) and Adjusted EBITDA to evaluate the performance of our operating segments. We believe that information about these non-GAAP financial measures assists investors by allowing them to evaluate changes in the operating results of our business separate from non-operational factors that affect operating income (loss) and net income (loss), thus providing insights into both operations and the other factors that affect reported results. Adjusted EBITDA is not calculated or presented in accordance with GAAP. A limitation of the use of Adjusted EBITDA as a performance measure is that it does not reflect the periodic costs of certain amortizing assets used in generating revenue in our business. Accordingly, Adjusted EBITDA should be considered in addition to, and not as a substitute for operating income (loss), net income (loss), and other measures of financial performance reported in accordance with GAAP. Furthermore, this measure may vary among other companies; thus, Adjusted EBITDA as presented herein may not be comparable to similarly titled measures of other companies. Contribution Margin (Loss) is defined as Revenue less Cost of Sales. Adjusted EBITDA is defined as earnings before interest, other (income) expense, income tax expense, depreciation and amortization and before (a) non-cash GAAP purchase accounting adjustments for certain deferred revenue and costs, (b) legal, accounting and other professional fees directly attributable to acquisition activity, (c) employee severance payments and third party professional fees directly attributable to acquisition or corporate realignment activities, (d) certain non-recurring expenses associated with legal settlements or reserves for legal settlements in the period that pertain to historical matters that existed at acquired companies prior to their purchase date and a one-time minimum guarantee to effectively terminate a live events distribution agreement post COVID-19, and (e) certain stock-based compensation expense. Management does not consider these costs to be indicative of our core operating results. With respect to projected full Fiscal 2026 Adjusted EBITDA, a quantitative reconciliation is not available without unreasonable efforts due to the high variability, complexity and low visibility with respect to purchase accounting adjustments, acquisition-related charges and legal settlement reserves excluded from Adjusted EBITDA. We expect that the variability of these items to have a potentially unpredictable, and potentially significant, impact on our future GAAP financial results. LiveOne Press Contact:press@ Follow LiveOne on social media: Facebook, Instagram, TikTok, YouTube, and X at @liveone.

Golf comedy ‘Stick' can't get out of the rough
Golf comedy ‘Stick' can't get out of the rough

Boston Globe

time3 hours ago

  • Boston Globe

Golf comedy ‘Stick' can't get out of the rough

Owen Wilson brings his shaggy brand of charm to the role of Pryce 'Stick' Cahill, a former pro golf stud who flamed out years back, beset by grief (spoiler advisories prevent me from saying why), drinking, and disappointment. His ex-wife, Amber-Linn (Judy Greer, always a welcome presence) is tolerant but weary. His RV-driving former caddy and current barroom hustle partner, Mitts (Boston University alum Then, one day at the driving range, he hears a magical sound. It's the ball flying off the club of Santi (Peter Dager), a teen prodigy with a bit of an attitude. Pryce sees Santi as his way back to golf nirvana. But the kid was coached by his hard-ass dad, who then up and left him and his mother, Elena (promising Mexican actress Mariana Treviño, who shows sharp timing here and opposite Tom Hanks in 2022's 'A Man Called Otto'). He wants no part of competitive golf. Undeterred, Pryce cuts a check for Elena, convinces Santi that together they can make the big time, and embarks on a wild, wacky, life-affirming tour of major amateur events, with Elena, Mitts, and his RV along for the ride. Advertisement Peter Dager, Mariana Treviño, Kirstin Eggers, Marc Maron and Owen Wilson in "Stick." Apple TV+ Golf is rife with metaphors applicable to the game of life, particularly where it comes to deciding between playing it safe or letting it all hang out. A past big-screen golf comedy, which we'll get to in a moment, worked these ideas to smooth and even raunchy effect. 'Stick,' on the other hand, likes to whack you over the head with a 9-iron. The comedy feels forced, more in the vein of a middling network sitcom than a premium streaming series. The drama can be downright maudlin, especially when it tries to visualize Pryce's ruminations on his past and his might-have-beens. As Pryce tries to get his pupil to slow down and let the game come to him, it's hard not to wish 'Stick' had followed similar advice. 'Stick' also shanks its attempts at edgy nowness. Along the way the crew picks up a wild card, a young woman named Zero (Lili Kay). She describes herself as a 'genderqueer, anti-capitalist, postcolonial feminist.' Kids. They're really something, am I right? She becomes Santi's girlfriend and touchstone, which would be fine if the two actors had better chemistry and better material to work with. The series also tries to have some fun at the expense of a hyper-competitive pickleball couple, because pickleball is, you know, hot. You can sense someone standing behind the scenes of 'Stick,' constantly trying to gauge its Q Score. Advertisement There are some highlights. The brightest is Clark is actually a lot like David Simms, Kevin Costner's slick, slimy adversary, who was played by Don Johnson in the 1996 romantic golf comedy 'Tin Cup.' Come to think of it, 'Stick' has an awful lot in common with 'Tin Cup,' another story of a washed-up, impetuous golfer looking for a shot at redemption. The biggest difference is that 'Tin Cup' never sweated on the course as it mixed homespun wisdom with sex appeal. 'Stick' can't keep its cool the same way. You feel it straining to be meaningful and charming, and to fill out ten episodes. Playing golf can be frustrating. Watching a comedy about it shouldn't be. Advertisement STICK Starring Owen Wilson, Peter Dager, Lili Kay, Marc Maron, Mariana Treviño, Timothy Olyphant, and Judy Greer. On Apple TV+. Chris Vognar, a freelance culture writer, was the 2009 Nieman Arts and Culture Fellow at Harvard University.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store